70 Folklore and Superstition in Petronius' Satyricon
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Satyricon of Petronius Arbiter
Satyricon of Petronius Arbiter Translated by Firebaugh Satyricon of Petronius Arbiter Table of Contents Satyricon of Petronius Arbiter..........................................................................................................................1 Translated by Firebaugh..........................................................................................................................1 INTRODUCTION...................................................................................................................................5 I................................................................................................................................................................6 II THE AUTHOR....................................................................................................................................6 III REALISM...........................................................................................................................................8 IV FORGERIES OF PETRONIUS.........................................................................................................9 VOLUME 1.ADVENTURES OF ENCOLPIUS AND HIS COMPANIONS................................................11 CHAPTER THE FIRST.........................................................................................................................11 CHAPTER THE SECOND...................................................................................................................12 CHAPTER THE THIRD.......................................................................................................................12 -
Witches, Pagans and Historians. an Extended Review of Max Dashu, Witches and Pagans: Women in European Folk Religion, 700–1000
[The Pomegranate 18.2 (2016) 205-234] ISSN 1528-0268 (print) doi: 10.1558/pome.v18i2.32246 ISSN 1743-1735 (online) Witches, Pagans and Historians. An Extended Review of Max Dashu, Witches and Pagans: Women in European Folk Religion, 700–1000 Ronald Hutton1 Department of Historical Studies 13–15 Woodland Road Clifton, Bristol BS8 1TB United Kingdom [email protected] Keywords: History; Paganism; Witchcraft. Max Dashu, Witches and Pagans: Women in European Folk Religion, 700–1000 (Richmond Calif.: Veleda Press, 2016), iv + 388 pp. $24.99 (paper). In 2011 I published an essay in this journal in which I identified a movement of “counter-revisionism” among contemporary Pagans and some branches of feminist spirituality which overlapped with Paganism.2 This is characterized by a desire to restore as much cred- ibility as possible to the account of the history of European religion which had been dominant among Pagans and Goddess-centered feminists in the 1960s and 1970s, and much of the 1980s. As such, it was a reaction against a wide-ranging revision of that account, largely inspired by and allied to developments among professional historians, which had proved influential during the 1990s and 2000s. 1. Ronald Hutton is professor of history, Department of History, University of Bristol 2. “Revisionism and Counter-Revisionism in Pagan History,” The Pomegranate, 13, no. 2 (2011): 225–56. In this essay I have followed my standard practice of using “pagan” to refer to the non-Christian religions of ancient Europe and the Near East and “Pagan” to refer to the modern religions which draw upon them for inspiration. -
Pliny the Elder and the Problem of Regnum Hereditarium*
Pliny the Elder and the Problem of Regnum Hereditarium* MELINDA SZEKELY Pliny the Elder writes the following about the king of Taprobane1 in the sixth book of his Natural History: "eligi regem a populo senecta clementiaque, liberos non ha- bentem, et, si postea gignat, abdicari, ne fiat hereditarium regnum."2 This account es- caped the attention of the majority of scholars who studied Pliny in spite of the fact that this sentence raises three interesting and debated questions: the election of the king, deposal of the king and the heredity of the monarchy. The issue con- cerning the account of Taprobane is that Pliny here - unlike other reports on the East - does not only use the works of former Greek and Roman authors, but he also makes a note of the account of the envoys from Ceylon arriving in Rome in the first century A. D. in his work.3 We cannot exclude the possibility that Pliny himself met the envoys though this assumption is not verifiable.4 First let us consider whether the form of rule described by Pliny really existed in Taprobane. We have several sources dealing with India indicating that the idea of that old and gentle king depicted in Pliny's sentence seems to be just the oppo- * The study was supported by OTKA grant No. T13034550. 1 Ancient name of Sri Lanka (until 1972, Ceylon). 2 Plin. N. H. 6, 24, 89. Pliny, Natural History, Cambridge-London 1989, [19421], with an English translation by H. Rackham. 3 Plin. N. H. 6, 24, 85-91. Concerning the Singhalese envoys cf. -
PRIMITIVE POLITICS: LUCAN and PETRONIUS Martha Malamud in Roman Literature, Politics and Morality Are Not Distinct Categories
CHAPTER TWELVE PRIMITIVE POLITICS: LUCAN AND PETRONIUS Martha Malamud In Roman literature, politics and morality are not distinct categories: both are implicated in the construction and maintenance of structures of power. Roman virtues are the basis of the res publica, the body politic. In what follows, I take “politics” in a broad sense: “public or social ethics, that branch of moral philosophy dealing with the state or social organism as a whole.”1 As Edwards puts it, “issues which for many in the pres- ent day might be ‘political’ or ‘economic’ were moral ones for Roman writers, in that they linked them to the failure of individuals to control themselves.”2 What follows is a case study of how Lucan and Petronius deploy a pair of motifs popular in Roman moralizing discourse (primi- tive hospitality, as exemplifi ed by the simple meal, and primitive archi- tecture) in ways that refl ect on the politics of early imperial Rome. Embedded in the moralizing tradition is the notion of decline. Roman virtue is always situated in the past, and visions of the primitive, such as the rustic meal and the primitive hut, evoke comparisons with a corrupted present. These themes are present in Roman literature from an early period. Already by the third century bce, there is a growing preoccupation with a decline in ethical standards attributed to luxury and tied to the expansion of Roman power and changes in Rome’s political structure. Anxiety focused around luxurious foods, clothing, art, and architecture. As Purcell observes of Roman views of their own food history, “[d]iet-history is a subdivision of that much larger way of conceptualizing passing time, the history of moral decline and recovery; indeed, it is a way of indexing that history,”3 and one can say the same of architecture-history. -
An Intertextual Approach to Metapoetic Magic in Augustan Love-Elegy and Related Genres
Durham E-Theses Asking for the Moon: An Intertextual Approach to Metapoetic Magic in Augustan Love-Elegy and Related Genres CHADHA, ZARA,KAUR How to cite: CHADHA, ZARA,KAUR (2014) Asking for the Moon: An Intertextual Approach to Metapoetic Magic in Augustan Love-Elegy and Related Genres, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/10559/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 Abstract Asking for the Moon: An Intertextual Approach to Metapoetic Magic in Augustan Love- Elegy and Related Genres Zara Kaur Chadha This thesis offers a new perspective on the metapoetic use of magic in the love-elegies of Propertius, Tibullus, and Ovid, a theme which, though widely acknowledged in contemporary scholarship, has so far received little comprehensive treatment. The present study approaches the motif through its intertextual dialogues with magic in earlier and contemporary texts — Theocritus’ Idyll 2, Apollonius Rhodius’ Argonautica, Vergil’s Eclogue 8 and Horace’s Epodes — with the aim of investigating the origin and development of love-elegy’s self- construction as magic and of the association of this theme with poetic enchantment, deceit, and failure throughout the genre. -
Ancient Authors 297
T Ancient authors 297 is unknown. His Attic Nights is a speeches for the law courts, collection of essays on a variety political speeches, philosophical ANCIENT AUTHORS of topics, based on his reading of essays, and personal letters to Apicius: (fourth century AD) is the Greek and Roman writers and the friends and family. name traditionally given to the lectures and conversations he had Columella: Lucius Iunius author of a collection of recipes, heard. The title Attic Nights refers Moderatus Columella (wrote c.AD de Re Coquinaria (On the Art of to Attica, the district in Greece 60–65) was born at Gades (modern Cooking). Marcus Gavius Apicius around Athens, where Gellius was Cadiz) in Spain and served in the was a gourmet who lived in the living when he wrote the book. Roman army in Syria. He wrote a early first centuryAD and wrote Cassius Dio (also Dio Cassius): treatise on farming, de Re Rustica about sauces. Seneca says that he Cassius Dio Cocceianus (c.AD (On Farming). claimed to have created a scientia 150–235) was born in Bithynia. He popīnae (snack bar cuisine). Diodorus Siculus: Diodorus had a political career as a consul (wrote c.60–30 BC) was a Greek Appian: Appianos (late first in Rome and governor of the from Sicily who wrote a history of century AD–AD 160s) was born in provinces of Africa and Dalmatia. the world centered on Rome, from Alexandria, in Egypt, and practiced His history of Rome, written in legendary beginnings to 54 BC. as a lawyer in Rome. -
Pliny's "Vesuvius" Narratives (Epistles 6.16, 6.20)
Edinburgh Research Explorer Letters from an advocate: Pliny's "Vesuvius" narratives (Epistles 6.16, 6.20) Citation for published version: Berry, D 2008, Letters from an advocate: Pliny's "Vesuvius" narratives (Epistles 6.16, 6.20). in F Cairns (ed.), Papers of the Langford Latin Seminar . vol. 13, Francis Cairns Publications Ltd, pp. 297-313. Link: Link to publication record in Edinburgh Research Explorer Document Version: Early version, also known as pre-print Published In: Papers of the Langford Latin Seminar Publisher Rights Statement: ©Berry, D. (2008). Letters from an advocate: Pliny's "Vesuvius" narratives (Epistles 6.16, 6.20). In F. Cairns (Ed.), Papers of the Langford Latin Seminar . (pp. 297-313). Francis Cairns Publications Ltd. General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 29. Sep. 2021 LETTERS FROM AN ADVOCATE: Pliny’s ‘Vesuvius’ Narratives (Epp. 6.16, 6.20)* D.H. BERRY University of Edinburgh To us in the modern era, the most memorable letters of Pliny the Younger are Epp. 6.16 and 6.20, addressed to Cornelius Tacitus. -
CLA 102.001: Comedy and Satire
Spring Semester 2008 Dr. Achim Kopp TR 10:50-12:05 202-A Knight Hall 100 Knight Hall Telephone: 301-2761 (O); 474-6248 (H) Office Hours: MW 11-12, T 12:15-1:15, E-Mail: [email protected] and by appointment Web Site: www.mercer.edu/fll/index.html Blackboard: http://mercer.blackboard.com CLA 102.001: Comedy and Satire This course introduces students to two genres of classical literature which share a high degree of wit and humor, but which also deliver social and political criticism on a deeper level of meaning. The reading list includes authors such as Aristophanes and Menander (Greek comedy), Plautus and Terence (Roman comedy), as well as Horace, Persius, Martial, Juvenal, Petronius, Seneca, and Apuleius (all representatives of satire, a genre dominated by Roman writers). Texts Apuleius. The Golden Ass . Trans. E. J. Kenney. New York: Penguin, 2004. Aristophanes. Lysistrata and Other Plays . Trans. Alan H. Sommerstein. New York: Penguin, 2002. ---. The Frogs and Other Plays . Trans. David Barrett. New York: Penguin, 2007. Horace. Satires and Epistles . Persius. Satires . Trans. Niall Rudd. New York: Penguin, 1979. Juvenal. The Sixteen Satires . Trans. Peter Green. New York: Penguin, 2004. Martial. Epigrams . Volume I. Ed. and trans. D. R. Shackelton Bailey. Cambridge, MA: Harvard UP, 1993 (Loeb Classical Library). Menander . Plays and Fragments . Trans. Norma Miller. New York: Penguin, 1987. Petronius. The Satyricon . Seneca. The Apocolocyntosis . Trans. J. P. Sullivan. New York: Penguin, 1986. Plautus. The Pot of Gold and Other Plays. Trans. E. F. Watling. New York: Penguin, 1965. Terence. The Comedies . Trans. Betty Radice. -
Roman Decadence Course Syllabus
CLAS 130: Roman Decadence Course Syllabus Fall 2007, TR 1:15-2:30, Room TBA Instructor: Christopher Chinn Office: Crookshank 213 Office Hours: MW 1:00-1:50 or by appointment. I have an open-door policy and am in my office quite a bit, but it’s always best to let me know ahead of time if you intend to drop in. Course Objective: The goal of this course is to reach a satisfactory definition of “decadence” in Roman society, history, literature, and culture. A consideration of various contexts in which Roman decadence is portrayed or discussed will lead us to a consideration of various related conceptions decline, morality, and human nature. In the end, I hope you all will have both a broader understanding of what it means to evaluate Roman culture in particular and an appreciation for what is at stake in making such an evaluation of any culture. Course Plan: This is a discussion course, the starting point for which is the selection of texts (primarily ancient writers) you will be reading. I have divided the texts up according to several general (and, per- haps, artificial) themes as a way to orient discussion in a general way. In each instance we will consider the ancient writers’ views on decadence (such as they are) and decline. Because of the focus on discussion it is necessary for you to come to each session prepared with questions, observations, and arguments to contribute to the conversation. You will also be asked to write several papers in which you develop your ideas in more detail. -
Petronius the Satyricon Who Was Petronius?
Petronius The Satyricon Who was Petronius? • Hedonist • Pro-consul and consul and member of the Nero’s court • Judge of Elegance • Sarical death • Denounced Nero Who was Petronius? • Manuscripts simply refer to the author of the Satyricon as ‘Petronius Arbiter’ • We do not know if they are the same person. The Satyricon – an incomplete novel • Only survives in fragmentary form. The beginning and end are lost. • Many parts omiJed, probably because of its sexually explicit nature. • The Satyricon mainly survives preserved in certain sec?ons. The dinner of Trimalchio is the most complete sec?on. An Overview of the Satyricon • Encolpius ‘The hero of the Satyricon is Encolpius’ penis’ – Amy Richlin. • Giton • Ascyltos • Quar?lla, Pannychis • Trimalchio • Eumolpus An Overview of the Satyricon (con-nued) • Lichas and Tryphaena • Circe in Croton Sources for the Satyricon • A unique literary work. However certain features of the Satyricon can be found – Poe?c sare was common, involving personal observaons and anecdotes about society. Horace’s Dinner of Nasidienus (Serm. 2.8) – exo?c foods squid, fish, crane, provoking fear and crying and laughter. – Mime – Prosimetrum. Menippean sare. Seneca’s Apocolocyntosis – Later novel in the second century Apuleius’ Metamorphoses – Homer, Vergil and Lucan are also influences. Slaves, Freedmen, and Ingenui in the Imperial Period • Ingenuus • Libertus – Augustalis Slaves in the Satyricon • ‘Anyone who leaves this house will receive one hundred lashes’ • ‘Slaves are humans and drink the same milk’ Gaius Pompeius Trimalchio Maecenaanus • Inherited his fortune from his master. • Became an Augustalis, and shows off his fasces and axes • He is painted on the walls accompanied by gods. -
The Female Body in Latin Love Poetry
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Carolina Digital Repository The Female Body in Latin Love Poetry Erika Zimmermann Damer A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Classics. Chapel Hill 2010 Approved by: Sharon James, advisor. James O’Hara, reader. Alison Keith, reader. Paul Allen Miller, reader. Eric Downing, reader. i © 2010 Erika Zimmermann Damer ALL RIGHTS RESERVED ii ABSTRACT ERIKA ZIMMERMANN DAMER: The Female Body in Latin Love Poetry (Under the direction of Sharon James) This dissertation seeks to rethink the female body in Latin love elegy in its aesthetic and political significance, and argues that the sexualized body creates poetic subjectivity. It juxtaposes close readings of the elegies of Tibullus, Propertius, and Ovid alongside contemporary theorizations of the female body found in Irigaray, Kristeva, and Grosz. By expanding critical focus to encompass all the women of elegy, this dissertation demonstrates a surprising ambivalence towards the female body in a genre that claims to celebrate female beauty, and offers a new view of elegy’s role within Roman conceptions of gender, sexuality, bodies, and empire. Chapter one offers a brief introduction to contemporary feminist theories of the body as well as an overview of critical literature on the elegiac body. Chapter two examines Lucretius’ diatribe against love, Horace Epodes 8 and 12, and the Augustan marital legislation as major background for elegy’s female body. -
Equestrians and Social Status in Petronius' Satyricon
Equestrians and Social Status in Petronius’ Satyricon Petronius’ Satyricon has garnered much attention due to its unique portrayal of lower class people in the Roman world. The character who has undoubtedly received the most attention, Trimalchio, is a fantastic representation of a freedman with newfound riches. While much attention has been given to the depictions of Trimalchio and the numerous lowbrow characters throughout the story, less attention has been paid to members of the upper classes. Admittedly, characters of this sort are for the most part absent from a story focused on the poor and/or uncultured. However, references to characters of higher social standing occur throughout the novel. These references range from reports of off scene events, such as an equestrian’s advances toward the naked Ascyltos (92.9-10), to personal opinions of characters, such as Hermeros’ insecure rant about his status (57-58) or Circe’s maid’s haughty declaration that she prefers men of higher status (126.10). Men of high status never actually appear center stage but instead remain in the background while characters like Trimalchio attempt to fill their place. Viewing the upper class from the perspectives of the novel’s predominantly uncultured and lower class characters enables us to see how Petronius envisions the relationship between rich and poor, cultured and uncultured. I argue that appearances of and references to higher status individuals in the Satyricon reveal how the lower class characters viewed both their own status and the status of those of higher social standing. The references to upper class individuals are overwhelmingly negative.