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Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville
University of Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 8-2018 Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville Follow this and additional works at: http://scholarworks.uark.edu/etd Part of the Asian Studies Commons, Comparative Literature Commons, and the Literature in English, British Isles Commons Recommended Citation Maiti, Rashmila, "Mumbai Macbeth: Gender and Identity in Bollywood Adaptations" (2018). Theses and Dissertations. 2905. http://scholarworks.uark.edu/etd/2905 This Dissertation is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected], [email protected]. Mumbai Macbeth: Gender and Identity in Bollywood Adaptations A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Comparative Literature and Cultural Studies by Rashmila Maiti Jadavpur University Bachelor of Arts in English Literature, 2007 Jadavpur University Master of Arts in English Literature, 2009 August 2018 University of Arkansas This dissertation is approved for recommendation to the Graduate Council. M. Keith Booker, PhD Dissertation Director Yajaira M. Padilla, PhD Frank Scheide, PhD Committee Member Committee Member Abstract This project analyzes adaptation in the Hindi film industry and how the concepts of gender and identity have changed from the original text to the contemporary adaptation. The original texts include religious epics, Shakespeare’s plays, Bengali novels which were written pre- independence, and Hollywood films. This venture uses adaptation theory as well as postmodernist and postcolonial theories to examine how women and men are represented in the adaptations as well as how contemporary audience expectations help to create the identity of the characters in the films. -
Dual Edition
YEARS # 1 Indian American Weekly : Since 2006 VOL 15 ISSUE 20 ● NEW YORK / DALLAS ● MAY 14 - MAY 20, 2021 ● ENQUIRIES: 646-247-9458 ● [email protected] www.theindianpanorama.news 12 OPPOSITION LEADERS WRITE TO PM MODI, US lifts most mask DEMANDING FREE MASS VACCINATION, guidance in key step back SUSPENSION OF CENTRAL VISTA PROJECT to post - Covid normalcy Fully vaccinated Americans can ditch their masks in most settings, even indoors or in large groups. WASHINGTON (TIP): President Joe Biden took his biggest step yet toward declaring a victory over the coronavirus pandemic - as public health officials said fully vaccinated Americans can ditch their masks in most settings, even indoors or in large groups. "Today is a great day for America in our long battle with coronavirus," Biden said in the In a joint letter to PM Modi, 12 opposition White House Rose Garden on Thursday,May 13, party leaders, including Sonia Gandhi, have demanded Central govt to provide calling the US vaccination program an foodgrains to the needy and Rs 6,000 "historical logistical achievement." monthly to the unemployed. - File photo of The guidance shift Thursday, May 13, is a Prime Minister Narendra Modi | Twitter turning point in the fight against Covid-19 and @BJP4India comes as US caseloads fall and vaccinations NEW DELHI (TIP): In a joint letter rise. It signals a broad return to everyday to Prime Minister Narendra Modi, lifeand is also a bet that any surge in spread May 12, 12 Opposition parties have from relaxed guidelines won't be enough to urged the government to immediately reverse progress in inoculations. -
Engineering Services Examination (Pre.) 2021 Roll Number and Name of Written Qualified Candidates
1 ENGINEERING SERVICES EXAMINATION (PRE.) 2021 ROLL NUMBER AND NAME OF WRITTEN QUALIFIED CANDIDATES SERVICE : CIVIL ENGG. _______________________________________________________________ ROLL NO. NAME _________________________________________________________________ 0100025 RAJAT KUMAR GUPTA 0100099 JARIWALA YASHRAJ BIMALBHAI 0100106 KEWAT NAGESH SEVAKIPRASAD 0100231 KRISHAN KANT GAUTAM 0100717 PARMAR HARDIKKUMAR BHARATBHAI 0100876 VIVEK KUMAR MEENA 0101090 NIKESH PANWAR 0200043 PAWAN KUMAR 0200065 SHUBHAM SINGH 0200097 DIVYA PRAKASH JAIN 0200142 PIYUSH KESHARWANI 0200150 IRPHAN ANSARI 0200238 RAHUL KUMAR 0200258 SHIVAM KUMAR 0200270 AKHAND PRATAP SINGH 0200283 NARENDRA SINGH PARIHAR 0200287 KUMAR SHIVAM MAURYA 0200289 SHANTANU 0200369 KAMALESH KUMAR PATEL 0200370 SOMESH PANDEY 0200461 SHIVAM SRIVASTAVA 0200476 SHUBHAM BABU 0200505 NILESH CHANDRA SAURABH 0200509 SANJAY YADAV 0200692 HARSHIT SRIVASTAVA 0200728 SAURABH PAL 0200768 SACHIN SRIVASTAVA 0200784 NEELESH KUMAR GUPTA 2 ENGINEERING SERVICES EXAMINATION (PRE.) 2021 ROLL NUMBER AND NAME OF WRITTEN QUALIFIED CANDIDATES SERVICE : CIVIL ENGG. _______________________________________________________________ ROLL NO. NAME _________________________________________________________________ 0200798 SANSKRITI PANDEY 0200817 HEMANT KUMAR TIWARI 0200823 RAM ASHISH KUMAR 0200871 SIDDHARTHA SINGH 0200890 APOORV KUMAR KACHER 0200892 SHUBHAM PANDEY 0200901 SHAJAR HASAN ABIDI 0200955 ABHISHEK MISHRA 0201069 KARN SINGH 0201208 VEER PRATAP SINGH 0300530 A RAHUL 0301158 BOMMASAMUDRAM SAI SUMANTH 0400152 -
Current Affairs 2013- January International
Current Affairs 2013- January International The Fourth Meeting of ASEAN and India Tourism Minister was held in Vientiane, Lao PDR on 21 January, in conjunction with the ASEAN Tourism Forum 2013. The Meeting was jointly co-chaired by Union Tourism Minister K.Chiranjeevi and Prof. Dr. Bosengkham Vongdara, Minister of Information, Culture and Tourism, Lao PDR. Both the Ministers signed the Protocol to amend the Memorandum of Understanding between ASEAN and India on Strengthening Tourism Cooperation, which would further strengthen the tourism collaboration between ASEAN and Indian national tourism organisations. The main objective of this Protocol is to amend the MoU to protect and safeguard the rights and interests of the parties with respect to national security, national and public interest or public order, protection of intellectual property rights, confidentiality and secrecy of documents, information and data. Both the Ministers welcomed the adoption of the Vision Statement of the ASEAN-India Commemorative Summit held on 20 December 2012 in New Delhi, India, particularly on enhancing the ASEAN Connectivity through supporting the implementation of the Master Plan on ASEAN Connectivity. The Ministers also supported the close collaboration of ASEAN and India to enhance air, sea and land connectivity within ASEAN and between ASEAN and India through ASEAN-India connectivity project. In further promoting tourism exchange between ASEAN and India, the Ministers agreed to launch the ASEAN-India tourism website (www.indiaasean.org) as a platform to jointly promote tourism destinations, sharing basic information about ASEAN Member States and India and a visitor guide. The Russian Navy on 20 January, has begun its biggest war games in the high seas in decades that will include manoeuvres off the shores of Syria. -
2. UNIVERSITY of KERALA (Re-Accredited by NAAC with ‘A’ Grade)
1. 2. UNIVERSITY OF KERALA (Re-accredited by NAAC with ‘A’ Grade) Preliminary Minutes of the 26th Meeting of the Syndicate held on 18.03.2017 Place of Meeting : University Buildings Thiruvananthapuram Time : 10.00 AM Members present: 1. Prof.P.K.Radhakrishnan ( In the Chair) Vice– Chancellor 2. Dr.N.Veeramanikandan Pro-Vice-Chancellor 3. Sri.M.K.Abdul Rahim 4. Adv.Johnson Abraham 5. Prof.R.Mohanakrishnan 6. Sri.B.S.Jyothikumar 7. Dr.M.Jeevanlal 8. Sri.M.Sreekumar 9. Dr.Shaji.K 10. Sri.A.A.Rahim 11. Adv.K.H.Babujan 12. Adv.S.Krishnakumar 13. Sri.K.S.Gopakumar 14. Dr.P.M.Radhamany 15. Dr.Latha Devi.R 16. Sri.M.G.Ranjith Kumar 17. Sri.Bhooshan.V, Additional Secretary, GA (IT) Item No.26.01. Confirmation of the Preliminary Minutes of the 25 th meeting of the Syndicate held on 10.02-2017 – reg. (Ac.A.I) The Syndicate considered and approved the Preliminary Minutes of the 25 th Meeting of the Syndicate held on 10.02.2017 with the following modification: Item No.25.21 ‘ALSO RESOLVED that the incumbents be reverted till the posts are sanctioned by the Government’ be added after the third resolution. (Ad.A1) ========================================================================== Item No.26.02 Appointments/Career Advancement Promotion, if any - reg. (Ad.H/Ad.D.II) 2 Resolution of the Syndicate 1. Minutes of the Meeting of the Selection Committee for Selection of Assistant Professors (OBC, Open) in the Department of Communication and Journalism, University of Kerala, Kariavattom, Thiruvananthapuram held on 14.02.2017. -
Conference on "Towards New Visions: Women in Films, Media
Towards New Visions: Women in Films, Media and Beyond Virtual Conference, 11-12 March 2021 http://uoguel.ph/circleconference01 Organizers Aysha Iqbal Viswamohan, Indian Institute of Technology, Madras Sharada Srinivasan, University of Guelph Host Canada India Research Centre for Learning and Engagement (CIRCLE) Sponsor Shastri Indo-Canadian Institute’s Golden Jubilee Conference and Lecture Series Grant (GJCLSG) Day 1, 11 March 2021 7: 00p.m.-12:30a.m. IST/ 8:30a.m.-2:00p.m. EST Opening session 7:00-7:45p.m. Welcome: Dr. Sharada Srinivasan, Director, CIRCLE Introduction to the conference: Dr. Aysha Iqbal Viswamohan Opening remarks: Dr. Charlotte Yates, President & Vice-Chancellor, University of Guelph Opening remarks: Dr. Prachi Kaul, Director, SICI Plenary Session-1 8:00-9:00p.m. Parallel Session-1 9:55- 11:55p.m. Women’s Success Stories in Films and Media Women’s Empowerment on Screen, and New Media: Feminist Screen Chair: Aysha Iqbal Viswamohan Cultures in the Age of Digital Technologies Aswiny Iyer Tiwari Chair: Madhuja Mukherjee Pooja Ladha Surti 1. Collaborative Praxis: Feminisms and Empowerment in Contemporary Popular Bengali Cinema, Smita Bannerjee 2. Indian Women Rising: Female Star Portfolios in the Era of Digital Platforms, Akriti Rastogi 3. No Country for Aunties: A Feminist Inquiry into Intersectional Self- Fashioning in Popular Visual Culture, Shromona Das 4. Rethinking Stereotypes: Embodiment of the Female Aging Self in Select Bengali films, Debashrita Dey 5. Exonerating Disruptive Mothers and Rebellious Daughters: New Discourses of Femininity in Shakuntala Devi and Tribhanga-Tedhi Medhi Crazy, Sanchari Basu Chaudhury Plenary Session-2 9:10-9:45p.m. -
GPS Rajkot Brochure Artwork
WHERE THE WORLD IS A PLAY GROUND *In private school segment THE WORLD OF GEMS EDUCATION At GEMS Education we are educators first, driven by a singular purpose - to provide quality education within the reach of every child. We are World’s largest K-12 School Education Provider with more than 55 years of experience in the education sector. From a single school founded 55 years ago we now operate in 176 countries and are driven by the passion of over 20,000 teachers educating more than 1,90,000 children. We are the pioneers of education and what truly matters to us above all is how our students feel when they walk through our doors. Switzerland Uganda Singapore Egypt France Malaysia KSA UK USA UAE India Qatar Kenya Countries: Operations / Active Projects MAKING A DIFFERENCE TO 2,70,000 STUDENTS AND FAMILIES We provide a unique opportunity to collaborate, engage and interact with GEMS students around the world. More than 2,70,000 students have access to resources through our services division. It helps prepare your child to work alongside people from different cultures right from an early age. We now own, operate and manage over 250 schools across 176 countries. A NETWORK OF OVER 20,000 TEACHERS AROUND THE WORLD As a global team of educators, our teachers draw from each other’s experiences and resources to provide excellent learning opportunities for your child. } World's largest employer of British & Indian teachers } 20,000 teachers from over 115 countries GLOBAL ACCEPTANCE IN OVER 1050 UNIVERSITIES ACROSS 53 COUNTRIES These include all 8 Ivy League universities in the US and all 24 Russell Group Universities & Colleges in the UK. -
Sheet1 Page 1
Sheet1 Sl.No. Name Address Village Camp 1 LATHEEF M V MATTUPADIKKAL ALANGAD GLPS Kottappuram 2 VENKATESHWARAN MOB NO.8129193030 ALANGAD GLPS Kottappuram PALLIKKARAPARAMBU, 3 NANDINI NANDANAN ALANGAD GLPS Thiruvalloor THIRUVALUR 4 RIBU CHERUVYIL ALANGAD Karakunnu Camp 5 MUKUNDAN KAPPANATTUTHARA ALANGAD Karakunnu Camp 6 VIJAYAN AMBATTU ALANGAD Karakunnu Camp 7 KUNJAPPAN GOPURATHIKAL ALANGAD Karakunnu Camp 8 VALSALA MOHANAN KAKKANPPARAMB ALANGAD Karakunnu Camp 9 JOSEPH THANNIPILLI ALANGAD Karakunnu Camp 10 DEVASYA CHENPATHINGAL ALANGAD Karakunnu Camp 11 LISSY GEORGE KIZHAKKUMTHALA ALANGAD Karakunnu Camp 12 KUTTAN CHERTHANAD ALANGAD Karakunnu Camp 13 KUNJUMON KALLATHYIL ALANGAD Karakunnu Camp 15 SHIJU VASU CHETTIKATTIL ALANGAD Karakunnu Camp 16 GEORGE POOYAMPALLAYIL ALANGAD Karakunnu Camp 17 SASI VADAKKEDATH ALANGAD Karakunnu Camp 18 MARY THUNDATHUPARAMBU ALANGAD Karakunnu Camp 19 PRIYA KARIPPAKKATTIL ALANGAD Karingamthuruth 20 MOHANKUMAR LAKSHMI NIVAS, CHIRAYAM ALANGAD LFHS Panayikkulam 21 SUBRAHMANIAN CHIRAVALLY ILLAM ALANGAD LFHS Panayikkulam 22 MARY LEELAMMA CHELAT ALANGAD LFHS Panayikkulam 23 BINDHU BINU NEDUMGADU,PANAYIKULAM ALANGAD LFHS Panayikkulam 24 SOUMYA MECHERI ALANGAD LFHS Panayikkulam 25 ASWIN SETHUMADHAN ARUN SETHUMADHAVAM ALANGAD LFHS Panayikkulam 26 BINI ANAS MELATH ALANGAD LFHS Panayikkulam 27 SUHARA KARIVELIPARAMBU ALANGAD LFHS Panayikkulam 28 NIYAS PANDARAPARAMBU ALANGAD LFHS Panayikkulam 29 REMYA P.S PARAPPILLI ALANGAD LFHS Panayikkulam 30 KOCHUPENNU KANNALITHETTA ALANGAD LFHS Panayikkulam 31 MUHAMADALI KALATHIPARAMBU -
KPMG FICCI 2013, 2014 and 2015 – TV 16
#shootingforthestars FICCI-KPMG Indian Media and Entertainment Industry Report 2015 kpmg.com/in ficci-frames.com We would like to thank all those who have contributed and shared their valuable domain insights in helping us put this report together. Images Courtesy: 9X Media Pvt.Ltd. Phoebus Media Accel Animation Studios Prime Focus Ltd. Adlabs Imagica Redchillies VFX Anibrain Reliance Mediaworks Ltd. Baweja Movies Shemaroo Bhasinsoft Shobiz Experential Communications Pvt.Ltd. Disney India Showcraft Productions DQ Limited Star India Pvt. Ltd. Eros International Plc. Teamwork-Arts Fox Star Studios Technicolour India Graphiti Multimedia Pvt.Ltd. Turner International India Ltd. Greengold Animation Pvt.Ltd UTV Motion Pictures KidZania Viacom 18 Media Pvt.Ltd. Madmax Wonderla Holidays Maya Digital Studios Yash Raj Films Multiscreen Media Pvt.Ltd. Zee Entertainmnet Enterprises Ltd. National Film Development Corporation of India with KPMG International Cooperative (“KPMG International”), a Swiss entity. All rights reserved. entity. (“KPMG International”), a Swiss with KPMG International Cooperative © 2015 KPMG, an Indian Registered Partnership and a member firm of the KPMG network of independent member firms affiliated and a member firm of the KPMG network of independent member firms Partnership KPMG, an Indian Registered © 2015 #shootingforthestars FICCI-KPMG Indian Media and Entertainment Industry Report 2015 with KPMG International Cooperative (“KPMG International”), a Swiss entity. All rights reserved. entity. (“KPMG International”), a Swiss with KPMG International Cooperative © 2015 KPMG, an Indian Registered Partnership and a member firm of the KPMG network of independent member firms affiliated and a member firm of the KPMG network of independent member firms Partnership KPMG, an Indian Registered © 2015 #shootingforthestars: FICCI-KPMG Indian Media and Entertainment Industry Report 2015 Foreword Making India the global entertainment superpower 2014 has been a turning point for the media and entertainment industry in India in many ways. -
Omkara: the Adaptation of William Shakespeare's Tragedy Othello
International Journal of Multidiscip linary Research and Development Volume: 2, Issue: 5, 570-571 May 2015 Omkara: The adaptation of William Shakespeare’s www.allsubjectjournal.com e-ISSN: 2349-4182 tragedy Othello p-ISSN: 2349-5979 Impact Factor: 3.762 Dr. Gajender Kumar Dr. Gajender Kumar Assistant Professor, Abstract Department of English Omkara is a 2006 Indian crime drama film adapted from Shakespeare’s Othello, co-written and directed Govt. College for Women, by Vishal Bhardwaj. It starred Ajay Devgan, Saif Ali Khan, Vivek Oberoi and Kareena Kapoor in the Narnaul M/Garh, Haryana, lead roles, supported by Naseeruddin Shah, Konkona Sen Sharma and Bipasha Basu. The director Vishal India Bhardwaj himself composed the entire music for the film, including the background score, with lyrics by Gulzar. The film is set in Meerut, a town in Western Uttar Pradesh. Keywords: Omkara, drama film, Shakespeare’s Othello Introduction The film was showcased in the Marché du Film section at the 2006 Cannes Film Festival along with a book on the making of Omkara. It was also selected to be screened at the Cairo International Film Festival, where Bhardwaj was awarded for Best Artistic Contribution in [5] Cinema of a Director. The film also won three awards at the Kara Film Festival , an award at the Asian Festival of First Films, three National Film Awards, and seven Filmfare Awards. Omkara Shukla or Omi (Ajay Devgan) is a bahubali, a sort of political enforcer. He is the leader of a gang which commits political crimes for the local politician Tiwari Bhaisaab (Naseeruddin Shah). -
Map’ on Kashmir Rattles Pakistan by NDT Special Bureau Page 2
NEW DELHI TIMES R.N.I. No 53449/91 DL-SW-01/4124/17-19 (Monday/Tuesday same week) (Published Every Monday) New Delhi Page 16 Rs. 7.00 18 - 24 November 2019 Vol - 29 No. 42 Email : [email protected] Founder : Dr. Govind Narain Srivastava ISSN -2349-1221 North Macedonia’s Canadian TV Host path to EU accession is no Racist “You people… love our way of life…” Seven suffers a setback words uttered by Don Cherry that carried a Early Parliamentary Elections will take place degree of truth but could not conceal its racist in North Macedonia on April 12, 2020. These tone even if the 85-year-old quintessential elections were announced by Prime Minister Canadian nationalist may never have Zoran Zaev after the European Council failed intended it that way. to come to an agreement on starting talks with North Macedonia on joining the European Still recovering from an election that has Union in October 2019. Before analysing left the country divided into a patchwork of these developments, a brief history of... regions each reflecting... By Dr. Ankit Srivastava Page 3 By Tarek Fatah Page 2 India’s ‘map’ on Kashmir rattles Pakistan By NDT Special Bureau Page 2 Dolphins are crucial to the eco- Punctuality: Staircase to success Indo-Pacific Strategy not gaining system steam I have just returned from an amazing assembly of a 100 The concept of punctuality has always been on the same Despite the American efforts to breathe life into Indo- very special people with visionary ideas, inventions and pavement, since generations, depicting same respect and Pacific strategy, the initiative is not gaining steam. -
Opposing Viewpoints: a Study on Female Representation by Women in Popular Indian Cinema
INTERNATIONALJOURNALOF MULTIDISCIPLINARYEDUCATIONALRESEARCH ISSN:2277-7881; IMPACT FACTOR :6.514(2020); IC VALUE:5.16; ISI VALUE:2.286 Peer Reviewed and Refereed Journal: VOLUME:10, ISSUE:2(5), February:2021 Online Copy Available: www.ijmer.in OPPOSING VIEWPOINTS: A STUDY ON FEMALE REPRESENTATION BY WOMEN IN POPULAR INDIAN CINEMA Mr. Habin. H Ph. D Research Scholar in English T. K. M College of Arts and Science,University of Kerala Karikode, Kollam Abstract Popular Indian film industry has been dominated by men in all its fields. Even though women are involved in all roles including as film producers, film critics, actresses, directors etc., generally, they have been underrepresented and used for the purpose of generating erotic pleasure. This underrepresentation mainly happens in films which are directed by men. Recently, the number of women film makers has been increasing. Majority of films which are directed by women represent women true to their self, projects their problems and works for their betterment. Thus, by analysing certain Indian popular films, the present research paper projects the main notions that such movies try to present and how far those movies are different from those movies which are produced and directed by men. Keywords: Representation, Women, Popular Movies. Introduction In the past, female representations were underrepresented and subjected to the concept of male gaze. Even though there are ‘super woman’ characters in popular films, women are still sexualised. The film sector visages a constant difficulty to trace a sufficient aspect to balance both the sexualisation and betterment of sturdy women. Although representations of women characters have been improved in recent years, the rapid change in attitude happened in the popular Indian industry with the arrival of women directors and script writers.