DOCSLIB.ORG

The Justinian Volume 1994 Article 1 Issue 3 December

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Justinian Volume 1994 Article 1 Issue 3 December The Justinian Volume 1994 Article 1 Issue 3 December 1994 The uJ stinian Follow this and additional works at: https://brooklynworks.brooklaw.edu/justinian Recommended Citation (1994) "The usJ tinian," The Justinian: Vol. 1994 : Iss. 3 , Article 1. Available at: https://brooklynworks.brooklaw.edu/justinian/vol1994/iss3/1 This Article is brought to you for free and open access by the Special Collections at BrooklynWorks. It has been accepted for inclusion in The usJ tinian by an authorized editor of BrooklynWorks. et al.: The Justinian The Justinian Founded in 1931 • A Forum for the Brooklyn Law School Community December 1994· Volume 64· Number 2 1. This paper consists of 24 pages. 2. This is an OPEN-BOOK paper. 3. Reading time allowed: 3 hours Instructions: Read every article and good luck on finals! Published by BrooklynWorks, 1994 1 The Justinian, Vol. 1994 [1994], Iss. 3, Art. 1 GET INVOLVED!!! THE JUSTINIAN IS LOOKING FOR STAFF MEMBERS AND CONTRIBUTING WRITERS. IF YOU WANT TO SHARE YOUR THOUGHTS AND IDEAS WITH THE BLS COMMUNITY, JUST WRITE THEM DOWN AND SUBMIT THEM TO THE JUSTINIAN https://brooklynworks.brooklaw.edu/justinian/vol1994/iss3/12 EJustinian Cj)ecem&er 1994 2 et al.: The Justinian The Justinian A Forum for the Brooklyn Law School Community Editor-in-Chlef John A. Baxter 4 Mass Torts: A New Field Managing Editors 6 "Right" On Douglas H. Shulman Dawn Furlong 9 The New Odor 10 Death Be Not Proud Special Contributors 14 Memorandum Prof. Anthony Sebok Prof. Spencer Weber Waller 16 1 Misc. 3 (BLS 1994) 17 Melrose Place: The Column Staff 19 Law and Popular Culture Todd Bank, Michael A. King, Jennifer Lobato, Waste Product 21 First Year 23 Ex Ubris PublishedBustinian by BrooklynWorks, Cj)ecm1&er 1994 1994 3 3 The Justinian, Vol. 1994 [1994], Iss. 3, Art. 1 MASS TORTS: A NEW FIELD By Paul D. Rheingold, Trial Lawyer, N.Y.C. Law students may want to consider a gear up for the mass tort. They hire many new field of law in which to practice: mass extra lawyers, nurses, paralegals, and the like, tort litigation. Of course, knowing about a for the duration of the battle. The litigation field of law is not the same as having a job in may last many years, and it goes in stages it. But if you are aware of the existence of a from discovery, to trials, to ultimate resolu­ new practice, it may help you point up your tion through some sort of class action or knowledge to that firm. bankruptcy settlement which involves the Naming the products which have been payment of money to claims in some sort of involved recently in mass tort is probably the grid fashion. best way of demonstrating what is going on: A word of caution: just as one can get asbestos, DES, Dalkon Shield, Agent Orange, a job more easily this field since "warm bod­ Norplant. Each of these has involved mass ies" are needed in an emergency, these sort of litigation in every sense of the word: thou­ jobs also melt away. A plaintiffs' firm recently sands of suits started for similar injuries from laid off many people because it had presented the same product; suits pending in many states; all of its claims in a class action, and now class actions and resolution by the creation of there was going to be a long hiatus until offers gigantic funds to evaluate and pay claims. were made. Wall Street firms may employ These examples are only the tip of the lawyers who don't come up to partnership iceberg of the explosion that has taken place qualities knowing that it is only for the du­ recently in courts in the area of complex or ration. In any such situation, however, you mass litigation. We have mass litigation for have a chance to shine and often you may get hotel fires, collapses of buildings, airplane what you really strive for. disasters, and ship crashes. We have all sorts Although I would not recommend it, of mass toxic torts, such as Love Canal and you could launch yourself onto mass tort liti­ pollution of waterways, of the air, and oil gation-if you have a wealthy uncle. You can spills on the high seas. do as many plaintiffs' lawyers do and run While I have never seen any data, one advertisements for a certain type of product gets the feeling that every year a greater and litigation, e.g., "Send me your implant cases." greater amount of legal resources are moving Most victims who see ads don't have that into the prosecution and defense of the mass much concern about how experienced you tort cases. The litigation of the individual are. You can join litigation groups and tap case-be it the routine auto accident or the into what other lawyers are doing by network­ more sophisticated malpractice action-is still ing. But another word of caution: you must be there but less effort is placed onto these suits. prepared to stay in the fight for the long haul. The time and the money is shifting toward the Your target may go bankrupt and you will repetitive case. wait years for the payoff. At least, during that Where are employment opportunities time, you will have the good feeling that you in this field? They are plentiful but you have are carrying out the fight for better product to know what is hot and which firms are safety. involved. Both plaintiffs and defense firms 4 8ustinian g)ecem&er 1994 https://brooklynworks.brooklaw.edu/justinian/vol1994/iss3/1 4 et al.: The Justinian Of the more than 280 June 1993 Brooklyn graduates who took BAR/BRI for the 1993 New York Bar Exam PASSED BAR/BRI 'The password at Brooklyn Law School' Published8ustinian by BrooklynWorks, q)ecem&er 1994 1994 5 5 The Justinian, Vol. 1994 [1994], Iss. 3, Art. 1 "Right" On By Todd Bank It is indeed tempting to gloat about the and Bill Clinton's class warfare against the rich, revolutionary elections. However, to do so would who can never pay enough taxes, will seem like be tantamount to laughing ata crowd of Bolsheviks ancient history Thomas Grasso, who strangled a after the Gorbachev coup in 1991 . I will thus resist senior citizen in Oklahoma and then another in my desire to poke fun at those who saw their New York, and who Mario Cuomo thought should ideology so unquestionably rejected across this be financed with our money, will be sent back to soon-to-be-again great nation. Die-hard liberals, Oklahoma to be executed. In New York, murderers whose ideology is really a religion because their will also face the only proper punishment. beliefs are based on faith, not fact, will of course, Parole is in danger. The very concept of not change, let alone just learn. This election is a parole is nonsensical. After all, one is punished for great American event, a tidal wave of common an act he committed, not just for being a "bad" sense from coast to coast. person. Therefore, just as we don'tadd prison time It is a victory for those with their hands at solely because a convict is generally "bad" (as computers arid shovels over those with their hands opposed to those oonvicted of specific past acts), just out. It is a victory for those who recognize that nor should we lessen one's prison sentence just this country was founded upon Judeo-Christian because he is general!y "good" while in prison. values over Greenwich Village Secularism. It is a We will see the revival of the Strategic victory for the law-abiding over the lawless. And Defense Initiative program. It's amazing that lib­ most of all, it is a victory over government for the erals claim to oppose it on grounds that it cannot be individual who wants to earn a few bucks without done. Since when did practical considerations stop being chastised and who wants to walk the streets them before? It surely didn't stop them from without being mugged. turning our junior high schools into giant condom There is so much to look forward to, and dispensers, another liberal pet project that works such great things to hope for. There is, perhaps, the - on paper only. And for every great technology end of taxpayers funding rutists whose work no one we have today there are those who said it could wants to buy (i.e. the National Endowment for the never be done. How un-American. How anti­ Arts), and who ought to do what the rest of us with American. True, there is no Soviet Union, but there hobbies must do: getajob. lam dismayed by those are the Arab countries like Iran and Iraq, North so strong in their defense of this program. How can Korea, more and more countries acquiring nuclear it be that, suddenly, after nearly 200 years of weapons every year, and most of all, a future with existence, taxpayer funded art became a vital na­ no guarantees. If you really think the collapse of tional interest? (Like many other wasteful programs, the Soviet Union (I would use the tenn "Evil this too began in the glorious 60s). Those who are Empire" but how dare I imply that American cul­ so concerned with art ought to start a charity ture is better!) meant all is sweet and dandy, you are instead of calling their opponents insensitive. naive. And if two world wars did not teach us that There will be common-sense health care history has a tendency to repeat itself, I don't know reform, not a wholesale reorganization of a system what will.
Load more

Recommended publications
  • Crossdressing Cinema: an Analysis of Transgender
    CROSSDRESSING CINEMA: AN ANALYSIS OF TRANSGENDER REPRESENTATION IN FILM A Dissertation by JEREMY RUSSELL MILLER Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2012 Major Subject: Communication CROSSDRESSING CINEMA: AN ANALYSIS OF TRANSGENDER REPRESENTATION IN FILM A Dissertation by JEREMY RUSSELL MILLER Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY Approved by: Co-Chairs of Committee, Josh Heuman Aisha Durham Committee Members, Kristan Poirot Terence Hoagwood Head of Department, James A. Aune August 2012 Major Subject: Communication iii ABSTRACT Crossdressing Cinema: An Analysis of Transgender Representation in Film. (August 2012) Jeremy Russell Miller, B.A., University of Arkansas; M.A., University of Arkansas Co-Chairs of Advisory Committee: Dr. Joshua Heuman Dr. Aisha Durham Transgender representations generally distance the transgender characters from the audience as objects of ridicule, fear, and sympathy. This distancing is accomplished through the use of specific narrative conventions and visual codes. In this dissertation, I analyze representations of transgender individuals in popular film comedies, thrillers, and independent dramas. Through a textual analysis of 24 films, I argue that the narrative conventions and visual codes of the films work to prevent identification or connection between the transgender characters and the audience. The purpose of this distancing is to privilege the heteronormative identities of the characters over their transgender identities. This dissertation is grounded in a cultural studies approach to representation as constitutive and constraining and a positional approach to gender that views gender identity as a position taken in a specific social context.
    [Show full text]
  • A Hip-Hop Copying Paradigm for All of Us
    Pace University DigitalCommons@Pace Pace Law Faculty Publications School of Law 2011 No Bitin’ Allowed: A Hip-Hop Copying Paradigm for All of Us Horace E. Anderson Jr. Elisabeth Haub School of Law at Pace University Follow this and additional works at: https://digitalcommons.pace.edu/lawfaculty Part of the Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Horace E. Anderson, Jr., No Bitin’ Allowed: A Hip-Hop Copying Paradigm for All of Us, 20 Tex. Intell. Prop. L.J. 115 (2011), http://digitalcommons.pace.edu/lawfaculty/818/. This Article is brought to you for free and open access by the School of Law at DigitalCommons@Pace. It has been accepted for inclusion in Pace Law Faculty Publications by an authorized administrator of DigitalCommons@Pace. For more information, please contact [email protected]. No Bitin' Allowed: A Hip-Hop Copying Paradigm for All of Us Horace E. Anderson, Jr: I. History and Purpose of Copyright Act's Regulation of Copying ..................................................................................... 119 II. Impact of Technology ................................................................... 126 A. The Act of Copying and Attitudes Toward Copying ........... 126 B. Suggestions from the Literature for Bridging the Gap ......... 127 III. Potential Influence of Norms-Based Approaches to Regulation of Copying ................................................................. 129 IV. The Hip-Hop Imitation Paradigm ...............................................
    [Show full text]
  • Film Soleil 28/9/05 3:35 Pm Page 2 Film Soleil 28/9/05 3:35 Pm Page 3
    Film Soleil 28/9/05 3:35 pm Page 2 Film Soleil 28/9/05 3:35 pm Page 3 Film Soleil D.K. Holm www.pocketessentials.com This edition published in Great Britain 2005 by Pocket Essentials P.O.Box 394, Harpenden, Herts, AL5 1XJ, UK Distributed in the USA by Trafalgar Square Publishing P.O.Box 257, Howe Hill Road, North Pomfret, Vermont 05053 © D.K.Holm 2005 The right of D.K.Holm to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of the publisher. Any person who does any unauthorised act in relation to this publication may beliable to criminal prosecution and civil claims for damages. The book is sold subject tothe condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out or otherwise circulated, without the publisher’s prior consent, in anyform, binding or cover other than in which it is published, and without similar condi-tions, including this condition being imposed on the subsequent publication. A CIP catalogue record for this book is available from the British Library. ISBN 1–904048–50–1 2 4 6 8 10 9 7 5 3 1 Book typeset by Avocet Typeset, Chilton, Aylesbury, Bucks Printed and bound by Cox & Wyman, Reading, Berkshire Film Soleil 28/9/05 3:35 pm Page 5 Acknowledgements There is nothing
    [Show full text]
  • View / Open Final Thesis-Slavit I.Pdf
    THE INFLUENCE OF NEOCONSERVATISM IN THE DEPICTION OF VIOLENT NON-NORMATIVE WOMEN IN EROTIC THRILLERS FROM 1980 TO 2000 by ILANA SLAVIT A THESIS Presented to the Department of Cinema Studies and the Robert D. Clark Honors College in partial fulfillment of the requirements for the degree of Bachelor of Arts June 2020 An Abstract of the Thesis of Ilana Slavit for the degree of Bachelor of Arts in the Department of Cinema Studies to be taken June 2020 Title: The Influence of Neoconservatism in the Depiction of Non-normative Women in Erotic Thrillers from 1980 to 2000 Approved: Peter Alilunas Primary Thesis Advisor U.S. erotic thrillers of the 1980s and 1990s are intrinsically intertwined with the socio-political history of the culture wars. Both the counter-culture movements and a laxation of cinematic censorship during the 1960s resulted in an increase in sex and violence on-screen, in addition to non-normative behavior. Thus, the culture wars began, with neoconservatives and antifeminists in the late 1970s to the 1990s pushing for traditional family values against a backdrop of loosening social mores. Violent non- normative women in erotic thrillers of the 1980s and 1990s highlighted antifeminist sentiments of the era through literalization of non-normative lifestyles as dangerous to traditional family values and U.S. culture. ii Acknowledgements I would like to thank Professor Alilunas for his guidance with film history and analysis, in addition to textual and formatting suggestions from a media studies lens. I would also like to thank Professor Millán for helping me to fully examine the film history from an intersectional feminist theory perspective.
    [Show full text]
  • Ben Kingsley Téa Leoni Luke Wilson T S O P K R O Y W
    SCHW ÄRZER KANNEINEK OMÖDIE NICHTSEIN LUKE WILSON LUKE TÉA LEONI BEN KINGSLEY EINE KILLERKOMÖDIE VON JOHNDAHL VON EINE KILLERKOMÖDIE NEW YORK POST SCHWÄRZER KANN EINE KOMÖDIE NICHT SEIN NEW YORK POST FRANK BEN KINGSLEY LAUREL TÉA LEONI TOM LUKE WILSON BEN KINGSLEY TÉA LEONI LUKE WILSON O'LEARY DENNIS FARINA ROMAN PHILIP BAKER HALL YOU KILL ME DAVE BILL PULLMAN REGIE JOHN DAHL EINE RABENSCHWARZE KILLERKOMÖDIE DREHBUCH CHRISTOPHER MARKUS VON JOHN DAHL STEPHEN MCFEELY PRODUKTION CAROL BAUM AL CORLEY MIKE MARCUS USA 2007 EUGENE MUSSO BART ROSENBLATT 92 MINUTEN ZVI HOWARD ROSENMAN 2.35:1 KOPRODUKTION KIM OLSEN KAMERA JEFFREY JUR, A.S.R. DOLBY SRD SCHNITT SCOTT CHESTNUT AUSSTATTUNG JOHN DONDERTMAN KOSTÜME LINDA MADDEN MUSIK MARCELO ZARVOS SYNOPSIS Frank ist ein Gangster, ein Mafia-Killer und Auftragsmörder. Zynisch und gelassen sieht er das Töten als eine Art des Geldverdienens. Wären seine ausgeprägten Alkoholprobleme nicht, hätte er mit dem auf Disziplin gegründeten mafiösen Familiengeist keine Probleme. Doch leider verschläft er einen wichtigen Auftragsmord im Alkoholrausch, und das bisher in festem Familienbesitz stehende Geschäft mit Schneepflügen ist ernsthaft in Gefahr. Der Buffaloer Schnee- und Stadtlandschaft steht ein Machtwechsel ins Haus. Nachdem sein Onkel ein Machtwort gesprochen hat, wird Frank ohne viel Federlesen nach San Francisco verfrachtet, wo der zwielichtige Dave ihm Wohnung, Job und eine 12-Punkte-Therapie bei den anonymen Alkoholikern verschafft. Als frisch gebackener Leichen- kosmetiker in einem Bestattungsunternehmen darf er sich nun nicht mehr mit dem Töten, sondern nur noch mit den Toten beschäftigen. Inmitten einer kuriosen Schar von Freunden, Feinden, Auf- passern, lebensbejahenden Alkoholikern und untröstlichen Angehörigen wird Franks Leben völlig auf den Kopf gestellt.
    [Show full text]
  • DECA Succeeds at State Competition Darin Iraj Staff Writer
    Harrison High School Harrison NY 10528 www.harrisoncsd.org April 2019 Volume 23 Issue 3 DECA Succeeds at State Competition Darin Iraj Staff Writer After facing some tough com- sent a record number of 55 petition at the DECA Business Re- students to the Fifty-Ninth gionals in Rockland County this past Annual State Career Con- January, many students of the HHS ference. From the Harrison DECA Business Club triumphed. High School DECA Business Several placed as top compet- Club, five students placed in itors in their events or their written the Top Five in New York projects/papers enabled them to ad- State in their event, while 12 vance to the New York State Com- awards were seized in the petition. Top 10 category in New York The Harrison High School State. The sophomore team DECA Business Club has grown tre- of Olivia Perini and Tyler mendously over the past year under Burden was awarded third the guidance and support of club place and junior Zach Grief co-advisors, Mrs. Deirdre O’Brien placed fifth for the Financial and Mr. Joseph Santo. The students Literacy Promotion plan. Se- prepared diligently all year long for nior student Anishka Sang- the State Competition. It is an edu- havi won fourth place in the cational yet social event that many Professional Selling Event club members look forward to all and senior Olivia Naioti was year long. awarded fourth place in the “The best part of the State Com- Public Relations Project. petition is definitely the bus ride back These five students will from the competition,” said freshman now advance to the Nation- Nicole Herman.
    [Show full text]
  • Why Exercise Is Important During Retirement When I Read Last Month That Luke
    It’s Never Too Late To Get Up and Get Moving! Why Exercise Is Important During Retirement When I read last month that Luke Perry (who played Dylan McKay on Beverly Hills 90210) had passed away as a result of a stroke, I was crushed and shocked. How could this happen? My high school heart throb was gone. And at such a young age! Luke Perry was only 52 when he suffered a massive stroke. Although strokes of this magnitude are not common at his age, it illustrates that anything can happen, and life can be cut short. I don’t know if Luke was a healthy or fit man, but it’s a good reminder for everyone, not matter what your age, to look after yourself and your body. But this information isn’t new, we all know this. Every day new articles are published about exercise and weight loss. Even on TV, you can’t go five minutes without seeing a commercial trying to sell a new weight loss product or piece of exercise equipment. And what about all those reality shows where contestants work with trainers, for several hours a day, shedding up to hundreds of pounds and after a few months their transformations are quite unbelievable. But that’s not reality! Many of us, even in retirement, live busy lives, with children, grandchildren, and other responsibilities and obligations. The challenge for most is trying to fit some physical activity into our daily or weekly routines. In Canada, close to 8000 people retire each week. In the USA that number is higher, with close to 10,000 people retiring every day.
    [Show full text]
  • This Show Periodically Replaces Their Ad Breaks with New Promotional Clips
    Note: This show periodically replaces their ad breaks with new promotional clips. Because of this, both the transcription for the clips and the timestamps after them may be inaccurate at the time of viewing this transcript. 00:00:00 Music Music “The Rescue” by Trevor Rabin from The Great Raid (Original Motion Picture Soundtrack) plays in background throughout introduction. Slow, lilting, woodwind-and-strings-heavy movie music. 00:00:01 John Host When we started recording Friendly Fire back in the spring of 2017, Roderick we didn’t really have a plan for it or a home for it or any kind of timeline for its debut. We just liked the idea of doing a war movie podcast together and maybe didn’t have a Plan B on that! I don’t think we expected to record for months before we premiered, but by the time Friendly Fire appeared in your podcatchers in January of 2018, we already had several months of back catalog in the can. As anyone in media can attest, having a trove of unreleased material is like having a cupboard full of canned soup. Or for you sports fans, it’s like having three flasks of brown liquor taped to your calves. We used up that buffer over the next couple of years—taking vacations and getting into tumultuous and ultimately gratifying but, alas, somewhat ill-fated affairs with carpentry bloggers who lived in Palm Desert—such that earlier this year, we had almost no buffer at all! Nerve-racking, to say the least! So we kicked it into gear and recorded ten shows a week until we built our cushion back.
    [Show full text]
  • Episode #022 “Beach Blanket Brandon”
    EPISODE #022 “BEACH BLANKET BRANDON” After a home pregnancy test is inconclusive, Dylan and Kelly take Brenda to a gynecologist. The pregnancy scare turns out to be a false alarm, but Brenda is badly shaken by the experience. Cindy and Jim confront her after finding the pregnancy test box in the trash. Brenda breaks it off with Dylan because she is overwhelmed by the issues that their relationship has forced her to confront. Hoping to earn extra cash during the Peach Pit's summer lull, Brandon tries out for lifeguard at the Beverly Hills Beach Club. He fails, but is offered a cabana boy position. He feels guilty when he must quit the Peach Pit without leaving notice. Brenda, Donna, Andrea and David enroll in a summer school acting class. STARRING Jason Priestley..............................................................................................Brandon Walsh Shannon Doherty ............................................................................................ Brenda Walsh Carol Potter......................................................................................................... Cindy Walsh James Eckhouse .................................................................................................... Jim Walsh Luke Perry.......................................................................................................... Dylan McKay Jennie Garth ........................................................................................................Kelly Taylor Ian Ziering......................................................................................................
    [Show full text]
  • No Bitin' Allowed a Hip-Hop Copying Paradigm for All Of
    20 Tex. Intell. Prop. L.J. 115 Texas Intellectual Property Law Journal Fall, 2011 Article NO BITIN’ ALLOWED: A HIP-HOP COPYING PARADIGM FOR ALL OF US Horace E. Anderson, Jr.a1 Copyright (c) 2011 Intellectual Property Law Section of the State Bar of Texas; Horace E. Anderson, Jr. I. History and Purpose of Copyright Act’s Regulation of Copying 119 II. Impact of Technology 126 A. The Act of Copying and Attitudes Toward Copying 126 B. Suggestions from the Literature for Bridging the Gap 127 III. Potential Influence of Norms-Based Approaches to Regulation of Copying 129 IV. The Hip-Hop Imitation Paradigm 131 A. Structure 131 1. Biting 131 2. Beat Jacking 133 3. Ghosting 135 4. Quoting 136 5. Sampling 139 B. The Trademark Connection 140 C. The Authors’ Rights Connection 142 D. The New Style - What the Future of Copyright Could Look Like 143 V. Conclusion 143 VI. Appendix A 145 VII. Appendix B 157 VIII. Appendix C 163 *116 Introduction I’m not a biter, I’m a writer for myself and others. I say a B.I.G. verse, I’m only biggin’ up my brother1 It is long past time to reform the Copyright Act. The law of copyright in the United States is at one of its periodic inflection points. In the past, major technological change and major shifts in the way copyrightable works were used have rightly led to major changes in the law. The invention of the printing press prompted the first codification of copyright. The popularity of the player piano contributed to a reevaluation of how musical works should be protected.2 The dawn of the computer age led to an explicit expansion of copyrightable subject matter to include computer programs.3 These are but a few examples of past inflection points; the current one demands a similar level of change.
    [Show full text]
  • She's Back EXCLUSIVE Jennie Garth Returns to Beverly Hills
    www.resident.com • August 12-25, 2008 • Vol. 20, N0. 53 • $2.95 She's Back EXCLUSIVE Jennie Garth Returns to Beverly Hills PLUS Gossip Girl’s Matthew Settle Dishes the Dirt on the Show’s Second Season FALL ENTERTAINMENT GUIDE Music, Art, Theater and More: Event Picks from Famous New Yorkers COVER She’s back! Jennie Garth returns to the small screen on the new 90210 and reprises the role that turned her into a televi- sion icon. By Rachel Bowie elly Taylor has been through a lot. teen drama 90210, a spin-off of Aaron Spell- Resident: 90210 has to be one of tele- During her time at West Beverly, the ing’s original series. Although her character is vision’s favorite zip codes. Did you fictional high school she attended the same, this time, Garth roams the halls of ever imagine that the day would come on the television series Beverly Hills, West Beverly with a different purpose, play- where you would get to reprise your 90210, she saved her mother from a ing a guidance counselor and helping her role as Kelly Taylor? Kcocaine addiction, slept with her best friend’s students through the challenges they will un- Jennie Garth: I never thought that the boyfriend and overdosed on diet pills, all be- doubtedly face growing up in L.A.’s wealthi- show would come back from the dead. For fore graduation! But with age comes wisdom est zip code. As gossip swirls around which me, it was tucked away nice and neat and and Kelly is all grown up now.
    [Show full text]
  • Drug Narratives and Differences in Ideological Content Across Varying Economic Models of Television
    DRUG NARRATIVES AND DIFFERENCES IN IDEOLOGICAL CONTENT ACROSS VARYING ECONOMIC MODELS OF TELEVISION A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY by Katrina L. Flener May 2014 Examining Committee Members: Dr. Carolyn Kitch, Advisory Chair, Department of Journalism Dr. Jan Fernback, Department of Media Studies and Production Dr. Kathleen Auerhahn, Department of Criminal Justice Dr. Dustin Kidd, External Member, Temple, Department of Sociology ii © Copyright 2014 by Katrina Flener All Rights Reserved iii ABSTRACT This dissertation critically examines televised narratives that depict illicit drug use, the drug trade, and the war on drugs across three different economic models of television. The commercial television industry in the United States has historically relied on an audience commodity, airing programs that primarily serve as the “free lunch” to entice viewers to watch advertisements (Smythe, 1977/1997). However, premium subscription cable networks such as HBO produce programming in order to sell the programming itself, and hence rely on content as the commodity. The dissertation compares the ideological content of the illicit drug-related narratives found on three platforms of American television: broadcast television; premium subscription cable; and basic cable, with channels that rely on a hybrid audience/content commodity (with a dual revenue stream from advertisers and per-subscriber fees). Relying on critical cultural perspectives, narrative and critical discourse analysis, and a sample of roughly 400 hours of television programming, the research demonstrates how drug-related depictions and narratives on television most commonly support and occasionally challenge dominant ideological assumptions about drug use and the moral appropriateness of drug prohibition policies.
    [Show full text]