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Sephora Presents Our Merry Crazygifting Holiday
SEPHORA PRESENTS OUR MERRY CRAZYGIFTING HOLIDAY THI S SEASON , EVERY TH ING I S A GIFT AN D EVERYON E I S GIFT -WORT H Y . WE INV ITE YOU T O GET IN T HE SPIR IT AN D GI FTMERRYC RAZY. 2 jcp.com/sephora GIFT MERRYCRAZY AWE-I NSPIRING SE TS BAREMINERALS SIMPLY I RRESI STIB LE S E T N ew. L imited E dition. $49 ($156 VALUE) JOSIE MARAN E SCAPE T O MOROCCO HOLID AY LIGH TS AND B RIGH TS SE T N ew. E xclusive. L imited E dition. $29 ($58 VALUE) STILA STAY A LL DAY L IQUID E YE L INER SET TARTE N ew. L imited E dition. THE TAR T E OF GIVING $39 COLLECTOR’S SET & TRAVEL BA G N ew. E xclusive. L imited E dition. $59 ($490 V ALUE) 4 jcp.com/sephora GIFT MERRYCRAZY IRRESI STIB LE P ALETTES KAT V O N D SPELLB IND ING E YES HAD OW BOOK N ew. E xclusive. L imited E dition. $55 ($108 VALUE) URBAN D ECAY VIC E 2 P ALETTE N ew. L imited E dition. $59 SMASHBOX W OND ERVIS ION E YE SET P alette available in three shade ranges. N ew. L imited E dition. $32 ($72 V ALUE) MAKE UP F O R E V ER T OO F ACED MID NIG H T G LOW P ALETTE JOY T O T HE GIRLS S E T N ew. E xclusive. L imited E dition. $42 N ew. L imited E dition.
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NAI S Cosmetics Is the Experienced and Dynamic Frontier for Professional Nail Products
NAI_S Cosmetics is the experienced and dynamic frontier for professional nail products. We are a European-based company specializing in natural and artificial nail cosmetics, equipment, and training for salon professionals. Head Office Official Representative NAI_S cosmetics Prominence Ltd. Lāčplēša st. 41 Turkalnes 25a, Riga, LV1011, LATVIA Ogre, Ogres novads, LV5001 [email protected] LATVIA +371 25226677 www.naiscosmetics.com @NAIScosmetics CONTENT BASES & TOPS 4 QUICK GEL SYSTEMS 6 GEL NAIL POLISH 10 Leopard Gel Polish 10 Gel X Gel Polish 11 Magnetic Gel Polish 14 Chrome Gel Polish 14 DESIGN SYSTEMS 15 Leopard Effect Activator & White Base 15 Color Gel Design Pastes 15 Chrome Relief Gel 16 Magnetic Top 16 Design Magnet 16 Vintage Design Gel & Design Foil 16 Rose Design Gel Polish 17 Mirror Color Base & Powder 20 Brush Cleaner 21 Design Brush 21 GEL SYSTEMS 22 MISCELLANEOUS PRODUCTS 25 NAIL TIPS & ACCESSORIES 26 NAIL CARE 28 NAIL CARE TOOLS 30 SKIN CARE 40 MARKETING 42 BASES & TOPS BRILLIANT BOND Acid-free nail primer promotes adhesion of gels, gel nail polishes and acrylics to the natural nail. Volume Item code 15 ml 000316 UNI SHINE + UV/LED 2-in-1: base and top coat. Base coat promotes adhesion of gel nail polishes to the na- tural nail; top coat with a tacky layer ensures long-lasting, glossy, non-yellowing finish. Soak-off formula. Volume Item code 15 ml 000337 UV TOP, TACK FREE Top coat without a tacky layer for application over gels and acrylics with a high-gloss, scratch scratch-resistant, non-yellowing finish. Volume Item code 15 ml 000342 4 BASES & TOPS MATT TOP TACK FREE UV/LED Matte top coat without a tacky layer gives a non-yellowing, matte finish to gel nail po- lishes and gels and protects the nail surface from scratches.
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L'oreal Products
L'OREAL PRODUCTS PRODUCT CARBON BLACK DIOXIDE (INHALABLE) TITANIUM TALC UREADIAZOLIDINYL (FORMALDEHYDE RELEASER) DMDM HYDANTOIN (FORMALDEHYDE RELEASER) UREA IMIDAZOLIDINYL (FORMALDEHYDE RELEASER) POLYPERFLUOROMETHYLISOPRO PYL ETHER PTFE (TEFLON) POLYACRYLAMIDE QUATERNIUM-15 (FORMALDEHYDE RELEASER) CATEGORY BENZOPHENONE-1 Garnier Ultra-Lift Anti-Wrinkle Firming Anti-aging Moisturizer • • Garnier Ultra-Lift Transformer Anti-Age Anti-aging Skin Corrector • • Keratin Complex by Coppola Keratin Care Shampoo Shampoo • Keratin Complex by Coppola Keratin Shampoo Color Care Shampoo • L'Oreal Clean Artiste 100% Oil-free Eye Makeup Makeup Remover remover • L'Oreal Collagen Moisture Filler Daily Anti-aging Moisturizer Day Lotion • L'Oreal Collagen Moisture Filler Daily Anti-aging Moisturizer Day/Night Cream • L'Oreal Color Smokes Quads, Blackened Eye shadow Smokes • • • • L'Oreal Color Smokes Quads, Cobalt Eye shadow Smokes • • • • L'Oreal Color Smokes Quads, Forest Eye shadow Smokes • • • • L'Oreal Color Smokes Quads, Lavender Eye shadow Smokes • • • • L'Oreal Colour Riche Nail Polish, After Nail polish Hours • L'Oreal Colour Riche Nail Polish, Breaking Nail polish Curfew • L'Oreal Colour Riche Nail Polish, Butterfly Nail polish Kisses • L'Oreal Colour Riche Nail Polish, Nail polish Charmed, I'm Sure • L'Oreal Colour Riche Nail Polish, Crazy Nail polish For Chic • L'Oreal Colour Riche Nail Polish, Nail polish Diamond in the Rough • L'Oreal Colour Riche Nail Polish, Eiffel For Nail polish You • L'Oreal Colour Riche Nail Polish, Greycian Nail polish
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SCCS/1592/17 Final Version
SCCS/1592/17 Final version Scientific Committee on Consumer Safety SCCS OPINION ON the safety of cosmetic ingredients HEMA and Di-HEMA Trimethylhexyl Dicarbamate Submission I (Sensitisation only) The SCCS adopted this Opinion at its plenary meeting on 21-22 June 2018 SCCS/1592/17 Final Opinion on the safety of cosmetic ingredients HEMA (CAS 868-77-9) and Di-HEMA Trimethylhexyl Dicarbamate (CAS 41137-60-4 / 72869-86-4) - Submission I (Sensitisation only) ___________________________________________________________________________________________ ACKNOWLEDGMENTS SCCS members listed below are acknowledged for their valuable contribution to the finalisation of this Opinion. For the Preliminary Opinion SCCS Members Dr U. Bernauer Dr L. Bodin Dr L. Celleno (1st Rapporteur) Prof. Q. Chaudhry Prof. P.J. Coenraads (Chairperson) Prof. M. Dusinska Dr J. Ezendam Dr E. Gaffet Prof. C. L. Galli Dr B. Granum Prof. E. Panteri Prof. V. Rogiers Dr Ch. Rousselle Dr M. Stepnik Prof. T. Vanhaecke Dr S. Wijnhoven For the Final Opinion SCCS Members Dr U. Bernauer Dr L. Bodin Prof. Q. Chaudhry Prof. P.J. Coenraads (Chairperson and 2nd Rapporteur) Prof. M. Dusinska Dr J. Ezendam Dr E. Gaffet Prof. C. L. Galli Dr B. Granum Prof. E. Panteri Prof. V. Rogiers Dr Ch. Rousselle Dr M. Stepnik Prof. T. Vanhaecke Dr S. Wijnhoven All Declarations of Working Group members are available on the following webpage: http://ec.europa.eu/health/scientific_committees/experts/declarations/sccs_en.htm This Opinion has been subject to a commenting period of a minimum eight weeks after its initial publication (from 22 December 2017 until 26 February 2018). Comments received during this time were considered by the SCCS.
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The Origin of Beauty and Cosmetics
Early use of cosmetics originated in The Origin Of Ancient Egypt in 4,000 BC. Beauty and The Egyptians used materials that had Cosmetics harmful properties such as mercury and white lead. Lead was used to fight against eye infections such as conjunctivitis. Fragrances such as frankincense and myrrh were also used. The Egyptians used a variety of makeup utensils, such as kohl which was used to outline the eyes. It was made with ingredients such as lead, copper, almonds and soot. The Egyptian believed that eye makeup would enhance one’s sight and keep away evil spirits. In 3000 BC, the Chinese people polished their fingernails with gum arabic, gelatin, beeswax and egg. The wearing of certain colours showed that people belonged to a certain class in society. Royal people wore gold, silver, black and red nail polish. The lower-class people were not allowed to wear bright colours on their The history of cosmetics begins about nails. 6000 years ago. All over the world, people from different societies used In Japan, geisha wore lipstick made out makeup in order to enhance their beauty. of crushed safflower petals. It was also used to outline the eyebrows. Hair wax Makeup is mainly used by the fashion was also used as a makeup base. industry to make models look more attractive. In Europe in the early days, when the wearing of makeup was considered to be People are also mainly influenced by sinful and immoral by church leaders. fashion magazines and the media to use Many rich European women copied the different brands of makeup such as fad by keeping themselves inside away Black Opal, Max Factor, Revlon and from the sunlight in order to make their L’Oreal.
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Toxic Elements in Traditional Kohl-Based Eye Cosmetics in Spanish and German Markets
International Journal of Environmental Research and Public Health Article Toxic Elements in Traditional Kohl-Based Eye Cosmetics in Spanish and German Markets Elisabet Navarro-Tapia 1,2,3,† , Mariona Serra-Delgado 3,4,†, Lucía Fernández-López 5, Montserrat Meseguer-Gilabert 5, María Falcón 5, Giorgia Sebastiani 1,6, Sebastian Sailer 1,6, Oscar Garcia-Algar 1,3,6,‡ and Vicente Andreu-Fernández 1,2,*,‡ 1 Grup de Recerca Infancia i Entorn (GRIE), Institut d’Investigacions Biomèdiques August Pi i Sunyer (IDIBAPS), 08036 Barcelona, Spain; [email protected] (E.N.-T.); [email protected] (G.S.); [email protected] (S.S.); [email protected] (O.G.-A.) 2 Department of Health, Valencian International University (VIU), 46002 Valencia, Spain 3 Maternal & Child Health and Development Research Network-Red SAMID Health Research, Programa RETICS, Health Research Institute Carlos III, 28029 Madrid, Spain; [email protected] 4 Institut de Recerca Sant Joan de Déu, 08950 Esplugues de Llobregat, Spain 5 Departamento de Ciencias Sociosanitarias, Medicina Legal y Forense, Universidad de Murcia, 30003 Murcia, Spain; [email protected] (L.F.-L.); [email protected] (M.M.-G.); [email protected] (M.F.) 6 Department of Neonatology, Hospital Clínic-Maternitat, ICGON, Institut d’Investigacions Biomèdiques August Pi i Sunyer (IDIBAPS), Barcelona Center for Maternal-Fetal and Neonatal Medicine (BCNatal), 08036 Barcelona, Spain * Correspondence: [email protected] † These authors share co-ﬁrst authorship. ‡ These authors share last authorship. Citation: Navarro-Tapia, E.; Serra-Delgado, M.; Fernández-López, Abstract: Kohl is a traditional cosmetic widely used in Asia and Africa. In recent years, demand L.; Meseguer-Gilabert, M.; Falcón, M.; for kohl-based eyelids and lipsticks has increased in Europe, linked to migratory phenomena of Sebastiani, G.; Sailer, S.; Garcia-Algar, populations from these continents.
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The Determination of Metals in Cosmetics
APPLICATION NOTE ICP-Mass Spectrometry Authors Zoe Grosser, Ph.D. Lee Davidowski, Ph.D. Laura Thompson PerkinElmer, Inc. Shelton, CT 06484 USA Introduction The Determination of Cosmetics of one form or another have been used since the beginning of time. Metals in Cosmetics The U.S. Food and Drug Administration (FDA) defines today’s cosmetics as: “1. articles intended to be rubbed, poured, sprinkled, or sprayed on, introduced into, or otherwise applied to the human body or any part thereof for cleansing, beautifying, promoting attractiveness, or altering the appearance, and 2. articles intended for use as a component of any such articles; except that such term shall not include soap.” 1 The U.S. FDA has not regulated metals in cosmetics except in the case that zirconium is prohibited in aerosol preparations and mercury can only be used (generally as a preservative) when no other alternative is possible. They do have the authority to protect consumers against contamination deemed to be deleterious to health. Proposition 65 in California requires notice when concentrations in a product may cause exposure to hazardous components exceeding a prudent level. A letter from the Attorney General of the State of California discusses the level of concern and calculates that based on documented lipstick use, a concentration of 5 mg/kg would be the level of concern requiring listing.2 The regulations in Canada include statements about heavy metals, and although low concentrations may be difficult to avoid, concentrations above the levels listed in Table 1 (Page 2) require special scrutiny. Measurements in this work are performed using ICP-MS.
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Pedicure Pointers Much Pressure, Being Sure Not to Scrape the DON’T Share Nail Files with Friends and Be Sure to Nail’S Surface
Do... Don’t... DO schedule your pedicure first thing in the Resist the urge and DON’T shave your legs before morning. Salon foot baths are typically cleanest receiving a pedicure. Freshly shaven legs or small earlier in the day. If you’re not a morning person, cuts on your legs may allow bacteria to enter. make sure that the salon filters and cleans the Safety At foot bath between clients. If you are receiving a pedicure and manicure, The Salon Be sure that you DO bring your own pedicure DON’T use the same tools for both services utensils to the salon. Bacteria and fungus can as bacteria and fungus can transfer between move easily from one person to the next if the fingers and toes. salon doesn’t use proper sterilization techniques. *APMA Podiatrist Pick: SOS Safe Salon Pedicure Kit ($29.95) When eliminating thick, dead skin build-up, also Although certain salons offer this technique, known as calluses, on the heel, ball and sides DON’T allow technicians to use a foot razor to Smooth of the feet, DO use a pumice stone, foot file or remove dead skin. Using a razor can result in exfoliating scrub. Soak feet in warm water for permanent damage if used incorrectly and can at least five minutes then use the stone, scrub easily cause infection if too much skin is removed. Walker or foot file to gently smooth calluses and other rough patches. *APMA Podiatrist Pick: Pedinol Pharmacal’s Hydrisalic Gel ($21.95) When trimming nails, DO use a toenail clipper DON’T round the edges of your toenails.
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Certificate in Manicure and Pedicure
Certificate in Manicure and Pedicure MANICURE AND PEDICURE Distance Learning Materials Manicure & Pedicure BTEP Course Acknowledgements Course Team Writers: One Mazhani Laura Sibanda Jan Deurwaarder Peer Reviewer: Joanna Collymore Instructional Design Editor: Alison Mead Richardson Layout & Graphics: Anthony Okuku Published by Francistown College of Technical & Vocational Education Private Bag F104 Francistown Botswana Francistown College of Technical & Vocational Education 2015 Any part of this document may be reproduced without permission but with attribution to Francistown College of Technical & Vocational Education and the writer. CC-BY-SA (share alike with attribution) http://creativecommons.org/licences/by-sa/4.0 Page 2 Manicure & Pedicure BTEP Course Table of Contents Module Introduction ............................................................................. 5 Manicure and Pedicure ....................................................................... 5 Icons used in this Module ................................................................... 7 Unit 1: The Structure of the Hand and Nail ........................................ 8 Section 1: Structure of the lower arm and hand ................................. 9 Section 2: Structure of the nail ......................................................... 15 Section 3: Nail growth and nail shapes ............................................ 18 Summary Unit 1: The structure of the hand ...................................... 21 Answers to Activities ........................................................................
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COSMETICS in USE: a PHARMACOLOGICAL REVIEW Abdul Kader Mohiuddin, Department of Pharmacy, World University of Bangladesh KEYWORD
European Journal of Biology and Medical Science Research Vol.7, No.4, pp.22-64, October 2019 Published by ECRTD- UK Print ISSN: ISSN 2053-406X, Online ISSN: ISSN 2053-4078 COSMETICS IN USE: A PHARMACOLOGICAL REVIEW Abdul Kader Mohiuddin, Department of Pharmacy, World University of Bangladesh 151/8, Green Road, Dhanmondi, Dhaka – 1205, Bangladesh Orcid Id: https://orcid.org/0000-0003-1596-9757 Web of Science Researcher ID: T-5428-2019 ABSTRACT: The word “cosmetics” actually stems from its use in Ancient Rome. They were typically produced by female slaves known as “cosmetae,” which is where the word “cosmetics” stemmed from. Cosmetics are used to enhance appearance. Makeup has been around for many centuries. The first known people who used cosmetics to enhance their beauty were the Egyptians. Makeup those days was just simple eye coloring or some material for the body. Now-a-days makeup plays an important role for both men and women. In evolutionary psychology, social competition of appearance strengthens women’s desires for ideal beauty. According to “The Origin of Species”, humans have evolved to transfer genes to future generations through sexual selection that regards the body condition of ideal beauty as excellent fertility. Additionally, since women’s beauty has recently been considered a competitive advantage to create social power, a body that meets the social standards of a culture could achieve limited social resources. That's right, even men have become more beauty conscious and are concerned about their looks. Cosmetics can be produced in the organic and hypoallergenic form to meet the demands of users.
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A Tanizaki Feast
A Tanizaki Feast Michigan Monograph Series in Japanese Studies Number 24 Center for Japanese Studies, The University of Michigan A Tanizaki Feast The International Symposium in Venice Edited by Adriana Boscaro and Anthony Hood Chambers Center for Japanese Studies The University of Michigan Ann Arbor, Michigan, 1998 Open access edition funded by the National Endowment for the Humanities/ Andrew W. Mellon Foundation Humanities Open Book Program. 1998 The Regents of the University of Michigan Published by the Center for Japanese Studies, The University of Michigan, 202 S. Thayer St., Ann Arbor, MI 48104-1608 Distributed by The University of Michigan Press, 839 Greene St. / P.O. Box 1104, Ann Arbor, MI 48106-1104 Library of Congress Cataloging in Publication Data A Tanizaki feast: the international symposium in venice / edited by Adriana Boscaro and Anthony Hood Chambers. xi, 191 p. 23.5 cm. — (Michigan monograph series in Japanese studies ; no. 24) Includes index. ISBN 0-939512-90-4 (cloth : alk. paper) 1. Tanizaki, Jun'ichir5, 1886—1965—Criticism and interpreta- tion—Congress. I. Boscaro, Adriana. II. Chambers, Anthony H. (Anthony Hood). III. Series. PL839.A7Z7964 1998 895.6'344—dc21 98-39890 CIP Jacket design: Seiko Semones This publication meets the ANSI/NISO Standards for Permanence of Paper for Publications and Documents in Libraries and Archives (Z39.48-1992). Published in the United States of America ISBN 978-0-939512-90-4 (hardcover) ISBN 978-0-472-03838-1 (paper) ISBN 978-0-472-12816-7 (ebook) ISBN 978-0-472-90216-3 (open access) The text of this book is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License: https://creativecommons.org/licenses/by-nc-nd/4.0/ Contents Preface vii The Colors of Shadows 1 Maria Teresa Orsi The West as Other 15 Paul McCarthy Prefacing "Sorrows of a Heretic" 21 Ken K.
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New Price Menu
MANICURE/PEDICURE GEL (SHELLAC) Manicure/Pedicure $17/$25 Gel Manicure $25 Deluxe Manicure $27 French Mani w/Gel $30 Deluxe Pedicure $35 Gel Pedicure $40 Mani/Pedi Combo $40 French Pedi w/Gel $45 French Manicure/Pedicure $25/$30 Gel Mani/Pedi Combo $65 Instyle Luxury Pedicure $45 French Mani/Pedi Combo w/Gel $70 ACRYLIC GEL (SHELLAC) POLISH CHANGE Full set $30 Nails $20 White Tip $35 Toenails $25 Full set Pink and White $45 French Nails $25 Ombre Full set $45+ French Toenails $30 Natural Gel $40 Remove old Gel $10 Add on any Gel Color $10+ Full set plus Gel Color $40 ACRYLIC FILL DIP POWDER Regular Fill $20 Dip Powder Overlay Manicure (natural $35 White Tip Acrylic Fill $25 nails) Pink and White Fill $30 Dip Powder Pink and White $40 Back Fill $40 Dip Powder Fullset $40 Ombre Fill $25 Dip Powder Ombre $45 WAXING EXTRAS Eye Brow $10 French $5 Lip $8 Polish change (fingers) $10 Chin $10 Polish change (toes) $10 Full Face $30 Removal $10 Under Arm $15 Extra-long nails shaping $5 Full Legs $50+ Design $5+ Half Legs $25+ Add any Gel Color $10+ Full Arms $30 Kid (12 & under) Manicure $12 Kid Pedicure $20 I N S T Y L E N A I L & S P A 1 7 3 0 L A B O U N T Y D R I V E Kid Mani/Pedi Combo $30 F E R N D A L E W A 9 8 2 4 8 Kid Add Design $3+ ( 3 6 0 ) 9 2 2 - 0 7 6 4 W W W .
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