Towards an Australian Humanities Digital Archive
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Graeme Turner
Graeme Turner SURRENDERING THE SPACE Convergence culture, Cultural Studies and the curriculum This essay tests the claims made by some versions of convergence culture to be the next step forward for Cultural Studies. It does this by examining the teaching programmes that have been generated by various formations of convergence culture: programmes in new media studies, creative industries and digital media studies. The results of this examination are cause for concern: most of these programmes appear to have surrendered the space won for Cultural Studies in the university curriculum in favour of an instrumentalist focus on the training, rather than the education, of personnel to work in the emerging media industries. The essay argues therefore that while such developments may represent themselves as emerging from within Cultural Studies, in practice they have turned out to have very little to do with Cultural Studies at all. Keywords teaching Cultural Studies; curriculum; new media studies; creative industries; digital media studies Introduction Reservations about the hype around what we have come to call convergence culture are not new. Back in 2003, media historian Jeffery Sconce, bouncing off an account of a pre-modern example of popular hype, ‘tulipmania’,1 had this to say about the early warning signs from what was then called ‘digital culture’: I think most of us would be hard-pressed to think of a discipline in which more pages have been printed about things that haven’t happened yet (and may never) and phenomena that in the long run are simply not very important (Jennicam, anyone?). Of course, only an idiot would claim that digital media are not worthy of analysis, an assertion that would sadly replicate the hostility towards film and television studies encountered in the last century. -
Australian Universities' Review Vol. 62, No. 2
vol. 62, no. 2, 2020 Published by NTEU ISSN 0818–8068 AURAustralian Universities’ Review AUR Australian Universities’ Review Editor Editorial Board Dr Ian R. Dobson, Monash University Dr Alison Barnes, NTEU National President Production Professor Timo Aarrevaara, University of Lapland Professor Jamie Doughney, Victoria University Design & layout: Paul Clifton Professor Leo Goedegebuure, University of Melbourne Editorial Assistance: Anastasia Kotaidis AUR is available online as an Professor Jeff Goldsworthy, Monash University e-book and PDF download. Cover photograph: The Sybil Centre, The Women’s Visit aur.org.au for details. College, University of Sydney, NSW. Photograph Dr Mary Leahy, University of Melbourne In accordance with NTEU by Peter Miller. Printed with permission. Professor Kristen Lyons, University of Queensland policy to reduce our impact Contact Professor Dr Simon Marginson, University of Oxford on the natural environment, Matthew McGowan, NTEU General Secretary this magazine is printed Australian Universities’ Review, using vegetable-based inks Dr Alex Millmow, Federation University Australia c/- NTEU National Office, with alcohol-free printing PO Box 1323, South Melbourne VIC 3205 Australia Dr Neil Mudford, University of Queensland initiatives on FSC® certified Phone: +613 9254 1910 Jeannie Rea, Victoria University paper by Printgraphics under ISO 14001 Environmental Email: [email protected] Professor Paul Rodan, Swinburne University of Technology Certification. Website: www.aur.org.au Cathy Rytmeister, Macquarie University Post packaging is 100% Romana-Rea Begicevic, CAPA National President degradable biowrap. Editorial policy Contributions .Style References Australian Universities’ Review Full submission details are available Download the AUR Style Guide at References to be cited according to (AUR, formerly Vestes) is published online at aur.org.au/submissions. -
Bibliography of Studies of Eighteenth-Century Journalism and the Periodical Press, 1986-2009
Bibliography of Studies of Eighteenth-Century Journalism and the Periodical Press, 1986-2009 This bibliography surveys scholarship published from 1986 to 2009 on journalism, diverse serials (including almanacs), and the periodical press throughout the Europe and the Americas during the "long eighteenth century," approximately 1660-1820. It is most inclusive for the years 1990-2007, in consequence of my compiling studies of that period for Section 1--"Printing and Bibliographical Studies"--of the ECCB: Eighteenth-Century Current Bibliography, until recently known as The Eighteenth Century: A Current Bibliography. It focuses on printed publications, but a few electronic publications have been included. Dissertations and book reviews also are included. For suggestions and corrections, I am indebted to Professor James E. Tierney. In Spring 2003, I learned of many publications, particularly on German periodicals, from Mr. Harold Braem of Hildesheim, who has provided me with titles in his Historische Zeitungen: Privatarchiv der deutschsprachigen Presse des 17.-19. Jahrhunderts. Later, others, such as Marie Mercier-Faivre, Eric Francalanza, Rudj Gorian, and Charles A. Knight, have called attention to errors and overlooked studies. Of course, I am also indebted to many published bibliographies, most especially those by Diana Dixon published in inter-related annual serials: Journal of Newspaper and Periodical History (London, 1984-1994), Studies in Newspaper and Periodical History (Westport, CT: Greenwood, 1994-1997), Media History (1999-2002). I have also drawn upon Kim Martin Long's checklists in issues of American Periodicals, and various annual bibliographies dedicated to literature in specific languages, the most useful being MHRA's Annual Bibliography of English Language and Literature, with its inclusive chapter on periodicals. -
ANDS Celebrates Our Partners' Work
sharethe newsletter of the Australian National Data Service October 2013 : issue 17 MANAGING CONNECTING DISCOVERING REUSING RESEARCH DATA ANDS celebrates our partners’ work Ross Wilkinson, ANDS Image courtesy of Stephen Gunby via flickr (CC BY-SA 2.0) The Australian National Data Service commenced operations in Down in the engine room of research data, there are new tools for 2009 to deliver a Research Data Commons for Australia. Early capturing and exploiting data; at the helm, institutions have new on it was determined that while ANDS could deliver some of the policies, procedures, and technology to manage their research national services needed, much of the work would have to occur data. Partnering with other research infrastructure providers, new within Australia’s research institutions. And so ANDS partnered with data exploration becomes possible. Researchers are publishing 68 institutions to conduct 382 projects to transform the research their data and can be cited using their data. data landscape of Australia. In this issue of share, we celebrate New research is possible as a result of this changed research data the fruits of the labours of many people around the country. And environment. Collectively we celebrate the increased value of we congratulate everyone who was involved in the 382 projects. research data to researchers, research institutions and the nation! Inside Issue 17 – A celebration of all completed ANDS-funded projects » VIC completed projects » NSW/ACT completed projects » Edgar: birds and climate change » TAS/SA/WA -
Feminist Theory, and Much of Women's Culture
The University of Wisconsin System -=-I A CURRENT LISTING OF CONTENTS VOLUME 9, NUMBER 1 SPRING 1989 Published by Susan Searing, Women's Studies Librarian Zi University of Wisconsin System 112A Memorial Library '32 728 State Street Madison, Wisconsin 53706 22 (608) 262-5754 A CURRENT LISTING OF CONTENTS -- Volume 9. Number 1 S~rlna1989 Periodical literature is the cuttingedge of women's scholarship, feminist theory, and much of women's culture. A Currwa. of Co- is published by the Office of the University of Wisconsin System Women's Studies Librarian on a quarterly basis. with the intent of increasing public awareness of feminist periodicals. lt is our hope that Pen- will serve several purposes: to keep the reader abreast of current topics in feminist literature; to increase readers' familiarity with a wide spectrum of feminist periodicals; and to providethe requisite bibliographicinformation shoulda reader wish to subscribe to a joumal or to obtain a particular article at her librw or through interlibrary loan. (Users will need to be aware of the limitations of the new copyright law with regard to photocopying of copyrighted materials.) Table of contents pages from current issues of major feminist journals are reproduced in each issue of -, -, . preceded by a comprehensive annotated listing of all journals we have selected. As publication schedules vary enormously, not every periodical will have table of contents pages reproduced in each issue of Ee. The annotated listing provides the following information on each journal: 1. Year of first publication. 2. Frequency of publication. 3. U.S. subscription price(s). 4. Subscription address. -
Here from There—Travel, Television and Touring Revues: Internationalism As Entertainment in the 1950S and 1960S
64 Jonathan Bollen Flinders University, Australia Here from There—travel, television and touring revues: internationalism as entertainment in the 1950s and 1960s Entertainments depicting national distinctions attracted Australian audiences in the 1950s and 1960s. Touring revues from overseas afforded opportunities to see the nations of the world arrayed on the stage. Each of the major producers of commercial entertainments in Australia imported revues from Europe, Africa, the Americas and East Asia. Like their counterparts in Hong Kong and Singapore, entrepreneurs in Australia harnessed an increasing global flow of performers, at a time when national governments, encouraged by their participation in the United Nations, were adopting cultural policies to foster national distinction and sending troupes of entertainers as cultural ambassadors on international tours. In this article the author explores the significance of internationalist entertainment in mid-20th century Australia, focusing on Oriental Cavalcade, an “East Meets West” revue from 1959 which toured with performers from Australia and Asia. At a time when television viewing was becoming a domestic routine and international aviation was becoming an affordable indulgence, producers of internationalist entertainments offered audiences in the theatre experiences of being away from home that were akin to tourism and travel beyond the domestic scene. Jonathan Bollen is a Senior Lecturer in Drama, Flinders University, Australia Keywords: variety, revue, aviation, tourism, travel, television, internationalism desire to create a national theatre for Australia gathered momentum A in the late-1940s and eventually gained traction.1 Government support for the performing arts was introduced with the establishment of the Australian Elizabethan Theatre Trust in 1954 and the subsequent founding of new national opera, theatre and ballet companies and the National Institute of Dramatic Art, while government investment in venues for the performing arts Popular Entertainment Studies, Vol. -
British Cultural Studies: an Introduction, Third Edition
British Cultural Studies British Cultural Studies is a comprehensive introduction to the British tradition of cultural studies. Graeme Turner offers an accessible overview of the central themes that have informed British cultural studies: language, semiotics, Marxism and ideology, individualism, subjectivity and discourse. Beginning with a history of cultural studies, Turner discusses the work of such pioneers as Raymond Williams, Richard Hoggart, E. P. Thompson, Stuart Hall and the Birmingham Centre for Contemporary Cultural Studies. He then explores the central theorists and categories of British cultural studies: texts and contexts; audience; everyday life; ideology; politics, gender and race. The third edition of this successful text has been fully revised and updated to include: • applying the principles of cultural studies and how to read a text • an overview of recent ethnographic studies • a discussion of anthropological theories of consumption • questions of identity and new ethnicities • how to do cultural studies, and an evaluation of recent research method- ologies • a fully updated and comprehensive bibliography. Graeme Turner is Professor of Cultural Studies at the University of Queensland. He is the editor of The Film Cultures Reader and author of Film as Social Practice, 3rd edition, both published by Routledge. Reviews of the second edition ‘An excellent introduction to cultural studies … very well written and accessible.’ John Sparrowhawk, University of North London ‘A good foundation and background to the development -
The University of Queensland Library
UQL ANNUAL REPORT 2009 CONTENTS From the University Librarian and Director of Learning Services ................................................................... 5 Overview of the Library .................................................................................................................................. 7 Our Mission .................................................................................................................................................... 8 Our Values ...................................................................................................................................................... 8 Library Committee of the Academic Board .................................................................................................... 9 Highlights of 2009 ......................................................................................................................................... 11 10th International Congress on Medical Librarianship ............................................................................. 11 Excellence in Research for Australia (ERA) and UQ eSpace ..................................................................... 11 National and institutional Perspectives on Metrics‐Based Research Evaluation Conference ................. 11 Library Board of Queensland Award ........................................................................................................ 11 Fryer Library Award ................................................................................................................................. -
Practice As Research’
Notes 1 Introduction: The What, Where, When and Why of ‘Practice as Research’ 1. Bella Merlin points out, however, that, since a doctorate is now an essential requirement for most university posts, PhDs are often ‘primarily undertaken for pragmatic reasons’ (2004: 40). 2. As some of the narratives in this book testify, institutionalized binary divi- sions between theory and practice still obtain. 3. The various artforms have different histories. Sullivan (2005) recounts the interplay of visual arts in the Enlightenment project. 4. Sullivan notes that ‘parallels between the artworld of contemporary culture and the academic artworld of institutional culture are seen in particular with the introduction of studio art into debates about doctoral degrees in higher education’ (2005: 27, n. 1). 5. The Accademia degli Intronati, formed to promote theatrical presentations in Siena in the 1550s, is an early exception and the conservatoire tradition in dance and theatre as well as music is a later, indeed mainly twentieth- century, exception, though typically UK conservatoires prepare people for the profes- sions rather than engaging in academic research. 6. 2001: 18. 7. See, for example, Bartos (1990); Denzin (2003); Rodaway (1994). 8. The RAE is the acronym of the Research Assessment Exercise as conducted in the UK in 1986, 1989, 1992, 1996, 2001 and 2008. The REF stands for the revised version of the national research audit scheduled for 2014 in the UK, the Research Excellence Framework. Other countries have undertaken similar national audits with similar titles. RQF (Research Quality Framework) is a similar process in Australia. 9. The AHRC- funded initiatives were PARIP and AVPhD. -
Library Resources Technical Services
Library Resources FIFTIETH ANNIVERSARY & ISSN 0024-2527 Technical Services January 2007 Volume 51, No. 1 Cognitive and Affective Processes in Collection Management Brian Quinn Toward Releasing the Metadata Bottleneck Amanda J. Wilson A Review and Analysis of Library Availability Studies Thomas E. Nisonger The Challenges of Change Shawne D. Miksa The Association for Library Collections & Technical Services 51 ❘ 1 From The Library of Congress Free For 30 days 2 Essential Cataloging & Classification Tools on the Web CATALOGER’S DESKTOP CLASSIFICATION WEB The most widely used cataloging Full-text display of all LC classification documentation resources in an schedules & subject headings. integrated, online system— Updated daily. accessible anywhere. • Find LC/Dewey correlations—Match LC classifica- • Look up a rule in AACR2 and then quickly and easily tion and subject headings to Dewey® classification consult the rule’s LC Rule Interpretation (LCRI). numbers as found in LC cataloging records. Use in • Turn to dozens of cataloging publications and metadata conjunction with OCLC’s WebDewey® service for resource links plus the complete MARC 21 documentation. perfect accuracy. • Find what you need quickly with the enhanced, • Search and navigate across all LC classes or the simplified user interface. complete LC subject headings. Free trial accounts & Free trial accounts & annual subscription prices: annual subscription prices: Visit www.loc.gov/cds/desktop Visit www.loc.gov/cds/classweb For free trial, complete the order form at For free trial, complete the order form at www.loc.gov/cds/desktop/OrderForm.html www.loc.gov/cds/classweb/application.html AACR2 is the joint property of the American Library Association, the Canadian Library Dewey and WebDewey are registered trademarks Association, the Chartered Institute of Library and Information Professionals. -
Collecting Our Research Data Cynthia Love, ANDS
sharethe newsletter of the Australian National Data Service May 2012 : issue 12 mANAGING CONNECTING DISCOVERING REUSING RESEARCH DATA Collecting our Research Data Cynthia Love, ANDS Business has increasingly seen value in collecting market data. management, connection, discovery and reuse. A collection The Bureau of Meteorology is collecting water data to describe can support collaborative research activity where the data is how the whole of Australia uses water. A botanist at the Australian brought together for a specific purpose on a discipline, national National Herbarium can access all relevant research literature on or international scale. It can also be in the form of ‘reference’ banksias because it has been collected. Research data deserves collections that are definitive, comprise specimens or observations to be collected too. and may be seminal in nature. Their function may be likened to reference material in libraries and be of broad uptake outside a As the concept of data publication and sharing gains traction, and the specific discipline. A collections approach has the value of being volume of data available in the Australian Research Data Commons able to showcase the data produced by an institution, either as increases, the value of taking a collections approach emerges. research output or as support for Australia’s research effort. This approach has long been used in libraries to introduce focus and applicability into the presentation of material. It can take many However, how we collect in Research Data Australia is also important in this regard. Research Data Australia (researchdata.ands.org.au) forms and track content across time series, origin, locations or reflects Australia’s data holdings and how we organise those related subject. -
Annual Report 2007
ANNUAL REPORT 2007 Contact details: Centre for Critical and Cultural Studies Level 4 Forgan Smith Tower The University of Queensland St Lucia Qld AUSTRALIA 4072 Ph: 61 7 3364 9764 Fax: 61 7 3365 7184 Email: [email protected] Web: www.cccs.uq.edu.au TABLE OF CONTENTS INTRODUCTION ......................................................................................... 5 EVENTS AND ACTIVITIES ...................................................................... 6 Public Lecture Program .............................................................................................................. 6 Occasional Seminar Program.................................................................................................. 7 Symposium ........................................................................................................................................ 8 Media and Cultural Studies Meetings (MACS) .............................................................. 8 FEDERATION FELLOW PROJECT .......................................................... 9 ARC CULTURAL RESEARCH NETWORK .............................................. 9 VISITORS ................................................................................................... 10 Honorary Fellows ......................................................................................................................... 11 Visiting Scholars ........................................................................................................................... 11 Faculty Fellows