New West Indian Guide Vol. 85, no. 3-4 (2011), pp. 265-339 URL: http://www.kitlv-journals.nl/index.php/nwig/index URN:NBN:NL:UI:10-1-101708 Copyright: content is licensed under a Creative Commons Attribution 3.0 License ISSN: 0028-9930 BOOK REVIEWS Create Dangerously: The Immigrant Artist at Work. EDWIDGE DANTICAT. Princeton NJ: Princeton University Press, 2010. 189 pp. (Cloth US$ 19.95) COLIN DAYAN Department of English Vanderbilt University Nashville TN 37235, U.S.A. <
[email protected]> In her response to a February 2011 exchange in Small Axe, Edwidge Danticat writes: “Absolute certainty is perhaps at the center of activism, but ambiva- lence is at the heart of art, where gray areas abound and nuance thrives.” What strikes me most in all of her writing is the grace attendant upon terror, her ability to reorient our understanding of the political. As I write, hundreds of people are being evicted from camps in Delmas, a neighborhood northeast of downtown Port-au-Prince. With machetes, knives, and batons, the police slashed, tore, and destroyed tents, the makeshift refuge of those displaced by the earthquake. Now, at the start of the hurricane season, amid heavy rains, those already dispossessed are penalized and thrust again into harm’s way. How, then, to write about Haiti – and refrain from anger? Create Danger ously dares readers to know the unspeakable. But what makes it remarkable is that the dare only works because Danticat is ever tasking herself to know, confront, and ultimately – and unbelievably – create, in spite of examples of greed, fanaticism, and cruelty.