Go Your Own Way (W Instr)(PDF)

Total Page:16

File Type:pdf, Size:1020Kb

Go Your Own Way (W Instr)(PDF) Go Your Own Way Lyndsey Buckingham 1976 (as recorded by Fleetwood Mac ) INTRO: / 1 2 3 4 / [F] / [F] / [F] Loving you, isn't the right thing to do [C] [Bb] How can I ever change things that I feel? [F] [F] If I could, maybe I'd give you my [C] world [Bb] How can I, when you won't take it from me? [F] [Dm] You can [Bb] go your own way [C] [C] Go your own way [Dm] You can [Bb] call it ano-[C]ther lonely day [C] [Dm] You can [Bb] go your own way [C] [C] Go your own way [F] Tell me why [F] [F] Everything turned around [C] [Bb] Packing up, shacking up’s all you wanna do [F] [F] If I could, baby I'd give you my [C] world [Bb] Open up, everything's waiting for you [F] [Dm] You can [Bb] go your own way [C] [C] Go your own way [Dm] You can [Bb] call it ano-[C]ther lonely day [C] [Dm] You can [Bb] go your own way [C] [C] Go your own way [F] Loving you, isn't the right thing to do [C] [Bb] How can I ever change things that I feel? [F] [F] If I could, maybe I'd give you my [C] world [Bb] How can I, when you won't take it from me? [F] [Dm] You can [Bb] go your own way [C] [C] Go your own way [Dm] You can [Bb] call it ano-[C]ther lonely day [C] (another lonely [Dm] day) You can [Bb] go your own way [C] [C] Go your own way [Dm] You can [Bb] call it ano-[C]ther lonely day [C] [Dm] You can [Bb] go your own way [C] [C] Go your own way [Dm] You can [Bb] call it ano-[C]ther lonely day [C] [Dm] You can [Bb] go your own way [C] [C] Go your own way [Dm] You can [Bb] call it ano-[C]ther lonely day [C] [Dm] You can [Bb] go your own way [C] [C] Go your own way [Dm] You can [Bb] go your own way [C] [C] Go your own way [Dm] You can [Bb] call it ano-[C]ther lonely day [C] (another lonely [Dm] day) You can [Bb] go your own way [C] [C] Go your own way [Dm] You can [Bb] call it ano-[C]ther lonely day [C] / [Dm] www.bytownukulele.ca .
Recommended publications
  • Arizona 500 2021 Final List of Songs
    ARIZONA 500 2021 FINAL LIST OF SONGS # SONG ARTIST Run Time 1 SWEET EMOTION AEROSMITH 4:20 2 YOU SHOOK ME ALL NIGHT LONG AC/DC 3:28 3 BOHEMIAN RHAPSODY QUEEN 5:49 4 KASHMIR LED ZEPPELIN 8:23 5 I LOVE ROCK N' ROLL JOAN JETT AND THE BLACKHEARTS 2:52 6 HAVE YOU EVER SEEN THE RAIN? CREEDENCE CLEARWATER REVIVAL 2:34 7 THE HAPPIEST DAYS OF OUR LIVES/ANOTHER BRICK IN THE WALL PART TWO ANOTHER BRICK IN THE WALL PART TWO 5:35 8 WELCOME TO THE JUNGLE GUNS N' ROSES 4:23 9 ERUPTION/YOU REALLY GOT ME VAN HALEN 4:15 10 DREAMS FLEETWOOD MAC 4:10 11 CRAZY TRAIN OZZY OSBOURNE 4:42 12 MORE THAN A FEELING BOSTON 4:40 13 CARRY ON WAYWARD SON KANSAS 5:17 14 TAKE IT EASY EAGLES 3:25 15 PARANOID BLACK SABBATH 2:44 16 DON'T STOP BELIEVIN' JOURNEY 4:08 17 SWEET HOME ALABAMA LYNYRD SKYNYRD 4:38 18 STAIRWAY TO HEAVEN LED ZEPPELIN 7:58 19 ROCK YOU LIKE A HURRICANE SCORPIONS 4:09 20 WE WILL ROCK YOU/WE ARE THE CHAMPIONS QUEEN 4:58 21 IN THE AIR TONIGHT PHIL COLLINS 5:21 22 LIVE AND LET DIE PAUL MCCARTNEY AND WINGS 2:58 23 HIGHWAY TO HELL AC/DC 3:26 24 DREAM ON AEROSMITH 4:21 25 EDGE OF SEVENTEEN STEVIE NICKS 5:16 26 BLACK DOG LED ZEPPELIN 4:49 27 THE JOKER STEVE MILLER BAND 4:22 28 WHITE WEDDING BILLY IDOL 4:03 29 SYMPATHY FOR THE DEVIL ROLLING STONES 6:21 30 WALK THIS WAY AEROSMITH 3:34 31 HEARTBREAKER PAT BENATAR 3:25 32 COME TOGETHER BEATLES 4:06 33 BAD COMPANY BAD COMPANY 4:32 34 SWEET CHILD O' MINE GUNS N' ROSES 5:50 35 I WANT YOU TO WANT ME CHEAP TRICK 3:33 36 BARRACUDA HEART 4:20 37 COMFORTABLY NUMB PINK FLOYD 6:14 38 IMMIGRANT SONG LED ZEPPELIN 2:20 39 THE
    [Show full text]
  • Top 500 List 500. Go Your Own Way – Fleetwood Mac 499
    Top 500 List 500. Go Your Own Way – Fleetwood Mac 499. Reach Out and I’ll Be There – Four Tops 498. Take It To The Limit – Eagles 497. Proud Mary – Creedance Clearwater 496. Too Late To Turn Back Now – Cornelius Bros. 495. Help Me, Rhonda – Beach Boys 494. Operator – Jim Croce 493. Let’s Spend The Night – Rolling Stones 492. One of a Kind Love Affair – Spinners 491. Lay Lady Lay – Bob Dylan 490. She’s Gone – Hall & Oats 489. Backstabbers – O’Jays 488. Sweet Talkin’ Woman – Elo 487. Black and White – Three Dog Night 486. Cracklin’ Rosie – Neil Diamond 485. How Sweet It Is – Marvin Gaye 484. Levon – Elton John 483. Love Will Find A Way – Pablo Cruise 482. My Cherie Amour – Stevie Wonder 481. Turn! Turn! Turn! – Byrds 480. Woman, Woman – Gary Puckett 479. Rock Your Baby – George McCrae 478. Moondance – Van Morrison 477. Photograph – Ringo Starr 476. Take Me In Your Arms – Doobie Brothers 475. Love Grows (Where My Rosemary Goes) – Edison Lighthouse 474. In My Life – Beatles 473. Bad Girls – Donna Summer 472. Only The Good Die Young – Billy Joel 471. You Wear It Well – Rod Stewart 470. But It’s Alright – J. J. Jackson 469. Jet Airliner – Steve Miller 468. No Time – Guess Who 467. Isn’t She Lovely – Stevie Wonder 466. Hello It’s Me – Todd Rundgren 465. O-O-H Child – Five Stairsteps 464. The Long and Winding Road – Beatles 463. Ain’t No Mountain High Enough – Marvin Gaye 462. Ruby Tuesday – The Rolling Stones 461. I Got My Mind Set On You – George Harrison 460.
    [Show full text]
  • A Band Together. but Who Knew We'd Find As Durable an Application Of
    o R M D EVERY MUSICIAN KNOWS IT’s THE RHYTHM SECTION THAT HOLDS a band together. But who knew we’d find as durable an application of that maxim as the one exemplified by the history of Fleetwood Mac? & Over the last thirty years, Fleetwood Mac has comprised fifteen musicians shuffled through six major lineups, resulting in endless tin- kerings with tone and genre. Yet the two members to survive it all rarely write tunes and never front the recordings. They’re the beat- keepers - drummer Mick Fleetwood and bassist John Me Vie. The fact that a rhythm section could sustain a band through thirty years seems all the more amazing considering the traumatic histories of the band’s shifting array o f stage-front stars. Together, their personal lives have given rock one of its most elaborate and juicy plotlines. (L Religious conversions, spells o f madness, “incestuous” liaisons within the band, drug freak-outs, alleged brainwashings, imperson- Mick ^ stevie ations, everything short of murder have spun Nicks, John McVie, Christine McVie, Lindsey Fleetwood Mac’s legacy into a story worthy of Buckingham (from left) Scheherazade. & Musically the band has endured just as many twists, moving from blues to rockabilly to laid-back California folk rock - finally to bloom into purveyors of some of the most popular and endur- ing music of the Seventies. (L It all began humbly enough. In 1967, the B Y J I M FÄRBER The band in '69: Peter original foursome convened as arch Fame entrant, Santana). If that wasn’t enough, Rose also saw the Green, Fleetwood, Jeremy devotees of the blues, arriving in the band adding nineteen-year-old Danny Kirwan (who’d played in Spencer, Danny Kirwan, second wave of U.K.
    [Show full text]
  • Lindsey Buckingham Insists He Isn’T a Virtuoso
    Guitar BY RUSSELL HALL TOO LS O Lindsey F T HE T RAD E n G U Buckingham I TAR n LIN DS E Y B U CKIN G H AM When it comes to playing guitar, Lindsey Buckingham insists he isn’t a virtuoso. Many would disagree with that assess- alone in his bedroom fguring out how ment, but in Buckingham’s view, to duplicate the sounds made by guitarist LINDSEY BUCKINGHAM Gift of Screws virtuosity isn’t necessarily a good thing. Scotty Moore. [ Reprise ] “Tere are times when cleverness or “It wasn’t about facility,” Buckingham technical profciency can overwhelm the says. “It was more about being so interested Great Day Time Precious Time simplicity or the openness of what needs in music and wanting to learn to play those Did You Miss Me to be there,” he explains. “It can be hard, songs. When you’re 7 or 8, your learning Wait for You Love Runs Deeper sometimes, to not do too much. Knowing curve is way quicker. I was so taken with Bel Air Rain where to play and where to be silent are this form of music, I had to be a part of it.” The Right Place to Fade important.” Fast-forward 50 years, and the rich- Gift of Screws Underground Buckingham has been putting that philoso- ness of Buckingham’s contributions to Treason phy into practice for more than fve decades. contemporary music is beyond dispute. Beginning at age 6, when his parents gave Afer making a superb folk-pop album him a Mickey Mouse ukulele, the future with childhood friend Stevie Nicks, the Fleetwood Mac member set about perfect- northern California native was invited by ing a fnger-picking technique that’s as Mick Fleetwood to join Fleetwood Mac.
    [Show full text]
  • Moonlight Presents Announces 2019 Season Download Art
    MOONLIGHT AMPHITHEATRE 1250 Vale Terrace Drive · Vista, CA 92084 moonlightstage.com MEDIA CONTACT Fred Tracey Marketing/PR Director 760.643.5217 [email protected] Moonlight Presents Announces 2019 Season Download art: http://tinyurl.com/MP-Press-Images Vista, CA (February 28, 2019) – For its fourth season of concerts and movie nights, Moonlight Presents will offer an expanded calendar of events at the City of Vista’s Moonlight Amphitheatre, the picturesque outdoor venue located within Brengle Terrace Park seating 1,800 people. Generously sponsored by Vista-based Dr. Bronner’s, concert packages and single tickets will go on sale Sat., March 9 by phone at (760) 724-2110, online at moonlightstage.com, and in person at VisTix. “Moonlight Presents was intended to expand the amphitheatre’s offerings outside of our summer season of Broadway musicals,” said Managing Director Colleen Kollar Smith. “Last year, we grew our audience by more than 40 percent over the previous years’ attendance. We are thrilled that our community is embracing The Moonlight as a year-round entertainment destination. With the generous underwriting from Dr. Bronner’s, we are able to offer an eclectic line-up in 2019 which to date is our largest presenting season.” The line-up: Classic Albums Live Friday, April 12, 2019: The Eagles’ Hotel California Gates: 6 pm Show: 7:30 pm Saturday, April 13, 2019: Fleetwood Mac’s Rumours Gates: 6 pm Show: 7:30 pm Ticket Price Range for Each Concert: $15 - $40 Classic Albums Live returns to The Moonlight stage with two ultimate albums, The Eagles’ “Hotel California” and Fleetwood Mac’s “Rumours.” Go back in time with this perfect re- creation of these unforgettable timeless albums.
    [Show full text]
  • Lleetulood Mac Frumoars Any Drummer Looking for a Clear Example of What Playing for the Song Sounds and Feels Like Need Look No Further Than This Classic Album
    lleetulood Mac frumoars Any drummer looking for a clear example of what playing for the song sounds and feels like need look no further than this classic album. I sk most pop fans about Fleetwood Fleetwood and bassist John McVie locking AMu.'t Rumours and you'll get an in and making mid-tempo magic. After earful about heartache, freshly splintered Fleetwood introduces the song with a tasty couples trying to salve raw wounds, snare-to-tom fill, he crashes on beat 2 and and kissing the past goodbye through the elements of a soft-rock classic-Nicks' song. But what ofthe heartbeat pulsing airy lead vocal, Christine McVie's Fender through that heartache, Mick Fleetwood's Rhodes, and Buckingham's sparse electric drumming? For all the praise heaped guitar-are assembled inside the deep upon the time-capsule-worthy songs that bass-and-drums pocket. lt's a seemingly Lindsey Buckingham, Christine McVie, simple concept, that "heartbeat" feel. and Stevie Nicks contributedto Rumours, But the Mac's founding fathers don't just Fleetwood's work doesn't get nearly the deliver it, they own it. lt's difficult to think love it deserves-at least outside the many of another rhythm section that plays it like producers, engineers, and musicians who thev do. have for decades been chasing down the In contrast to the carefully measured album's warm drum sound and impeccable oulse he lends to "Dreams," Fleetwood on tastefully dropped snare beats and a simple feel. Those studio rats and musos refer to "Go Your Own Way" is all primal kick, from but sweet combination of 16th notes during Fleetwood's playing on Rumours because the tom Datterns ofthe verses and solo the snare hits and cymbal crashes at 'l:59.
    [Show full text]
  • Top 200 of the 1970'S
    Top 200 of the 1970's Rank Song / Artist Album 1 Layla / Derek & The Dominos Layla & Other Assorted Love Songs 2 Stairway To Heaven / Led Zeppelin Led Zeppelin IV 3 Imagine / John Lennon Imagine 4 Born to Run / Bruce Springsteen Born to Run 5 Let It Be / The Beatles Let It Be 6 Hotel California / The Eagles Hotel California 7 What's Going On / Marvin Gaye What's Going On 8 Superstition / Stevie Wonder Talking Book 9 Bohemian Rhapsody / Queen A Night at The Opera 10 Bridge Over Troubled Water / Simon & Garfunkel Bridge Over Troubled Water 11 Let's Stay Together / Al Green Let's Stay Together 12 Maggie May / Rod Stewart Every Picture Tells a Story 13 American Pie / Don McLean American Pie 14 Won't Get Fooled Again / The Who Who's Next 15 Your Song / Elton John Elton John 16 Free Bird / Lynyrd Skynyrd Skynyrd's Innyrds 17 Brown Sugar / The Rolling Stones Sticky Fingers 18 Let's Get It On / Marvin Gaye Let's Get It On 19 Go Your Own Way / Fleetwood Mac Rumours 20 Papa Was A Rolling Stone / The Temptations All Directions 21 Stayin' Alive / The Bee Gees OST: Saturday Night Fever 22 Midnight Train to Georgia / Gladys Knight & the Pips Imagination 23 Ophelia / The Band Northern Lights-Southern Cross 24 Just My Imagination / The Temptations Sky's the Limit 25 I Will Survive / Gloria Gaynor Love Tracks 26 Roxanne / The Police Outlandos D'Amour 27 Dream On / Aerosmith Aerosmith 28 Another Brick In The Wall (Part 2) / Pink Floyd The Wall 29 No Woman No Cry / Bob Marley & The Wailers Natty Dread 30 London Calling / The Clash London Calling 31 Family
    [Show full text]
  • FLEETWOOD MAC: Die Legendären Klassiker Auf Farbigem Vinyl Fleetwood Mac , Rumours , Tusk , Mirage Und Tango in the Night
    im Auftrag: medienAgentur Stefan Michel T 040-5149 1467 F 040-5149 1465 [email protected] FLEETWOOD MAC: Die legendären Klassiker auf farbigem Vinyl Fleetwood Mac , Rumours , Tusk , Mirage und Tango In The Night Ab 29. November über Rhino Limited Editions in individuell nummerierten Slipcases exklusiv über www.Rhino.com FLEETWOOD MAC „Rumours“ 4CD Edition bereits ab 8. November erhältlich! Zwischen 1975 und 1987 setzten FLEETWOOD MAC fünf einzigartige Multi-Platin-Alben in Folge in die Musiklandschaft – ein brillanter Coup, der sie zu einer der weltweit meistverkaufenden Bands in der Rockgeschichte machte! Am 29. November veröffentlicht Rhino diese fünf Klassiker auf Vinyl in jeweils eigener Farbe: Fleetwood Mac auf weißem Vinyl, Rumours auf transparentem Vinyl, Tusk als Doppel-LP auf silberfarbenem Vinyl, Mirage auf violettem Vinyl und Tango In The Night auf grünem Vinyl! Gleichzeitig erscheinen alle fünf Alben gesammelt in einem Slipcase als individuell durchnummerierte, auf 2.000 Exemplare limitierte Edition, die exklusiv über www.Rhino.com zu beziehen sein wird. Diese Sammlung kann ab sofort vorbestellt werden. Zuvor erscheint „Rumours“ am 8. November bereits als 4CD Box. Nach ihren bluesigen Anfängen erschienen FLEETWOOD MAC im Sommer 1975 in einer neuen Inkarnation in neuer Besetzung, die aus Mick Fleetwood, John McVie, Christine McVie und den neuen Mitgliedern Stevie Nicks und Lindsey Buckingham bestand. Ihr erstes gemeinsames Album, Fleetwood Mac (manchmal auch als The White Album bezeichnet), katapultierte sich umgehend auf Platz 1 der Billboard-Charts, hielt sich über ein Jahr in den Top- 40 und verkaufte sich mit Songs wie „Landslide“, „Say You Love Me“ und „Rhiannon“ allein in den USA über fünf Millionen Mal! 1977 warf die Band den Nachfolger Rumours ins Rennen, das vielfach als das beste Album aller Zeiten bewertet wird.
    [Show full text]
  • “Rumours”—Fleetwood Mac (1977) Added to the National Registry: 2017 Essay by Ken Caillat and Daniel Hoffheins (Guest Post)*
    “Rumours”—Fleetwood Mac (1977) Added to the National Registry: 2017 Essay by Ken Caillat and Daniel Hoffheins (guest post)* Original album cover Original label Fleetwood Mac If you randomly sift through the music collection of most homes, you’ll more than likely find a copy of Fleetwood Mac’s “Rumours.” Like “Sgt. Pepper” before it, “Rumours” captured the mood of a generation, laid it down, and preserved it forever on vinyl. “Rumours” offered an unflinching look at the emotional fallout of free love, the anger of letting it go, and the optimism that comes from its survival. The message of infighting, pain, spectacle, and the excess of a star- crossed, storm-tossed band was delivered with a haunting and infectious mix of folk, pop, funk, blues, and hard rock. That mix was so potent and genuine that “Rumours” was an immediate hit, selling millions of copies and staying at number one in the album charts for over half a year. “Rumours” became the soundtrack for the charged era that spawned it, a phenomenon of unlikely forces converging to create a unique and addictively confessional work of art. Today, “Rumours” has sold over 40 million copies and continues to attract new listeners with each passing year, representing so completely its time that just its iconic album cover is enough to stand in for the lives, hopes, and heartaches of millions of Baby Boomers. The seventies were a paradoxical decade. The sexual revolution and the spirit of Woodstock were still the guiding lights of the Boomer revolution, but Vietnam and Watergate had sown massive despair and disillusionment in the country.
    [Show full text]
  • Lindsey Buckingham, Best Known As the Lead Guitarist and Vocalist of Fleetwood Mac
    5 January 2021 Hipgnosis Songs Fund Limited (“Hipgnosis” or the “Company”) Acquisi=on of Music Catalogue The Board of Hipgnosis Songs Fund Limited, the first UK listed investment Company offering investors a pure-play exposure to songs and assoCiated intelleCtual property rights, and its Investment Adviser, The Family (MusiC) Limited, are pleased to announCe that the Company has acquired a Catalogue from one of the greatest songwriters, guitarists and produCers of all Ome, Lindsey BuCkingham, best known as the lead guitarist and voCalist of Fleetwood Mac. Hipgnosis has now, together with a 25% share acquired on 30 September 2020, acquired 100% of Lindsey BuCkingham’s musiC publishing rights, inCluding his Publishing and Writer’s Share, of his enOre Catalogue Comprising 161 songs, as well as a 50% share of any unreleased ComposiOons. StarOng his musiC Career in the early 70s, BuCkingham released his debut album ‘BuCkingham NiCks’ in 1973 with his then partner, Stevie NiCks. Following ‘BuCkingham NiCks’, the duo joined MiCk Fleetwood, John McVie and ChrisOne McVie to Create the most famous, and most Consistent version, of the iConiC roCk band, Fleetwood Mac. In 1975, Fleetwood Mac released their self-Otled album whiCh launChed the band to musiCal stardom. The album, whiCh reached Number 1 on the US Billboard 200 Chart, was ranked 182nd by Rolling Stone Magazine on their "The 500 Greatest Albums of All Time" Chart, and has been CerOfied 7x plaOnum in the US. BuCkingham’s seCond album with Fleetwood Mac, ‘Rumours’, has sold over 45 million Copies worldwide making it one of the nine bestselling albums of all Ome.
    [Show full text]
  • Fleetwood Mac; Rumours a Review by Jake Daisley
    Fleetwood Mac; Rumours A review by Jake Daisley Introduction There is no truer testament to making the best of out the worst situation than Fleetwood Mac’s Rumours. Born out of internal conflict, affairs, divorce and a cocaine addiction, Rumours went on to be the seventh bestselling studio album of all time and according to Mick Fleetwood, the drummer and founder of Fleetwood Mac, "the most important album we ever made". About the Band Lindsey Buckingham: lead guitarist and vocalist. Born October 3rd, 1949 in Palo Alto, California. Lindsey dropped out of competitive swimming to pursue a career in music. Lindsey and his then-girlfriend Stevie Nicks recorded an album titled Buckingham Nicks in 1973. Mick Fleetwood heard the song "Frozen Love" from the Buckingham Nicks album. Impressed, he asked Buckingham to join Fleetwood Mac and replace Bob Welch, the former lead guitarist for Fleetwood Mac. Lindsey told Mick that he and Stevie Nicks were a team and that he didn't want to work without her. Mick Fleetwood agreed and hired both of them without an audition. Stevie Nicks: vocalist, recognized as the "Reigning Queen of Rock and Roll". Born May 26th, 1948 in Phoenix, Arizona. Stevie’s grandfather taught Nicks to sing duets with him by the time she was four years old. She first met Lindsey Buckingham, during her senior year of high school, she saw him playing “California Dreamin’” at a party, and joined him in singing harmony. Stevie and Lindsey opened for Jimi Hendrix and Janis Joplin, it was those two artists who inspired her own stage intensity and performance.
    [Show full text]
  • By Fleetwood Mac
    Ukulele Song Sheets for Rumours by Fleetwood Mac UkeTunes - https://uketunes.wordpress.com UkeTunes Contents SECOND HAND NEWS 3 DREAMS 4 NEVER GOING BACK AGAIN 5 DON’T STOP 6 GO YOUR OWN WAY 7 SONGBIRD 8 THE CHAIN 9 YOU MAKE LOVING FUN 10 I DON’T WANT TO KNOW 11 OH DADDY 12 GOLD DUST WOMAN 13 NOTE: All songs and chords assume a GCEA tuned ukulele. These song sheets are my best attempt at transcribing the songs, but may not be totally accurate. DISCLAIMER: All song sheets in this book are intended for private, educational, and research purposes only and not for financial gain in any form. It is acknowledged that all song copyrights belong to their respective parties. (v1.1) Rumours, by Fleetwood Mac (https://uketunes.wordpress.com/) Page 2 UkeTunes Second Hand News { Written by Lindsey Buckingham } Intro: [E] [E] [A] I know there's [D] nothing to [A] say [A] Someone has [D] taken my [A] place When [A] times go [E7] bad, when [A] times go [E7] rough, Won't you [A] lay me down in the [D] tall grass, And [E] let me do my stuff? [A] I know I got [D] nothing on [A] you [A] I know there's [D] nothing to [A] do When [A] times go [E7] bad and you [A] can't get e[E7]-nough, Won't you [A] lay me down in the [D] tall grass, And [E] let me do my stuff? (do it) [A] Bam bam bam bam ba bam [D] Bam bam bam bam ba bam [A] Bam bam bam ba bam ba [E] bam ba ba [A] bam (do do de do) [A] Bam bam bam bam ba bam [D] Bam bam bam bam ba bam [A] Bam bam bam ba bam ba [E] bam ba ba [A] bam [A] One thing I [D] think you should [A] know, [A] I ain't gonna [D] miss
    [Show full text]