RARE EARLY NAUGHTY CHILDREN BOOK the High Quality of the Stories 298

Total Page:16

File Type:pdf, Size:1020Kb

RARE EARLY NAUGHTY CHILDREN BOOK the High Quality of the Stories 298 Helen & Marc Younger Pg 39 [email protected] 294. [HOFFMANN,HEINRICH]. DER & Loening, ca 1870. Oblong 4to, printed boards, spine repaired and normal wear, VG+. Printed on rectos only, each leaf has a rhyme about a different naughty KRIEGS STRUWWELPETER lustige child embellished with 2 very fine hand-colored engravings. Includes: Bertha and bilder und verse von Karl Ewald Olszewski. the Greedy Boys, Little Chinaman, Inquisitive Susan, Little Trespasser, Freddy Munchen: Holbein 1915. 4to, pict. bds, and the Fire and more. Not in Baumgartner, Ruhle 301a. Rare. $1750.00 edges and spine extrems rubbed else VG+. A marvelous Struwwelpeter parody with a militaristic / World War I theme. Printed on rectos only, each leaf has a warlike motif (Der Bombenpeter, Kaiser Wilhelm, Der Japs etc). Very scarce. $600.00 RARE AND GRUESOME McLOUGHLIN STRUWWELPETER IMITATION 295. [HOFFMANN,HEINRICH]. HEEDLESS HARRY AND OTHER NAUGHTY CHILDREN STORIES. NY: McLoughlin Bros., 1905. 4to, pict. wraps, [32]p. + covers, 299. HOFFMANN,HEINRICH. JIMMY SLIDERLEGS. NY: Sully (inscribed paper aging, some finger soil, VG+. Illustrated with color cover plus 1898). 4to, cl. backed pict. bds, sl. cover soil and very faint edge stain else numerous b&w’s on every page accompany verse about Heedless Harry, remarkably clean and tight and VG+. Illus. in color on every page to accompany Little Lie Abed, The Naughty Boy Who Destroyed His Books, The Dainty the rhymes about Cruel Paul, Tom Bogus, Dr. Wango Tango, Discontented Lucy, Boy, The Little Boy Who Would Not Be Washed and more. The last page Slovenly Betsy and others. A scarce title. $500.00 has a frightful of the Old Man That Draws the Teeth of Children Who Bite: $1200.00 UNCOMMON McLOUGHLIN TITLE RARE STRUWWELPETER PAINTING BOOK 300. [HOFFMANN,HEINRICH]. TOM TEARABOUT. NY: McLoughlin Bros. ca 296. (HOFFMANN,HEINRICH). STRUWWELPETER PICTURES FOR 1880. 5x6”, pictorial wraps, fine. “I’ll tell you about Tom Tearabout, The boy no PAINTING. [Lond.} Humphrey Milford / Oxford Univ. Press, no date ca 1930. man could tame; No less than sixteen nurseries, Did tremble at his name”. Illus. Large 12mo, (6x7”), pictorial boards, spine paper chipped, some illus. colored and with 8 half page full color lithos. Father’s Series. $200.00 some soil and wear, really VG. The text of the English Struwwelpeter is printed in HOFFMANN, HEINRICH ALSO 244 HOGAN, INEZ – 97, 570 full color on coated paper. Facing each colored illustration is the same illustration in line meant to be painted by the child (6 of 24 are neatly painted). The cover illustration is in color signed W.P. A very scarce Struwwelpeter item. $850.00 RARE BOXED VOLLAND/HOLLING TITLE RARE EARLY STRUWWLPETER IMITATION 301. HOLLING,HOLLING C. CHOO-ME- 297. (HOFFMANN,HEINRICH). AUNT ODDEMADODD’S WHISPERS ABOUT SHOO by Holling Holling. Minn.: Volland CERTAIN LITTLE PEOPLE First Series by W. Newman, Late one of the Punch - Buzza (1928 6th printing). Square 8vo, artists. Lond.: Dean & Son, no date [1857]. Small 4to, cloth backed pictorial cloth backed pictorial boards, Fine in boards, edges worn, hinges strengthened else, VG. Printed on one side of the PUBLISHER’S BOX. An Eskimo story, paper, almost every page has illustrated by Lucille Holling with bright detailed engravings showing and beautiful color illustrations. Great the result of being a naughty copy. $325.00 child (including pictorial title HORSES – 384, 438 page). The book contains the following stories: The Dainty Little Boy, The Little HOUSMAN’S FIRST BOOK Girl Who Made Faces, The 302. HOUSMAN,LAURENCE. Little Boy Who Bit His Nails, A FARM IN FAIRYLAND. The Boy Who Never Looked Lond: Kegan Paul, Trench, Where He Was Going To, Trübner 1894. 8vo, green Little Lie A-bed, Little Girl pictorial cloth stamped in green Who Would Not Go to Bed, and gold, sl. bubble to cloth on Little Boy Who Would Not rear cover, a few pages opened Be Washed and Tasting. roughly, VG. First edition of the This is a rare and early first book written by Housman. imitation of Hoffmann’s Fairy tales written by Housman Struwwelpeter. Ruhle 281m, and illustrated by him with 13 TPL p.73, not in Baumgartner beautiful full page Art Nouveau who lists the Second Series. illustrations as well as lovely Rare. $1500.00 pictorial title page and cover design. The book is noted not only for the illustrations, but for RARE EARLY NAUGHTY CHILDREN BOOK the high quality of the stories 298. [HOFFMANN,HEINRICH]. FUNNY PICTURE BOOK OR 25 FUNNY as well. (See Engen’s Artist LITTLE LESSONS: A FREE TRANSLATION FROM THE GERMAN OF DER & the Critic: Housman p. 116- KLEINE A-B-C SCHUTZ. Frankfort on the Main: Literarische Anstalt Rutten 117) $425.00 914.764.7410 Pg 40 Aleph-Bet Books - Catalogue 88 RARE BOOK BY NATIVE STUDENTS 307. INDIANS. THE NEW TRAIL: BOOK OF CREATIVE WRITING BY INDIAN STUDENTS - 2 volumes (1941 plus the 1953 revision). Phoenix: Printed at 303. (HUMPHREY,MAUD)illus. the Phoenix School. The first edition was printed in 1941. 4to, pict. wraps, 158p., BABES OF THE NATIONS first signature strengthened and paper aging with some chipping on edges else VG. by Edith Thomas. NY: Stokes Edited by Ann Nolan Clark. Conceived and printed as the yearbook by students 1889. Small 4to, cl. backed of the Phoenix Indian School with the intention of depicting contemporary Indian pict. bds, edges and corners life in the southwest. The text is comprised of poems, songs, games, legends rubbed else clean and fresh. and essays on native life of by students. The essays describe pottery making, Illustrated by Humphrey basketry etc. of the Papago, Pima, Maricopa, Apache, Hopi and other southwest with 12 magnificent full tribes. One essay describes and depicts childbirth. Some of the pages are page chromolithographs printed on colored papers meant to indicate tribal relationships (desert tribes are of little children dressed on “warm” yellow paper, “virile” Apaches are on green paper). Illustrated by the in the national costumes students in b&w and in full color including 8 removable double-pages illustrations of various nations from which appear to be original colored woodblocks. This 1941 edition is inscribed Russia to Africa. Printed by Martha Refsland, Supervisor of Elementary Education. The preface to the on heavy stock, the colors revised edition indicates that only a limited number of copies were printed and of are beautiful. One page of these, there is little doubt that very few copies of this book would have survived. verse for each illus. (with line illustrations). $950.00 It is sold together with the 1953 revised edition in fine condition (one cancelled blind embossed library stamp). This edition is longer with 182 pages which includes a section on the Navajo Indians that is not in the first edition. The HUGHES, LANGSTON - 98 papers colors have been changed as well. The first edition has a colored map of the Hopi Reservation and a wonderful double-page color illus. of Katchina Corn Grinders, neither of which are in the revised edition. There are numerous other RARE HUMPHREY TITLE curious changes, for instance one double-paged print in the first edition was 304. (HUMPHREY,MAUD)illus. BOOK captioned Apache Sunrise Dance and the same illustration has been renamed the Apache Wedding Ceremony. The fact that the revised edition is printed OF PETS by Elizabeth Tucker. NY: on better paper serves to highlight the charm of the original in comparison. A Stokes 1893. 4to, cloth backed pictorial special and rare American Indian offering. $1200.00 boards, edges and corners rubbed else tight VG-Fine. Featuring 12 fine full page chromolithographs of little children with their pets. These are inter-leaved poems about the pets embellished with full page color chromos also by Tucker. Printed on one side of the paper, there are a total of 24 full page illustrations including title. A very scarce Humphrey title. $1000.00 305. HUMPTY DUMPTY BOOK. THE EGGS-TRAORDINARY ADVENTURES OF THE HUMPTY DUMPTY FAMILY. Lond: Treherne nd ca 1905. Sq. 16mo (3x3”). Pict. cloth, some shelf wear, VG. A marvelous continuation of the Humpty Dumpty rhyme INDIANS SEE ALSO 170 INSECTS – 165, 175, 407, 564-5 featuring the entire Dumpty family. Printed on heavy paper on one side of the page, each IRISH – 566 IRVING, WASHINGTON – 462, 573 page of text faces a charming full page color illustration signed E.E.M. In the style of a Stump book, only square instead of oblong. Very. $750.00 RARE CREPE PAPER CALENDAR 308. JAPANESE INTEREST. CALENDAR HUNGARY – 415, 431 1906. (Tokyo: Hasegawa) 1906. 12mo, LOVELY CHRISTMAS ART crepe paper bound frenchfold with silk 306. HYMAN,TRINA SCHART. ORIGINAL ART FROM CHRISTMAS POEMS a book of poems selected by Myra Cohn Livingston and published by Holiday House ties, fine. Similar to the Japanese fairy in 1984. The piece offered here is a charming double-page spread appearing on tale series published by Hasegawa, this is pages 24 and 25 of the book. The image measures 16” wide x 9” high and is nicely matted. The scene is viewed through a window from the inside, executed in pen a calendar for 1906. Every page has very and ink with a wash. A fanciful gingerbread house sits on a snowy mountain. A beautiful color woodblock illustrations. teddy bear peers over the hill. In front of the house are 5 little children playing with a cleverly drawn acorn-man. This is a lovely, detailed piece. $2000.00 This is a rare title in crepe paper series. $225.00 PANORAMA 309. JAPANESE INTEREST. JAPANESE CHILDREN, THE TOYODO. Tokyo: Torishinkokuycho no date, owner inscription 1908. 4to (7 x 9 1/2”), pictorial cloth, fine. There are 10 wonderful double-page color prints depicting Japanese children enjoying various activities.
Recommended publications
  • (ALSC) Caldecott Medal & Honor Books, 1938 to Present
    Association for Library Service to Children (ALSC) Caldecott Medal & Honor Books, 1938 to present 2014 Medal Winner: Locomotive, written and illustrated by Brian Floca (Atheneum Books for Young Readers, an imprint of Simon & Schuster Children’s Publishing) 2014 Honor Books: Journey, written and illustrated by Aaron Becker (Candlewick Press) Flora and the Flamingo, written and illustrated by Molly Idle (Chronicle Books) Mr. Wuffles! written and illustrated by David Wiesner (Clarion Books, an imprint of Houghton Mifflin Harcourt Publishing) 2013 Medal Winner: This Is Not My Hat, written and illustrated by Jon Klassen (Candlewick Press) 2013 Honor Books: Creepy Carrots!, illustrated by Peter Brown, written by Aaron Reynolds (Simon & Schuster Books for Young Readers, an imprint of Simon & Schuster Children’s Publishing Division) Extra Yarn, illustrated by Jon Klassen, written by Mac Barnett (Balzer + Bray, an imprint of HarperCollins Publishers) Green, illustrated and written by Laura Vaccaro Seeger (Neal Porter Books, an imprint of Roaring Brook Press) One Cool Friend, illustrated by David Small, written by Toni Buzzeo (Dial Books for Young Readers, a division of Penguin Young Readers Group) Sleep Like a Tiger, illustrated by Pamela Zagarenski, written by Mary Logue (Houghton Mifflin Books for Children, an imprint of Houghton Mifflin Harcourt Publishing Company) 2012 Medal Winner: A Ball for Daisy by Chris Raschka (Schwartz & Wade Books, an imprint of Random House Children's Books, a division of Random House, Inc.) 2013 Honor Books: Blackout by John Rocco (Disney · Hyperion Books, an imprint of Disney Book Group) Grandpa Green by Lane Smith (Roaring Brook Press, a division of Holtzbrinck Publishing Holdings Limited Partnership) Me...Jane by Patrick McDonnell (Little, Brown and Company, a division of Hachette Book Group, Inc.) 2011 Medal Winner: A Sick Day for Amos McGee, illustrated by Erin E.
    [Show full text]
  • Megan Lambert
    June 2018 Megan Dowd Lambert, M.A. Children’s Literature Website: http://megandowdlambert.com Twitter: @MDowdLambert Cell Phone (413) 695-4515 Email: [email protected] or [email protected] Education Simmons College, Boston, MA. 9/00 –01/02 • M.A. in Children’s Literature; recipient of merit grants from the Simmons College Children’s Literature Scholarship Fund and the Virginia Haviland Scholarship; awarded Teaching Assistant Scholarship position, fall 2001. G.P.A. 3.9 • Independent Study with The Eric Carle Museum of Picture Book Art: Celebrating the Picture Book as an Art Form. Project included: o School Outreach Coordination: Designed and implemented free visiting storytime sessions for over 8,000 students and 1,500 teachers in programs engaging participants with the picture book as an art form. This work led to my creation of The Whole Book Approach, detailed below. I also led teacher meetings to share The Carle’s mission and solicit teachers’ feedback about how The Carle might develop school partnerships. Submitted meeting reports to The Carle’s Founding Director, H. Nichols B. Clark. o Teacher Education: Awarded Xeric Foundation grant to develop and implement fall 2002 teacher training program on picture book art and visual perception. o Bibliographic Research: Conducted bibliographic research to develop a 2,500- volume picture book Reading Library housed in The Carle. o Storytime Reader: Led the museum office’s weekly drop-in storytime program. UMASS-Amherst, Amherst, Massachusetts 1/00-6/00 • Completed the course Children’s Literature, An Issues Approach in the Education Department, based on the work of Dr.
    [Show full text]
  • “Get the Picture?” by John Stewig (2002)
    Get the Picture? JOHN STEWIG icture book experts commonly assert that in the best None of this is described through words, but we get a clear sense books one sees a combination of fine art and exemplary of the environment because of the art. This is a visual particu- Pwriting, which reinforce each other. The finished product larization of common, and thus easily understood, objects. that results is stronger because of this interaction of words Some artists are fond of adding a “visual signature” and images. How is this symbiosis achieved? to their work. It has been duly noted by several critics that To answer that question, we need to consider how pic- viewers can always find Chris Van Allsburg’s dog in each of ture books come to be. Sometimes, they are the product of his books, though it isn’t mentioned in the text. The same is one individual who crafts both the words and the images. true for the cats that are a recurring image in books by Trina Two who come to mind are Lois Ehlert, as in Waiting for Schart Hyman. Wings (Harcourt 2001), and Denise Fleming, as in Pumpkin At other times, the artist elaborates. For example, James Eye (Holt 2001). In such cases, the creator can move back Marshall crams his visual interpretation of Edward Lear’s and forth between text and art, adding a detail in the art and The Owl and the Pussycat (HarperCollins 1998) with a wealth removing it from the words, or the reverse. of detail not included in the poem itself.
    [Show full text]
  • Hail to the Caldecott!
    Children the journal of the Association for Library Service to Children Libraries & Volume 11 Number 1 Spring 2013 ISSN 1542-9806 Hail to the Caldecott! Interviews with Winners Selznick and Wiesner • Rare Historic Banquet Photos • Getting ‘The Call’ PERMIT NO. 4 NO. PERMIT Change Service Requested Service Change HANOVER, PA HANOVER, Chicago, Illinois 60611 Illinois Chicago, PAID 50 East Huron Street Huron East 50 U.S. POSTAGE POSTAGE U.S. Association for Library Service to Children to Service Library for Association NONPROFIT ORG. NONPROFIT PENGUIN celebrates 75 YEARS of the CALDECOTT MEDAL! PENGUIN YOUNG READERS GROUP PenguinClassroom.com PenguinClassroom PenguinClass Table Contents● ofVolume 11, Number 1 Spring 2013 Notes 50 Caldecott 2.0? Caldecott Titles in the Digital Age 3 Guest Editor’s Note Cen Campbell Julie Cummins 52 Beneath the Gold Foil Seal 6 President’s Message Meet the Caldecott-Winning Artists Online Carolyn S. Brodie Danika Brubaker Features Departments 9 The “Caldecott Effect” 41 Call for Referees The Powerful Impact of Those “Shiny Stickers” Vicky Smith 53 Author Guidelines 14 Who Was Randolph Caldecott? 54 ALSC News The Man Behind the Award 63 Index to Advertisers Leonard S. Marcus 64 The Last Word 18 Small Details, Huge Impact Bee Thorpe A Chat with Three-Time Caldecott Winner David Wiesner Sharon Verbeten 21 A “Felt” Thing An Editor’s-Eye View of the Caldecott Patricia Lee Gauch 29 Getting “The Call” Caldecott Winners Remember That Moment Nick Glass 35 Hugo Cabret, From Page to Screen An Interview with Brian Selznick Jennifer M. Brown 39 Caldecott Honored at Eric Carle Museum 40 Caldecott’s Lost Gravesite .
    [Show full text]
  • Caldecott Medal Winners, 1938 to Present Choose from These Books Which Were Honored for Best Illustrations
    Caldecott Medal Winners, 1938 to Present Choose from these books which were honored for best illustrations. The Lion and the Mouse , by Jerry Pinkney, 2010 The House in the Night , illustrated by Beth Krommes, written by Susan Marie Swanson, 2009 The Invention of Hugo Cabret , by Brian Selznick, 2008 Flotsam, by David Wiesner, 2007 The Hello, Goodbye Window, illustrated by Chris Raschka , written by Norton Juster, 2006 Kitten's First Full Moon, by Kevin Henkes, 2005 The Man Who Walked Between the Towers , by Mordicai Gerstein , 2004 My Friend Rabbit, by Eric Rohmann, 2003 The Three Pigs, by David Wiesner, 2002 So You Want to Be President? illustrated by David Small, text by Judith St. George, 2001 Joseph Had a Little Overcoat, by Simms Taback , 2000 Snowflake Bentley, illustrated by Mary Azarian, text by Jacqueline Briggs Martin , 1999 Rapunzel, by Paul O. Zelinsky , 1998 Golem, by David Wisniewski , 1997 Officer Buckle and Gloria, by Peggy Rathmann, 1996 Smoky Night , illustrated by David Diaz, text by Eve Bunting, 1995 Grandfather's Journey, by Allen Say, text edited by Walter Lorraine, 1994 Mirette on the High Wire, by Emily Arnold McCully, 1993 Tuesday, by David Wiesner, 1992 Black and White, by David Macaulay, 1991 Lon Po Po: A Red-Riding Hood Story from China by Ed Young, 1990 Song and Dance Man , illustrated by Stephen Gammell, text by Karen Ackerman, 1989 Owl Moon , illustrated by John Schoenherr, text by Jane Yolen, 1988 Hey, Al , illustrated by Richard Egielski, text by Arthur Yorinks, 1987 The Polar Express, by Chris Van Allsburg,
    [Show full text]
  • (ALSC) Caldecott Medal & Honor
    Association for Library Service to Children (ALSC) Caldecott Medal & Honor Books, 1938 to present 2021 Medal Winner We Are Water Protectors, illustrated by Michaela Goade, written by Carole Lindstrom (Roaring Brook Press, a division of Holtzbrinck Publishing Holdings) Honor Books: A Place Inside of Me: A Poem to Heal the Heart, illustrated by Noa Denmon, written by Zetta Elliott, and published by Farrar Straus Giroux Books for Young Readers, an imprint of Macmillan Publishing Group. The Cat Man of Aleppo, illustrated by Yuko Shimizu, written by Irene Latham & Karim Shamsi-Basha (G.P. Putnam’s Sons, an imprint of Penguin Random House) Me & Mama, illustrated and written by Cozbi A. Cabrera (Denene Millner Books/Simon & Schuster Books for Young Readers, an imprint of Simon & Schuster Children’s Publishing) Outside In, illustrated by Cindy Derby, written by Deborah Underwood (Houghton Mifflin Harcourt) 2020 Medal Winner The Undefeated, illustrated by Kadir Nelson, written by Kwame Alexander (Versify, Houghton Mifflin Harcourt) Honor Books: Bear Came Along, illustrated by LeUyen Pham, written by Richard T. Morris (Little, Brown Books for Young Readers/Hachette) Double Bass Blues, illustrated by Rudy Gutierrez, written by Andrea J. Loney (Knopf/Random House Children’s Books) Going Down Home with Daddy, illustrated by Daniel Minter, written by Kelly Starling Lyons (Peachtree) 2019 Medal Winner Hello Lighthouse, illustrated and written by Sophie Blackall (Little, Brown Books for Young Readers/Hachette) Honor Books: Alma and How She Got Her Name,
    [Show full text]
  • Storytime by Katie Eberts Everyone Remembers Their Favorite Childhood
    Storytime by Katie Eberts Everyone remembers their favorite childhood book. Mine is Rapunzel, written and illustrated by Alix Berenzy, adapted from the original German story. Each page featured a painting that was beautifully detailed, capturing facial expression and actions, using rich colors to bring the tale to life. The most beautiful image was of Rapunzel, sitting and staring out of her tower into the night, her long hair flowing around the room behind her, reflecting the yellow light from the fire in the fireplace. I can still remember the day when my mom read this book to me, and considered taking it away after discovering the part where Rapunzel had children out of wedlock. Luckily for me, she figured that I didn’t understand what was going on (entirely true), and I was able to keep the book and fantasize over the images as much as I wanted. What I experienced when reading Rapunzel is the same feeling that I want to invoke with my illustrations: the excitement of turning the page to see what the next image would be, and continuing to have that same energy every time the book is opened. My interest in children’s literature is often based around the illustrations that accompany them. I discovered this while trying to read fairytales from a non-illustrated Brothers Grimm book. I had thought that fairytales were one of my favorite genres of literature, but while skimming Little Red Riding Hood, I found I couldn’t finish the story. Upon further thought, the version of Little Red Riding Hood that I had fallen in love with was one that had been illustrated by Trina Schart Hyman.
    [Show full text]
  • Linnea Hendrickson the View from Rapunzel's Tower
    Children’s Literature in Education, Vol. 31, No. 4, 2000 Linnea Hendrickson Linnea Hendrickson teaches children’s literature at the University of New Mexico and also works as an elementary school librarian. The author of numerous articles on The View from Rapunzel’s Tower children’s literature, she was a member of the 1998 Caldecott Award committee that chose Paul Zelinsky’s Ra- The fairy tale Rapunzel has captured the imagination of numerous punzel as its winner. writers and illustrators, particularly in recent years. Complex in ori- gins and rich in possibilities, the tale has been interpreted in diverse ways that emphasize authentic issues relating to mothers and daugh- ters, husbands and wives, love, longing, temptation, maturation, and responsibility. Poets, novelists, short-story writers, musicians, and il- lustrators have all found inspiration in Rapunzel. This essay concen- trates in particular on the interpretations of three picture book ar- tists, Felix Hoffmann, Trina Schart Hyman, and Paul Zelinsky, in an attempt to better understand both the significance of the tale and the ways in which artists interpret and illuminate stories. KEY WORDS: Rapunzel; fairy tales; Zelinsky, Paul; Hyman, Trina Schart; Hoffmann, Felix; Grimm, Jacob and Wilhelm. Grimm, Kinder und In the last decades of the twentieth century, the old tale of “Ra- Hausmarchen punzel,” best known through translations and adaptations of the ver- (Children’s and Household Tales) sion published by Jacob and Wilhelm Grimm in the 1857 edition of Kinder und Hausmarchen (Children’s and Household Tales), ap- Zelinsky, Rapunzel peared in many retellings and variants, including Paul Zelinsky’s mag- nificent picture book version that was awarded the 1998 Caldecott Medal.
    [Show full text]
  • Caldecott Medal Winners
    1989, Song and Dance Man, Stephen Gam- 2008, The Invention of Hugo Cabret, Brian mell Selznick 1990, Lon Po Po: A Little Red-Riding Hood 2009, The House in the Night, Beth Krommes Story from China, Ed Young 2010, The Lion and the Mouse, Jerry Pinkney 1991, Black and White, David Maccaulay 2011, A Sick Day for Amos McGee, Erin Caldecott Medal 1992, Tuesday, David Wiesner Stead 1993, Mirette on the High Wire, Emily Arnold 2012, A Ball for Daisy, Chris Raschka Winners McCully 2013, This is Not My Hat, Jon Klassen 1994, Grandfather’s Journey, Allen Say 2014, Locomotive, Brian Floca 1995, Smoky Night, David Diaz 2015, The Adventures of Beekle: The Unim- 1996, Officer Buckle and Gloria, Peggy aginary Friend, Dan Santat Rathmann 2016, Finding Winnie: The True Story of the 1997, Golem, David Wisniewski World’s Most Famous Bear, Sophie Blackall 1998, Rapunzel, Paul O. Zelinsky 2017, Radiant Child: The Story of Young Artist Jean-Michel Basquiat, 1999, Snowflake Bentley, Mary Azarian Javaka Steptoe 2000, Joseph Had a Little Overcoat, Simms 2018, Wolf in the Snow, Matthew Cordell Taback 2019, Hello Lighthouse, Sophie Blackall 2001, So You Want to Be President?, David Small 2020, The Undefeated, Kadir Nelson 2002, The Three Pigs, David Wiesner 2021 Winner 2003, My Friend Rabbit, Eric Rohmann We Are Water 2004, The Man Who Walked Between the Protectors Towers, Mordicai Gerstein Illustrated by Michaela Goade 2005, Kitten’s First Full Moon, Kevin Henkes 2006, The Hello, Goodbye Window, Chris Raschka 5110 Jamesville Road 2007, Flotsam, David Wiesner DeWitt, NY 13078 315-446-3578 (JB—1/21) www.CLDandJ.org 1938, Animals of the Bible, Dorothy P.
    [Show full text]
  • Newbery Award Committee, the Caldecott Award Committee, the Sibert Award Committee, the Wilder Award Committee, and the Notable Children’S Books Committee
    RANDOLPH CALDECOTT MEDAL COMMITTEE MANUAL June 2009 Randolph Caldecott Medal Committee Manual – Formatted August 2015 1 FOREWORD Randolph Caldecott The Caldecott Medal is named for Randolph Caldecott (1846-1886), a British illustrator best known for his nursery storybooks, including The Babes in the Wood, The Hey Diddle Diddle Picture Book, Sing a Song of Sixpence. Many of the scenes illustrated in these works depict the English Countryside and the people who lived there. Although Caldecott began sketching as a child, his parents saw no future for him in art and sent him to work at a bank in the city. He still found time to sketch, though, and in addition to the farmlands of his youth, Caldecott began to draw urban scenes and people, including caricatures of some bank customers. When his drawings were accepted for publication in the Illustrated London News and other papers, Caldecott quit his bank job to become a freelance illustrator. In his thirties, shortly after gaining recognition as a book illustrator, Caldecott began working with Edmund Evans, an engraver and printer who experimented with color. Together they created the nursery storybooks for which Caldecott became famous. It is believed by some that Caldecott’s illustrations were the reason many nursery stories became popular. Caldecott traveled to the United States in December, 1885, with his wife, but the stormy sea voyage to New York and long train ride to Florida sapped his already frail health. He died in February, 1886 and is buried in Evergreen Cemetery in St. Augustine, Florida. His gravesite is maintained by the Randolph Caldecott Society of North America.
    [Show full text]
  • Christmas Stories Every Father Should Read to His Children the Cricket on the Hearth, a Fairy Tale of Home by Charles Dickens
    10 Christmas Stories Every Father Should Read To His Children THE CRICKET ON THE HEARTH, A FAIRY TALE OF HOME by Charles Dickens hristmastime is the homiest holiday: firesides, feasting, family… and fairy folk. The unseen gods and guard- Cians of domesticity chirp with the invisible watchful- ness of crickets on the hearths of every home, and it is with this image that Charles Dickens unfolds a Christmas tale about the fracturing and re-forging of a family. Through longings, betrayals, and reunions, the angelic cricket keeps the tempo of life and love that holds any household together. Charles Dickens was called “The Man Who Invented Christmas” as his writings instituted a true and charitable understanding of Christmas. Dickens jarred the world out of the cosmopol- itanism and puritanism of his day, even as they jar that same world out of the commercialism and secularism of today, re- placing unholy preoccupations with a holy humanitarianism. Dickens discovered the indigenous Christmas like a long-lost fairy treasure, and The Cricket on the Hearth (1845) chirps with the homely cheer he felt so fervently and shared with a new- found fairy touch. There are Christmas witnesses that corrob- orate and cooperate with Luke and Matthew—and Charles Dickens is one of them. There are creations that profess and process from Scripture—and The Cricket on the Hearth is one of many. There are fairy blessings that compliment those of heaven—and “to have a Cricket on the Hearth is the luckiest thing in all the world!” THIS STORY WILL REQUIRE MULTIPLE SIttINGS.
    [Show full text]
  • Spring 2005 Vol
    Center for the Book at the New Hampshire Book Notes State Library Spring 2005 Vol. 1 , Issue 1 Celebrating Books and Reading in the Granite State By Michael York State Librarian New Hampshire Writers Project, the program. Future projects may include Established to promote books, read- Poetry Society of New Hampshire, sponsoring a statewide book award, ing, libraries and literacy the Center the New Hampshire Library Trust- and perhaps working with our vari- for the Book in the Library of Con- ees Association, and the New Hamp- ous partners to co-sponsor a book gress celebrates the importance of shire Library Association. festival. Recently, we launched a books and the printed word. The membership program which we hope national Center has affiliate state cen- There are of course a number of will connect us with New ters for the book, many of which are places in New Hampshire that the Hampshire’s readers and generate part of their state library, while oth- Center for the Book could have support for the development of new ers are attached to public libraries or ended up, but the State Library, projects and programs. state humanities councils. Wanting to which is committed to the develop- be part of this heritage, New Hamp- ment of the Center for the Book — Given the talent and enthusiasm shire joined with the other affiliates in we see it as offering great benefits present in our state, I am confident 2002 as a member of this wonderful for New Hampshire — seems like a that the Center will do very well and consortium.
    [Show full text]