Exploring African-Orientated Aesthetics in Garth Walker's I-Jusi
Exploring African-orientated aesthetics in Garth Walker’s i-jusi issues of Afrika Typografika BT Kembo orcid.org 0000-0002-0224-2770 Dissertation submitted in fulfilment of the requirements for the degree Master of Arts in History of Art at the North West University Supervisor: Prof MC Swanepoel Graduation ceremony: July 2018 Student number: 26293218 PREFACE This Master’s dissertation was a fruitful, though trying and thought provoking journey. My success in it would not have been possible were it not for some key figures and institutions in my personal, professional and academic sphere. First and foremost, I express my gratitude to my supervisor and colleague, Prof. M C Swanepoel, for her patience, motivation and support, moreover, her willingness to share her wealth of research knowledge and experience with me. I am thankful to Garth Walker for allowing me access to the high- resolution files of the i-jusi issues used in this study I thank my husband, Tshepo Tolo, for being my pillar of strength, for his enduring love and understanding. To my father, Peter Kembo and my siblings, I thank you for your love, belief and support. My children, Olwethu and Marang, you two are my life, my citadel, my Zion, I love you. Jo-Ann Chan, my friend, thank you for your advise, guidance and technical assistance. The Kyster family in Potchefstroom, I am grateful for the love and support you have shown me, also for your warm welcome into your home. To Julia Mosamo who raised my daughter and cared for my family in my absence, I am forever indebted to you.I would also like to thank Prof.
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