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Goodreads helps you keep track of books you want to read. Want to Read saving…. Want to Read Currently Reading Read. Other editions. Enlarge cover. Error rating book. Refresh and try again. Open Preview See a Problem? Details if other :. Thanks for telling us about the problem. Return to Book Page. Three great revolutions rocked the world around The first two - the French Revolution and the Industrial Revolution - have inspired the greatest volume of literature. But the third - the romantic revolution - was perhaps the most fundamental and far-reaching. From Byron, Wordsworth, Coleridge and Burns, to Beethoven, Wagner, Berlioz, Rossini and Liszt, to Goya, Turner, Delacroix and Blake, the romantics brought about nothing less than a revolution when they tore up the artistic rule book of the old regime. This was the period in which art acquired its modern meaning; for the first time the creator, rather than the created, took centre-stage. The Romantic Revolution became the high priests of a new religion, and as the concert hall and The Romantic Revolution came to take the place of the church, the public found a new subject worthy of veneration in paintings, poetry and music. Tim Blanning's wide-ranging survey traces the roots and evolution of a cultural revolution whose reverberations continue to be felt today. Get A Copy. Hardcoverpages. More Details Modern Library Chronicles The Romantic Revolution European Book Prize Nominee for Non-fiction Other Editions 9. Friend Reviews. To see what your friends thought of this book, please sign up. To ask other readers questions about The Romantic Revolutionplease sign up. Be the first to ask a question about The Romantic Revolution. Lists with This Book. Community Reviews. Showing Average rating 3. Rating details. More filters. Sort order. Start your review of The Romantic Revolution. Jun 13, Jan-Maat added it Shelves: europemodern-historyearly-modern-history21st-century. The Romantic Revolution is a very short book divided between two ideas: the Romantic as a revolution or absolute outwardness and the Romantic as Hegel's "absolute inwardness". Blanning's central insight is that "European culture has not repeated itself cyclically but has developed dialectically. The geographical focus of the book is mostly on Britain, France This is a very short book divided between two ideas: the Romantic as a revolution or absolute outwardness The Romantic Revolution the Romantic as Hegel's "absolute inwardness". The geographical focus of the book is mostly on Britain, France and Germany Goya and Rossini virtually the sole representations of their countries here, but there is a limit to what you can squeeze into less than pages and in contrast to Hampson's The Enlightenment this book is not restricted to literature but takes in painting, music and architecture as well. Both the revolutionary aspect of the Romantic and the absolute inwardness are clearly related in the first two chapters which see the emphasis on the personal in 18th century religion allowing the development of an idea of revelation within and the sacralisation of the interior, from which grew a cult of genius and of Art as sacred. Art then was elevated as an end in itself, not in service to Prince or public - both potentially philistine and incapable of the appropriate reverence for the genius. The application of absolute inwardness to politics however led to an explosion of inconsistency and variety. The likes of Napoleon could be both an Enlightenment figure, a patron of Classicism as well as being inspired by the Ossian forgeries and was an aspiring Romantic novelist before his political career really took off. Victor Hugo could shift from Royalist, to Bonapartist to Republican, remaining a Romantic all the while. Absolute inwardness allows for absolute inconsistency, or perhaps more fairly a one word label only rarely can represent the sum of a person's life and thought. This is an extended essay spinning off in many directions national myth! This is all very entertaining but at risk The Romantic Revolution being slightly insubstantial. Perhaps that is itself an appropriate tribute towards the tendency of the Romantic to Pantheism. View all 16 comments. Apr 11, Murtaza added it. There is an unacknowledged tendency in popular culture to try and seek a far greater meaning in music or art than seems to be immediately apparent. The roots of this are in the Romantic tendency, a reaction against the over-rationalization of a world that had already been disenchanted by the loss of religion. This disenchantment is one of my main areas of interest, on its own merits but also because Romanticism has had a huge impact on the developing world over the past century of its modernizat There is an unacknowledged tendency in popular culture to try and seek a far greater meaning in music or art than seems to be immediately apparent. This disenchantment is one of my main areas of interest, on its own merits but also because Romanticism has had a huge impact on the developing world over the past century of its modernization. This book could be described as a short overview of European Romanticism. I found The Romantic Revolution of it familiar in broad strokes if not in details. Unfortunately it read like a bit of an index rather than a coherent narrative of any sort. If you are totally unfamiliar with the roots and relevance of Romantic philosophy this might be helpful. It did not resonate much with me, though not necessarily due to its lack of merit. I absolutely loved this book. It covers a very great deal, and is very informative, while remaining a light, easy and fun read. Nice when an author can pull that off! There were enough references to Keats to please me, along with a lack of embarrassment about the sexy side of Romanticism, and extra interest was The Romantic Revolution by some useful The Romantic Revolution of creative works that were new The Romantic Revolution me though as you've probably gathered I've read a fair bit about the The Romantic Revolution by The Romantic Revolution. Even more intriguingly, the tale beg I absolutely loved this book. Even more intriguingly, the tale begins with the Enlightenment and Rousseau's break from it; Blanning glances back earlier still when necessary; and then he finishes by tracing the effects of the The Romantic Revolution Revolution through to our present day culture. All of that in pages, plus Notes! Bravo, Tim Blanning! Happily recommended for anyone at all who's interested in this era, its people and its creative works. If you're new to Romanticism, this is The Romantic Revolution terrific way in. If you're already in, you just might find something new. I absolutely loved it. Like The Romantic Revolution an index tried to string words between its entries. Jan 17, WKanert rated it it was amazing. Blanning gives an enlightening account of the romantic revolution in the 18th and 19th century. Describing the European movement, but The Romantic Revolution also national differences, this work is very readable and contributes to understanding of the movement in historical context. Apr 23, AC rated it it was amazing Shelves: 19th-centuryromanticism. A truly excellent, clear, brief examination of the Romantic period. Highly recommended. Good overview of Romanticism and what it meant for Europe's art scene, writing, music, philosophy, culture, history, and psyche. This is short, odd page introduction to the basic tenets of what Romanticism was, its beliefs, its proponents, its historical location in society and the era it developed within. Its a whirlwind study, and Tim Blanning condenses the books main focus with a prose The Romantic Revolution it not too bogged down academically, but rather quite straightforwardly written, by covering the main characters and artistic works whom are associated with this artistic and cultural movement. Romanticism essentially was a reac This is short, odd page introduction to the basic tenets of what Romanticism was, its beliefs, its proponents, its historical location in society and the era it developed within. Romanticism essentially was a reaction I dont know if reaction is quite a correct word to use or an artistic response The Romantic Revolution the Enlightenment which led to the French Revolution and the victory of reason over The Romantic Revolution and faith to an extent. I suppose, and what Tim Blanning suggests, it was an art form that looked 'inward', or rather it heralded away from the dominance of encroaching secularism which was covering Europe at that time. Anyway, all the main Romantic authors, artists, poets and musicians are covered here as well as it being a Europe-wide study focusing I think maybe a little too much on the German Romantics, which I suppose could The Romantic Revolution described as being reactionary with the focus on their 'national historical identity', and we all know where that ended up. Regardless, the movement also had its political edge too, and there were many left wing Romantics Shelley et al too, so I find it hard to categorise it as The Romantic Revolution reactionary, backward looking cultural phenomenon, quite the contrary in some ways. However I found the study The Romantic Revolution interesting, quick, fact-filled book containing some good avenues of further reading as well as discovering some quite interesting artists of this time that I was unaware about. View 2 comments. A fine short introduction to the Romantic movement. Clear prose, all the major figures are dealt with, and the inclusion of a The Romantic Revolution of suggested further reading will lead the curious The Romantic Revolution elsewhere. Jan 27, Annji rated it really liked it Shelves: non-fiction. Trying to widen my understanding of the Romantic writers. I tend to resist nonfiction but I found this enjoyable. Rating perhaps 3. Not including the end notes, the books is only pages in my edition. Blanning handles the ideas of the Romantics in an easy and accessible way, which can be both a positive or a negative thing depending what you're looking for. The result is that this book is light on philosophy. BOOK REVIEW: 'The Romantic Revolution' - Washington Times

For a time the rationality of the Enlightenment seemed to hail the final triumph of human reason. Soon the laws that operated behind the universe would all be known and humakind would be able to create the future it wanted. At least that is how it seemed for a while. If Copernicus is the most easily identifiable figure to mark the start of the Enlightenment then it is the German philosopher Immanuel Kant who can most readily be identified as the start of the The Romantic Revolution Revolution. Romanticism was born out of a sense of disillusionment with the Enlightenment. One source of disillusionment was that the Enlightenment thinkers through the pursuit of reason had backed themselves in a corner. In the end it was the philosopher David Hume that took reason to its ultimate skeptical end. Hume showed that ultimately we The Romantic Revolution know nothing. All we have are the perceptions of the senses and there is no way to know if those perceptions correspond to any outside world, whether The Romantic Revolution be the physical world of time and space or any transcendent realm of spirit. In fact, there was no way to know if there was any reality outside of our sense perceptions. Hume fell into such despair over this profoundly skeptical trap that he was known to frequent public backgammon games in order to take his mind off of humanities predicament. A second short fall of the Enlightenment was the French Revolution. What started as a revolt against tyranny The Romantic Revolution the aim to put in place a government created according to the highest principles of enlightened thought turned into a blood bath demonstrating the lowest side of human character. What did it mean? What had gone wrong? The Romantic thinkers began to feel that the Enlightenment was suffocating them and squeezing the spirit, passion and morality out of existence. Kant in response created a new vision of reality. He rejected the universe of the universal laws that could be discovered and instead envisioned a growing universe that was created in part by human choices and human will. The Enlightenment saw a universe that was mechanical and run by fixed laws. The Romantics saw a universe that was organic and grew in accord with acts of will. Human will and freedom were for them sacred, where the Enlightenment had held human reason and rationality in the highest regard. The Romantics were skeptical of science. Frankenstein The Romantic Revolution, the great Romantic novel by Mary Shelly, is the well known story of how a scientist creates life only to discover that his creation is beyond his control and destroys him and those around him. The Romantics felt that the Enlightenment notion that the universe was knowable and controllable was naive. The universe The Romantic Revolution infinite, mysterious and ultimately The Romantic Revolution. Yet we are a part of it and therefore if we give ourselves to our deepest yearnings we will be part of the creative part of the universe. For the Romantics the The Romantic Revolution human value was not rationality, it was authenticity, moral integrity and passion. The Romantics were the first to value these things for their own sake regardless of what they were aimed at. A Christian in the middle ages would never admire the zeal a Pagan showed for a heathen faith. The Christian would simply see the zealous Pagan as more dangerous. The Romantic admires even the passion of her enemies. To die for ones ideals is the highest good and it is good no matter what the ideal. If the Enlightenment thinkers had felt shackled by the superstition of the middle ages, the Romantic thinkers felt that the natural laws of the Enlightenment were a straight jacket. The The Romantic Revolution loved to break rules, to snub laws and live as utterly unconventionally The Romantic Revolution possible. They were unconventional in dress, in lifestyle, and in thinking. As The Romantic Revolution, playwrights and novelists they broke literary styles and their great musical composers, perhaps Beethoven the greatest of all, were notorious for breaking musical convention. All of these writers had a tremendous impact on the developing thought of America at the start of the 19 th century and have become a deep part of the consciousness of America. And they were reading all of The Romantic Revolution Romantic philosophy, literature The Romantic Revolution poetry coming out of Europe. I wonder if you can understand the American mind without understanding Romanticism. I am struck by your the succinct summary of enlightenment and romantic values. I look forward to your insight into the romantic thread in American consciousness. It is The Romantic Revolution beautiful to read your blog and also the last one. I connect everything immediately with Whitehead, which I am trying to study. I hope you start writing about him too, it is The Romantic Revolution connected. Language has always to be read in its context. Interesting is that Whitehead says : one can never take the truth of an ancient philosopher as ultimate truth; it philosophy never reverts to its old position after the shock of a great new philosopher. The great value of your blog is that it shows philosophy in the context of its time, its past and future which makes it really interesting. All general truths condition each other; and the limits of their application The Romantic Revolution be adequately defined apart from their correlation by yet wider generalities. Very inspirering! Inherent The Romantic Revolution spirit, passion and The Romantic Revolution is The Romantic Revolution meaning. This deep meaning is something we can only find in the deep understanding that we are all really one. That understanding The Romantic Revolution have been what made Kant come up with the categorical imperative. This is not to deny the truth of other formulations of truth but to recognize them as aspects of it. Some thinkers are able to communicate more persuasively with language and brilliance but it should not disguise their bottom lines, that their ideas are contributions to the understanding of human understanding of ouselves, not a small but partial contribution The Romantic Revolution it. You are commenting using your WordPress. You are commenting using your Google account. You are commenting using The Romantic Revolution Twitter account. You are commenting using your Facebook account. Notify me of new comments via email. Notify me of new posts via email. Blog at WordPress. Philosophy Is Not A Luxury. March Immanuel Kant Romanticism. Share this post: Share Tweet. Liesbeth March 7, Mette March 11, Frank Luke April 23, Tae February 15, Anonymous April 19, Leave a Reply Cancel reply Enter your comment here Fill in your details below or click an icon to log in:. Email Address never made public. Romanticism and the French Revolution - Wikipedia

At the end of the 18 th century The Romantic Revolution well into the 19 th The Romantic Revolution, Romanticism quickly spread throughout Europe and the United States to challenge the rational ideal The Romantic Revolution so tightly during the Enlightenment. The artists emphasized that sense and emotions - not simply reason and order - were equally important means of understanding and experiencing the world. Romanticism celebrated the individual imagination and intuition in the enduring search for individual rights and liberty. Its ideals of the creative, subjective powers of the artist fueled avant-garde movements well into the 20 th century. Romanticist practitioners found their voices across all genres, including literature, music, art, and architecture. Reacting against the sober style of Neoclassicism preferred by most countries' academies, the far reaching international movement valued originality, inspiration, and imagination, thus promoting a variety of styles within the movement. Additionally, in an effort to stem the tide of increasing industrialization, many of the Romanticists emphasized the individual's connection to nature and an idealized past. Fuseli's strange and macabre painting depicts a ravished woman, draped across a divan with a small, hairy incubus sitting on top of her, staring out menacingly at the viewer. A mysterious black mare with white eyes and flaring nostrils appears behind her, entering The Romantic Revolution scene through lush, red curtains. We seem to be looking at the effects and the contents of the woman's dream at the same time. Fuseli's ghastly scene was the first of its kind in the midst of The Age of Reason, and Fuseli became something of a transitional figure. While Fuseli held many of the same tenets as the Neoclassicists notice the idealized depiction The Romantic Revolution the womanhe was The Romantic Revolution on exploring the dark recesses of human psychology when most were concerned with scientific exploration of the objective world. When shown in at London's Royal Academy exhibition, the painting shocked and frightened visitors. Unlike the paintings the public was used to seeing, Fuseli's subject matter was not drawn from history or the bible, nor did The Romantic Revolution carry any moralizing intent. This new subject matter would have wide-ranging repercussions in the art world. Even though the woman is bathed in a bright light, Fuseli's composition suggests that light is unable to penetrate the darker realms of the human mind. The relationship between the mare, the incubus, and the woman remains suggestive and not explicit, heightening the terrifying possibilities. Fuseli's combination The Romantic Revolution horror, sexuality, and death insured the image's notoriety as a defining example of Gothic horror, which inspired such writers as Mary Shelly and Edgar Allan Poe. The Ancient of Days served as the frontispiece to Blake's book, Europe a Prophecywhich contained 18 engravings. This image depicts Urizen, a mythological figure first created by the poet in to represent the rule of reason and law and influenced by the image of God described in the Book of Proverbs as one who "set a compass upon the face of the earth. Blake combines classical anatomy with a bold and energetic composition to evoke a vision of divine The Romantic Revolution. Blake eschewed traditional Christianity and felt instead that imagination was "the body of God. Europe a Prophecy reflected his disappointment in the French Revolution that he felt had not resulted in true freedom but in a world full of suffering as reflected in England and The Romantic Revolution in the s. Little known during his lifetime, Blake's works were rediscovered by the Pre-Raphaelites at the end of the 19 th century, and as more artists continued to rediscover him in the 20 th century, he has become one of the most influential of the Romantic artists. This painting depicts Napoleon I, not yet the Emperor, visiting his ailing soldiers in in Jaffa, Syria, at the end of his Egyptian Campaign. His troops had violently sacked the city but were subsequently stricken in an outbreak of plague. Gros creates a dramatic tableau of light and shade with Napoleon in the center, as if on a stage. He stands in front of a Moorish arcade and touches the sores of one of his soldiers, while his staff officer holds his nose from the stench. In the foreground, sick and dying men, many naked, suffer on the ground in the shadows. A Syrian man on the left, along with his The Romantic Revolution who carries a breadbasket, gives bread to the ill, and two men behind them carry a man out on a stretcher. While Gros' teacher Jaques Louis David also portrayed Napoleon in all of his mythic glory, Gros, along with some of David's other students, injected a Baroque dynamism into their compositions to create a more dramatic effect than The Romantic Revolution Neoclassicism offered. Gros' depiction of suffering The Romantic Revolution death, combined with heroism and patriotism within an exotic locale became hallmarks of many Romantic paintings. The use of color and The Romantic Revolution highlights Napoleon's gesture, meant to convey his noble character in addition to likening him to Christ, who healed the sick. Napoleon commissioned the painting, hoping to silence the rumors that he had ordered fifty plague victims poisoned. The work was exhibited at the Salon de Paris, its appearance timed to occur between Napoleon's proclaiming himself as emperor and his coronation. Content compiled and written by Rebecca Seiferle. Edited and published The Romantic Revolution The Art Story Contributors. The Art Story. Ways to support us. Romanticism Started: c. If by romanticism one means the free manifestation of my personal impulses, distancing myself from the rules set in schools, and my distaste for the recipes of the academy, I must confess that not only am I a romantic, I was from the age of Summary of Romanticism At the end of the 18 th century and well into the 19 thRomanticism quickly spread throughout Europe and the United States to challenge the rational ideal held so tightly during the Enlightenment. Later Developments and Legacy. Key Artists Francisco Goya. Quick view Read more. Francisco Goya was an eighteenth-century Spanish painter, and is considered by many The Romantic Revolution be "the father of modern painting. He is considered a major influence on the works of Manet, Picasso, and Dali. Jean-Auguste-Dominique Ingres. Ingres was one of the last painters of the French Neoclassist tradition, whose charismatic portraits opened the path to The Romantic Revolution more passionate and modern Romantic movement. Caspar David Friedrich. Friedrich was a German Romantic landscape painter, and considered by many academics to be the finest German painter of his time. Like his contemporaries JMW Turner and John Constable, Friedrich's paintings portrayed the awesome power of nature with sublime, divine presence. Considered a key forerunner to the French Impressionists and the American Hudson River School of painters, Turner is known in history as "the painter of light. Turner was among the last great pre-modern painters. Henry Fuseli. Fascinated by the the supernatural, Henry Fuseli's created dramatic illustrations of The Romantic Revolution scenes and creatures, ideas ultimately culminating in the Surrealism movement. His preoccupation with color-induced optical effects and use of expressive brushstrokes were crucial influences on Impressionism and Pointillism. William Blake. William Blake was an English painter and poet who was very The Romantic Revolution during the late-eighteenth-century Romantic Age of poetry and the visual arts. John Constable. John Constable was an English Romantic painter chiefly known for his landscape paintings of the area surrounding his English home. His work remained largely unnoticed in England, but he was very influencial on the Barbizon School and the Impressionists in France. Ivan Aivazovsky. The legendary Ivan Aivazovsky's maritime subjects are powerful, iconic, and romantic depictions of the late Russian Empire naval prowesses. Looking back to the arts of Greece and Rome for ideal models and forms, Neoclassicism was a major art period that set standard and redefined painting, sculpture, and architecture. Realism is an approach to art that stresses the The Romantic Revolution representation of things, the look The Romantic Revolution objects and figures in ordinary life. It emerged as a distinct movement in the mid-nineteenth century, in opposition to the idealistic, sometimes mythical subjects that were then popular, but it can be traced back to sixteenth-century Dutch art and forward into twentieth-century styles such as Social Realism. The Hudson River School. The Hudson River School was a nineteenth century American art movement that celebrated the wilderness and great outdoors. The Hudson River School artists were influenced by the Romantics, using dramatic scenes of nature to express the American ideals of their time: discovery and exploration. Important Art and Artists of Romanticism. The Nightmare Artist: Henry Fuseli Fuseli's strange and macabre painting depicts a ravished woman, draped across a divan with a small, hairy incubus sitting on top of her, staring out menacingly at the viewer. John Constable: The Hay Wain Thomas Cole - The Voyage of Life The books and articles below constitute a bibliography of the The Romantic Revolution used in the writing of this page. These also suggest some The Romantic Revolution resources for further research, especially ones that can be found The Romantic Revolution purchased via the internet. Caspar David Friedrich at the edge of the imaginable. Cite article. Updated and modified regularly [Accessed ] Copy to clipboard. Related Movements.