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Drumcree 4 Standoff: Nationalists Will
UIMH 135 JULY — IUIL 1998 50p (USA $1) Drumcree 4 standoff: Nationalists will AS we went to press the Drumcree standoff was climbdown by the British in its fifth day and the Orange Order and loyalists government. were steadily increasing their campaign of The co-ordinated and intimidation and pressure against the nationalist synchronised attack on ten Catholic churches on the night residents in Portadown and throughout the Six of July 1-2 shows that there is Counties. a guiding hand behind the For the fourth year the brought to a standstill in four loyalist protests. Mo Mowlam British government looks set to days and the Major government is fooling nobody when she acts back down in the face of Orange caved in. the innocent and seeks threats as the Tories did in 1995, The ease with which "evidence" of any loyalist death 1996 and Tony Blair and Mo Orangemen are allowed travel squad involvement. Mowlam did (even quicker) in into Drurncree from all over the Six Counties shows the The role of the 1997. constitutional nationalist complicity of the British army Once again the parties sitting in Stormont is consequences of British and RUC in the standoff. worth examining. The SDLP capitulation to Orange thuggery Similarly the Orangemen sought to convince the will have to be paid by the can man roadblocks, intimidate Garvaghy residents to allow a nationalist communities. They motorists and prevent 'token' march through their will be beaten up by British nationalists going to work or to area. This was the 1995 Crown Forces outside their the shops without interference "compromise" which resulted own homes if they protest from British policemen for in Ian Paisley and David against the forcing of Orange several hours. -
The Role of Irish-Language Film in Irish National Cinema Heather
Finding a Voice: The Role of Irish-Language Film in Irish National Cinema Heather Macdougall A Thesis in the PhD Humanities Program Presented in Partial Fulfillment of the Requirements for the degree of Doctor of Philosophy at Concordia University Montreal, Quebec, Canada August 2012 © Heather Macdougall, 2012 ABSTRACT Finding a Voice: The Role of Irish-Language Film in Irish National Cinema Heather Macdougall, Ph.D. Concordia University, 2012 This dissertation investigates the history of film production in the minority language of Irish Gaelic. The objective is to determine what this history reveals about the changing roles of both the national language and national cinema in Ireland. The study of Irish- language film provides an illustrative and significant example of the participation of a minority perspective within a small national cinema. It is also illustrates the potential role of cinema in language maintenance and revitalization. Research is focused on policies and practices of filmmaking, with additional consideration given to film distribution, exhibition, and reception. Furthermore, films are analysed based on the strategies used by filmmakers to integrate the traditional Irish language with the modern medium of film, as well as their motivations for doing so. Research methods included archival work, textual analysis, personal interviews, and review of scholarly, popular, and trade publications. Case studies are offered on three movements in Irish-language film. First, the Irish- language organization Gael Linn produced documentaries in the 1950s and 1960s that promoted a strongly nationalist version of Irish history while also exacerbating the view of Irish as a “private discourse” of nationalism. Second, independent filmmaker Bob Quinn operated in the Irish-speaking area of Connemara in the 1970s; his fiction films from that era situated the regional affiliations of the language within the national context. -
National Library of Ireland
ABOUT TOWN (DUNGANNON) AISÉIRGHE (DUBLIN) No. 1, May - Dec. 1986 Feb. 1950- April 1951 Jan. - June; Aug - Dec. 1987 Continued as Jan.. - Sept; Nov. - Dec. 1988 AISÉIRÍ (DUBLIN) Jan. - Aug; Oct. 1989 May 1951 - Dec. 1971 Jan, Apr. 1990 April 1972 - April 1975 All Hardcopy All Hardcopy Misc. Newspapers 1982 - 1991 A - B IL B 94109 ADVERTISER (WATERFORD) AISÉIRÍ (DUBLIN) Mar. 11 - Sept. 16, 1848 - Microfilm See AISÉIRGHE (DUBLIN) ADVERTISER & WATERFORD MARKET NOTE ALLNUTT'S IRISH LAND SCHEDULE (WATERFORD) (DUBLIN) March 4 - April 15, 1843 - Microfilm No. 9 Jan. 1, 1851 Bound with NATIONAL ADVERTISER Hardcopy ADVERTISER FOR THE COUNTIES OF LOUTH, MEATH, DUBLIN, MONAGHAN, CAVAN (DROGHEDA) AMÁRACH (DUBLIN) Mar. 1896 - 1908 1956 – 1961; - Microfilm Continued as 1962 – 1966 Hardcopy O.S.S. DROGHEDA ADVERTISER (DROGHEDA) 1967 - May 13, 1977 - Microfilm 1909 - 1926 - Microfilm Sept. 1980 – 1981 - Microfilm Aug. 1927 – 1928 Hardcopy O.S.S. 1982 Hardcopy O.S.S. 1929 - Microfilm 1983 - Microfilm Incorporated with DROGHEDA ARGUS (21 Dec 1929) which See. - Microfilm ANDERSONSTOWN NEWS (ANDERSONSTOWN) Nov. 22, 1972 – 1993 Hardcopy O.S.S. ADVOCATE (DUBLIN) 1994 – to date - Microfilm April 14, 1940 - March 22, 1970 (Misc. Issues) Hardcopy O.S.S. ANGLO CELT (CAVAN) Feb. 6, 1846 - April 29, 1858 ADVOCATE (NEW YORK) Dec. 10, 1864 - Nov. 8, 1873 Sept. 23, 1939 - Dec. 25th, 1954 Jan. 10, 1885 - Dec. 25, 1886 Aug. 17, 1957 - Jan. 11, 1958 Jan. 7, 1887 - to date Hardcopy O.S.S. (Number 5) All Microfilm ADVOCATE OR INDUSTRIAL JOURNAL ANOIS (DUBLIN) (DUBLIN) Sept. 2, 1984 - June 22, 1996 - Microfilm Oct. 28, 1848 - Jan 1860 - Microfilm ANTI-IMPERIALIST (DUBLIN) AEGIS (CASTLEBAR) Samhain 1926 June 23, 1841 - Nov. -
Publications
Publications National Newspapers Evening Echo Irish Examiner Sunday Business Post Evening Herald Irish Field Sunday Independent Farmers Journal Irish Independent Sunday World Irish Daily Star Irish Times Regional Newspapers Anglo Celt Galway City Tribune Nenagh Guardian Athlone Topic Gorey Echo New Ross Echo Ballyfermot Echo Gorey Guardian New Ross Standard Bray People Inish Times Offaly Express Carlow Nationalist Inishowen Independent Offaly Independent Carlow People Kerryman Offaly Topic Clare Champion Kerry’s Eye Roscommon Herald Clondalkin Echo Kildare Nationalist Sligo Champion Connacht Tribune Kildare Post Sligo Weekender Connaught Telegraph Kilkenny People South Tipp Today Corkman Laois Nationalist Southern Star Donegal Democrat Leinster Express Tallaght Echo Donegal News Leinster Leader The Argus Donegal on Sunday Leitrim Observer The Avondhu Donegal People’s Press Letterkenny Post The Carrigdhoun Donegal Post Liffey Champion The Nationalist Drogheda Independent Limerick Chronnicle Tipperary Star Dublin Gazette - City Limerick Leader Tuam Herald Dublin Gazette - North Longford Leader Tullamore Tribune Dublin Gazette - South Lucan Echo Waterford News & Star Dublin Gazette - West Lucan Echo Western People Dundalk Democrat Marine Times Westmeath Examiner Dungarvan Leader Mayo News Westmeath Independent Dungarvan Observer Meath Chronnicle Westmeath Topic Enniscorthy Echo Meath Topic Wexford Echo Enniscorthy Guardian Midland Tribune Wexford People Fingal Independent Munster Express Wicklow People Finn Valley Post Munster Express Magazines -
'Offensive and Riotous Behaviour'? Performing the Role of an Audience
‘Offensive and Riotous Behaviour’? Performing the Role of an Audience in Irish Cinema of the mid-1910s Denis Condon, Nation University of Ireland Maynooth In September 1915, Frederick Arthur Sparling, proprietor of the Bohemian Picture Theatre, Dublin, prosecuted William Larkin on a charge of offensive and riotous behaviour for protesting in the auditorium during a screening of A Modern Magdalen (US: Life Photo Film, 1915). The protest was part of an ongoing campaign by the Catholic church-based vigilance committees – led by the Dublin Vigilance Committee (DVC) – against certain kinds of imported popular culture, initially targeting newspapers, magazines and books and moving on by 1915 to theatrical shows and films.1 Larkin played a leading role in the confrontational elements of the campaign, gaining notoriety among theatre and cinema owners as he successfully drew press attention to the DVC’s activities. Newspaper accounts of this case stand out in early Irish cinema history as providing the most extensive evidence of audience behaviour, but they also pose methodological questions. These include what the most appropriate way is to discuss Larkin’s protest, which was not “normal” behaviour but a kind of spectacular performance – honed and rehearsed – whose rhetorical intent was to suggest that he spoke for a silent majority too timid to voice their own interpretation of unacceptable images. Accounts of this case suggest that Larkin and the DVC rejected the attentive passivity apparently demanded of cinema audiences by such factors as the feature film’s growing dominance on the cinema programme in order to provide a space for performances of a Catholic Irishness they thought inadequately – or sometimes insultingly – portrayed on screen. -
A Aire, a Ambasadóirí, Your Excellencies, a Cháirde, Is Mór an Pléisiúir Dom a Bheith Anseo Inniu Sa Cheantar Álainn
A Aire, A Ambasadóirí, Your Excellencies, A Cháirde, Is mór an pléisiúir dom a bheith anseo inniu sa cheantar álainn, stairiúil seo de Chontae Ciarraí. Mar Uachtarán na hEireann, tá áthas orm an deis seo a thapú chun an méid a rinne Ruairí Mac Easmainn ar son saoirse mhuintir na hÉireann agus ar son cosmhuintir an domhain i gcoitinne a athaint agus a cheiliúradh. [It is my great pleasure to be here today, at this beautiful and historic part of County Kerry. As President of Ireland, I am very happy to have this occasion to acknowledge and celebrate, in the name of the Irish people, the great contribution of Roger Casement, not only to Irish Freedom, but to the universal struggle for justice and human dignity.] Roger Casement was not just a great Irish patriot, he was also one of the great humanitarians of the early 20th century - a man who is remembered fondly by so many people across the world for his courageous work in exposing the darkness that lay at the heart of European imperialism. His remarkable life has attracted the attention of so many international scholars, Peruvian Nobel Laureate Mario Vargas Llosa is a recent example, and all of us who are interested in Roger Casement's life are especially indebted to the fine work of Angus Mitchell, in particular for the scholarly work on the Putumayo Diaries, and the recently published "One Bold Deed of Open Treason: The Berlin Diaries of Roger Casement 1914-1916". In his own time, few figures attracted the sympathy and admiration of their contemporaries as widely as Roger Casement. -
No. Xxvi. Summer. 1984. Decies
IES NO. XXVI. SUMMER. 1984. DECIES No. XXVI. CONTENTS Page Contributor 3 Editorial. 4 Report of Annual General Meeting. 4 Communication from Department of Folklore, U.C.D. 5 King John and the City of Waterford. Eamon MC Eneaney. 13 1rish Words still in use in the Fenor Area. Rita Byrne. 16 Notes towards a Maritime History of June Fennelly. Dunmore East 22 Reginald's Tower. J. S., Carroll. 28 The Last Voyage of the "Menapia" of Des Cowman. Waterford, 1836. 31 The ~attleof Waterford, 1922 Terence O'Reilly. 38 A Souterrain at Rhinecrew, Co. Waterford. C. Power, B. OIDonnabhain 8 M. G. O'Donnell. 41 A Spanish Poetess of Co. Waterford Origins: Julian C. Walton. Maria Gertrudis Hore (1742 - 1801). 45 Listing of Monastic Possessions in Co. Tom Nolan. Waterford c. 1540. 52 The Estate of George Lane Fox. The Editor. 60 A Numismatic Blot on Waterford's Escutcheon. Gerard Rice. 62 Programme of Old Waterford Society. COVER A prospect of Waterford by J. Fisher 1772, showing medieval cathedral. All articles and illustrations in 'DECIES are copyright of the contributors. EDITORIAL The Royal Society of Antiquaries of Ireland is to be congratulated on the publication of their booklet "Monuments in Danger", in which they draw urgent attention to the rate at which ancient monuments have been disappearing over the past 30 years or so. The loss of ringforts and other earthworks has been particularly severe - many counties show a loss of from 30 to 40%. Deep ploughing and the easy removal of ancient fences is, of course, the primary cause. -
Celebrating 21 Years
Celebrating 21 Years A NATIONALIST SUPPLEMENT | November � ������� ������������������������������������� 1993 2014 Celebrating 21 Years Message from Turlough O’Brien, contents CEO of Tinteán PAGE 2 MESSAGE FROM CHIEF EXECUTIVE OFFICER, Tinteán was established in 1993 and is now associations TURLOUGH O’BRIEN an important provider of social housing within have provided a the county. We take pride in the standard of quarter of all new housing we provide for our tenants. We are also social housing. PAGE 3 TINTEÁN’S HISTORY, FUNDING AND HOUSING proud of the relationships we have developed Social housing POLICIES with our partners, our tenants and the wider makes up 10% community including Carlow local authorities, of all housing Delta, Irish Council for Social Housing and the in Ireland. 500 PAGE 4 TINTEÁN TENANT PROFILES Department of Environment, Community and housing associations provide 27,000 housing Local Government. tenancies. PAGE 5 “TINTEÁN GIVES HELP TO THOSE WHO NEED Beginning with one scheme for the elderly We operate as efficiently and effectively as IT MOST” - TINTEÁN CHAIRPERSON - EILEEN in our community, Tinteán has addressed the possible and aim to ensure that our financial housing needs of those in most need and those stewardship is of the highest standard. BROPHY with special needs to a very high standard. We work with partners who share a similar The provision of a large number of homes for mission and apply corporate instruments such PAGE 6 TINTEÁN MILESTONES people with special needs is a particular source as private finance to respond creatively and of pride. Tinteán effectively to the huge demand for provides afford- Looking ahead, social housing in Ireland. -
Contents PROOF
PROOF Contents Notes on the Contributors vii Introduction 1 1 The Men of Property: Politics and the Languages of Class in the 1790s 7 Jim Smyth 2 William Thompson, Class and His Irish Context, 1775–1833 21 Fintan Lane 3 The Rise of the Catholic Middle Class: O’Connellites in County Longford, 1820–50 48 Fergus O’Ferrall 4 ‘Carrying the War into the Walks of Commerce’: Exclusive Dealing and the Southern Protestant Middle Class during the Catholic Emancipation Campaign 65 Jacqueline Hill 5 The Decline of Duelling and the Emergence of the Middle Class in Ireland 89 James Kelly 6 ‘You’d be disgraced!’ Middle-Class Women and Respectability in Post-Famine Ireland 107 Maura Cronin 7 Middle-Class Attitudes to Poverty and Welfare in Post-Famine Ireland 130 Virginia Crossman 8 The Industrial Elite in Ireland from the Industrial Revolution to the First World War 148 Andy Bielenberg v October 9, 2009 17:15 MAC/PSMC Page-v 9780230_008267_01_prex PROOF vi Contents 9 ‘Another Class’? Women’s Higher Education in Ireland, 1870–1909 176 Senia Pašeta 10 Class, Nation, Gender and Self: Katharine Tynan and the Construction of Political Identities, 1880–1930 194 Aurelia L. S. Annat 11 Leadership, the Middle Classes and Ulster Unionism since the Late-Nineteenth Century 212 N. C. Fleming 12 William Martin Murphy, the Irish Independent and Middle-Class Politics, 1905–19 230 Patrick Maume 13 Planning and Philanthropy: Travellers and Class Boundaries in Urban Ireland, 1930–75 249 Aoife Bhreatnach 14 ‘The Stupid Propaganda of the Calamity Mongers’?: The Middle Class and Irish Politics, 1945–97 271 Diarmaid Ferriter Index 289 October 9, 2009 17:15 MAC/PSMC Page-vi 9780230_008267_01_prex PROOF 1 The Men of Property: Politics and the Languages of Class in the 1790s Jim Smyth Political rhetoric in Ireland in the 1790s – the sharply conflicting vocabularies of reform and disaffection, liberty, innovation. -
Cultural Convergence the Dublin Gate Theatre, 1928–1960
Cultural Convergence The Dublin Gate Theatre, 1928–1960 Edited by Ondřej Pilný · Ruud van den Beuken · Ian R. Walsh Cultural Convergence “This well-organised volume makes a notable contribution to our understanding of Irish theatre studies and Irish modernist studies more broadly. The essays are written by a diverse range of leading scholars who outline the outstanding cultural importance of the Dublin Gate Theatre, both in terms of its national significance and in terms of its function as a hub of international engagement.” —Professor James Moran, University of Nottingham, UK “The consistently outstanding contributions to this illuminating and cohesive collection demonstrate that, for Gate Theatre founders Hilton Edwards and Micheál mac Liammóir and their collaborators, the limits of the imagination lay well beyond Ireland’s borders. Individually and collectively, the contribu- tors to this volume unravel the intricate connections, both personal and artistic, linking the theatre’s directors, designers, and practitioners to Britain, Europe, and beyond; they examine the development and staging of domestic plays written in either English or Irish; and they trace across national boundaries the complex textual and production history of foreign dramas performed in translation. In addition to examining a broad spectrum of intercultural and transnational influ- ences and perspectives, these frequently groundbreaking essays also reveal the extent to which the early Gate Theatre was a cosmopolitan, progressive, and inclusive space that recognized and valued women’s voices and queer forms of expression.” —Professor José Lanters, University of Wisconsin—Milwaukee, USA “Cultural Convergence is a book for which we have been waiting, not just in Irish theatre history, but in Irish cultural studies more widely. -
Ancient Greek Tragedy and Irish Epic in Modern Irish
MEMORABLE BARBARITIES AND NATIONAL MYTHS: ANCIENT GREEK TRAGEDY AND IRISH EPIC IN MODERN IRISH THEATRE A Dissertation Submitted to the Graduate School of the University of Notre Dame in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Katherine Anne Hennessey, B.A., M.A. ____________________________ Dr. Susan Cannon Harris, Director Graduate Program in English Notre Dame, Indiana March 2008 MEMORABLE BARBARITIES AND NATIONAL MYTHS: ANCIENT GREEK TRAGEDY AND IRISH EPIC IN MODERN IRISH THEATRE Abstract by Katherine Anne Hennessey Over the course of the 20th century, Irish playwrights penned scores of adaptations of Greek tragedy and Irish epic, and this theatrical phenomenon continues to flourish in the 21st century. My dissertation examines the performance history of such adaptations at Dublin’s two flagship theatres: the Abbey, founded in 1904 by W.B. Yeats and Lady Gregory, and the Gate, established in 1928 by Micheál Mac Liammóir and Hilton Edwards. I argue that the potent rivalry between these two theatres is most acutely manifest in their production of these plays, and that in fact these adaptations of ancient literature constitute a “disputed territory” upon which each theatre stakes a claim of artistic and aesthetic preeminence. Partially because of its long-standing claim to the title of Ireland’s “National Theatre,” the Abbey has been the subject of the preponderance of scholarly criticism about the history of Irish theatre, while the Gate has received comparatively scarce academic attention. I contend, however, that the history of the Abbey--and of modern Irish theatre as a whole--cannot be properly understood except in relation to the strikingly different aesthetics practiced at the Gate. -
Further Information Newspaper Notice
SAMPLE NEWSPAPER NOTICE FOR RE- ADVERTISEMENT OF FURTHER INFORMATION SUBMITTED WATERFORD CITY AND COUNTY COUNCIL Further Information ____________________________________________ ¹ has/have applied for __________________________ ² for _________________________________________ ³ at ________________________________________ 4 Planning Reference ___________________________ 5 refers. In this regard note that Significant Further Information has been furnished to the Planning Authority and is available for inspection or purchase at the offices of the Planning Authority (Menapia Building, The Mall, Waterford, during its public opening hours 9.30 am to 1 pm and 2 pm to 4 pm) at a fee not exceeding the reasonable cost of making a copy, during its public opening hours, and that a submission or observation in relation to the Further Information may be made to the Authority in writing and on payment of the prescribed fee (€20.00) within 2 weeks of the date of receipt of the newspaper notice and site notice (within 5 weeks in the case of an application accompanied by an E.I.S.) by the Authority and no further fee is required where a valid submission where a valid submission or observation has already been made in respect of this planning application. 1. Insert Name of applicant not agent 2. Insert type of Permission: Types of permission which may be applied for (a) Permission, (b) Permission for retention, (c) Outline Permission, (d) Permission consequent to the grant of Outline Permission (state Reg. Ref. no. of relevant Outline Permission). 3. Insert brief description of nature and extent of the proposed development (as per original notice) 4. Insert Location of proposed development (as per original notice).