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Avant Première Catalogue 2018 Lists UNITEL’S New Productions of 2017 Plus New Additions to the Catalogue
CATALOGUE 2018 This Avant Première catalogue 2018 lists UNITEL’s new productions of 2017 plus new additions to the catalogue. For a complete list of more than 2.000 UNITEL productions and the Avant Première catalogues of 2015–2017 please visit www.unitel.de FOR CO-PRODUCTION & PRESALES INQUIRIES PLEASE CONTACT: Unitel GmbH & Co. KG Gruenwalder Weg 28D · 82041 Oberhaching/Munich, Germany Tel: +49.89.673469-613 · Fax: +49.89.673469-610 · [email protected] Ernst Buchrucker Dr. Thomas Hieber Dr. Magdalena Herbst Managing Director Head of Business and Legal Affairs Head of Production [email protected] [email protected] [email protected] Tel: +49.89.673469-19 Tel: +49.89.673469-611 Tel: +49.89.673469-862 WORLD SALES C Major Entertainment GmbH Meerscheidtstr. 8 · 14057 Berlin, Germany Tel.: +49.30.303064-64 · [email protected] Elmar Kruse Niklas Arens Nishrin Schacherbauer Managing Director Sales Manager, Director Sales Sales Manager [email protected] & Marketing [email protected] [email protected] Nadja Joost Ira Rost Sales Manager, Director Live Events Sales Manager, Assistant to & Popular Music Managing Director [email protected] [email protected] CATALOGUE 2018 Unitel GmbH & Co. KG Gruenwalder Weg 28D 82041 Oberhaching/Munich, Germany CEO: Jan Mojto Editorial team: Franziska Pascher, Dr. Martina Kliem, Arthur Intelmann Layout: Manuel Messner/luebbeke.com All information is not contractual and subject to change without prior notice. All trademarks used herein are the property of their respective owners. Date of Print: February 2018 © UNITEL 2018 All rights reserved Front cover: Alicia Amatriain & Friedemann Vogel in John Cranko’s “Onegin” / Photo: Stuttgart Ballet ON THE OCCASION OF HIS 100TH BIRTHDAY UNITEL CELEBRATES LEONARD BERNSTEIN 1918 – 1990 Leonard Bernstein, a long-time exclusive artist of Unitel, was America’s ambassador to the world of music. -
Human Requiem (U.S
Sunday, October 16, 2016, at 7:30 pm Tuesday–Wednesday, October 18–19, 2016, at 7:30 pm Post-performance discussion on Tuesday, October 18 with Simon Halsey, Jochen Sandig, and Patrick Castillo human requiem (U.S. premiere) Rundfunkchor Berlin Simon Halsey , Conductor Marlis Petersen , Soprano Konrad Jarnot , Baritone Angela Gassenhuber , Piano Philip Mayers , Piano Nicolas Fink , Co-Conductor Jochen Sandig , Concept and Scenic Realization Brad Hwang , Spatial Concept Jörg Bittner , Lighting BRAHMS Ein deutsches Requiem for soloists, chorus, and piano four hands (1868/2004) Arranged by Phillip Moll from the original transcription by Brahms Selig sind, die da Leid tragen Denn alles Fleisch, es ist wie Gras Herr, lehre doch mich Wie lieblich sind deine Wohnungen Ihr habt nun Traurigkeit Denn wir haben hie keine bleibende Statt Selig sind die Toten This performance is approximately 70 minutes long without intermission. Please join the artists for a White Light Lounge immediately following the performance. These performances are made possible in part by the Josie Robertson Fund for Lincoln Center. Steinway Piano Please make certain all your electronic devices Synod House, are switched off. Cathedral of St. John the Divine WhiteLightFestival.org MetLife is the National Sponsor of Lincoln Center. UPCOMING WHITE LIGHT FESTIVAL EVENTS: Artist Catering provided by Zabar’s and Zabars.com Friday, October 21 at 7:30 pm in the Church of St. Mary the Virgin American Airlines is the Official Airline of Lincoln Immortal Bach Center Rundfunkchor Berlin -
London's Symphony Orchestra
London Symphony Orchestra Living Music Thursday 12 May 2016 7.30pm Barbican Hall LSO ARTIST PORTRAIT: LEIF OVE ANDSNES Schumann Piano Concerto INTERVAL Beethoven Symphony No 9 (‘Choral’) Michael Tilson Thomas conductor Leif Ove Andsnes piano Lucy Crowe soprano London’s Symphony Orchestra Christine Rice mezzo-soprano Toby Spence tenor Iain Paterson bass London Symphony Chorus Simon Halsey chorus director Concert finishes approx 9.50pm Supported by Baker & McKenzie 2 Welcome 12 May 2016 Welcome Living Music Kathryn McDowell In Brief A very warm welcome to tonight’s LSO performance BMW LSO OPEN AIR CLASSICS 2016 at the Barbican. This evening we are joined by Michael Tilson Thomas for his first concert since the The fifth annual BMW LSO Open Air Classics announcement of his appointment as LSO Conductor concert will take place on Sunday 22 May at 6.30pm. Laureate from September 2016, in recognition of Conducted by Valery Gergiev, the LSO will perform his wonderful music-making with the LSO and his an all-Tchaikovsky programme in London’s Trafalgar extraordinary commitment to the Orchestra. We are Square, free and open to all. delighted that his relationship with the LSO will go from strength to strength. lso.co.uk/openair This evening is the second concert in our LSO Artist Portrait series, focusing on pianist Leif Ove Andsnes. LSO AT THE BBC PROMS 2016 Following his performance of Mozart’s Piano Concerto No 20 on Sunday, he returns to play Schumann’s The LSO will be returning to this year’s BBC Proms at Piano Concerto. The Orchestra is also joined this the Royal Albert Hall for a performance of Mahler’s evening by the London Symphony Chorus, led by Symphony No 3 on 29 July. -
PRESS RELEASE City of Birmingham Symphony Orchestra Announces
PRESS RELEASE 30 July 2018 City of Birmingham Symphony Orchestra announces appointment of new conductor for the CBSO Children’s Chorus ahead of its 25th anniversary in 2019 The City of Birmingham Symphony Orchestra (CBSO) is delighted to announce that Ula Weber has been appointed as the conductor of the CBSO Children’s Chorus ahead of its 25th anniversary in 2019. A trained choral conductor and former primary school teacher, Ula Weber has been involved with many of the CBSO’s Learning & Participation projects and is the regular conductor of SO Vocal, the CBSO’s 200-strong community choir. Within Birmingham and the surrounding areas, she conducts a number of choirs, including the Birmingham City Council Choir, and performs with renowned choir Ex-Cathedra. She has also been one of Ex Cathedra’s lead education vocal tutors and co-created its award-winning Singing Playgrounds project. She is also founder of the National Teacher’s Choir, co-founder of music education organisation Vocal.Point, and Musical Director of Birmingham-based Echo Doliny, the National Polish Folk Choir of Great Britain. Ula Weber was selected following a seven-month search for a new conductor, providing each of the final candidates with the opportunity to work with the CBSO Children’s Chorus to prepare them for a specific performance. Ula’s appointment has been made based on the musical and vocal attainment of the chorus during her trial period. Ula Weber comments: “I’m thrilled to be the new conductor of the CBSO Children’s Chorus and I look forward to working with the children and indeed, the whole of the CBSO family. -
PRESS RELEASE 27 April 2017
PRESS RELEASE 27 April 2017 City of Birmingham Symphony Orchestra announces its 2017-18 Concert Season at Symphony Hall, Birmingham • Mirga Gražinytė-Tyla to conduct an ambitious series of 26 concerts, working with the whole CBSO family, curating an internationally-significant Debussy Festival in March 2018, and conducting his opera Pelléas et Mélisande • Clarinettist, composer and conductor Jörg Widmann is Artist in Residence for the season • A strengthened commitment to new music with six premieres, including the world premiere of Gerald Barry’s Organ Concerto conducted by Thomas Adès • The CBSO Chorus performs Haydn’s The Creation, Fauré’s Requiem and works by Lili Boulanger with Mirga Gražinytė-Tyla • BBC Young Musician 2016 Sheku Kanneh-Mason makes his CBSO debut conducted by Mirga Gražinytė-Tyla • Debut artists include Yeol Eum Son, Ning Feng, Rafal Blechacz, Xavier de Maistre, Jérémie Rhorer, Constantinos Carydis, Joana Mallwitz and Leo McFall. • Friday Night Classics concerts include the music of David Bowie, Abba, Star Wars, and the Best of Bollywood • The CBSO continues to offer accessible world class music for all, with an additional 1700 tickets available under £25, and tickets for young audiences from just £6 The City of Birmingham Symphony Orchestra (CBSO) is delighted to announce its 2017-18 Concert Season at Symphony Hall, Birmingham. 'One of Europe's best orchestras' (The Economist, 2016), the CBSO is a cultural flagship organisation for the Midlands and every year shares its world-class music- making with over 200,000 concertgoers in Birmingham, around the UK and worldwide. Led by Osborn Music Director Mirga Gražinytė-Tyla (‘conducting’s next superstar’ The Telegraph) the CBSO’s 2017- 18 season shares the talents and ambition of the entire CBSO family of ensembles with the widest possible audience. -
BCAS 11770 Nov 2019 Program Rev5 .Indd
ANTHONY BLAKE CLARK Music Director Choral Arts ON T UR! An American Suite: From Billings to Bernstein SUNDAY, NOVEMBER 3, 2019 Saturday, March 11, 2017 Baltimore Choral Arts Society Anthony Blake Clark 54th Season: 2019-20 Sunday, November 3, 2019 at 3 pm Shriver Hall Auditorium, The Johns Hopkins University, Homewood Campus An American Suite: From Billings to Bernstein The 23rd Annual Ruth Blaustein Rosenberg Concert Anthony Blake Clark, conductor Leo Wanenchak, associate conductor, organist & pianist The Baltimore Choral Arts Chorus Evening Hymn Henry Balfour Gardiner Laudes Organi Zoltán Kodály Intermission An American Suite curated by Anthony Blake Clark Invocations William Billings Hark, I Hear the Harps Eternal Traditional, arr. Alice Parker Grace Before Sleep Susan LaBarr Stars Eriks¯ Ešenvalds The Composer David Conte Higher Ground [world premiere] Anthony Blake Clark MLK Bono, arr. Bob Chilcott Zion’s Walls Aaron Copland “Make Our Garden Grow” from Candide Leonard Bernstein 2 This concert is made possible in part by a generous contribution from the Henry and Ruth Blaustein Rosenberg Foundation, Inc. Additional support is provided in memory of Tanya Bendit through the Bendit Foundation, Inc., a supporting foundation of The Associated: Jewish Community Federation of Baltimore. The Baltimore Choral Arts Society is supported in part by the Maryland State Arts Council (msac.org). Our concerts are also made possible in part by the Citizens of Baltimore County and Mayor Jack Young and the Baltimore Office of Promotion and the Arts. Our media sponsor for this performance is Please turn the pages quietly, and please turn off all electronic devices during the concert. -
City of Birmingham Choir Concerts from 1964
City of Birmingham Choir concerts from 1964. Concerts were conducted by Christopher Robinson and took place in Birmingham Town Hall with the CBSO unless otherwise stated. Messiah concerts and Carols for All concerts are listed separately. 1964 Mar 17 Vaughan Williams: Overture ‘The Wasps’ Finzi: Intimations of Immortality Vaughan Williams: Dona Nobis Pacem Elizabeth Simon John Dobson Peter Glossop Christopher Robinson conducts the Choir for the first time Jun 6 Britten: War Requiem Heather Harper Wilfred Brown Thomas Hemsley Performed in St Alban’s Abbey Meredith Davies’ final concert as conductor of the Choir Nov 11 & 12 Britten: War Requiem (Nov 11 in Wolverhampton Civic Hall Nov 12 in Birmingham Town Hall) Jacqueline Delman Kenneth Bowen John Shirley-Quirk Boy Choristers of Worcester Cathedral CBSO concert conducted by Hugo Rignold 1965 Feb 27 Rossini: Petite Messe Solennelle Barbara Elsy Janet Edmunds Gerald English Neil Howlett Colin Sherratt (Piano) Harry Jones (Piano) David Pettit (Organ) Performed in the Priory Church of Leominster Mar 11 Holst: The Planets CBSO concert conducted by Hugo Rignold Mar 18 Beethoven: Choral Symphony Jennifer Vyvyan Norma Proctor William McAlpine Owen Brannigan CBSO concert conducted by Hugo Rignold Mar 30 Elgar: The Dream of Gerontius Marjorie Thomas Alexander Young Roger Stalman May 18 Duruflé: Requiem Poulenc: Organ Concerto Poulenc: Gloria Elizabeth Harwood Sybil Michelow Hervey Alan Roy Massey (Organ) 34 Jun 2 Rossini: Petite Messe Solennelle Elizabeth Newman Miriam Horne Philip Russell Derek -
BCAS 11803 Mar 2020 Program Rev3 28 Pages.Indd
ANTHONY BLAKE CLARK Music Director SUNDAY, MARCH 1, 2020 Baltimore Choral Arts Society Anthony Blake Clark 54th Season: 2019-20 Sunday, March 1, 2020 at 3 pm Shriver Hall Auditorium, The Johns Hopkins University, Homewood Campus Monteverdi Vespers Anthony Blake Clark, conductor Leo Wanenchak, associate conductor Baltimore Baroque Band, Peabody’s Baroque Orchestra, Dr. John Moran and Risa Browder, co-directors Peabody Renaissance Ensemble, Mark Cudek, director; Adam Pearl, choral coach Washington Cornett and Sackbutt Ensemble, Michael Holmes, director The Baltimore Choral Arts Chorus James Rouvelle and Lili Maya, artists Vespro della Beata Vergine Claudio Monteverdi I. Domine ad adiuvandum II. Dixit dominus III. Nigra sum IV. Laudate pueri V. Pulchra es VI. Laetatus sum VII. Duo seraphim VIII. Nisi dominus Intermission IX. Audi coelum X. Lauda Ierusalem XI. Sonata sopra Sancta Maria ora pro nobis XII. Ave maris stella XIII. Magnificat 2 Monteverdi Vespers is generously sponsored by the William G. Baker, Jr. Memorial Fund, creator of the Baker Artists Portfolios, www.BakerArtists.org. This performance is supported in part by the Maryland State Arts Council (msac.org). Our concerts are also made possible in part by the Citizens of Baltimore County and Mayor Jack Young and the Baltimore Offi ce of Promotion and the Arts. Our media sponsor for this performance is Please turn the pages quietly, and please turn off all electronic devices during the concert. The use of cameras and recording equipment is not allowed. Thanks for your cooperation. Please visit our web site: www.BaltimoreChoralArts.org e-mail: [email protected] 1316 Park Avenue | Baltimore, MD 21217 410-523-7070 Copyright © 2020 by the Baltimore Choral Arts Society Notice: Baltimore Choral Arts Society, Inc. -
PRESS RELEASE 9 May 2018
PRESS RELEASE 9 May 2018 City of Birmingham Symphony Orchestra announces its 2018-19 Concert Season at Symphony Hall, Birmingham • Mirga Gražinytė-Tyla curates Baltic Way - a 23-concert exploration of the culture of the Baltic states celebrating the centenary of their establishment and 30 years since their liberation • Kazuki Yamada is appointed as the CBSO’s new Principal Guest Conductor • Sir Simon Rattle returns on 28 March 2019 to conduct a fundraising concert featuring Beethoven’s Ninth Symphony, and celebrating 25 years since he created the CBSO Youth and Children’s Choruses with Simon Halsey CBE • Latvian violinist Gidon Kremer is Artist in Residence for the season • UK premiere of Roxanna Panufnik’s Faithful Journey – A Mass for Poland, conducted by Mirga Gražinytė-Tyla, with Mary Bevan and the CBSO Chorus • Weinberg Weekend featuring Gidon Kremer and Kremerata Baltica • Mirga Gražinytė-Tyla conducts Mahler’s Symphony No. 2, one of the CBSO’s signature works, with the CBSO Chorus, Lucy Crowe and Karen Cargill • Something for everyone; Friday Night Classics concerts feature the music of Nat King Cole, music from the Harry Potter and Bond films and songs from the ‘60s. Alan Titchmarsh and Matt Baker present the CBSO’s family Choral Christmas concerts • Debut artists include Yuja Wang, Patricia Kopatchinskaja, Jeremy Denk, Elim Chan, Lucas and Arthur Jussen, Jan Lisiecki, Constantinos Carydis, Yulianna Avdeeva and Ray Chen • Over 3000 new Mystery Seats tickets available for just £13, making world-class music even more accessible The City of Birmingham Symphony Orchestra (CBSO) is delighted to announce its 2018-19 Concert Season at Symphony Hall, Birmingham. -
Elgar's the Dream of Gerontius
Elgar’s The Dream of Gerontius - Some personal observations on recordings of the work by John Quinn Updated 2020 This article originally appeared on MusicWeb in 2007 in connection with the 150th anniversary of the birth of Elgar and I updated it in 2014 when we marked the 80th anniversary of the death of the composer in 1934. The release in 2018 of a newly-issued 1961 live recording conducted by Sir Malcolm Sargent caused me to refer to our Masterworks Index for Gerontius whereupon I discovered, slightly to my surprise, that since my 2014 update this was the fifth recording of the work to be issued – although only two of them were brand new. In addition, I’d caught up with two earlier recordings – conducted by Sir Alexander Gibson and by Yevgeny Svetlanov – to which I’d referred in the survey though I’d not heard them. Time, then, to refresh the survey in order to include these seven recordings. For this latest 2020 revision I toyed with the idea of a fundamental re-write, considering all the recordings in chronological order. However, on reflection it seems to make more sense to retain the layout of the 2014 text and to add comments about the seven recordings not previously covered by the survey in a new section just before the summary. I have made as few changes as possible to my original 2007 text because that included detailed comments on several versions that hadn’t, at least then, been reviewed on MusicWeb International whereas the more recently released recordings have generally received full reviews at the time of issue. -
City of Birmingham Choir Concerts from 2002 Concerts Conducted by Adrian Lucas with the CBSO in Symphony Hall Unless Otherwise Stated
City of Birmingham Choir concerts from 2002 Concerts conducted by Adrian Lucas with the CBSO in Symphony Hall unless otherwise stated. 2002 May 18 Walton: Coronation Te Deum Elgar: Cello Concerto Walton: The Twelve Walton: Belshazzar’s Feast Willard White Paul Watkins (Cello) Walton Centenary Concert Pre-concert talk by Michael Aston Christopher Robinson conducted his farewell concert July 2 Golden Jubilee Concert Walton: Coronation Te Deum Performed with Worcester Cathedral Choristers and the CBSO conducted by Sakari Oramo as part of the Queen’s Golden Jubilee Celebrations A number of other artists and groups took part in the presence of Her Majesty Queen Elizabeth II and The Duke of Edinburgh Nov 2 Mendelssohn: Elijah Sarah Fox Elinor Carter Lynton Atkinson William Clements Six treble choristers from Worcester Cathedral Pre-concert talk by Lyndon Jenkins Adrian Lucas conducts the Choir for the first time Dec 6 & 10 Handel: Messiah Geraldine McGreevy Catherine King Edward Lyon William Clements Dec 15 Carols for All Anna Huntley (soprano) Roy Massey (organ) Cambrian Brass Anna Huntley was the winner of the Singing Challenge 2003 Apr 12 Handel: Dixit Dominus Mozart: Mass in C Minor Ruth Holton Katharine Fuge Emily Bauer-Jones Robert Johnston Robert Rice May 10 Evensong in St John’s College, Cambridge By invitation some members joined the choristers of St John’s Conducted by Christopher Robinson 1 Jun 21 Music for a Summer Evening - Worcester Cathedral Vaughan Williams: Shakespeare Songs and Five Mystical Songs Finzi: Magnificat Britten: -
JOHN RUTTER Anthems, Hymns and Gloria for Brass Band Arr
JOHN RUTTER Anthems, Hymns and Gloria for Brass Band arr. Luc Vertommen Black Dyke Band Sheffield Philharmonic Chorus Nicholas Childs • Darius Battiwalla John Rutter (b. 1945) Anthems, Hymns and Gloria for Brass Band John Rutter was born in London and educated at engagement in the United States. The work was Friendship pure and simple is one key inspiration for number of his shorter choral pieces with orchestra might Highgate School in North London. As a young boy commissioned by The Voices of Mel Olsen in Omaha, John Rutter’s music. As the Bridegroom to His Chosen work in a purely orchestral form. soprano he took part in the first recording of Benjamin Nebraska, who invited Rutter to direct the first was written for the wedding of Jeremy Taylor and Mary John Rutter’s anthems All Things Bright and Beautiful Britten’s War Requiem under the composer’s baton in performance on 5 May 1974. The words come from the Mure, two members of Rutter’s own Cambridge Singers. and For the Beauty of the Earth for mixed voices are short 1963. Rutter began to develop speedily into the multi- second section (the Hymn of Praise) of the Ordinary of There are few better examples of the classic Rutter talent sacred choral works in the tradition of the Anglican church faced composer of international repute that he is today. the Mass, which in the liturgy follows the Kyrie. The for writing gracious, melting melodies that caress the mind music. The choral song This is the Day was composed for He then read music at Clare College, Cambridge, familiar opening words are those of the angels for days.