Redfern Now Series 2 Portrays Contemporary Inner-City Indigenous Life in and Around the Suburb of Redfern in Sydney, New South Wales

Total Page:16

File Type:pdf, Size:1020Kb

Redfern Now Series 2 Portrays Contemporary Inner-City Indigenous Life in and Around the Suburb of Redfern in Sydney, New South Wales SERIES 2, EPISODE 2 © ATOM 2013 A STUDY GUIDE BY KATY MARRINER http://www.metromagazine.com.au ISBN: 978-1-74295-375-5 http://www.theeducationshop.com.au Redfern Now Series 2 portrays contemporary inner-city Indigenous life in and around the suburb of Redfern in Sydney, New South Wales. The series offers compelling stories of ordinary people dealing with the ups and downs that life brings. Redfern Now is a drama series written, directed and produced by Indigenous Australians. The series was developed in collaboration with UK screenwriter Jimmy McGovern and is produced by Blackfella Films’ Darren Dale and Miranda Dear, and presented by ABC TV and Screen Australia in association with Screen NSW. CURRICULUM For students in Years 11–12, Redfern Now has relevance to units of work in LINKS Aboriginal and Torres Strait Islander Studies, Australian History, Cultural Redfern Now is suitable for second- Studies, English, Health and Human ary students in Years 9–12. The Development, Literature, Media, series offers stories of Aboriginal and Religion and Society, and Sociology. Torres Strait Islander peoples told by Aboriginal and Torres Strait Islander Teachers are advised to direct stu- peoples, allowing students to develop dents to complete activities that are an awareness and appreciation of subject-relevant and age-appropriate. Indigenous storytelling and to see the issues affecting Aboriginal and Torres Strait Islanders from their perspective. BLACKFELLA FILMS Given its insight into the present expe- riences of Aboriginal and Torres Strait For twenty years, Blackfella Films has Islander peoples, the series provides created innovative and high-quality opportunities for students to engage content across documentary and nar- in discussions about Aboriginal and rative in both short and feature formats Torres Strait Islander identity and be- for theatrical, television and online plat- longing and to examine the influences forms. Its award-winning productions of family, kinship, community, place, have screened at premier international culture and mainstream Australian film festivals including Sundance, society. Berlin and Toronto, and distinguished its team as creators and curators of In addition, the stories told by Redfern distinctive Australian content. Now are those of ordinary people dealing with the extraordinary chal- The company was founded in 1992 lenges of ordinary existence. The by writer/director/producer Rachel episodes explore universal themes Perkins who was joined by producer and issues of significance to any Darren Dale in 2002. In 2010, former audience, regardless of their cultural ABC Head of Fiction, Miranda Dear background. joined Blackfella Films as producer on the company’s drama slate. For students in Years 9–10, Redfern Now has relevance to units of work in The company’s credits include the the learning areas of English, Media documentary series First Australians, and History, and addresses the the feature documentary The Tall 2013 © ATOM SCREEN EDUCATION cross-curriculum priority of Aboriginal Man (Tony Krawitz, 2011), the ABC and Torres Strait Islander Histories telemovie Mabo (Rachel Perkins, and Cultures. The series can also be 2012), the annual Indigenous film used to teach the general capabilities festival Message Sticks (2002–2011) of Intercultural Understanding and and Redfern Now Series 1. The series, Ethical Behaviour. which went to air in November 2012, was the first Australian drama series 2 SERIES KEY Most Outstanding Drama Series. Dale currently serves on the board of CREATIVES Screen NSW and the Council of the written, directed and produced by Jimmy McGovern – Australian Film, Television and Radio Indigenous Australians. Story Producer School (AFTRS). Miranda Dear – Producer Visit Blackfella Films online at With his writing often based on real <http://blackfellafilms.com.au>. events or socially vital issues, Liverpool- Producer Miranda Dear began her born Jimmy McGovern has built a career with UK public broadcaster Episode Directors: Adrian Russell formidable reputation writing powerful Channel 4 Television. In 1997 she Wills, Rachel Perkins, Leah Purcell, dramas for the stage and screen. Having moved to Australia as Acquisition and Beck Cole and Wayne Blair. honed his skill working on Brookside, his Production Consultant and negotiated major breakthrough came with Cracker, Channel 4’s involvement in a number of Episode Writers: Adrian Russell one of the best-loved UK TV shows film funding and acquisition initiatives. Wills, Jon Bell, Steven McGregor, of recent history. McGovern’s other Leah Purcell and Wayne Blair. television credits include The Accused In 2000, Dear joined SBS Independent (Series 1 and 2) and The Street (Series as Senior Commissioning Editor Drama. 1–3), as well as Gunpowder, Treason & Her commissions included Harvie REDFERN NOW Plot (Gillies MacKinnon, 2004), Dockers Krumpet (Adam Elliot, 2003), RAN, So (Bill Anderson, 1999), The Lakes, Close to Home (Jessica Hobbs, 2003), Redfern is an inner-city suburb of Sunday (Charles McDougall, 2002), Jewboy (Tony Krawitz, 2005), Martha’s Sydney. It is home to a significant Heart (Charles McDougall, 1999) and New Coat (Rachel Ward, 2003) and proportion of Sydney’s Indigenous Hillsborough (Charles McDougall, 1996). Roy Hollsdotter Live. She was the SBS and Torres Strait Islander popula- Commissioning Editor for the feature A detailed biography of Jimmy tion. The traditional owners of the filmsLook Both Ways (Sarah Watt, McGovern can be accessed at <http:// land are the Gadigal people who 2005), Ten Canoes (Rolf de Heer, 2006), www.screenonline.org.uk/people/ occupied the sites known today Somersault (Cate Shortland, 2004), id/510555/>. as Redfern, Erskinville, Surry Hills, Australian Rules (Paul Goldman, 2002), Darlinghurst and Paddington for up Darren Dale – Producer Walking on Water (Tony Ayres, 2002) to 40,000 years before European and The Tracker (Rolf de Heer, 2002). settlement. Darren Dale has been a company Dear also commissioned a number of director of Blackfella Films – Australia’s Indigenous dramas, including Warwick Persecution, disease and pollu- premier Indigenous production com- Thornton’s Mimi (2002) and Green Bush tion had decimated the Aboriginal pany – for over ten years. In 2008 Dale, (2005), Beck Cole’s Flat (2004) and population of Sydney by the end together with Rachel Perkins, produced Plains Empty (2005) and Wayne Blair’s of the eighteenth century. The area the landmark multi-platform history Black Talk (2002) and The Djarn Djarns now occupied by Redfern and series First Australians. (2005). owned by the government of the In 2011, Dale produced the feature In 2005, Dear joined ABC TV first as an day became known as Cleveland documentary The Tall Man for SBS, Executive Producer and then as Head of Paddocks. In 1817, Dr William which premiered at the Adelaide Film Drama. There she executive produced Redfern, William Chippendale and Festival and screened at the Toronto a number of programs including Rake, William Hutchinson were given International Film Festival and the Sisters of War (Brendan Maher, 2010), 3 land grants in the area. Subdivision International Documentary Film Festival Acts of Murder (Rowan Woods, 2009), began and the intention was to cre- (IDFA) in Amsterdam. In 2011, Dale also Curtin (Jessica Hobbs, 2007), Dirt ate housing for the upper classes. produced, together with Miranda Dear, Game, Bed of Roses, The Librarians, By the 1840s, government legisla- the ABC telemovie Mabo. Rain Shadow, East of Everything, tion pushed industry into the area Bastard Boys (Raymond Quint, 2007), Dale has also produced a number of ac- and Redfern became an industrial Valentine’s Day (Peter Duncan, 2008) claimed short films and documentaries suburb. The development of the rail and The Silence (Cate Shortland, 2006). that between them have screened at the line and establishment of Eveleigh She was the ABC commissioning editor Sundance, Aspen, Edinburgh, Toronto Railway Workshops in the latter for the feature films Samson & Delilah and Palm Springs film festivals. The part of the nineteenth century saw (Warwick Thornton, 2009), Bran Nue 2010 SBS documentary Lani’s Story was Redfern subdivided yet again to Dae (Rachel Perkins, 2009) Here I Am the recipient of a United Nations Media provide housing for the workers at (Beck Cole, 2010), Eye of the Storm Peace Award, the second consecutive the workshops. (Fred Schepisi, 2011), and the short year Dale was awarded this prize. 2013 © ATOM SCREEN EDUCATION film series The New Black. Dear also In 1900, La Perouse was declared With his Blackfella Films business commissioned the television series The an Aboriginal Reserve and this partner, Perkins, Dale co-curated the Slap, The Straits, Paper Giants and Miss brought subsequent change in film program for the Message Sticks Fisher’s Murder Mysteries. Redfern. Aboriginal people began Indigenous Festival at the Sydney Since 2010, Dear has worked with returning from rural areas to Sydney Opera House from 2002 until 2011. Blackfella Films and produced, with in search of employment. Many Most recently Dale produced Redfern Darren Dale, Mabo and Redfern Now found work at the Eveleigh Railway Now Series 1 for ABC TV, which won Series 1. Workshops and settled in Redfern, the 2013 TV Week Logie Award for 3 until the Great Depression forced does this sequence portray Redfern them back into temporary camps in La and the people who live there? Perouse. How does the series portray Redfern and the people who live From the end of World War Two, the there? Draw on evidence from Aboriginal population in Redfern grew each episode to support your and a sense of community evolved. response. By the early 1960s, Redfern was home • Working as a class, discuss why to over 12,000 Aboriginal people, the filmmakers chose to set the some employed in local industry and series in Redfern. others who were unemployed and • Create an infographic about the underprivileged. New opportunities suburb of Redfern. and the freedom afforded to Aboriginal Begin your research at the people by the National Referendum Australian Bureau of Statistics: of 1967 encouraged the migration of <http://www.censusdata.abs.
Recommended publications
  • Brochure Kilmersdon
    BFFS SOUTH WEST GROUP The Sapphires Cert PG Australia 2012 103 mins Crew Director Wayne Blair Screenplay Tony Briggs Keith Thompson Cinematography Warwick Thornton Film Editing Dany Cooper Cast Deborah Mailman Gail Jessica Mauboy Julie Shari Sebbens Kay Miranda Tapsell Cynthia Chris O'Dowd Dave Lovelace Synopsis Reviews Australia, 1968. A trio of Aboriginal girls Based, incredibly, on a true story, and developed from a successful from a remote mission get a stony stage musical, this is a big-hearted, barnstorming put-on-a-show response to their country and western crowdpleaser. Beneath the spangly exterior, however, it has songs at a talentSynopsis show. But Dave, a surprisingly trenchant things to say about Australian identity and drunken Irish talent scout, thinks they have potential. the bitter legacy of institutionalised racism. Seeing them as Australia's answer to 'The Of course, none of this would really hit home unless we believed in Supremes', he recruits their cousin Kay to The Sapphires as authentic soul sisters, achieved thanks to the group, and convinces them to switch to ‘Australian Idol’ finalist Jessica Mauboy’s sumptuous lead vocals, soul songs. Then he gets the girls their and astute song selections from the Motown, Stax and Atlantic first true gig - singing for the troops in the songbooks. middle of the Vietnam war zone... With rising star O’Dowd in command of both the comic timing and emotional grace notes and beautifully playing off Deborah Mailman as the group’s alpha female, the movie is gutsy and entertaining enough to have us forgiving its occasional credibility glitches and obviously CGI-ed battlefront visuals.
    [Show full text]
  • Anthropology of Indigenous Australia
    Anthropology of Indigenous Australia Class code ANTH-UA 9037 Instructor Details Petronella Vaarzon-Morel [email protected] 0428633216 (mobile) Office Hour: Tuesday 5-6pm Class Details Anthropology of Indigenous Australia Tuesdays, 2-5pm September 3 to December 10 Room 3.04 NYU Sydney Academic Centre Science House: 157 Gloucester Street, The Rocks Prerequisites None Class Description This course offers an introduction to some of the classical and current issues in the anthropology of Indigenous Australia. The role of anthropology in the representation and governance of Indigenous life is itself an important subject for anthropological inquiry, considering that Indigenous people of Australia have long been the objects of interest and imagination by outsiders for their cultural formulations of kinship, ritual, art, gender, and politics. These representations—in feature films about them (such as Rabbit-Proof Fence and Australia), New Age Literature (such as Mutant Message Down Under), or museum exhibitions (such as in the Museum of Sydney or the Australian Museum)—are now also in dialogue with Indigenous forms of cultural production, in genres as diverse as film, television, drama, dance, and archiving. The course will explore how Aboriginal people have struggled to reproduce themselves and their traditions on their own terms, asserting their right to forms of cultural autonomy and self-determination. Through the examination of ethnographic texts, historical accounts, films, live performances, and an autobiography, we will consider the ways in which Aboriginalities are being challenged and constructed in contemporary Australia. The course will consist of lectures interspersed with discussions, student presentations, and films/other media; we may also have guest presenters.
    [Show full text]
  • Stephen Page on Nyapanyapa
    — OUR land people stories, 2017 — WE ARE BANGARRA We are an Aboriginal and Torres Strait Islander organisation and one of Australia’s leading performing arts companies, widely acclaimed nationally and around the world for our powerful dancing, distinctive theatrical voice and utterly unique soundscapes, music and design. Led by Artistic Director Stephen Page, we are Bangarra’s annual program includes a national currently in our 28th year. Our dance technique tour of a world premiere work, performed in is forged from over 40,000 years of culture, Australia’s most iconic venues; a regional tour embodied with contemporary movement. The allowing audiences outside of capital cities company’s dancers are dynamic artists who the opportunity to experience Bangarra, and represent the pinnacle of Australian dance. Each an international tour to maintain our global has a proud Aboriginal and/or Torres Strait reputation for excellence. Islander background, from various locations across the country. Complementing this touring roster are education programs, workshops and special performances Our relationships with Aboriginal and Torres and projects, planting the seeds for the next Strait Islander communities are the heart generation of performers and storytellers. of Bangarra, with our repertoire created on Country and stories gathered from respected Authentic storytelling, outstanding technique community Elders. and deeply moving performances are Bangarra’s unique signature. It’s this inherent connection to our land and people that makes us unique and enjoyed by audiences from remote Australian regional centres to New York. A MESSAGE from Artistic Director Stephen Page & Executive Director Philippe Magid Thank you for joining us for Bangarra’s We’re incredibly proud of our role as cultural international season of OUR land people stories.
    [Show full text]
  • Commercial Driver's License (CDL) Manual
    Connecticut Commercial Driver License Manual Ned Lamont Sibongile Magubane Governor Commissioner State of Connecticut Department of Motor Vehicles 60 State Street Wethersfield, CT 06161 ct.gov/dmv R-295 Rev. 03/2020 This material is based upon work supported by the Federal Motor Carrier Safety Administration under Cooperative Agreement No. DTFH61-97-X-00017. Any opinions, findings, conclusions or recommendations expressed in this publication are those of the Author(s) and do not necessarily reflect the view of the Federal Motor Carrier Safety Administration. COPYRIGHT © 2005 AAMVA. All rights reserved This material has been created for and provided to State Driver License Agencies (SDLAs) by AAMVA for the purpose of educating Driver License applicants (Commercial or Non-Commercial). Permission to reproduce, use, distribute or sell this material has been granted to SDLAs only. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system without express written permission from the author / publisher. Any unauthorized reprint, use, distribution or sale of this material is prohibited. In January 2015, an RV pulled into a truck stop in Virginia. Observant professional truck driver Kevin Kimmel recognized suspicious activity around that RV, which had pulled back by the truck line, and decided something was off. Instead of turning a blind eye, he made a call that brought law enforcement out to the scene within a few minutes. After interviewing the occupants of the vehicle, they discovered that a young woman, 20 years old, had been kidnapped from Iowa two weeks prior.
    [Show full text]
  • The Sapphires
    Waverley Film Society Volume 5 June 2018 Issue 5 June Meeting Waverley Film Society will meet at St John’s Uniting Church, 37 Virginia Street, Mt Waverley on Wednesday, 13th of June. Apologies can be left with Brett on 9807 3426. Visitors are welcome. Bring your friends. This month’s film is The Sapphires. (see page 2 for more information). Next Month Wednesday, July11th: “Tracks” (2013) Tracks chronicles an epic modern ad- venture. Robyn Davidson’s sole trek Posters advertising this through the remote Australian desert screening are available. to the Indian Ocean with her dog Dig- Please post them in com- gity, four camels, and a National Geo- munity spaces. graphic photographer. Last Month’s Film Twenty-eight people attended, including four visitors and two family members. There were six apologies. Mrs Henderson Presents re- corded a rating of 4.4 stars. All raffle books were returned on schedule. Thanks everyone! Classic Cream, Beautiful Black Many members enjoyed Anne Dixon’s A Taste of Blue costume display last year. You may like to visit the Wonthaggi Town Hall for her latest exhibition. June 19 to July 3, 11-4 daily, free entry (the town hall is at 14 Ballieu St East) The Sapphires (2013) (Reference: www.imdb.com) Director Wayne Blair Cast includes: Writing Keith Thompson Chris O’Dowd Dave Lovelace Miranda Tapsell Cynthia Tony Briggs (stage play) Deborah Mailman Gail Music Cezary Skubiszewski Jessica Mauboy Julie Cinematography Warwick Thornton Shari Sebbens Kay Trivia The film premiered at the 2012 Cannes Film Festival where it received a 10 minute standing ova- tion.
    [Show full text]
  • 2018 Brochure Web.Pdf
    SEASON 2018 2 A message from Kip Williams 5 The top benefits of a Season Ticket 10 Insight Events 13 Get the most out of your Season Ticket THE PLAYS 16 Top Girls 18 Lethal Indifference 20 Black is the New White 22 The Resistible Rise of Arturo Ui 24 Going Down 26 The Children 28 Still Point Turning: The Catherine McGregor Story 30 Blackie Blackie Brown 32 Saint Joan 34 The Long Forgotten Dream 36 The Harp in the South: Part One and Part Two 40 Accidental Death of an Anarchist 42 A Cheery Soul SPECIAL OFFERS 46 Hamlet: Prince of Skidmark 48 The Wharf Revue 2018 HOW TO BOOK AND USEFUL INFO 52 Let us help you choose 55 How to book your Season Ticket 56 Ticket prices 58 Venues and access 59 Dates for your diary 60 Walsh Bay Kitchen 61 The Theatre Bar at the End of the Wharf 62 The Wharf Renewal Project 63 Support us 64 Thank you 66 Our community 67 Partners 68 Contact details 1 A MESSAGE FROM KIP WILLIAMS STC is a company that means a lot to me. And, finally, I’ve thought about what theatre means to me, and how best I can share with It’s the company where, as a young teen, I was you the great passion and love I have for this inspired by my first experience of professional art form. It’s at the theatre where I’ve had some theatre. It’s the company that gave me my very of the most transformative experiences of my first job out of drama school.
    [Show full text]
  • DNA Nation Press
    PRESS KIT DISTRIBUTOR CONTACT PRODUCTION CONTACT SBS International Blackfella Films Lara von Ahlefeldt Darren Dale Tel: +61 2 9430 3240 Tel: +61 2 9380 4000 Email: [email protected] Email: [email protected] 10 Cecil Street Paddington NSW 2021 Tel: +612 9380 4000 Fax: +612 9252 9577 Email: [email protected] www.blackfellafilms.com.au Production Notes Producer Darren Dale Producer & Writer Jacob Hickey Series Producer Bernice Toni Director Bruce Permezel Production Company Blackfella Films Genre Documentary Series Language English Aspect Ratio 16:9 FHA Duration EP 1 00:51:53:00 EP 2 00:54:54:00 EP 3 00:52:58:00 Sound Stereo Shooting Gauges Arri Amira, F55, DJI Inspire Drone, Blackmagic & Go Pro Logline Who are we? And where do we come from? Short Synopsis Who are we? And where do we come from? Australia’s greatest Olympian Ian Thorpe, iconic Indigenous actor Ernie Dingo, and TV presenter and Queen of Eurovision Julia Zemiro set off on an epic journey of genetic time travel to find out. © 2016 Blackfella Films Pty Ltd Page 2 of 40 Long Synopsis Who are we? And where do we come from? Australia’s greatest Olympian Ian Thorpe, iconic Indigenous actor Ernie Dingo, and TV presenter and Queen of Eurovision Julia Zemiro set off on an epic journey of genetic time travel to find out. DNA is the instruction manual that helps build and run our bodies. But scientific breakthroughs have discovered another remarkable use for it. DNA contains a series of genetic route maps. It means we can trace our mother’s mother’s mother and our father’s father’s father, and so on, back through tens of millennia, revealing how our ancestors migrated out of Africa and went on to populate the rest of the world.
    [Show full text]
  • WAYNE BLAIR | Actor
    SHANAHAN WAYNE BLAIR | Actor FILM Year Production / Character Director Company 2019 TOP END WEDDING Wayne Blair Goalpost Pictures Tow Truck Passenger 2018 RAMS Jeremy Sims Party Upstairs Pty Ltd Lionel 2018 EMU RUNNER Imogen Thomas Imogen Thomas Films Jay Jay 2012 THE TURNING – FAMILY Shaun Gladwell Arenamedia Pty Ltd Max Leaper 2010 WISH YOU WERE HERE Kieran Darcy-Smith Bluetongue Films Willis 2010 X John Hewitt Circle Films Bob 2011 THE LAST TIME I SAW MICHAEL Steven Soderbergh GREGG 2008 BLESSED Ana Kokkinos Bankside Films James Parker 2000 MULLET David Caesar Porchlight Films James Shanahan Management Pty Ltd PO Box 1509 | Darlinghurst NSW 1300 Australia | ABN 46 001 117 728 Telephone 61 2 8202 1800 | Facsimile 61 2 8202 1801 | [email protected] SHANAHAN TELEVISION Year Production/Character Director Company 2018 SQUINTERS Kate McCartney Jungle Entertainment Gary 2018 BLACK COMEDY Beck Cole Scarlett Pictures Various Characters 2017 MYSTERY ROAD Rachel Perkins Bunya Productions Larry 2017 THE LETDOWN Trent O’Donnell ABC TV / Netflix Father Guinan 2014 REDFERN NOW: TELEMOVIE Rachel Perkins ABC TV Aaron 2013 REDFERN NOW: SERIES 2 Rachel Perkins Blackfella Films/ABC TV Aaron 2013 THE BROKEN SHORE Rowan Woods Essential Media & Entertainment Bobby Walsh 2012 REDFERN NOW: SERIES 1 Rachel Perkins Blackfella Films/ABC TV Aaron 2004 SMALL CLAIMS 3 Tony Tils e RB Films Detective Lacey 2003 SMALL CLAIMS Cherie Nowlan RB Films Detective Lacey 2003 FIREFLIES Rowan Woods Southern Star/ABC TV Wayne Patterson 2001 Water Rats Various Quicksilver
    [Show full text]
  • Reconciliationnews Issue No 30 // September 2014
    ReconciliationNews ISSUE NO 30 // September 2014 Rebecca Richards, Rhodes Scholar Top marks for a Coota boy The culture of mathematics 2 ISSUE NO 30 // September 2014 CONTENTS CEO’s message 3 From student to teacher 4 Two cool for schools This is likely to be my final message in Reconciliation News as I will soon be stepping down as CEO of Reconciliation Australia. I have absolutely enjoyed working here for the past four years and 7 Lourdes Hill shares the spirit it has been a privilege to share that time with a Board and staff so committed to the work we do. 8 Rebecca Richards, When I first took up my role, I said how honoured I was to be heading up an organisation that Rhodes Scholar matched my own values, and that is just as true today as it was then. The pathway to recognition and reconciliation is now engaging more Australians than ever before 10 The magic of mentoring and I am proud to have been a part of our key achievements over the past few years. We are now more dynamic and disciplined, our policy and people processes are more reflective of a 12 Top marks for a Coota boy social business and our programs including Reconciliation Action Plans, National Reconciliation Week and the Indigenous Governance Awards have all increased their reach and impact. 15 Students hit the right note We have significantly increased our profile and engagement across all sectors of society— 16 Walking the talk on Kokoda government, corporate, schools, Aboriginal and Torres Strait Islander leaders and communities and non-Indigenous organisations.
    [Show full text]
  • Reconciliationnews Issue No 28 // December 2013
    ReconciliationNews ISSUE NO 28 // December 2013 Michael Hohnen and Mark Grose and their passion for Indigenous music Rachel Perkins discusses her love of filmmaking Alison Page, bringing people together through the Freshwater Saltwater Arts Alliance 2 ISSUE NO 28 // December 2013 CONTENTS 3 Black Diggers – CEO message the untold story 4 Rachel Perkins: in the frame How quickly this year has flown! All of a sudden we’re talking about Christmas, thinking about a welcome break 7 A tale of two talents by a beach somewhere and looking forward to all that fun 8 Coming home to and food with family and friends. Noongar country 10 Making music with Skinnyfish For most of us, taking a break will probably include music, movies and books, perhaps even a visit to a gallery or a festival. The arts enrich our lives every day and in much the same way 12 Riding the black cockatoo as sport encourages respect and admiration for athletic talent, the arts can provide a real appreciation and understanding of culture. 16 Saltwater Freshwater: bringing people together We’ve devoted this edition of Reconciliation News to the arts and I hope you’ll enjoy the various stories that together illustrate that reconciliation comes in many forms. 19 Bangarra turns 25! The thoughtful voice of film director Rachel Perkins whose work includes First Australians, Mabo and Redfern Now comes through clearly as she reveals her passion for filmmaking. Her quietly 19 Aboriginal artists shine powerful films have helped demystify our hidden history and have fostered better understanding between Aboriginal and Torres Strait Islander people and other Australians.
    [Show full text]
  • First Nation Filmmakers from Around the World 10
    MEDIA RELEASE EMBARGOED UNTIL 11.00am WEDNESDAY 10 MAY 2017 FIRST NATION FILMMAKERS FROM AROUND THE WORLD The 64th Sydney Film Festival (7–18 June) in partnership with Screen Australia’s Indigenous Department proudly continues support for First Nation storytelling from Australia and around the world. Leading First Nation Australian directors will premiere their new works at the Festival, including Warwick Thornton’s Opening Night film and Official Competition contender We Don’t Need a Map, and Wayne Blair and Leah Purcell’s highly anticipated second series of Cleverman. “Sydney Film Festival is committed to showcasing First Nation filmmakers and storytelling,” said Festival Director Nashen Moodley. “Throughout the Festival audiences will find examples of outstanding Indigenous cinema, from the red sands of Western Australia to the snowy landscapes of the Arctic Circle. These films promise to surprise, provoke and push boundaries.” “We're proud to continue our partnership with Sydney Film Festival to showcase these powerful documentaries from the world's leading Indigenous filmmakers, as well as premiere the innovative work of emerging new talent from around the country,” said Penny Smallacombe, Head of Indigenous at Screen Australia. “We are very pleased to see five films commissioned by NITV take their place alongside such prestigious works from across the world,” said Tanya Orman, NITV Channel Manager. Two important Australian First Nation documentaries will also have their premieres at the Festival. Connection to Country, directed by Tyson Mowarin, about the Indigenous people of the Pilbara’s battle to preserve Australia’s 40,000-year-old cultural heritage from the ravages of mining, and filmmaker Erica Glynn’s raw, heartfelt and funny journey of adult Aboriginal students and their teachers as they discover the transformative power of reading and writing for the first time (In My Own Words).
    [Show full text]
  • Download Thesisadobe
    Difficult Knowledge and Uncomfortable Pedagogies: student perceptions and experiences of teaching and learning in Critical Indigenous Australian Studies Marcelle Townsend-Cross (BA, SCU; MEd, UTS) A thesis submitted in fulfilment of requirements for the degree of Doctor of Philosophy Faculty of Arts and Social Sciences University of Technology Sydney 2018 ii Certificate of Original Authorship I, Marcelle Townsend-Cross declare that this thesis is submitted in fulfilment of the requirements for the award of Doctor of Philosophy in the Faculty of Arts and Social Sciences at the University of Technology Sydney. This thesis is wholly my own work unless otherwise referenced or acknowledged. In addition, I certify that all information sources and literature used are indicated in the thesis. This document has not been submitted for qualifications at any other academic institution. Signature: Production Note: Signature removed prior to publication. Date: 26th February 2018 iii Acknowledgements I owe my gratitude to the teachers and students who generously agreed to participate in my research. Their courageous and candid contributions provided rich and compelling insights that positively shaped my research in immeasurable ways. I am very grateful to Dr. Rick Flowers who expertly guided me through the research process with enthusiasm, mindfulness and patience. I am so very grateful and privileged to have been a recipient of the Jumbunna Postgraduate Research Scholarship. Many people have inspired and encouraged me throughout my candidature – family, friends and colleagues - and I am humbled by your consistent and persistent belief in me, especially during the times when I didn’t particularly believe in myself, thank you.
    [Show full text]