National Gallery of Art Winslow Homer's "Impressionism" and Its Relation to His Trip to France Author(s): HENRY ADAMS Source: Studies in the History of Art, Vol. 26, Symposium Papers XI: Winslow Homer: A Symposium (1990), pp. 60-89 Published by: National Gallery of Art Stable URL: https://www.jstor.org/stable/42620232 Accessed: 22-05-2020 19:26 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact
[email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at https://about.jstor.org/terms National Gallery of Art is collaborating with JSTOR to digitize, preserve and extend access to Studies in the History of Art This content downloaded from 23.28.138.58 on Fri, 22 May 2020 19:26:40 UTC All use subject to https://about.jstor.org/terms /';-=09 )(8* =-0/'] This content downloaded from 23.28.138.58 on Fri, 22 May 2020 19:26:40 UTC All use subject to https://about.jstor.org/terms HENRY ADAMS The Nelson-Atkins Museum of Art Winslow Homer's "Impressionism" and Its Relation to His Trip to France JLF orJL a brief period, from the mid-i86os how he could have been exposed to impres- through the early 1870s, Winslow Homer sionist ideas. The first French impression- occasionally made paintings that are re- ist exhibition was held in 1874, but by that markably close in appearance to the early time Homer, at least in his oil paintings, work of the French impressionists.