The TEX Tuneup of 2021 Donald Knuth This Is the Promised Sequel to Previous Reports from 2008 [3] and 2014 [4]. Once Again
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Typesetting Classical Greek Philology Could Not find Anything Really Suitable for Her
276 TUGboat, Volume 23 (2002), No. 3/4 professor of classical Greek in a nearby classical high Philology school, was complaining that she could not typeset her class tests in Greek, as she could do in Latin. I stated that with LATEX she should not have any The teubner LATEX package: difficulty, but when I started searching on CTAN,I Typesetting classical Greek philology could not find anything really suitable for her. At Claudio Beccari that time I found only the excellent Greek fonts de- signed by Silvio Levy [1] in 1987 but for a variety of Abstract reasons I did not find them satisfactory for the New The teubner package provides support for typeset- Font Selection Scheme that had been introduced in LAT X in 1994. ting classical Greek philological texts with LATEX, E including textual and rhythmic verse. The special Thus, starting from Levy’s fonts, I designed signs and glyphs made available by this package may many other different families, series, and shapes, also be useful for typesetting philological texts with and added new glyphs. This eventually resulted in other alphabets. my CB Greek fonts that now have been available on CTAN for some years. Many Greek users and schol- 1 Introduction ars began to use them, giving me valuable feedback In this paper a relatively large package is described regarding corrections some shapes, and, even more that allows the setting into type of philological texts, important, making them more useful for the com- particularly those written about Greek literature or munity of people who typeset in Greek — both in poetry. -
Donald Knuth Fletcher Jones Professor of Computer Science, Emeritus Curriculum Vitae Available Online
Donald Knuth Fletcher Jones Professor of Computer Science, Emeritus Curriculum Vitae available Online Bio BIO Donald Ervin Knuth is an American computer scientist, mathematician, and Professor Emeritus at Stanford University. He is the author of the multi-volume work The Art of Computer Programming and has been called the "father" of the analysis of algorithms. He contributed to the development of the rigorous analysis of the computational complexity of algorithms and systematized formal mathematical techniques for it. In the process he also popularized the asymptotic notation. In addition to fundamental contributions in several branches of theoretical computer science, Knuth is the creator of the TeX computer typesetting system, the related METAFONT font definition language and rendering system, and the Computer Modern family of typefaces. As a writer and scholar,[4] Knuth created the WEB and CWEB computer programming systems designed to encourage and facilitate literate programming, and designed the MIX/MMIX instruction set architectures. As a member of the academic and scientific community, Knuth is strongly opposed to the policy of granting software patents. He has expressed his disagreement directly to the patent offices of the United States and Europe. (via Wikipedia) ACADEMIC APPOINTMENTS • Professor Emeritus, Computer Science HONORS AND AWARDS • Grace Murray Hopper Award, ACM (1971) • Member, American Academy of Arts and Sciences (1973) • Turing Award, ACM (1974) • Lester R Ford Award, Mathematical Association of America (1975) • Member, National Academy of Sciences (1975) 5 OF 44 PROFESSIONAL EDUCATION • PhD, California Institute of Technology , Mathematics (1963) PATENTS • Donald Knuth, Stephen N Schiller. "United States Patent 5,305,118 Methods of controlling dot size in digital half toning with multi-cell threshold arrays", Adobe Systems, Apr 19, 1994 • Donald Knuth, LeRoy R Guck, Lawrence G Hanson. -
Knuthweb.Pdf
Literate Programming Donald E. Knuth Computer Science Department, Stanford University, Stanford, CA 94305, USA The author and his associates have been experimenting for the past several years with a program- ming language and documentation system called WEB. This paper presents WEB by example, and discusses why the new system appears to be an improvement over previous ones. I would ordinarily have assigned to student research A. INTRODUCTION assistants; and why? Because it seems to me that at last I’m able to write programs as they should be written. The past ten years have witnessed substantial improve- My programs are not only explained better than ever ments in programming methodology. This advance, before; they also are better programs, because the new carried out under the banner of “structured program- methodology encourages me to do a better job. For ming,” has led to programs that are more reliable and these reasons I am compelled to write this paper, in easier to comprehend; yet the results are not entirely hopes that my experiences will prove to be relevant to satisfactory. My purpose in the present paper is to others. propose another motto that may be appropriate for the I must confess that there may also be a bit of mal- next decade, as we attempt to make further progress ice in my choice of a title. During the 1970s I was in the state of the art. I believe that the time is ripe coerced like everybody else into adopting the ideas of for significantly better documentation of programs, and structured programming, because I couldn’t bear to be that we can best achieve this by considering programs found guilty of writing unstructured programs. -
Modified Moments for Indefinite Weight Functions [2Mm] (A Tribute
Modified Moments for Indefinite Weight Functions (a Tribute to a Fruitful Collaboration with Gene H. Golub) Martin H. Gutknecht Seminar for Applied Mathematics ETH Zurich Remembering Gene Golub Around the World Leuven, February 29, 2008 Martin H. Gutknecht Modified Moments for Indefinite Weight Functions My education in numerical analysis at ETH Zurich My teachers of numerical analysis: Eduard Stiefel [1909–1978] (first, basic NA course, 1964) Peter Läuchli [b. 1928] (ALGOL, 1965) Hans-Rudolf Schwarz [b. 1930] (numerical linear algebra, 1966) Heinz Rutishauser [1917–1970] (follow-up numerical analysis course; “selected chapters of NM” [several courses]; computer hands-on training) Peter Henrici [1923–1987] (computational complex analysis [many courses]) The best of all worlds? Martin H. Gutknecht Modified Moments for Indefinite Weight Functions My education in numerical analysis (cont’d) What did I learn? Gauss elimination, simplex alg., interpolation, quadrature, conjugate gradients, ODEs, FDM for PDEs, ... qd algorithm [often], LR algorithm, continued fractions, ... many topics in computational complex analysis, e.g., numerical conformal mapping What did I miss to learn? (numerical linear algebra only) QR algorithm nonsymmetric eigenvalue problems SVD (theory, algorithms, applications) Lanczos algorithm (sym., nonsym.) Padé approximation, rational interpolation Martin H. Gutknecht Modified Moments for Indefinite Weight Functions My first encounters with Gene H. Golub Gene’s first two talks at ETH Zurich (probably) 4 June 1971: “Some modified eigenvalue problems” 28 Nov. 1974: “The block Lanczos algorithm” Gene was one of many famous visitors Peter Henrici attracted. Fall 1974: GHG on sabbatical at ETH Zurich. I had just finished editing the “Lectures of Numerical Mathematics” of Heinz Rutishauser (1917–1970). -
The File Cmfonts.Fdd for Use with Latex2ε
The file cmfonts.fdd for use with LATEX 2".∗ Frank Mittelbach Rainer Sch¨opf 2019/12/16 This file is maintained byA theLTEX Project team. Bug reports can be opened (category latex) at https://latex-project.org/bugs.html. 1 Introduction This file contains the external font information needed to load the Computer Modern fonts designed by Don Knuth and distributed with TEX. From this file all .fd files (font definition files) for the Computer Modern fonts, both with old encoding (OT1) and Cork encoding (T1) are generated. The Cork encoded fonts are known under the name ec fonts. 2 Customization If you plan to install the AMS font package or if you have it already installed, please note that within this package there are additional sizes of the Computer Modern symbol and math italic fonts. With the release of LATEX 2", these AMS `extracm' fonts have been included in the LATEX font set. Therefore, the math .fd files produced here assume the presence of these AMS extensions. For text fonts in T1 encoding, the directive new selects the new (version 1.2) DC fonts. For the text fonts in OT1 and U encoding, the optional docstrip directive ori selects a conservatively generated set of font definition files, which means that only the basic font sizes coming with an old LATEX 2.09 installation are included into the \DeclareFontShape commands. However, on many installations, people have added missing sizes by scaling up or down available Metafont sources. For example, the Computer Modern Roman italic font cmti is only available in the sizes 7, 8, 9, and 10pt. -
Surviving the TEX Font Encoding Mess Understanding The
Surviving the TEX font encoding mess Understanding the world of TEX fonts and mastering the basics of fontinst Ulrik Vieth Taco Hoekwater · EuroT X ’99 Heidelberg E · FAMOUS QUOTE: English is useful because it is a mess. Since English is a mess, it maps well onto the problem space, which is also a mess, which we call reality. Similary, Perl was designed to be a mess, though in the nicests of all possible ways. | LARRY WALL COROLLARY: TEX fonts are mess, as they are a product of reality. Similary, fontinst is a mess, not necessarily by design, but because it has to cope with the mess we call reality. Contents I Overview of TEX font technology II Installation TEX fonts with fontinst III Overview of math fonts EuroT X ’99 Heidelberg 24. September 1999 3 E · · I Overview of TEX font technology What is a font? What is a virtual font? • Font file formats and conversion utilities • Font attributes and classifications • Font selection schemes • Font naming schemes • Font encodings • What’s in a standard font? What’s in an expert font? • Font installation considerations • Why the need for reencoding? • Which raw font encoding to use? • What’s needed to set up fonts for use with T X? • E EuroT X ’99 Heidelberg 24. September 1999 4 E · · What is a font? in technical terms: • – fonts have many different representations depending on the point of view – TEX typesetter: fonts metrics (TFM) and nothing else – DVI driver: virtual fonts (VF), bitmaps fonts(PK), outline fonts (PFA/PFB or TTF) – PostScript: Type 1 (outlines), Type 3 (anything), Type 42 fonts (embedded TTF) in general terms: • – fonts are collections of glyphs (characters, symbols) of a particular design – fonts are organized into families, series and individual shapes – glyphs may be accessed either by character code or by symbolic names – encoding of glyphs may be fixed or controllable by encoding vectors font information consists of: • – metric information (glyph metrics and global parameters) – some representation of glyph shapes (bitmaps or outlines) EuroT X ’99 Heidelberg 24. -
Mathematical Circus & 'Martin Gardner
MARTIN GARDNE MATHEMATICAL ;MATH EMATICAL ASSOCIATION J OF AMERICA MATHEMATICAL CIRCUS & 'MARTIN GARDNER THE MATHEMATICAL ASSOCIATION OF AMERICA Washington, DC 1992 MATHEMATICAL More Puzzles, Games, Paradoxes, and Other Mathematical Entertainments from Scientific American with a Preface by Donald Knuth, A Postscript, from the Author, and a new Bibliography by Mr. Gardner, Thoughts from Readers, and 105 Drawings and Published in the United States of America by The Mathematical Association of America Copyright O 1968,1969,1970,1971,1979,1981,1992by Martin Gardner. All riglhts reserved under International and Pan-American Copyright Conventions. An MAA Spectrum book This book was updated and revised from the 1981 edition published by Vantage Books, New York. Most of this book originally appeared in slightly different form in Scientific American. Library of Congress Catalog Card Number 92-060996 ISBN 0-88385-506-2 Manufactured in the United States of America For Donald E. Knuth, extraordinary mathematician, computer scientist, writer, musician, humorist, recreational math buff, and much more SPECTRUM SERIES Published by THE MATHEMATICAL ASSOCIATION OF AMERICA Committee on Publications ANDREW STERRETT, JR.,Chairman Spectrum Editorial Board ROGER HORN, Chairman SABRA ANDERSON BART BRADEN UNDERWOOD DUDLEY HUGH M. EDGAR JEANNE LADUKE LESTER H. LANGE MARY PARKER MPP.a (@ SPECTRUM Also by Martin Gardner from The Mathematical Association of America 1529 Eighteenth Street, N.W. Washington, D. C. 20036 (202) 387- 5200 Riddles of the Sphinx and Other Mathematical Puzzle Tales Mathematical Carnival Mathematical Magic Show Contents Preface xi .. Introduction Xlll 1. Optical Illusions 3 Answers on page 14 2. Matches 16 Answers on page 27 3. -
Typeset MMIX Programs with TEX Udo Wermuth Abstract a TEX Macro
TUGboat, Volume 35 (2014), No. 3 297 Typeset MMIX programs with TEX Example: In section 9 the lines \See also sec- tion 10." and \This code is used in section 24." are given. Udo Wermuth No such line appears in section 10 as it only ex- tends the replacement code of section 9. (Note that Abstract section 10 has in its headline the number 9.) In section 24 the reference to section 9 stands for all of ATEX macro package is presented as a literate pro- the eight code lines stated in sections 9 and 10. gram. It can be included in programs written in the If a section is not used in any other section then languages MMIX or MMIXAL without affecting the it is a root and during the extraction of the code a assembler. Such an instrumented file can be pro- file is created that has the name of the root. This file cessed by TEX to get nicely formatted output. Only collects all the code in the sequence of the referenced a new first line and a new last line must be entered. sections from the code part. The collection process And for each end-of-line comment a flag is set to for all root sections is called tangle. A second pro- indicate that the comment is written in TEX. cess is called weave. It outputs the documentation and the code parts as a TEX document. How to read the following program Example: The following program has only one The text that starts in the next chapter is a literate root that is defined in section 4 with the headline program [2, 1] written in a style similar to noweb [7]. -
Miktex Manual Revision 2.0 (Miktex 2.0) December 2000
MiKTEX Manual Revision 2.0 (MiKTEX 2.0) December 2000 Christian Schenk <[email protected]> Copyright c 2000 Christian Schenk Permission is granted to make and distribute verbatim copies of this manual provided the copyright notice and this permission notice are preserved on all copies. Permission is granted to copy and distribute modified versions of this manual under the con- ditions for verbatim copying, provided that the entire resulting derived work is distributed under the terms of a permission notice identical to this one. Permission is granted to copy and distribute translations of this manual into another lan- guage, under the above conditions for modified versions, except that this permission notice may be stated in a translation approved by the Free Software Foundation. Chapter 1: What is MiKTEX? 1 1 What is MiKTEX? 1.1 MiKTEX Features MiKTEX is a TEX distribution for Windows (95/98/NT/2000). Its main features include: • Native Windows implementation with support for long file names. • On-the-fly generation of missing fonts. • TDS (TEX directory structure) compliant. • Open Source. • Advanced TEX compiler features: -TEX can insert source file information (aka source specials) into the DVI file. This feature improves Editor/Previewer interaction. -TEX is able to read compressed (gzipped) input files. - The input encoding can be changed via TCX tables. • Previewer features: - Supports graphics (PostScript, BMP, WMF, TPIC, . .) - Supports colored text (through color specials) - Supports PostScript fonts - Supports TrueType fonts - Understands HyperTEX(html:) specials - Understands source (src:) specials - Customizable magnifying glasses • MiKTEX is network friendly: - integrates into a heterogeneous TEX environment - supports UNC file names - supports multiple TEXMF directory trees - uses a file name database for efficient file access - Setup Wizard can be run unattended The MiKTEX distribution consists of the following components: • TEX: The traditional TEX compiler. -
Programming Technologies for the Development of Web-Based Platform for Digital Psychological Tools
(IJACSA) International Journal of Advanced Computer Science and Applications, Vol. 9, No. 8, 2018 Programming Technologies for the Development of Web-Based Platform for Digital Psychological Tools Evgeny Nikulchev1, Dmitry Ilin2 Pavel Kolyasnikov3 Ilya Zakharov5, Sergey Malykh6 4 MIREA – Russian Technological Vladimir Belov Psychological Institute of Russian University & Russian Academy Russian Academy Science Academy of Education Science, Moscow, Russia Moscow, Russia Moscow, Russia Abstract—The choice of the tools and programming In addition, large accumulated data sets can become the technologies for information systems creation is relevant. For basis for machine learning mechanisms and other approaches every projected system, it is necessary to define a number of using artificial intelligence. Accumulation of data from criteria for development environment, used libraries and population studies into a single system can allow a technologies. The paper describes the choice of technological breakthrough in the development of systems for automated solutions using the example of the developed web-based platform intellectual analysis of behavior data. of the Russian Academy of Education. This platform is used to provide information support for the activities of psychologists in The issue of selecting methodological tools for online and their research (including population and longitudinal offline research includes several items. researches). There are following system features: large scale and significant amount of developing time that needs implementation First, any selection presupposes the existence of generally and ensuring the guaranteed computing reliability of a wide well-defined criteria, on the basis of which a decision can be range of digital tools used in psychological research; ensuring made to include or not to include techniques in the final functioning in different environments when conducting mass toolkit. -
The Latex2ε Package Ccfonts
The LATEX 2" package ccfonts Walter Schmidt∗ (v1.2 { 2020/03/25) Contents 1 Prerequisites 1 2 Using the package 2 2.1 Package options . 3 2.2 Font encoding . 3 3 Known problems 3 4 NFSS classification of the Concrete typefaces 4 5 Implementation 4 5.1 Font setup for text mode . 4 5.2 Options . 5 5.2.1 Standard leading . 5 5.2.2 The option exscale .................. 5 5.2.3 The option slantedGreek ............... 6 5.3 The option boldsans ...................... 6 5.3.1 Processing options . 6 5.4 Font setup for math mode . 6 5.5 Initialization . 7 1 Prerequisites In order to make use of the package ccfonts, the following fonts and .fd files are required: ∗[email protected] 1 • The Concrete text fonts with traditional encoding (CTAN: fonts/ concrete/) • The Concrete text fonts with European encoding (CTAN: fonts/ ecc/) • The mathematical Concrete fonts (CTAN: fonts/concmath/) • The .fd files for the traditional and mathematical Concrete fonts (CTAN: macros/latex/contrib/supported/concmath/) • The .fd files for the European Concrete fonts, which are distributed and installed in conjunction with the ccfonts package On CTAN the fonts are available in METAFONT format. The Concrete typefaces are also provided in Type1 format from Micropress Inc, see <http://www.micropress-inc.com>. 2 Using the package The LATEX macro package ccfonts supports typesetting with the font fam- ily `Concrete'. Loading this package through \usepackage{ccfonts} will effect the following: • The default roman font family is changed to ccr, i.e. Concrete. • The default leading (\baselineskip) for the font sizes 8{12 pt is increased slightly. -
P Font-Change Q UV 3
p font•change q UV Version 2015.2 Macros to Change Text & Math fonts in TEX 45 Beautiful Variants 3 Amit Raj Dhawan [email protected] September 2, 2015 This work had been released under Creative Commons Attribution-Share Alike 3.0 Unported License on July 19, 2010. You are free to Share (to copy, distribute and transmit the work) and to Remix (to adapt the work) provided you follow the Attribution and Share Alike guidelines of the licence. For the full licence text, please visit: http://creativecommons.org/licenses/by-sa/3.0/legalcode. 4 When I reach the destination, more than I realize that I have realized the goal, I am occupied with the reminiscences of the journey. It strikes to me again and again, ‘‘Isn’t the journey to the goal the real attainment of the goal?’’ In this way even if I miss goal, I still have attained goal. Contents Introduction .................................................................................. 1 Usage .................................................................................. 1 Example ............................................................................... 3 AMS Symbols .......................................................................... 3 Available Weights ...................................................................... 5 Warning ............................................................................... 5 Charter ....................................................................................... 6 Utopia .......................................................................................