Congressional Record—Senate S11474

Total Page:16

File Type:pdf, Size:1020Kb

Congressional Record—Senate S11474 S11474 CONGRESSIONAL RECORD Ð SENATE September 27, 1996 as nutrition problems, disease, and har- The NMFS laboratory in Pascagoula forming more partnerships with indus- vesting technology. There were many committed itself because of its can do try. costly false starts in a search for solu- attitude. And clearly USDA and Mis- Mr. President, Stoneville should be tions. Success was a hit or miss event. sissippi State University were recep- the standard in the future, not the ex- Gradually, solutions to feeding and tive. NMFS brought a range of poten- ception. health problems have been developed. tial solutions to the harvesting tech- Again, I applaud the efforts of the Today, part of the catfish industry's nology problems of the warmwater National Marine Fisheries Service and attention is focused on obtaining new aquaculture industry because they had I want to publicly thank them. They technology. This involves the National worked on this issue for years in the have significantly helped America's Marine Fisheries Service. The goal is marine fishing industry. I want to sin- farm-raised catfish industry. I strongly to take advantage of existing tech- gle out two individuals. Specifically, encourage the continuation of the suc- nology. John Watson and Charles ``Wendy'' cessful relationship between Stoneville Now, to many Americans fish are Taylor of NMFS's Pascagoula labora- and Pascagoula. fish. To some, fish are classified as ei- tory. These two directly assisted in the f ther fresh water or salt water. Here is development and retrofitting of har- THE ACADEMY OF TELEVISION where the Federal Government often vesting equipment. They had lots of ARTS AND SCIENCES draws a hard and fast bureaucratic ideas. They offered hands-on help. They line. The Federal Government has two produced rapid results. Mrs. FEINSTEIN. Mr. President, I different and distant agencies in two They showed those fresh water folks rise today to recognize the Academy of separate departments which deal with lots of new ideas and real solutions. Television Arts and Sciences as it cele- fish depending on the water they live Many of these ideas caused revolution- brates its 50th anniversary. in. ary improvements in the harvesting ef- The television industry reflects so This is OK if these agencies talk to ficiency and quality control for the much of what we are as Americans. each other and share their success sto- farm-raised catfish industry. Revolu- The Academy of Television Arts and riesÐyes, fish stories. And not about tionary is not an overstatement. This SciencesÐwith its annual Emmy the one that got away. In Washington is not a fish story about the one that AwardÐrecognizes the positive impact they call this dialog interagency co- got away. This is about the catfish that television makes on so much of our ev- ordination which is formalized with a got caught. The proof was tangible and eryday life. memorandum of agreement. Sadly, this quickly evident at the processing I'm an avid channel surfer at home, does not always occur. plants. John and Wendy made a dif- so I watch a fair amount of television. Today, I stand here to tell you about ference in Stoneville. I know how positive a messenger tele- one of those instances where the two The NMFS laboratory staff in vision can beÐwhether explaining the Federal agencies did indeed find each Pascagoula could have told the sci- spread of a deadly disease, bringing us other. They found each other without entists in Stoneville's USDA Labora- up-to-the-minute reports of world prodding from outside sourcesÐlike tory that procedures and policies pro- events, or simply making us laugh dur- Congress. The story gets even better. hibit the marine fisheries' experts of ing a half-hour situation comedy when When they found each other, there was Federal Government from sharing their our day has ended and we're ready to a cooperative spirit to help America's technology with a sister industry. But, take a break. catfish industry. Here, there is a suc- they did not. Instead, through the com- The people and programs honored cess story. bined efforts of these two diligent sci- with the Emmy Award are a permanent Mr. President, it is encouraging for entists and the cooperative spirit of part of our country's history. me to report to my colleagues there personnel with USDA's Stoneville Ex- Just listen to some of the who's was a personal commitment, at the periment Station and Mississippi State who's list of recipients of the acting staff level, to help Mississippi's Delta University, steps were taken to dis- awards in the comedy field alone: Lu- catfish farmers. The National Marine cover potential solutions to the tech- cille BallÐfour time recipientÐRed Fisheries Service [NMFS], in nology problems which have plagued Skelton, Danny Thomas, Eve Arden, Pascagoula, which is part of the De- the farm-raised catfish industry. Jack Benny, Shirley Booth, Carol Bur- partment of Commerce took on the I must say this cooperative spirit ex- nett, Dick Van Dyke, Mary Tyler persistent fresh water pond harvesting tends all the way back to Washington. Moore, Julie Andrews, and today's re- technology problems. They worked It is also exhibited by Rolland cent recipients Candace BergenÐfive with Scientists at the Department of Schmitten, the Director for the Na- time recipientÐKelsey Grammer, and Agriculture [USDA] laboratory, at Mis- tional Marine Fisheries Service. There Helen Hunt. The programs honoredÐ sissippi State University in Stoneville. is a leadership example which is re- ``Dick Van Dyke'', ``The Odd Couple'', Together they formed a joint effort to flected throughout the agency. ``All in the Family'', ``Get Smart'', apply existing marine fisheries' tech- Mr. President, it is a pleasure to ``Taxi'', and ``Barney Miller''Ðshow nology to catfish ponds. The estab- share with my colleagues this story of just why the programming of ``Nick at lished saltwater fishing industry is ex- Federal interagency cooperation. It Nite'' is so popular with people trying cellent at catching fish. The new fresh also illustrates that public-private to recapture the classic days of com- water community is good at growing partnership can be productive. I think edy. fish, however, they needed to learn how it is worth noting that this cooperative The drama programs honored over to be more effective at catching them. effort has reduced duplication of Fed- the years also give us a snapshot of NMFS stepped in to share new gear eral efforts. This makes fiscal sense, American life at the time the programs technology with the fresh water fish especially as we strive to make the aired: ``Studio One'', ``Gunsmoke'', community. This sharing of technology services of government more efficient. ``The Fugitive'', ``Mission Impossible'', kept the fresh water community from All of us should look for similar op- ``Marcus Welby, M.D.'', ``Masterpiece reinventing the wheel. portunities within Federal agencies in Theatre'', ``The Waltons'', and the The Government's traditional busi- our own home States. I am sure there modern-day ``Hill Street Blues'' and ness as usual policy would have pre- are more Stoneville's out there. I am ``E.R.'' Who can forget the Waltons' vented the assistance and technology sure there are more ways that the Fed- powerful message of family persevering exchange. To provide this help across eral Government can deliver cost-effec- through the Depression or who can for- jurisdictional lines is a Federal no-no. tive solutions to the problems. I am get how ``Hill Street Blues'' showed us More importantly the policy would also sure there are more public-private the life of a police officer like we had have been prevented because it threat- partnerships that can make a dif- never seen it before. ens budget authority and funding is- ference. Let us use our oversight re- For all that is good, educational and sues. sponsibilities in the next Congress to powerful on television, I am pleased to But, despite these Washington obsta- reexamine Government priorities, poli- pay a small part in honoring the acad- cles assistance was offered and re- cies, and procedures for other inter- emy and the entire television industry ceived. A Mississippi success story. agency opportunities with an aim of for its work. September 27, 1996 CONGRESSIONAL RECORD Ð SENATE S11475 As the Senior Senator for California, mittee, as an authorizing committee, this mill will close. So the Senator I also know how vital the entertain- has done its job. The Committee on from Alaska has taken his hit. I with- ment industry is to my home State, Natural Resources, chaired by Rep- drew that from the omnibus parks where more than 150,000 people are em- resentative YOUNG, has done its job. We package. Then we had the grazing ployed in more than 1,000 entertain- got our packages together. We had fur- issue. The administration objected to ment-related companies. ther communicated with the White the fee structure of grazing on public The academy, itself, was founded in House over a week ago, addressing spe- landÐthe traditional Western use of 1946 by Syd Cassyd, and elected a year cifically certain contentious sections public land. So we withdrew that. Then later Edgar Bergan as president. Under and asking for a disposition. we moved up to Minnesota and we had his direction, the academy first pro- There are, initially, four major items the Boundary Waters Area. This was a duced the Emmy Awards in 1948. The in dispute. One was the Utah wilder- question of whether you could use organization went national when it ness issue. The administration saw fit small motorized four-wheelers to haul merged with the New York Academy in to initiate the invocation of the Antiq- small boats, canoes, and so forth, over 1947 with Ed Sullivan as its first presi- uities Act to take care of the Utah wil- a trail between the lake system.
Recommended publications
  • The Relevance of Tennessee Williams for the 21St- Century Actress
    Ouachita Baptist University Scholarly Commons @ Ouachita Honors Theses Carl Goodson Honors Program 2009 Then & Now: The Relevance of Tennessee Williams for the 21st- Century Actress Marcie Danae Bealer Ouachita Baptist University Follow this and additional works at: https://scholarlycommons.obu.edu/honors_theses Part of the American Film Studies Commons, and the Theatre and Performance Studies Commons Recommended Citation Bealer, Marcie Danae, "Then & Now: The Relevance of Tennessee Williams for the 21st- Century Actress" (2009). Honors Theses. 24. https://scholarlycommons.obu.edu/honors_theses/24 This Thesis is brought to you for free and open access by the Carl Goodson Honors Program at Scholarly Commons @ Ouachita. It has been accepted for inclusion in Honors Theses by an authorized administrator of Scholarly Commons @ Ouachita. For more information, please contact [email protected]. Then & Now: The Relevance of Tennessee Williams for the 21st- Century Actress Marcie Danae Bealer Honors Thesis Ouachita Baptist University Spring 2009 Bealer 2 Finding a place to begin, discussing the role Tennessee Williams has played in the American Theatre is a daunting task. As a playwright Williams has "sustained dramatic power," which allow him to continue to be a large part of American Theatre, from small theatre groups to actor's workshops across the country. Williams holds a central location in the history of American Theatre (Roudane 1). Williams's impact is evidenced in that "there is no actress on earth who will not testify that Williams created the best women characters in the modem theatre" (Benedict, par 1). According to Gore Vidal, "it is widely believed that since Tennessee Williams liked to have sex with men (true), he hated women (untrue); as a result his women characters are thought to be malicious creatures, designed to subvert and destroy godly straightness" (Benedict, par.
    [Show full text]
  • Read Ebook {PDF EPUB} Sunset Boulevard by Christopher Hampton Sunset Boulevard by Christopher Hampton
    Read Ebook {PDF EPUB} Sunset Boulevard by Christopher Hampton Sunset Boulevard by Christopher Hampton. Sunset Boulevard weaves a magnificent tale of faded glory and unfulfilled ambition. Silent movie star Norma Desmond longs for a return to the big screen, having been discarded by tinsel town with the advent of “talkies.” Her glamour has faded in all but her mind. When she meets struggling Hollywood screenwriter Joe Gillis in dramatic circumstances, their subsequent passionate and volatile relationship leads to an unforeseen and tragic conclusion. Videos. Based on the Billy Wilder film, the musical version of Sunset Boulevard, with music by Andrew Lloyd Webber and lyrics by Christopher Hampton and Don Black, had its world premiere at London’s Adelphi Theatre on July 12th, 1993. The show received its American premiere in December 1993 at the Shubert Theatre in Los Angeles starring Glenn Close as Norma Desmond. The show opened on Broadway at the Minskoff Theatre in November 1994 with the highest advance in Broadway history at the time ($37.5 million in ticket sales). The show has been staged across the world with productions in Canada, the Netherlands, Australia, and tours in the US and UK. Sunset Boulevard returned to Broadway in 2017 at the Palace Theatre with Glenn Close reprising her role as Norma Desmond, following a sold out run in the West End at the London Coliseum. Gallery. I first saw Sunset Boulevard sometime in the early 70s. It inspired a tune. This tune was supposed to be the title song. However, I neither had the rights to the film, nor at that time was likely to be able to obtain them.
    [Show full text]
  • Screen Plays: from Broadway to Hollywood, 1920-1966
    The Museum of Modern Art For Immediate Release June 1995 SCREEN PLAYS: FROM BROADWAY TO HOLLYWOOD, 1920 - 1966 June 30 - October 3, 1995 A major retrospective of Hollywood films adapted from the Broadway stage opens at The Museum of Modern Art on June 30, 1995. SCREEN PLAYS: FROM BROADWAY TO HOLLYWOOD, 1920 - 1966 presents more than 100 films that drew their commercially and critically successful plots and characters, and their talented actors, writers, and directors from Broadway. The series, which continues through October 3, features such Broadway actors as George Arliss, the Barrymores, Shirley Booth, Marlon Brando, Ina Claire, John Garfield, Julie Harris, Helen Hayes, Judy Holliday, the Lunts, Fredric March, Sidney Poitier, Otis Skinner, Laurette Taylor, and Mae West re-creating on film the roles that made them stage legends. While the relationship between the Broadway musical and the Hollywood musical is well-established, this exhibition spotlights the relationship between the Broadway play and the Hollywood film. Since the beginning of the studio system, Hollywood has sought plays that could be adapted into so-called prestige films, adding a patina of class and sophistication. The retrospective places particular emphasis on films made from plays produced by the Theatre Guild, the Group Theatre, and the Playwrights' Company, since many members of these companies made lasting contributions both on Broadway and in Hollywood. Highlights of the series include Alfred Lunt and Lynn Fontanne in the only film they made together, The Guardsman (Sidney Franklin, 1931; play by Ferenc Molnar); Anna Magnani in the film version of The Rose Tattoo (Daniel - more - 11 West 53 Street, New York, NY.
    [Show full text]
  • DKA-02-23-1966.Pdf
    Mr. Bernard R. Kantor Department of Cinema University of Southern California University Park Los Angeles, California 90007 .JAMES STEWART 9 2 01 WILSHIRE: BOULEVARD BEVERLY HILLS, C AL I FORNI A December 8, 1966 Mr. Bernard R. Kantor Department of Cinema University of Southern California University Park Los Angeles, California 90007 Dear Mr. Kantor: I would like very much to attend the banquet planned by the Cinema Department on January 15, 1967 and appear on the panel for Frank Capra. I am just starting a picture but I am quite sure that our location work will be finished before January 15th. Sincerely, lm .., JAMES STEWART -=--~ - 9201 WILSHIRE BOULEVARD___. BEVERLY HILLS, CALIFORNIA - . --~ Delta Kappa Alpha National Honorary Cinema Fraternity HONORARY AWARDS BANQUET honoring Lucille Ball Gregory Peck Hal Wallis January 30, 1966 TOWN and GOWN University of Southern California PROGRAM I. Opening Dr. Norman Topping, President of USC II. Representing Cinema Dr. Bernard R. Kantor, Chairman, Cinema Ill. Representing DKA Howard A. Myrick Presentation of Associate Awards to Barye Collen, Art Jacobs, Howard Jaffe, Anne Kramer, Robert Knutson, Jerry Wunderlich IV. Presentation of Film Pioneer Award to Frances Marion and Sol Lesser V. Master of Ceramonies Bob Crane VI. Tribute to honorary members of DKA VII. Presentation of Honorary Awards to: Hal Wallis Gregory Peck Lucille Ball VIII. In closing Dr. Norman Topping Banquet Committee of USC Friends and Alumni Mr. Edward Anhalt Mr. Paul Nathan Mr. and Mr. Jim Backus Mr. Tony Owen Mr. Earl Bellamy Mr. Marvin Paige Miss Shirley Booth Miss Mary Pickford Mrs. Harry Brand Miss Debbie Reynolds Mr.
    [Show full text]
  • Emmy Award Winners
    CATEGORY 2035 2034 2033 2032 Outstanding Drama Title Title Title Title Lead Actor Drama Name, Title Name, Title Name, Title Name, Title Lead Actress—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actor—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actress—Drama Name, Title Name, Title Name, Title Name, Title Outstanding Comedy Title Title Title Title Lead Actor—Comedy Name, Title Name, Title Name, Title Name, Title Lead Actress—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actor—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actress—Comedy Name, Title Name, Title Name, Title Name, Title Outstanding Limited Series Title Title Title Title Outstanding TV Movie Name, Title Name, Title Name, Title Name, Title Lead Actor—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Lead Actress—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Supp. Actor—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Supp. Actress—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title CATEGORY 2031 2030 2029 2028 Outstanding Drama Title Title Title Title Lead Actor—Drama Name, Title Name, Title Name, Title Name, Title Lead Actress—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actor—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actress—Drama Name, Title Name, Title Name, Title Name, Title Outstanding Comedy Title Title Title Title Lead Actor—Comedy Name, Title Name, Title Name, Title Name, Title Lead Actress—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actor—Comedy Name, Title Name, Title Name, Title Name, Title Supp.
    [Show full text]
  • The Heart Breaks Just Like 'Glass' EIU's Theatre Department Is Snemles Aesperately to Do Her Best Winding up an Eight-Performance by Them
    Thursday. February 23.1989-TIME8-COURIER, Charleston, D-C-7 The heart breaks just like 'Glass' EIU's theatre department is sneMles aesperately to do her best winding up an eight-performance by them. Eudeikis works bravely, run of C.P. Blanchette's produc­ but little of this comes through, nor tion of Tennessee Williams' The is there the quality of the Glass Menagerie in the Fine Arts aristocrat, broken down, wasted Center Playroom. and lost. Written in 1944, The Glass Me­ As Tom, Gerald M. Lunsford is nagerie is perhaps the very best of somewhat too shrill, perhaps Williams, an unsentimental story overstating the bitterness and of loneliness and hurt, poetically anger of the frustrated poet at the told. Nearly all of its understated expense of the sadness. drama is spelled out by Tom, the The first act, concentrating on play's narrator. The time is 1945 these two characters, is slow-going and back into the 1930s. Tom tells lebovitz is revtewer-aHarge for the Journal at times, but, happily, everything us of his ambitions to be a writer Gazette and Times-Courier comes beautifully to life in the se­ and escape the trap of his meager cond act during Laura's brief en­ life with his prattling mother spent and where she refused the counter with the Gentleman Amanda and his crippled sister rich planters' sons because she lost Caller. Looking like sort of a cross Laura. He focuses on an episode her heart to a man who worked for between Joan Allen, who played when Amanda persuaded him to the phone company, is one of the Laura at Eastern in 1975 and to bring home a "Gentleman Caller" great roles of American theatre, whom the current production is as a possible match for Laura.
    [Show full text]
  • Autograph Albums - ITEM 936
    Autograph Albums - ITEM 936 A Jess Barker Jocelyn Brando Lex Barker Marlon Brando Walter Abel Binnie Barnes Keefe Brasselle Ronald Adam Lita Baron Rossano Brazzi Julie Adams Gene Barry Teresa Brewer (2) Nick Adams John Barrymore, Jr. (2) Lloyd Bridges Dawn Addams James Barton Don Briggs Brian Aherne Count Basie Barbara Britton Eddie Albert Tony Bavaar Geraldine Brooks Frank Albertson Ann Baxter Joe E. Brown Lola Albright John Beal Johnny Mack Brown Ben Alexander Ed Begley, Sr. Les Brown John Alexander Barbara Bel Geddes Vanessa Brown Richard Allan Harry Belafonte Carol Bruce Louise Allbritton Ralph Bellamy Yul Brynner Bob “Tex” Allen Constance Bennett Billie Burke June Allyson Joan Bennett George Burns and Gracie Allen Kirk Alyn Gertrude Berg Richard Burton Don Ameche Polly Bergen Spring Byington Laurie Anders Jacques Bergerac Judith Anderson Yogi Berra C Mary Anderson Edna Best Susan Cabot Warner Anderson (2) Valerie Bettis Sid Caesar Keith Andes Vivian Blaine James Cagney Dana Andrews Betsy Blair Rory Calhoun (2) Glenn Andrews Janet Blair Corinne Calvet Pier Angeli Joan Blondell William Campbell Eve Arden Claire Bloom Judy Canova Desi Arnaz Ben Blue Macdonald Carey Edward Arnold Ann Blyth Kitty Carlisle Mary Astor Humphrey Bogart Richard Carlson Jean-Pierre Aumont Ray Bolger Hoagy Carmichael Lew Ayres Ward Bond Leslie Caron B Beulah Bondi John Carradine Richard Boone Madeleine Carroll Lauren Bacall Shirley Booth Nancy Carroll Buddy Baer Ernest Borgnine Jack Carson (2) Fay Bainter Lucia Bose Jeannie Carson Suzan Ball Long Lee Bowman
    [Show full text]
  • Women's Leadership in Primetime Television an Introductory Study
    Women’s Leadership in Primetime Television An Introductory Study Natalie Greene Spring 2009 General University Honors Capstone Advisor: Karen O’Connor Greene 1 Women’s Leadership in Prime-time Television: An Introductory Study Introduction When television executives report their core audience, women always come out ahead. A 2007 Nielsen Media Research report showed that, with only two exceptions, every broadcast network channel had more female viewers than men. ABC’s female audience almost doubled its male audience during the 2007-08 season (Atkinson, 2008). 1 Women onscreen, however, seem to reflect a different reality, making up only 43% of characters in the prime-time 2007-08 season (Lauzen, 2008). 2 As studies going back as far as the 1970s show, women on screen not only fail to represent the proportional makeup of women in society, they also overwhelmingly show a stereotypically gendered version of women (McNeil, 1975; Signorielli and Bacue, 1999; United States Commission on Civil Rights, 1977). This paper aims to address the evolution of women’s leadership in prime-time network scripted television from 1950 to 2008. Because of the way that women have been traditionally marginalized in television, it is important to study the shows that have featured women as lead characters. Characters such as Lucy Ricardo ( I Love Lucy, 1951-1960) influenced later female leads such as Ann Marie ( That Girl, 1966-1971), Mary Richards ( The Mary Tyler Moore Show, 1970-1977) and Murphy Brown ( Murphy Brown, 1988-1998). Thus, along with an introduction to socialization theory and feminist television criticism, this paper covers a selection of some of the most influential female characters and women-centered shows of this period.
    [Show full text]
  • Cost Stress Hard;
    THE PASSING SHOW Cost Stress Hard; On Latest 'Porgy! By JAY CARMODY effect of the cleanliness, but Drunk Editor ol Th* Star the fact remains that it re- Possessed as it is of a soul duces the squalor of that fairly Catfish reeks with human Row life which is such ah CT charity, this corner hopes essential part of its drama. fCT that Samuel Ooldwyn gets It is responsible, too, for thft ipp2 (fiMIOP his anticipated return on h<s criticism that Director Pra- * a X “seven million dollar ‘Porgy mlnger, bom, Iph ” German hab iJnfil Ir \r -M ll\ xS? and Bess.’ photographed “Porgy ana s FlJf/C Nevertheless. It does regret Bess” as if it were an Old Hawk that the sum ever was Heldelburg musical mentioned. Why? festival. zffil Well, because “Porgy and Is It Overdressed? Bess” Is essentially a drama poverty. every Although Mr. Goldwyn, a of Its exciting proud narrative man and a confident element from its one, may quibble, haunting, misshapen call it a love ground story through Its alternating there is for argument that his “Porgy” is sadly B moods of dark violence and sunlit hope, grow overdressed. out of a Its slum setting called Catfish wardrobe is the work of Row. Irene Sharafl, a designer who has all of the Catfish Row Is a water* learned dra- ruin, specimen matic tricks of costuming front a classic performers of that time-wrought shabbl- working before v large, color cameras. There is zct\ ness which Its name suggests H’ —but no question that these are \ \ not In the movie seven U -1 million dollars and the beautifully harmonized as to poverty implied In the name toner and that they look like Catfish Row are irreconcil- paintings as they flash on x x able.
    [Show full text]
  • ROGERS 1 HITW»WC*Ii Warner Bros* V TECHNICOLOR
    C-6 THE SUNDAY STAR. Washington, D. C. SUNDAY. AUGUST S6. 18AI V HpFjpl Monty Goes on Trial The Passing Show And a Star Is Born Portrait of a Girl, Another Actor Climbs to New Fame rfl BB| In a Movie Lawyer's Role A Dewy, Crisp One By Harold Heffernan Montgomery Clift sits nervously I / Lionel Barrymore, for example, •• j Peggy Dow, Southern Young Lady Hp&ii. jjf.. -in;¦• ¦ 9*^99 in the witness chair. He is won his only Academy Award by charged with the murder of Shel- playing. the brilliant, but alco- Who Made Good in Movies ley Defense attorneys' Winters. holic, lawyer-father of Norma By Joy Carmody have just completed the quiet, carefully planned ex- Shearer in “A Free Soul.” Be- you your young feminine movie stars lettuce-crisp, sympathetic, * If like animation of their client. It is; l fore that, Barrymore’s career had Peggy Dow is your girl. slipped he had gone in for is remarkably attractive quite a the climactic moment of high i and Miss Dow’s crispness and : directing. directing “The distinguishing among younger suspense in “A Place in the Sun.”j< While mark the glamour set, some of whom Trial of Mary Dugan,” he sought they are untidy It looks as if his lawyers have;' of as irresistible when of ' even • think themselves ' •- to suddenly from * character rise mentality. >'' • a splendid job in Clift’s be- la' appearance—and ft* ¦ done Ithe witness chair for dramatic Apparently, too, it is a quality that is paying offsince the lady- V ft rPH half.
    [Show full text]
  • National Register Nomination
    NPS Form 10-900 OMB No. 1024-0018 United States Department of the Interior National Park Service National Register Listed January 5, 2018 National Register of Historic Places Registration Form This form is for use in nominating or requesting determinations for individual properties and districts. See instructions in National Register Bulletin, How to Complete the National Register of Historic Places Registration Form. If any item does not apply to the property being documented, enter "N/A" for "not applicable." For functions, architectural classification, materials, and areas of significance, enter only categories and subcategories from the instructions. Place additional certification comments, entries, and narrative items on continuation sheets if needed (NPS Form 10-900a). 1. Name of Property Historic name William Inge Boyhood Home Other names/site number KHRI #125-2670-00179 Name of related Multiple Property Listing N/A 2. Location Street & number 514 N. 4th Street not for publication City or town Independence vicinity State Kansas Code KS County Montgomery Code 125 Zip code 67301 3. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act, as amended, I hereby certify that this x nomination _ request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property x meets _ does not meet the National Register Criteria. I recommend that this property be considered significant at the following level(s) of significance: x national statewide local Applicable National Register Criteria: A x B C ___D See file.
    [Show full text]
  • Sexism and the Academy Awards
    Tripodos, number 48 | 2020 | 85-102 Rebut / Received: 28/03/20 ISSN: 1138-3305 Acceptat / Accepted: 30/06/20 85 Oscar Is a Man: Sexism and the Academy Awards Kenneth Grout Owen Eagan Emerson College (USA) TRIPODOS 2020 | 48 This study analyzes the implicit bias of an to be nominated for a supporting the Academy Awards and Oscar’s his- performance in a Best Picture winner. toric lack of gender equity. While there This research considers these factors, are awards for Best Actor and Actress, identifies potential reasons for them, a comparative analysis of these awards and draws conclusions regarding the and the Best Picture prize reveals that decades of gender bias in the Academy a man is more than twice as likely as a Awards. Further, this study investigates woman to receive an Oscar for leading the dissolution of the Hollywood stu- work in a Best Picture. A man is also dio system and how, though brought nearly twice as likely to be nominated on in part by two of the film industry’s as a leading performer in a Best Pic- leading ladies, the crumbling of that ture winner. Supporting women in Best system ultimately hurt the industry’s Pictures fare a bit better with actual women more than its men. trophies, but, when considering nom- inations, a man is still more than one- Keywords: Oscars, Academy Awards, and-a-half times as likely as a wom- sexism, gender inequity, Best Picture. he Academy Awards have been given out annually for 92 years to, among others, the top actor and actress as voted on by the members of the film T academy.
    [Show full text]