DOCSLIB.ORG

Congressional Record—Senate S11474

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

S11474

CONGRESSIONAL RECORD — SENATE

September 27, 1996

  • a s n u t r it ion pr oblem s, disea se, a n d h a r -
  • T h e NMF S la bor a t or y in P a sca gou la for m in g m or e pa r t n er sh ips wit h in du s-

vest in g t ech n ology . T h er e wer e m a n y com m it t ed it self beca u se of it s ca n do t r y . cost ly fa lse st a r t s in a sea r ch for solu - a t t it u de. An d clea r ly US DA a n d Mis-
Mr . P r esiden t , S t on eville sh ou ld be t h e st a n da r d in t h e fu t u r e, n ot t h e except ion . t ion s. S u ccess wa s a h it or m iss even t . sissippi S t a t e Un iver sit y wer e r ecepGr a du a lly , solu t ion s t o feedin g a n d t ive. NMF S br ou gh t a r a n ge of pot en - h ea lt h pr oblem s h a ve been developed. t ia l solu t ion s t o t h e h a r vest in g t ech - T oda y , pa r t of t h e ca t fish in du st r y ’s n ology pr oblem s of t h e wa r m wa t er a t t en t ion is focu sed on obt a in in g n ew a qu a cu lt u r e in du st r y beca u se t h ey h a d t ech n ology . T h is in volves t h e Na t ion a l wor k ed on t h is issu e for y ea r s in t h e Ma r in e F ish er ies S er vice. T h e goa l is m a r in e fish in g in du st r y . I wa n t t o sin - t o t a k e a dva n t a ge of exist in g t ech - gle ou t t wo in dividu a ls. S pecifica lly ,
Aga in , Na t ion a l Ma r in e F ish er ies S er vice a n d wa n t t o pu blicly t h a n k t h em . T h ey

  • I
  • a ppla u d t h e effor t s of t h e

Ih a ve sign ifica n t ly h elped Am er ica ’s fa r m -r a ised ca t fish in du st r y . I st r on gly en cou r a ge t h e con t in u a t ion of t h e su ccessfu l r ela t ion sh ip bet ween S t on eville a n d P a sca gou la .

  • n ology .
  • J oh n Wa t son a n d Ch a r les ‘‘Wen dy ’’

T a y lor of NMF S ’s P a sca gou la la bor a - t or y . T h ese t wo dir ect ly a ssist ed in t h e developm en t a n d r et r ofit t in g of h a r - vest in g equ ipm en t . T h ey h a d lot s of idea s. T h ey offer ed h a n ds-on h elp. T h ey pr odu ced r a pid r esu lt s.
Now, t o m a n y Am er ica n s fish a r e fish . T o som e, fish a r e cla ssified a s eit h er fr esh wa t er or sa lt wa t er . Her e is wh er e t h e F eder a l Gover n m en t oft en
T HE ACADE MY OF T E L E VIS ION
AR T S AND S CIE NCE S

  • dr a ws
  • a
  • h a r d a n d fa st bu r ea u cr a t ic

  • Mr s. F E INS T E IN. Mr . P r esiden t ,
  • I

lin e. T h e F eder a l Gover n m en t h a s t wo

differ en t a n d dist a n t a gen cies in t wo r ise t oda y t o r ecogn ize t h e Aca dem y of T elevision Ar t s a n d S cien ces a s it celebr a t es it s 50t h a n n iver sa r y . T h e t elevision in du st r y r eflect s so m u ch of wh a t we a r e a s Am er ica n s. T h e Aca dem y of T elevision Ar t s a n d
T h ey sh owed t h ose fr esh wa t er folk s sepa r a t e depa r t m en t s wh ich dea l wit h lot s of n ew idea s a n d r ea l solu t ion s. fish depen din g on t h e wa t er t h ey live Ma n y of t h ese idea s ca u sed r evolu t ion -

  • in .
  • a r y im pr ovem en t s in t h e h a r vest in g ef-

ficien cy a n d qu a lit y con t r ol for t h e fa r m -r a ised ca t fish in du st r y . R evolu - t ion a r y is n ot a n over st a t em en t . T h is is n ot a fish st or y a bou t t h e on e t h a t got a wa y . T h is is a bou t t h e ca t fish t h a t got ca u gh t . T h e pr oof wa s t a n gible a n d qu ick ly eviden t a t t h e pr ocessin g
T h is is OK if t h ese a gen cies t a lk t o ea ch ot h er a n d sh a r e t h eir su ccess st or ies—y es, fish st or ies. An d n ot a bou t t h e on e t h a t got a wa y . In Wa sh in gt on t h ey ca ll t h is dia log in t er a gen cy coor din a t ion wh ich is for m a lized wit h m em or a n du m of a gr eem en t . S a dly , t h is does n ot a lwa y s occu r . T oda y , I st a n d h er e t o t ell y ou a bou t on e of t h ose in st a n ces wh er e t h e t wo F eder a l a gen cies did in deed fin d ea ch ot h er . T h ey fou n d ea ch ot h er wit h ou t pr oddin g fr om ou t side sou r ces—lik e Con gr ess. T h e st or y get s even bet t er . Wh en t h ey fou n d ea ch ot h er , t h er e wa s

  • S cien ces—wit h
  • it s
  • a n n u a l
  • E m m y

Awa r d—r ecogn izes t h e posit ive im pa ct t elevision m a k es on so m u ch of ou r ever y da y life. a

I’m a n a vid ch a n n el su r fer a t h om e, so I wa t ch a fa ir a m ou n t of t elevision . I k n ow h ow posit ive a m essen ger t elevision ca n be—wh et h er expla in in g t h e spr ea d of a dea dly disea se, br in gin g u s u p-t o-t h e-m in u t e r epor t s of wor ld even t s, or sim ply m a k in g u s la u gh du r - in g a h a lf-h ou r sit u a t ion com edy wh en ou r da y h a s en ded a n d we’r e r ea dy t o t a k e a br ea k . pla n t s. J oh n a n d Wen dy m a de fer en ce in S t on eville.

  • a
  • dif-

  • T h e
  • NMF S
  • la bor a t or y
  • st a ff in

P a sca gou la cou ld h a ve t old t h e scien t ist s in S t on eville’s US DA L a bor a - t or y t h a t pr ocedu r es a n d policies pr oh ibit t h e m a r in e fish er ies’ exper t s of F eder a l Gover n m en t fr om sh a r in g t h eir t ech n ology wit h a sist er in du st r y . Bu t , t h ey did n ot . In st ea d, t h r ou gh t h e com - bin ed effor t s of t h ese t wo diligen t scien t ist s a n d t h e cooper a t ive spir it of per son n el wit h US DA’s S t on eville E xper im en t S t a t ion a n d Mississippi S t a t e Un iver sit y , st eps wer e t a k en t o discover pot en t ia l solu t ion s t o t h e t ech - n ology pr oblem s wh ich h a ve pla gu ed t h e fa r m -r a ised ca t fish in du st r y .

  • a
  • cooper a t ive spir it t o h elp Am er ica ’s

T h e people a n d pr ogr a m s h on or ed wit h t h e E m m y Awa r d a r e a per m a n en t pa r t of ou r cou n t r y ’s h ist or y . ca t fish in du st r y . Her e, t h er e is a su ccess st or y . Mr . P r esiden t , it is en cou r a gin g for m e t o r epor t t o m y collea gu es t h er e
J u st list en t o som e of t h e wh o’s wh o’s list of r ecipien t s of t h e a ct in g a wa r ds in t h e com edy field a lon e: L u - cille Ba ll—fou r t im e r ecipien t —R ed S k elt on , Da n n y T h om a s, E ve Ar den , J a ck Ben n y , S h ir ley Boot h , Ca r ol Bu r - n et t , Dick Va n Dy k e, Ma r y T y ler Moor e, J u lie An dr ews, a n d t oda y ’s r ecen t r ecipien t s Ca n da ce Ber gen —five t im e r ecipien t —Kelsey Gr a m m er , a n d Helen Hu n t . T h e pr ogr a m s h on or ed— ‘‘Dick Va n Dy k e’’, ‘‘T h e Odd Cou ple’’, ‘‘All in t h e F a m ily ’’, ‘‘Get S m a r t ’’, ‘‘T a xi’’, a n d ‘‘Ba r n ey Miller ’’—sh ow ju st wh y t h e pr ogr a m m in g of ‘‘Nick a t Nit e’’ is so popu la r wit h people t r y in g t o r eca pt u r e t h e cla ssic da y s of com - edy .

  • wa s
  • a
  • per son a l com m it m en t , a t t h e

st a ff level, t o h elp Mississippi’s Delt a ca t fish fa r m er s. T h e Na t ion a l Ma r in e

  • F ish er ies
  • S er vice
  • [NMF S ],
  • in

P a sca gou la , wh ich is pa r t of t h e Depa r t m en t of Com m er ce t ook on t h e per sist en t fr esh wa t er pon d h a r vest in g t ech n ology pr oblem s. T h ey wor k ed wit h S cien t ist s a t t h e Depa r t m en t of Agr icu lt u r e [US DA] la bor a t or y , a t Mississippi S t a t e Un iver sit y in S t on eville. T oget h er t h ey for m ed a join t effor t t o a pply exist in g m a r in e fish er ies’ t ech - n ology t o ca t fish pon ds. T h e est a blish ed sa lt wa t er fish in g in du st r y is excellen t a t ca t ch in g fish . T h e n ew fr esh wa t er com m u n it y is good a t gr owin g fish , h owever , t h ey n eeded t o lea r n h ow t o be m or e effect ive a t ca t ch in g t h em . NMF S st epped in t o sh a r e n ew gea r t ech n ology wit h t h e fr esh wa t er fish com m u n it y . T h is sh a r in g of t ech n ology k ept t h e fr esh wa t er com m u n it y fr om r ein ven t in g t h e wh eel. T h e Gover n m en t ’s t r a dit ion a l bu sin ess a s u su a l policy wou ld h a ve pr even t ed t h e a ssist a n ce a n d t ech n ology exch a n ge. T o pr ovide t h is h elp a cr oss ju r isdict ion a l lin es is a F eder a l n o-n o. Mor e im por t a n t ly t h e policy wou ld h a ve been pr even t ed beca u se it t h r ea t - en s bu dget a u t h or it y a n d fu n din g issu es.
I m u st sa y t h is cooper a t ive spir it ext en ds a ll t h e wa y ba ck t o Wa sh in gt on .

  • It
  • is a lso exh ibit ed by
  • R olla n d

S ch m it t en , t h e Dir ect or for t h e Na - t ion a l Ma r in e F ish er ies S er vice. T h er e is flect ed t h r ou gh ou t t h e a gen cy . Mr . P r esiden t , it is plea su r e t o

  • a
  • lea der sh ip exa m ple wh ich is r e-

ash a r e wit h m y collea gu es t h is st or y of F eder a l in t er a gen cy cooper a t ion . It a lso illu st r a t es t h a t pu blic-pr iva t e pa r t n er sh ip ca n be pr odu ct ive. I t h in k it is wor t h n ot in g t h a t t h is cooper a t ive effor t h a s r edu ced du plica t ion of F eder a l effor t s. T h is m a k es fisca l sen se, especia lly a s we st r ive t o m a k e t h e ser vices of gover n m en t m or e efficien t . All of u s sh ou ld look for sim ila r oppor t u n it ies wit h in F eder a l a gen cies in ou r own h om e S t a t es. I a m su r e t h er e a r e m or e S t on eville’s ou t t h er e. I a m su r e t h er e a r e m or e wa y s t h a t t h e F eder a l Gover n m en t ca n deliver cost -effec-
T h e dr a m a pr ogr a m s h on or ed over

  • t h e y ea r s a lso give u s
  • a
  • sn a psh ot of

Am er ica n life a t t h e t im e t h e pr ogr a m s a ir ed: ‘‘S t u dio On e’’, ‘‘Gu n sm ok e’’, ‘‘T h e F u git ive’’, ‘‘Mission Im possible’’, ‘‘Ma r cu s Welby , M.D.’’, ‘‘Ma st er piece T h ea t r e’’, ‘‘T h e Wa lt on s’’, a n d t h e m oder n -da y ‘‘Hill S t r eet Blu es’’ a n d ‘‘E .R .’’ Wh o ca n for get t h e Wa lt on s’ power fu l m essa ge of fa m ily per sever in g t h r ou gh t h e Depr ession or wh o ca n for - get h ow ‘‘Hill S t r eet Blu es’’ sh owed u s t h e life of a police officer lik e we h a d n ever seen it befor e. t ive solu t ion s t o t h e pr oblem s. a lso su r e t h er e a r e m or e pu blic-pr iva t e pa r t n er sh ips t h a t ca n m a k e differ en ce. L et u s u se ou r over sigh t r e-

  • I
  • a m

a
F or a ll t h a t is good, edu ca t ion a l a n d spon sibilit ies in t h e n ext Con gr ess t o power fu l on t elevision , I a m plea sed t o
Bu t , despit e t h ese Wa sh in gt on obst a - r eexa m in e Gover n m en t pr ior it ies, poli- pa y a sm a ll pa r t in h on or in g t h e a ca dcles a ssist a n ce wa s offer ed a n d r e- cies, a n d pr ocedu r es for ot h er in t er - em y a n d t h e en t ir e t elevision in du st r y

  • ceived. A Mississippi su ccess st or y .
  • a gen cy oppor t u n it ies wit h a n a im of for it s wor k .

September 27, 1996

CONGRESSIONAL RECORD — SENATE

S11475

As t h e S en ior S en a t or for Ca lifor n ia , m it t ee, a s a n a u t h or izin g com m it t ee, t h is m ill will close. S o t h e S en a t or h a s don e it s job. T h e Com m it t ee on Na t u r a l R esou r ces, ch a ir ed by R epr esen t a t ive YOUNG, h a s don e it s job. We got ou r pa ck a ges t oget h er . We h a d fu r - t h er com m u n ica t ed wit h t h e Wh it e Hou se over a week a go, a ddr essin g specifica lly cer t a in con t en t iou s sect ion s a n d a sk in g for a disposit ion . T h er e a r e, in it ia lly , fou r m a jor it em s in dispu t e. On e wa s t h e Ut a h wilder - n ess issu e. T h e a dm in ist r a t ion sa w fit t o in it ia t e t h e in voca t ion of t h e An t iqu it ies Act t o t a k e ca r e of t h e Ut a h wilder n ess. In ot h er wor ds, it wa s a la n d gr a b; t h e a dm in ist r a t ion sim ply t ook 1.8 m illion a cr es a n d didn ’t n ot ify t h e Ut a h delega t ion —t h e Gover n or , t h e Mem ber s of t h e S en a t e or t h e Hou se. It wa s r ea lly a la n d gr a b, wit h n o pu blic pr ocess, wh ich t h is a dm in ist r a t ion h igh ligh t s a s pa r t of t h eir ph ilosoph y . We h a d been deba t in g Ut a h wilder n ess for a n ext en sive per iod of t im e a n d h a dn ’t r esolved it . Bu t t h e dem ocr a t ic pr ocess wa s goin g on , people wer e bein g h ea r d, differ en t views wer e bein g h ea r d.

  • I
  • a lso k n ow h ow vit a l t h e en t er t a in -
  • fr om Ala sk a h a s t a k en h is h it . I wit h -

dr ew t h a t fr om t h e om n ibu s pa r k s pa ck a ge. T h en we h a d t h e gr a zin g issu e. T h e a dm in ist r a t ion object ed t o t h e fee st r u ct u r e of gr a zin g on pu blic la n d—t h e t r a dit ion a l West er n u se of pu blic la n d. S o we wit h dr ew t h a t . T h en we m oved u p t o Min n esot a a n d we h a d t h e Bou n da r y Wa t er s Ar ea . T h is wa s a qu est ion of wh et h er y ou cou ld u se sm a ll m ot or ized fou r -wh eeler s t o h a u l sm a ll boa t s, ca n oes, a n d so for t h , over m en t in du st r y is t o m y h om e S t a t e, wh er e m or e t h a n 150,000 people a r e em - ploy ed in m or e t h a n 1,000 en t er t a in - m en t -r ela t ed com pa n ies. T h e a ca dem y , it self, wa s fou n ded in
1946 by S y d Ca ssy d, a n d elect ed a y ea r la t er E dga r Ber ga n a s pr esiden t . Un der h is dir ect ion , t h e a ca dem y fir st pr odu ced t h e E m m y Awa r ds in 1948. T h e or ga n iza t ion wen t n a t ion a l wh en it m er ged wit h t h e New Yor k Aca dem y in 1947 wit h E d S u lliva n a s it s fir st pr esiden t .

  • a
  • t r a il bet ween t h e la k e sy st em . It is

a ll r igh t for t h e y ou n g folk s t o get 10 people ou t t h er e a n d pu sh it , bu t som e of t h e older folk s n eed som e m ot or ized a ssist a n ce. T h ey object ed t o t h a t . S o we t ook t h a t ou t .
T h e a ca dem y con t in u ed t o expa n d a ddin g n ew ch a pt er s t h r ou gh ou t t h e Un it ed S t a t es. T oda y , wit h 9,000 m em ber s, t h e a ca dem y is t h e la r gest or ga n iza t ion in t h e t elevision in du st r y . In a ddit ion t o t h e E m m y s for wh ich it is best k n own , t h e a ca dem y a lso r u n s a n in t er n pr ogr a m for college st u den t s in t er est ed in film a n d h olds st u den t film com pet it ion s. In 1984, t h e a ca dem y for m ed it s fir st st eer in g com m it t ee on dr u g a n d a lcoh ol a bu se a n d bega n it s wor k wit h a 2- da y sem in a r in Wa sh in gt on , DC wit h F ir st L a dy Na n cy R ea ga n . la t er , t h e a ca dem y spon sor ed a n ot h er m eet in g—t h is on e focu sin g on t h e in - for m a t ion Vice P r esiden t , AL GOR E Mr . P r esiden t , it is a n h on or a n d pr ivilege t o a ck n owledge t h e a ccom - plish m en t s of t h e Aca dem y of T elevision Ar t s a n d S cien ces a s a lea der in
Mr . P r esiden t , a s ju st ifica t ion for t h a t I a sk u n a n im ou s con sen t t h a t t h e let t er fr om t h e OMB ou t lin in g t h e object ion s be pr in t ed in t h e a lon g wit h a list .
R

Recommended publications
  • The Relevance of Tennessee Williams for the 21St- Century Actress

    The Relevance of Tennessee Williams for the 21St- Century Actress

    Ouachita Baptist University Scholarly Commons @ Ouachita Honors Theses Carl Goodson Honors Program 2009 Then & Now: The Relevance of Tennessee Williams for the 21st- Century Actress Marcie Danae Bealer Ouachita Baptist University Follow this and additional works at: https://scholarlycommons.obu.edu/honors_theses Part of the American Film Studies Commons, and the Theatre and Performance Studies Commons Recommended Citation Bealer, Marcie Danae, "Then & Now: The Relevance of Tennessee Williams for the 21st- Century Actress" (2009). Honors Theses. 24. https://scholarlycommons.obu.edu/honors_theses/24 This Thesis is brought to you for free and open access by the Carl Goodson Honors Program at Scholarly Commons @ Ouachita. It has been accepted for inclusion in Honors Theses by an authorized administrator of Scholarly Commons @ Ouachita. For more information, please contact [email protected]. Then & Now: The Relevance of Tennessee Williams for the 21st- Century Actress Marcie Danae Bealer Honors Thesis Ouachita Baptist University Spring 2009 Bealer 2 Finding a place to begin, discussing the role Tennessee Williams has played in the American Theatre is a daunting task. As a playwright Williams has "sustained dramatic power," which allow him to continue to be a large part of American Theatre, from small theatre groups to actor's workshops across the country. Williams holds a central location in the history of American Theatre (Roudane 1). Williams's impact is evidenced in that "there is no actress on earth who will not testify that Williams created the best women characters in the modem theatre" (Benedict, par 1). According to Gore Vidal, "it is widely believed that since Tennessee Williams liked to have sex with men (true), he hated women (untrue); as a result his women characters are thought to be malicious creatures, designed to subvert and destroy godly straightness" (Benedict, par.
  • Read Ebook {PDF EPUB} Sunset Boulevard by Christopher Hampton Sunset Boulevard by Christopher Hampton

    Read Ebook {PDF EPUB} Sunset Boulevard by Christopher Hampton Sunset Boulevard by Christopher Hampton

    Read Ebook {PDF EPUB} Sunset Boulevard by Christopher Hampton Sunset Boulevard by Christopher Hampton. Sunset Boulevard weaves a magnificent tale of faded glory and unfulfilled ambition. Silent movie star Norma Desmond longs for a return to the big screen, having been discarded by tinsel town with the advent of “talkies.” Her glamour has faded in all but her mind. When she meets struggling Hollywood screenwriter Joe Gillis in dramatic circumstances, their subsequent passionate and volatile relationship leads to an unforeseen and tragic conclusion. Videos. Based on the Billy Wilder film, the musical version of Sunset Boulevard, with music by Andrew Lloyd Webber and lyrics by Christopher Hampton and Don Black, had its world premiere at London’s Adelphi Theatre on July 12th, 1993. The show received its American premiere in December 1993 at the Shubert Theatre in Los Angeles starring Glenn Close as Norma Desmond. The show opened on Broadway at the Minskoff Theatre in November 1994 with the highest advance in Broadway history at the time ($37.5 million in ticket sales). The show has been staged across the world with productions in Canada, the Netherlands, Australia, and tours in the US and UK. Sunset Boulevard returned to Broadway in 2017 at the Palace Theatre with Glenn Close reprising her role as Norma Desmond, following a sold out run in the West End at the London Coliseum. Gallery. I first saw Sunset Boulevard sometime in the early 70s. It inspired a tune. This tune was supposed to be the title song. However, I neither had the rights to the film, nor at that time was likely to be able to obtain them.
  • Screen Plays: from Broadway to Hollywood, 1920-1966

    Screen Plays: from Broadway to Hollywood, 1920-1966

    The Museum of Modern Art For Immediate Release June 1995 SCREEN PLAYS: FROM BROADWAY TO HOLLYWOOD, 1920 - 1966 June 30 - October 3, 1995 A major retrospective of Hollywood films adapted from the Broadway stage opens at The Museum of Modern Art on June 30, 1995. SCREEN PLAYS: FROM BROADWAY TO HOLLYWOOD, 1920 - 1966 presents more than 100 films that drew their commercially and critically successful plots and characters, and their talented actors, writers, and directors from Broadway. The series, which continues through October 3, features such Broadway actors as George Arliss, the Barrymores, Shirley Booth, Marlon Brando, Ina Claire, John Garfield, Julie Harris, Helen Hayes, Judy Holliday, the Lunts, Fredric March, Sidney Poitier, Otis Skinner, Laurette Taylor, and Mae West re-creating on film the roles that made them stage legends. While the relationship between the Broadway musical and the Hollywood musical is well-established, this exhibition spotlights the relationship between the Broadway play and the Hollywood film. Since the beginning of the studio system, Hollywood has sought plays that could be adapted into so-called prestige films, adding a patina of class and sophistication. The retrospective places particular emphasis on films made from plays produced by the Theatre Guild, the Group Theatre, and the Playwrights' Company, since many members of these companies made lasting contributions both on Broadway and in Hollywood. Highlights of the series include Alfred Lunt and Lynn Fontanne in the only film they made together, The Guardsman (Sidney Franklin, 1931; play by Ferenc Molnar); Anna Magnani in the film version of The Rose Tattoo (Daniel - more - 11 West 53 Street, New York, NY.
  • DKA-02-23-1966.Pdf

    DKA-02-23-1966.Pdf

    Mr. Bernard R. Kantor Department of Cinema University of Southern California University Park Los Angeles, California 90007 .JAMES STEWART 9 2 01 WILSHIRE: BOULEVARD BEVERLY HILLS, C AL I FORNI A December 8, 1966 Mr. Bernard R. Kantor Department of Cinema University of Southern California University Park Los Angeles, California 90007 Dear Mr. Kantor: I would like very much to attend the banquet planned by the Cinema Department on January 15, 1967 and appear on the panel for Frank Capra. I am just starting a picture but I am quite sure that our location work will be finished before January 15th. Sincerely, lm .., JAMES STEWART -=--~ - 9201 WILSHIRE BOULEVARD___. BEVERLY HILLS, CALIFORNIA - . --~ Delta Kappa Alpha National Honorary Cinema Fraternity HONORARY AWARDS BANQUET honoring Lucille Ball Gregory Peck Hal Wallis January 30, 1966 TOWN and GOWN University of Southern California PROGRAM I. Opening Dr. Norman Topping, President of USC II. Representing Cinema Dr. Bernard R. Kantor, Chairman, Cinema Ill. Representing DKA Howard A. Myrick Presentation of Associate Awards to Barye Collen, Art Jacobs, Howard Jaffe, Anne Kramer, Robert Knutson, Jerry Wunderlich IV. Presentation of Film Pioneer Award to Frances Marion and Sol Lesser V. Master of Ceramonies Bob Crane VI. Tribute to honorary members of DKA VII. Presentation of Honorary Awards to: Hal Wallis Gregory Peck Lucille Ball VIII. In closing Dr. Norman Topping Banquet Committee of USC Friends and Alumni Mr. Edward Anhalt Mr. Paul Nathan Mr. and Mr. Jim Backus Mr. Tony Owen Mr. Earl Bellamy Mr. Marvin Paige Miss Shirley Booth Miss Mary Pickford Mrs. Harry Brand Miss Debbie Reynolds Mr.
  • Emmy Award Winners

    Emmy Award Winners

    CATEGORY 2035 2034 2033 2032 Outstanding Drama Title Title Title Title Lead Actor Drama Name, Title Name, Title Name, Title Name, Title Lead Actress—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actor—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actress—Drama Name, Title Name, Title Name, Title Name, Title Outstanding Comedy Title Title Title Title Lead Actor—Comedy Name, Title Name, Title Name, Title Name, Title Lead Actress—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actor—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actress—Comedy Name, Title Name, Title Name, Title Name, Title Outstanding Limited Series Title Title Title Title Outstanding TV Movie Name, Title Name, Title Name, Title Name, Title Lead Actor—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Lead Actress—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Supp. Actor—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Supp. Actress—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title CATEGORY 2031 2030 2029 2028 Outstanding Drama Title Title Title Title Lead Actor—Drama Name, Title Name, Title Name, Title Name, Title Lead Actress—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actor—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actress—Drama Name, Title Name, Title Name, Title Name, Title Outstanding Comedy Title Title Title Title Lead Actor—Comedy Name, Title Name, Title Name, Title Name, Title Lead Actress—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actor—Comedy Name, Title Name, Title Name, Title Name, Title Supp.
  • The Heart Breaks Just Like 'Glass' EIU's Theatre Department Is Snemles Aesperately to Do Her Best Winding up an Eight-Performance by Them

    The Heart Breaks Just Like 'Glass' EIU's Theatre Department Is Snemles Aesperately to Do Her Best Winding up an Eight-Performance by Them

    Thursday. February 23.1989-TIME8-COURIER, Charleston, D-C-7 The heart breaks just like 'Glass' EIU's theatre department is sneMles aesperately to do her best winding up an eight-performance by them. Eudeikis works bravely, run of C.P. Blanchette's produc­ but little of this comes through, nor tion of Tennessee Williams' The is there the quality of the Glass Menagerie in the Fine Arts aristocrat, broken down, wasted Center Playroom. and lost. Written in 1944, The Glass Me­ As Tom, Gerald M. Lunsford is nagerie is perhaps the very best of somewhat too shrill, perhaps Williams, an unsentimental story overstating the bitterness and of loneliness and hurt, poetically anger of the frustrated poet at the told. Nearly all of its understated expense of the sadness. drama is spelled out by Tom, the The first act, concentrating on play's narrator. The time is 1945 these two characters, is slow-going and back into the 1930s. Tom tells lebovitz is revtewer-aHarge for the Journal at times, but, happily, everything us of his ambitions to be a writer Gazette and Times-Courier comes beautifully to life in the se­ and escape the trap of his meager cond act during Laura's brief en­ life with his prattling mother spent and where she refused the counter with the Gentleman Amanda and his crippled sister rich planters' sons because she lost Caller. Looking like sort of a cross Laura. He focuses on an episode her heart to a man who worked for between Joan Allen, who played when Amanda persuaded him to the phone company, is one of the Laura at Eastern in 1975 and to bring home a "Gentleman Caller" great roles of American theatre, whom the current production is as a possible match for Laura.
  • Autograph Albums - ITEM 936

    Autograph Albums - ITEM 936

    Autograph Albums - ITEM 936 A Jess Barker Jocelyn Brando Lex Barker Marlon Brando Walter Abel Binnie Barnes Keefe Brasselle Ronald Adam Lita Baron Rossano Brazzi Julie Adams Gene Barry Teresa Brewer (2) Nick Adams John Barrymore, Jr. (2) Lloyd Bridges Dawn Addams James Barton Don Briggs Brian Aherne Count Basie Barbara Britton Eddie Albert Tony Bavaar Geraldine Brooks Frank Albertson Ann Baxter Joe E. Brown Lola Albright John Beal Johnny Mack Brown Ben Alexander Ed Begley, Sr. Les Brown John Alexander Barbara Bel Geddes Vanessa Brown Richard Allan Harry Belafonte Carol Bruce Louise Allbritton Ralph Bellamy Yul Brynner Bob “Tex” Allen Constance Bennett Billie Burke June Allyson Joan Bennett George Burns and Gracie Allen Kirk Alyn Gertrude Berg Richard Burton Don Ameche Polly Bergen Spring Byington Laurie Anders Jacques Bergerac Judith Anderson Yogi Berra C Mary Anderson Edna Best Susan Cabot Warner Anderson (2) Valerie Bettis Sid Caesar Keith Andes Vivian Blaine James Cagney Dana Andrews Betsy Blair Rory Calhoun (2) Glenn Andrews Janet Blair Corinne Calvet Pier Angeli Joan Blondell William Campbell Eve Arden Claire Bloom Judy Canova Desi Arnaz Ben Blue Macdonald Carey Edward Arnold Ann Blyth Kitty Carlisle Mary Astor Humphrey Bogart Richard Carlson Jean-Pierre Aumont Ray Bolger Hoagy Carmichael Lew Ayres Ward Bond Leslie Caron B Beulah Bondi John Carradine Richard Boone Madeleine Carroll Lauren Bacall Shirley Booth Nancy Carroll Buddy Baer Ernest Borgnine Jack Carson (2) Fay Bainter Lucia Bose Jeannie Carson Suzan Ball Long Lee Bowman
  • Women's Leadership in Primetime Television an Introductory Study

    Women's Leadership in Primetime Television an Introductory Study

    Women’s Leadership in Primetime Television An Introductory Study Natalie Greene Spring 2009 General University Honors Capstone Advisor: Karen O’Connor Greene 1 Women’s Leadership in Prime-time Television: An Introductory Study Introduction When television executives report their core audience, women always come out ahead. A 2007 Nielsen Media Research report showed that, with only two exceptions, every broadcast network channel had more female viewers than men. ABC’s female audience almost doubled its male audience during the 2007-08 season (Atkinson, 2008). 1 Women onscreen, however, seem to reflect a different reality, making up only 43% of characters in the prime-time 2007-08 season (Lauzen, 2008). 2 As studies going back as far as the 1970s show, women on screen not only fail to represent the proportional makeup of women in society, they also overwhelmingly show a stereotypically gendered version of women (McNeil, 1975; Signorielli and Bacue, 1999; United States Commission on Civil Rights, 1977). This paper aims to address the evolution of women’s leadership in prime-time network scripted television from 1950 to 2008. Because of the way that women have been traditionally marginalized in television, it is important to study the shows that have featured women as lead characters. Characters such as Lucy Ricardo ( I Love Lucy, 1951-1960) influenced later female leads such as Ann Marie ( That Girl, 1966-1971), Mary Richards ( The Mary Tyler Moore Show, 1970-1977) and Murphy Brown ( Murphy Brown, 1988-1998). Thus, along with an introduction to socialization theory and feminist television criticism, this paper covers a selection of some of the most influential female characters and women-centered shows of this period.
  • Cost Stress Hard;

    Cost Stress Hard;

    THE PASSING SHOW Cost Stress Hard; On Latest 'Porgy! By JAY CARMODY effect of the cleanliness, but Drunk Editor ol Th* Star the fact remains that it re- Possessed as it is of a soul duces the squalor of that fairly Catfish reeks with human Row life which is such ah CT charity, this corner hopes essential part of its drama. fCT that Samuel Ooldwyn gets It is responsible, too, for thft ipp2 (fiMIOP his anticipated return on h<s criticism that Director Pra- * a X “seven million dollar ‘Porgy mlnger, bom, Iph ” German hab iJnfil Ir \r -M ll\ xS? and Bess.’ photographed “Porgy ana s FlJf/C Nevertheless. It does regret Bess” as if it were an Old Hawk that the sum ever was Heldelburg musical mentioned. Why? festival. zffil Well, because “Porgy and Is It Overdressed? Bess” Is essentially a drama poverty. every Although Mr. Goldwyn, a of Its exciting proud narrative man and a confident element from its one, may quibble, haunting, misshapen call it a love ground story through Its alternating there is for argument that his “Porgy” is sadly B moods of dark violence and sunlit hope, grow overdressed. out of a Its slum setting called Catfish wardrobe is the work of Row. Irene Sharafl, a designer who has all of the Catfish Row Is a water* learned dra- ruin, specimen matic tricks of costuming front a classic performers of that time-wrought shabbl- working before v large, color cameras. There is zct\ ness which Its name suggests H’ —but no question that these are \ \ not In the movie seven U -1 million dollars and the beautifully harmonized as to poverty implied In the name toner and that they look like Catfish Row are irreconcil- paintings as they flash on x x able.
  • ROGERS 1 HITW»WC*Ii Warner Bros* V TECHNICOLOR

    ROGERS 1 HITW»WC*Ii Warner Bros* V TECHNICOLOR

    C-6 THE SUNDAY STAR. Washington, D. C. SUNDAY. AUGUST S6. 18AI V HpFjpl Monty Goes on Trial The Passing Show And a Star Is Born Portrait of a Girl, Another Actor Climbs to New Fame rfl BB| In a Movie Lawyer's Role A Dewy, Crisp One By Harold Heffernan Montgomery Clift sits nervously I / Lionel Barrymore, for example, •• j Peggy Dow, Southern Young Lady Hp&ii. jjf.. -in;¦• ¦ 9*^99 in the witness chair. He is won his only Academy Award by charged with the murder of Shel- playing. the brilliant, but alco- Who Made Good in Movies ley Defense attorneys' Winters. holic, lawyer-father of Norma By Joy Carmody have just completed the quiet, carefully planned ex- Shearer in “A Free Soul.” Be- you your young feminine movie stars lettuce-crisp, sympathetic, * If like animation of their client. It is; l fore that, Barrymore’s career had Peggy Dow is your girl. slipped he had gone in for is remarkably attractive quite a the climactic moment of high i and Miss Dow’s crispness and : directing. directing “The distinguishing among younger suspense in “A Place in the Sun.”j< While mark the glamour set, some of whom Trial of Mary Dugan,” he sought they are untidy It looks as if his lawyers have;' of as irresistible when of ' even • think themselves ' •- to suddenly from * character rise mentality. >'' • a splendid job in Clift’s be- la' appearance—and ft* ¦ done Ithe witness chair for dramatic Apparently, too, it is a quality that is paying offsince the lady- V ft rPH half.
  • National Register Nomination

    National Register Nomination

    NPS Form 10-900 OMB No. 1024-0018 United States Department of the Interior National Park Service National Register Listed January 5, 2018 National Register of Historic Places Registration Form This form is for use in nominating or requesting determinations for individual properties and districts. See instructions in National Register Bulletin, How to Complete the National Register of Historic Places Registration Form. If any item does not apply to the property being documented, enter "N/A" for "not applicable." For functions, architectural classification, materials, and areas of significance, enter only categories and subcategories from the instructions. Place additional certification comments, entries, and narrative items on continuation sheets if needed (NPS Form 10-900a). 1. Name of Property Historic name William Inge Boyhood Home Other names/site number KHRI #125-2670-00179 Name of related Multiple Property Listing N/A 2. Location Street & number 514 N. 4th Street not for publication City or town Independence vicinity State Kansas Code KS County Montgomery Code 125 Zip code 67301 3. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act, as amended, I hereby certify that this x nomination _ request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property x meets _ does not meet the National Register Criteria. I recommend that this property be considered significant at the following level(s) of significance: x national statewide local Applicable National Register Criteria: A x B C ___D See file.
  • Sexism and the Academy Awards

    Sexism and the Academy Awards

    Tripodos, number 48 | 2020 | 85-102 Rebut / Received: 28/03/20 ISSN: 1138-3305 Acceptat / Accepted: 30/06/20 85 Oscar Is a Man: Sexism and the Academy Awards Kenneth Grout Owen Eagan Emerson College (USA) TRIPODOS 2020 | 48 This study analyzes the implicit bias of an to be nominated for a supporting the Academy Awards and Oscar’s his- performance in a Best Picture winner. toric lack of gender equity. While there This research considers these factors, are awards for Best Actor and Actress, identifies potential reasons for them, a comparative analysis of these awards and draws conclusions regarding the and the Best Picture prize reveals that decades of gender bias in the Academy a man is more than twice as likely as a Awards. Further, this study investigates woman to receive an Oscar for leading the dissolution of the Hollywood stu- work in a Best Picture. A man is also dio system and how, though brought nearly twice as likely to be nominated on in part by two of the film industry’s as a leading performer in a Best Pic- leading ladies, the crumbling of that ture winner. Supporting women in Best system ultimately hurt the industry’s Pictures fare a bit better with actual women more than its men. trophies, but, when considering nom- inations, a man is still more than one- Keywords: Oscars, Academy Awards, and-a-half times as likely as a wom- sexism, gender inequity, Best Picture. he Academy Awards have been given out annually for 92 years to, among others, the top actor and actress as voted on by the members of the film T academy.