DOCSLIB.ORG

Three Fraternities Abolish Hell Week

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Three Fraternities Abolish Hell Week FRIDAY • FRIDAY Edition t Edition Washington and Lee Semi-Weekly Newspaper Volume LXTI LEXINGTON, VIRGINIA, FEBRUARY 9, 1962 Number 30 Senator Albert Gore ... I ••• Announces IRW Topic I • I Three Fraternities Senator Albert Gore. who will be the principle spcnkcr Cor Wa~ohington and Lee's lntemntional Relations Week. announced the topic for his Tuesday evenlng speech from his Washington office Thua•sday. He will Abolish Hell Week draw attention to the "United States Fordgn Policy in the Congo"-a sub­ ject of vital concern In loday's struggle for power in the world. By MALCOLM MORRIS As chairman of the Subcommittee on African Allain; in the Senate The elimination of H ell Week by chrce Washington Foreign Remtlons Committee, Senator Gore is considered one of the most important men in the country In this field. and Lee fraternities and the success of a new emphasis on Senator Gore's arrival Tuesday will be marked by a large slate-wide community service mark rhe end of uHelp Week" as it press conference here. Later, a dinner w1ll be held In h•s honor at Evans closes tonight. Dining Hall at 5:45 p.m. Faculty members of Ule Political Science Depart­ PiKA llell Week Tbrough ment have been invited as well as members of the host International ----------------------------· Relations Club, Pi Sigma Alpha, and 5electcd students The dinner is PiKA t.onded all plc~e abU5C!S $2.50 per plate and wHI featun:! a short after-djnner talk by the Senator New Major: Wednesday night, subst.ilulin~ a to the guests. The principal speech Is scheduled aL Lee Chapel at 7:30 p.m. program of constructive acUvit.ic:;. Pledge Trainca· Bill Outman com­ Contemporary mented on the change: "PiKA Hell Week Is over loa good as far as th" Federal Research Expert Civilization t.radilional concepts of Washingt.oP and Lee's Hell Week go. Our reason A new history major, in Cor a change lies ln a combinaUof\ or clements, found not only in our Discusses Southeast Asia Contemporary Civilization, house but in the whole student By LARRY MEEKS on "the prospects Cor country X for and an advanced placement body. We still will continue a week "Southeast Asia has something the next three years." program for freshmen will be of intcnsifled pledge activity but for everyone in Lhc academic field,' In the beginning of his discussion added to che Washington and only along a purely constructive John E. MacDonald told a Washing­ he empha$1wd the importance of line." ton and Lee audience Lhls moming Southeast Asia. with an area 1,600,- Lee curriculum next year, Phi Gam For the historian there is a rich and 000 square miles and a population of Dean of the College William Ph1 Gamma DelLa has announced varied history o( the rise and fall 200,000,000. W. Pusey announced today. that Lhls will be the last year of trn­ or dynasties. and an equally ferUle Southeast Asia, said MacDonald, dational Hell Week for its pledges The new Contemporary Civilizza­ President Steve Rutledge noted: field for economists, politico! sci­ provides a boundary between the Uon program makes a Lhlrd possible entists, and students of geo-politics. Hindu Culture and the Chinese Cul­ history major, in addition to the two The fraternity is moving in the MacDonald, a native o( New ture. now offered in American and Eur­ direction of eliminating the tradi­ Hampshire, is Ute Stale Depart­ H(• dlscu~ "lhc transition from opean history. According to Profes­ tional Hc!J Week at Washington ment's Chief of Research for SouUl­ colonial stales Utat has occurred in sor William G. Bean, chairman of and Lee. It is hoped that next year's east Asia. A g•·adu<~le of Yale, he has Ute last 16 years." This transition the hastory department, the new program will eliminate all traces of been with the Slate Department wa~ preceded by three factors, "na­ major Is designed to allow students the former abuse to pledges. since 1945. He received his cumml tionalism, anti-colonialism, and the who have no professional interest in Rutledge sald that although plans appointment last July. He has feeling for Independence." history to study more in areas thnt for nexl year were not yet deJinilc, a worked in Chlna, Japan and Korea. Another major factor is the local arc specifically related to the prob­ committee of the chapter had al­ He serves as an advisor to Sec­ pride in the historical and cultural Mr. Coleman and Or. Moger with new Lee Letters. lems and developments of contem­ ready ~gun work on a more effec­ retary of SLate Denn Rusk and aspects. Each country looks for porary events. Uve pledge training period. The other state department officials. He somethlng to make it unique. Jn an additional move Lo make the abolition of Hell Week by the Phl also spends lime in interdepartmen­ curriculum more "flexible," the his­ Gams is i.n accordance with the urg­ Educated People Pro-Socialist tal affairs such as preparing papers Two Lee Letters, Worth $4500, lory major bas been reduced from ing of the national £raterruty toward The influence or Marxist thought 36 to 30 hours beyond Hlstory 1 and a more progressive program. has been important. The educated 2. Sigma Chi class as a whole are pro-socialist Are Willed To The University Beginning next fall, freshmen may Debaters Plan but not pro-communist, MacDonald Sigma Chi abolished Hell Week in Two of General Robert E. Lee's llems, according to Dr. Allen W. apply for exemption from History 1 sal d. letters to President Jeffc1-son, vauled time to become the only house on Moger, Washington and Lee profes­ and 2. All freshmen entering with campus not l.o stage the period this TV Appearance The U.S. influence, which has al $4,500, have been added to sor of hlstory and Lee archivist. a verbal score of 600 or more on year. President .Bob Doenges, also Washington and Lee's collection of grown as colonialism disappeared, The complete collection of Lee ma­ their Scholastic Aptitude Test wlll President of the IFC, said that only By STEVE MITH more than 5,000 Lee letters. terial is open to schola1-s for in­ must also be considered. automaUcally be eligible to take a constructive work has been done by Washington and Lee's debating In his summary he brought out The leU~rs, bound in a • ed mo­ spection and research. test in European clvillzaUon and pre­ pledges during this Help Week. team, which is nt King's Co!Jege the influence of the Malayan insur­ n>cco leather case, arc dated August Several additional Lee letters also sent an essay to quaUiy for ad­ this weekend for its second major rection. This success provides n 22, 1863, and February 9, 1965. and have been added to the university's vanced standing. U the hlstory de­ Emphasize Con~tructive Work townament in two weeks. will ap­ precedent for the other nations in were willed lo the university by archives. Mrs. Armistead L. Long, partment exempts them from the Pi Kappa Phi, President Mike pear on lelevision March 12. the fight against Communism. It the late A lfred W. Stem, a Chi­ a Lynchburg resident, donatl'd let­ freshman course, they will Lake six Herndon S&Jd, placed emphasis al­ The team will race the winner of scl the precedent for Viet Nam's cago clothing exeeuli ve. ters by General Lee and one by hours In advanced history courses most completely on constructive a Duke-North Carolina match on fight against Communism. The correspondence presents an Mrs. Lee. One of the documenls, Instead. work this year, follo,ving a trend sel written to General Armistead R. in past years. The pledges worked WUNC, debating the topic "Re­ The U. S. Problem'! interesting contrast in the career solved: That the Unlted Stales of the famous Confederate general Long shortly alter the surrender at not only ln the house, buL for the should withdraw from the Uruted He concluded that a ga·eat change who later became president of Appomattox, tells of Lee's desire university nnd in the community. Nations" The program wiU run has been coming about in Southeast Washington College here. The A u­ to fu1d "some little quiet how;e in Shenandoah Pi Phi pledges workl'd for the from 9 to 10 o'clock p.m. Asia since World War II. The Unit­ gust lelter-writlen at Lee's head­ the woods" to get his wife away welfare board moving food, moved ed SLatPs wants to maintain the peo­ quarters at Orange Courthouse--In­ from the city. The letter from Mrs. books !or Lhe library, helped a The appearance will Lake place on ple's newly gainl'd independence­ Features o regular debating program which dicates that General Lee regrets that Lee is addressed to Miss Virginia needy farmer in the county, and but there ate problems. One of these President Davis will not consider Long, General Long's daughter. pel'formed other similar jobs. Hem­ is watched by s('vcral millions of Is that the United States is dealing people. Lee's request to be relieved of his The donor is the widow of the Poet Graves don commented: We feel that this is wllh agricultural people, many of post and permit him to serve "ln a more reasonable approach to an nephew oi General Long to whom The winter issue of henandoah, Team In Roanoke Feb. J!l whom wish to continue as they have any capacity at any post where I intensified pledge week .
Load more

Recommended publications
  • Comic Strips and the American Family, 1930-1960 Dahnya Nicole Hernandez Pitzer College
    Claremont Colleges Scholarship @ Claremont Pitzer Senior Theses Pitzer Student Scholarship 2014 Funny Pages: Comic Strips and the American Family, 1930-1960 Dahnya Nicole Hernandez Pitzer College Recommended Citation Hernandez, Dahnya Nicole, "Funny Pages: Comic Strips and the American Family, 1930-1960" (2014). Pitzer Senior Theses. Paper 60. http://scholarship.claremont.edu/pitzer_theses/60 This Open Access Senior Thesis is brought to you for free and open access by the Pitzer Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Pitzer Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. FUNNY PAGES COMIC STRIPS AND THE AMERICAN FAMILY, 1930-1960 BY DAHNYA HERNANDEZ-ROACH SUBMITTED TO PITZER COLLEGE IN PARTIAL FULFILLMENT OF THE BACHELOR OF ARTS DEGREE FIRST READER: PROFESSOR BILL ANTHES SECOND READER: PROFESSOR MATTHEW DELMONT APRIL 25, 2014 0 Table of Contents Acknowledgements...........................................................................................................................................2 Introduction.........................................................................................................................................................3 Chapter One: Blondie.....................................................................................................................................18 Chapter Two: Little Orphan Annie............................................................................................................35
    [Show full text]
  • BIOGRAPHIES, INTERVIEWS, ITINERARIES, WRITINGS & NOTES BOX 1: BIOGRAPHY,1940S-1950S
    HOLT ATHERTON SPECIAL COLLECTIONS MS4: BRUBECK COLLECTION SERIES 1: PAPERS SUBSERIES D: BIOGRAPHIES, INTERVIEWS, ITINERARIES, WRITINGS & NOTES BOX 1: BIOGRAPHY,1940s-1950s 1D.1.1: Biography, 1942: “Iola Whitlock marries Dave Brubeck,” Pacific Weekly, 9-25-42 1.D.1.2: Biography, 1948: Ralph J. Gleason. “Long awaited Garner in San Francisco…Local boys draw comment” [Octet at Paradise in Oakland], Down Beat (12-1-48), pg. 6 1.D.1.3: Biography, 1949 a- “NBC Conservatory of Jazz,” San Francisco, Apr 5, 1949 [radio program script for appearance by the Octet; portion of this may be heard on Fantasy recording “The Dave Brubeck Octet”; incl. short biographies of all personnel] b- Lifelong Learning, Vol. 19:6 (Aug 8, 1949) c- [Bulletin of University of California Extension for 1949-50, the year DB taught “Survey of Jazz”] d- “Jazz Concert Set” 11-4-49 e- Ralph J. Gleason. “Finds little of interest in lst Annual Jazz Festival [San Francisco],” Down Beat (12-16-49) [mention of DB Trio at Burma Lounge, Oakland; plans to play Ciro’s, SF at beginning of 1950], pg. 5 f- “…Brubeck given musical honors” Oakland Tribune, December 16, 1949 g- DB “Biographical Sketch,” ca Dec 1949 h- “Pine Tree Club Party at Home of Mrs. A. Ellis,” <n.s.> n.d. [1940s] i- “Two Matrons are Hostesses to Pine Tree Club,” <n.s.> n.d. [1940s] (on same page as above) 1.D.1.4: Biography, 1950: “Dave Brubeck,” Down Beat, 1-27-50 a- Ralph J. Gleason. “Swingin the Golden Gate: Bay Area Fog,” Down Beat 2- 10-50 [DB doing radio show on ABC] 1.D.1.5: BIOGRAPHY, 1951: “Small band of the year,” Jazz 1951---Metronome Yearbook, n.d.
    [Show full text]
  • Why Jazz Still Matters Jazz Still Matters Why Journal of the American Academy of Arts & Sciences Journal of the American Academy
    Dædalus Spring 2019 Why Jazz Still Matters Spring 2019 Why Dædalus Journal of the American Academy of Arts & Sciences Spring 2019 Why Jazz Still Matters Gerald Early & Ingrid Monson, guest editors with Farah Jasmine Griffin Gabriel Solis · Christopher J. Wells Kelsey A. K. Klotz · Judith Tick Krin Gabbard · Carol A. Muller Dædalus Journal of the American Academy of Arts & Sciences “Why Jazz Still Matters” Volume 148, Number 2; Spring 2019 Gerald Early & Ingrid Monson, Guest Editors Phyllis S. Bendell, Managing Editor and Director of Publications Peter Walton, Associate Editor Heather M. Struntz, Assistant Editor Committee on Studies and Publications John Mark Hansen, Chair; Rosina Bierbaum, Johanna Drucker, Gerald Early, Carol Gluck, Linda Greenhouse, John Hildebrand, Philip Khoury, Arthur Kleinman, Sara Lawrence-Lightfoot, Alan I. Leshner, Rose McDermott, Michael S. McPherson, Frances McCall Rosenbluth, Scott D. Sagan, Nancy C. Andrews (ex officio), David W. Oxtoby (ex officio), Diane P. Wood (ex officio) Inside front cover: Pianist Geri Allen. Photograph by Arne Reimer, provided by Ora Harris. © by Ross Clayton Productions. Contents 5 Why Jazz Still Matters Gerald Early & Ingrid Monson 13 Following Geri’s Lead Farah Jasmine Griffin 23 Soul, Afrofuturism & the Timeliness of Contemporary Jazz Fusions Gabriel Solis 36 “You Can’t Dance to It”: Jazz Music and Its Choreographies of Listening Christopher J. Wells 52 Dave Brubeck’s Southern Strategy Kelsey A. K. Klotz 67 Keith Jarrett, Miscegenation & the Rise of the European Sensibility in Jazz in the 1970s Gerald Early 83 Ella Fitzgerald & “I Can’t Stop Loving You,” Berlin 1968: Paying Homage to & Signifying on Soul Music Judith Tick 92 La La Land Is a Hit, but Is It Good for Jazz? Krin Gabbard 104 Yusef Lateef’s Autophysiopsychic Quest Ingrid Monson 115 Why Jazz? South Africa 2019 Carol A.
    [Show full text]
  • Maple Syrup: a Sweet Sign of Early Spring by Paula Mchugh
    THE TM 911 Franklin Street Weekly Newspaper Michigan City, IN 46360 Volume 21, Number 8 Thursday, March 3, 2005 Maple Syrup: A Sweet Sign of Early Spring by Paula McHugh Maple sugaring time is when daytime temperatures rise above the 32 degree freezing mark, and then drop again below freezing during the nighttime. Which means that we are now heading into that time of year in early, early spring when the sap starts flowing. Hurray! Hurray for two reasons: who doesn’t look forward to the promise of warmer days ahead, and who doesn’t appreciate the sweetness of pure maple syrup dribbled over a stack of pancakes? Yet, how many of us are aware that we could be tapping our own maple trees about now–if we are fortunate enough to have maples on our property? A recent program about everything you ever wanted to know about maple sugar farming was recently presented at the Deep River County Park Visitor Center by Historic Programs Coordinator Joanna Shearer, and the Beacher was there to learn and pass on a few tips for maple sugaring wannabes. Let’s get the trivia out of the way and tell you right now that Vermont is NOT the number one state for maple sugar pro- duction. New York claims that title. But here in the Midwest, Michigan ranks high as a maple syrup producer. Parke County Indiana, home of the most covered bridges, is a large syrup-producing area. And locally, Deep River Park produced nearly 500 bottles of the sweet syrup last year.
    [Show full text]
  • JOSEPH SCHMIDT Musical Direction By: EMILY BENGELS Choreography By: KRISTIN SARBOUKH
    Bernards Township Parks & Recreation and Trilogy Repertory present... 2021 Produced by: JAYE BARRE Directed by: JOSEPH SCHMIDT Musical Direction by: EMILY BENGELS Choreography by: KRISTIN SARBOUKH Book by THOMAS MEEHAN Music by CHARLES STROUSE Lyrics by MARTIN CHARNIN Original Broadway production directed by MARTIN CHARNIN. Based on “Little Orphan Annie.” By permission of Tribune Content Agency, LLC. ANNIE is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are supplied by MTI. www.MTIShows.com This production is dedicated to the memory of beloved Trilogy Repertory member Chris Winans who gave of his time and spirit for many years and in many performances. Chris was a valued member of our Trilogy family and will be greatly missed. Summer, 2021 Dear Residents and Friends of the Community, Good evening and welcome to the Bernards Township Department of Parks and Recreation’s 34th season of Plays in the Park. So many of you enjoy and look forward to the plays year after year. I am excited that the Township brings this tradition free to the public for all to enjoy. Bernards Township proudly sponsors this event and substantially subsidizes the budget because we recognize the importance of keeping performing arts alive. It is truly wonderful that these productions are here, under the stars, in Pleasant Valley Park. Bernards Township offers many opportunities to enjoy family outings such as Plays In The Park. You can stay current on all our special events by visiting our website at www.bernards.org. There you will find information on the wide variety of programs we offer.
    [Show full text]
  • Jazzletter I PO Box 240, Ojai CA 93024-0240 March 2005“ Vol
    GeneLeasAdLibitum 6- I Jazzletter I PO Box 240, Ojai CA 93024-0240 March 2005“ Vol. 23 No. 3 must look to black authority figures to validate the life and The Worlds of Paul Desmond work ofajazz musician, it is notable that Charlie Parker, one of the supreme icons of this music, was several times on In the first paragraph of a Foreword to Take Five, Doug record that Paul was his favorite alto player. That they were Rarnsey’s superbly researched biography ofPaul Desmond, also friends is something I did not know. That is documented Dave Brubeck asserts: in this book. ’ “Paul Desmond was an enigma. I considered him my best I once did a radio interview with Paul in which he said he friend. Yet, for a couple ofyears in my life I vowed I would went far out of his way not to sound like Charlie Parker, in never speak to him again. The rifi eventually healed and for a time when seemingly every young player was trying to do three decades we were as close as brothers.” so. He said there was enormous pressure on young players, Darius Brubeck, one of Dave’s sons, for many years a during his fonnative years, to emulate Parker. He called it “a jazz teacher in South Africa and England, told me he was kind ofmusical McCarthyism.” Much ofwhat Paul said was about twelve before he realized that Paul wasn’t actually his frmny not only for its content but his manner of speech, his uncle. idiosyncratic inflections, which ofcourse cannotbe captured “From the very first,” Dave says in that introduction, “we on paper.
    [Show full text]
  • Taking Comics Seriously
    POP CULTURE clusively with daytime. The show features no gunfights or car chases; there are moments of leisurely, uneventful conversation between the younger and older generations. It is a curious inversion: Where once daytime TV fled prime time, prime time now copies daytime. The evidence is every- where, from the success of The Forsyte Saga and Upstairs Down- stairs (soap operas with extra starch) to major television serials like Rich Man Poor Man, Roots, and Captains and Kings. Spec- taculars aside, even a regular offering such as Family reflects a soap-opera sense of continuity. The major characters suffer. They have affairs, consider marriage, drop out of school, worry about mortality It goes too far to say that daytime dramas are genuinely realistic. The necessities of the form require too many brushes with the kinds of crises that most families would suffer only a few times in a generation. But both soaps and game shows have certainly tried to move television closer to what Paddy Chayefsky called "the marvelous world of the ordinary." What daytime TV has given prime time is the possibility of exploring characters not through the prism of fantasy, but through a focus closer to the way most of us spend our lives. And that is no mean contribution. TAKING COMICS SERIOUSLY by Arthur Asa Berger New art forms are often greeted with derision. Attic tragedy was denounced by conservative Greeks, impressionism by high- brow Parisians. Americans, too, have snubbed new, indigenous art forms. The comics, for example, like jazz music, are a home- grown American product; and like jazz, they were long ignored by "serious" critics.
    [Show full text]
  • Hilary Geddes
    Sydney Undergraduate Journal of Musicology Vol. 6, December 2016 Language, Rhythm and Legitimacy Issues: An Examination of Factors Contributing to the Success of Time Out HILARY GEDDES In short: “Time Out” is a first experiment with time, which may well come to be regarded as more than an arrow pointing to the future. Something great has been attempted… and achieved. The very first arrow has found its mark. – Steve Race, 19591 In 1959, the Dave Brubeck Quartet released Time Out on Columbia Records. Critics and media alike heralded the album as being innovative at the time of release and Time Out subsequently became the first jazz album to sell 500,000 copies.2 Brubeck himself would be strongly associated with the album’s singles “Take Five” – which was in fact written by alto saxophonist Paul Desmond – and “Blue Rondo à la Turk” for the duration of his career.3 As the leader and public face of the quartet, Brubeck’s compositions, and those by other members of the quartet such as Desmond, have often been conflated by the public as being solely Brubeck’s. Time Out’s success was attributed to Brubeck’s exploration of rhythm, specifically the use of uneven metres, polyrhythms and metric modulations, which were perceived as being unusual within the jazz idiom at the time of release.4 Yet upon investigating the historical development of these rhythmic devices within the jazz genre, primarily through listening to the discographies of various artists, it has become apparent that other jazz musicians were experimenting with rhythm in these ways before 1959.
    [Show full text]
  • The Inventory of the Harold Gray Collection #100
    The Inventory of the Harold Gray Collection #100 Howard Gotlieb Archival Research Center Gray, Harold #100 Gifts of Mrs. Harold Gray and others, 1966-1992 Box 1 Folder 1 I. Correspondence. A. Reader mail. 1. Fan mail re: “Little Orphan Annie.” a. 1937. b. 1938. c. 1939. d. Undated (1930s). Folder 2 e. 1940-1943. Folder 3 f. 1944. Folder 4 g. 1945. Folder 5 h. 1946. Folder 6 i. 1947. Folder 7 j. 1948. Folder 8 k. 1949. 2 Box 1 cont’d. Folder 9 l. Undated (1940s). Folder 10 m. 1950. Folder 11 n. 1951. Folder 12 o. 1952. Folder 13 p. 1953-1955. Folder 14 q. 1957-1959. Folder 15 r. Undated (1950s). Folder 16 s. 1960. Folder 17 t. 1961. Folder 18 u. 1962. Folder 19 v. 1963. 3 Box 1 cont’d. Folder 20 w. 1964. Folder 21 x. 1965. Folder 22 y. 1966. Folder 23 z. 1967. Folder 24 aa. 1968. Folder 25 bb. Undated (1960s). Folder 26 2. Reader comments, criticisms and complaints. a. TLS re: depiction of social work in “Annie,” Mar. 3, 1937. Folder 27 b. Letters re: “Annie” character names, 1938-1966. Folder 28 c. Re: “Annie”’s dress and appearance, 1941-1952. Folder 29 d. Protests re: African-American character in “Annie,” 1942; includes: (i) “Maw Green” comic strip. 4 Box 1 cont’d. (ii) TL from HG to R. B. Chandler, publisher of the Mobile Press Register, explaining his choice to draw a black character, asking for understanding, and stating his personal stance on issue of the “color barrier,” Aug.
    [Show full text]
  • Eli Yamin Celebrates the Dave Brubeck Quartet Curriculum Guide
    Eli Yamin Celebrates the Dave Brubeck Quartet Curriculum Guide Eli Yamin Celebrates the Dave Brubeck Quartet Overview These six videos are presented and performed by jazz and blues pianist, composer, singer, producer and educator Eli Yamin. The videos vary in length from 3 to 12 minutes. The title of the series aptly denotes the content because Eli Yamin and his group of master musicians truly do “celebrate” 5 songs of Dave Brubeck. Each video examines and performs a specific song and its unique qualities. Although the focus is always the music, the lessons easily apply to literacy and language arts standards, grades 6-12. The amount of time spent on the lessons can be decided by the teachers, depending on students’ interest, needs, and planning. Below is a brief summary of the content of each video to help teachers decide which best suits their curriculum. It is recommended that all the videos be studied in order to provide a full scope of Brubeck’s music, but the lessons and videos can each stand alone. Dave Brubeck Brief Background Dave Brubeck was a famous jazz pianist, composer, and bandleader who lived from 1920 to 2012. He founded the Dave Brubeck Quartet in 1951 after playing for several years in his group called the Dave Brubeck Octet. His group became very popular in the 1950s, most notably for his combination of great melodies, strong sense of swing, and unusual meters and rhythms from around the globe. Some of his more popular songs are "Blue Rondo a la Turk," "In Your Own Sweet Way" and "The Duke." He collaborated with quartet member Paul Desmond on numerous compositions; Desmond’s “Take Five” became the first jazz instrumental to sell more than one million copies.
    [Show full text]
  • 2020Virtualfestivalpartnershipd
    THREE DAYS IN SUPPORT OF THREE NONPROFITS • The NAACP Legal Defense Fund (LDF) is America’s premier legal organization fighting for racial justice. Through litigation, advocacy, and public education, LDF seeks structural changes to expand democracy, eliminate disparities, and achieve racial justice in a society that fulfills the promise of equality for all Americans. LDF is a 501(c)(3) nonprofit organization • The Thurgood Marshall College Fund (TMCF) is the nation’s largest nonprofit organization exclusively representing the Black College Community. TMCF member-schools include the publicly-supported Historically Black Colleges and Universities (HBCUs) and Predominantly Black Institutions (PBIs). • The Monterey Jazz Festival is the oldest continuously-running jazz festival in the world established as a nonprofit organization in 1958. MJF will support participating jazz artists who are disproportionately impacted and losing their livelihoods due to COVID-19. The Monterey Jazz Festival’s mission is to inspire the discovery and celebration of jazz, anchored by an iconic festival. Even though we are not able to host an in-person festival in 2020, our work is anchored by an annual communion around jazz, a music rooted in black culture. A Virtual Festival in 2020 allows us to: • support our community of jazz musicians who have been disproportionately impacted by COVID-19; • celebrate student musicians who have lost so many celebratory moments in 2020, such as proms and graduations; • take action to support trusted nonprofit organizations doing important work to promote social justice, end racism, provide equal opportunity and celebrate black culture. Black Lives Matter! Title Partnership Opportunity MJF Partnership $100,000 level includes 2 Years of benefits! • Designation as the Presenting Sponsor of the 2020 Virtual Monterey Jazz Festival benefiting THREE trusted nonprofit organizations playing critical roles in solving racial injustice and inequality.
    [Show full text]
  • Companions, Most Excellent Jim Smith Is
    Companions, ! e-mail e-mail e-mail ! DID YOU KNOW? One character in Most Excellent Jim Smith is conducting Would you like to receive the trestleboard “Little Orphan Annie” created by Brother Royal Arch schools on the 4th Wednesday via e-mail rather then “snail mail”? If so, Commitment to H. L. Gray was the fabulously wealthy of each month at Cherrydale. If you are let me know with an e-mail request to “Daddy Warbucks”. Once Little Orphan free that night please try to attend. The [email protected] Mankind Annie said that Daddy had been to the schools are an excellent way to fellowship Or see us on-line at: East many times to check on his fortune, with Royal Arch Masons, learn more www.VAYorkRite.org and then “he says one time he traveled to about Royal Arch Masonry, and prepare Scroll down to Royal Arch and the East, but didn’t make a dime, meant to take part in the degrees. there we are! more to him than all th’ other trips he’ll Please join us at our stated ever make-I don’t get it-do you?” convocation on February 8 for an Other District 1 Chapters Fifty Year Members Source: Lee Lodge # 209, Waynesboro, interesting presentation by our own Right Homer G. Bauserman1 1948 Va. Trestleboard Nov 2003 Excellent John W. Bullach on the subject Mount Vernon #14 John P. Funkhouser 1949 of "What Means This Word". Some of First Tuesday David H. Graham 1950 these words are only to be said in certain George Washington Masonic National Elgin B.
    [Show full text]