Shenoute Paper Draft
Mimetic Devotion and Dress in Some Monastic Portraits from the Monastery of Apa Apollo at Bawit* Thelma K. Thomas For the monastery of Apa Apollo at Bawit in Middle Egypt there is good archaeological documentation, a wealth of primary written sources mainly in the form of inscriptions, and a long history of scholarship illuminating both the site and the paintings at the center of this study.1 The archaeological site (figure 1) is extensive, and densely built. The many paintings, usually dated to the sixth and seventh centuries, survive in varying states of preservation from a range of functional contexts, however in this discussion I focus on * I am grateful to Hany Takla for inviting me to present a version of this article at the Twelfth St. Shenouda-UCLA Conference of Coptic Studies in July 2010. I owe thanks as well to Jenn Ball, Betsy Bolman, Jennifer Buoncuore, Mariachiara Giorda, Tom Mathews, and Maged Mikhail. Many of the issues considered here will be addressed more extensively in a book-length study, Dressing Souls, Making Monks: Monastic Habits of the Desert Fathers. 1 The main archaeological publications include: Jean Clédat, Le monastère et la nécropole de Baouit, Institut français d’archéologie orientale du Caire, Memoires, vol. 12 (Cairo: Institut français d’archéologie orientale du Caire, 1904); Jean Clédat, Le monastère et la nécropole de Baouit, Institut français d’archéologie orientale du Caire, Memoires, vol. 39 (Cairo: Institut français d’archéologie orientale, 1916); Jean Maspéro, “Fouilles executées à Baouit, Notes mises en ordre et éditées par Etienne Drioton,” Institut français d’archéologie orientale du Caire, Memoires, vol.
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