Festival Programme 2016
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Review of the Film Sector in Scotland Creative Scotland
Review of the Film Sector in Scotland Creative Scotland January 2014 This report was produced by: BOP Consulting (www.bop.co.uk) in partnership with: Whetstone Group (www.whetstonegroup.org) Jonathan Olsberg (www.o-spi.com) If you would like to know more about the report, please contact the project’s director, Barbara McKissack: Email: [email protected] Tel: 0207 253 2041 i Contents 4.6 Festivals ........................................................................................... 17 1. Executive Summary ............................................... 1 4.7 Archives ........................................................................................... 18 1.1 Introduction ....................................................................................... 1 4.8 Cultural impact of film ................................................................... 18 1.2 Watching film ..................................................................................... 1 4.9 Consultants’ assessment of the issues ..................................... 19 1.3 Learning about film .......................................................................... 1 1.4 Making film ........................................................................................ 2 5. Learning about film ............................................. 21 1.5 Earning from film – supporting enterprises and 5.1 Introduction .....................................................................................21 employment ...................................................................................... -
BFI FAN FILM EXHIBITION FUND AWARDS OVER £750,000 to UK EXHIBITORS to SUPPORT DIVERSE PROGRAMMING and BRING BACK AUDIENCES Nati
BFI FAN FILM EXHIBITION FUND AWARDS OVER £750,000 TO UK EXHIBITORS TO SUPPORT DIVERSE PROGRAMMING AND BRING BACK AUDIENCES National Lottery funding aims to re-engage audiences with collective, big screen film experiences London, Monday 14 December 2020: Over 140 film exhibitors around the UK have received a share of £759,159 to boost cultural programming and activities to engage diverse audiences as lockdown restrictions ease. The BFI FAN Film Exhibition Fund supports activity to re-engage audiences with collective, big screen film experiences at film festivals, mixed arts venues, and both community and traditional cinemas around the UK. This particular strand of support has been made available via BFI‘s National Lottery funding to the BFI Film Audience Network (FAN). BFI FAN is a unique collaboration of eight Film Hubs managed by leading film organisations across the UK, who each distribute the funding in their region or nation. The BFI FAN Film Exhibition Fund will enable FAN Members to deliver a broad range of programming once they restart, ensuring excellent British and international independent cinema is available to audiences all over the UK. Other priorities of the fund are incentivising exhibitors to embed inclusion and environmental sustainability into their approach to reopening, post closure during the pandemic restrictions. The BFI FAN Film Exhibition Fund was also supported by a donation from global streaming platform MUBI. The total figure awarded to Film Hub Scotland members of £220,000 includes additional funding from Screen Scotland as announced in early November. Film Hub Wales announced Film Exhibition Fund awards totalling £52,000, also in November. -
Aim 2014 End of Year Report
AiM 2014 End of Year Report Overview The ninth edition of the Africa in Motion (AiM) Film Festival had as its overarching theme Looking Back, Reaching Forward, drawing inspiration from the Ghanaian Adinkra symbol of the Sankofa bird, which means ‘reach back and get it’. Using this theme we focused on retrospectives of the past and explorations of the present and the future of Africa, including contemporary and classic fiction features, new and acclaimed short films, insightful documentaries and stunning animation. The festival ran in Edinburgh from 24 October - 9 November, and in Glasgow from 2 - 9 November. Both cities had opening and closing films, but we held the festival opening party in Glasgow and closing party in Edinburgh. As in past years, our film programme was accompanied by a wide range of complementary events across different venues, including children’s days, music performances, art exhibitions, masterclasses and live performances. This year we collaborated with Afrovibes, a UK-wide live performance tour of South African music, theatre and dance, to bring two of their South African live performances to Scotland. We also continued to expand audience accessibility to African cinema in Edinburgh and Glasgow through our Nomad Cinema pop-up initiative, which takes films outside of main cinema hubs to create screenings in bars, churches, African community centres and more. Our audiences for 2014 reached almost 5,000 people, a notable increase from 3,500 in 2013. Film Programme AiM’s extensive and diverse film programme consisted of 60 films – including fiction features, shorts and documentaries – which included 18 UK premieres and spanned 20 African countries. -
Tehran in Hook
Tehran in hook Tehrani “underground” musicians “keeping it real” Tiina Valjanen University of Helsinki Faculty of Social Sciences Social and Cultural Anthropology Master's thesis May 2021 Tiedekunta – Fakultet – Faculty Koulutusohjelma – Utbildingsprogram – Degree Programme Faculty of Social Sciences Master's Programme in Contemporary Societies (COS) Tekijä – Författare – Author Tiina Valjanen Työn nimi – Arbetets titel – Title Tehran in hook: Tehrani “underground” musicians “keeping it real” Oppiaine/Opintosuunta – Läroämne/Studieinriktning – Subject/Study track Social and Cultural Anthropology Työn laji – Arbetets art – Level Aika – Datum – Month and year Sivumäärä – Sidoantal – Number of pages Master's thesis May 2021 107 Tiivistelmä – Referat – Abstract This thesis is an ethnographic study about rap, rock, and metal scenes in today’s Tehran. The study takes off from hip-hop scholars Pennycook’s and Mitchell’s proposition of hip-hop as “dusty foot philosophy” which is rooted at local dusty ground while articulating philosophies of global significance. This study aims to examine what kind of spaces are these dusty streets in Tehran and how does Tehran’s urban landscape inform music making and music aesthetics. This study focuses on how notions of belonging, space, and place have been expressed by rappers and rockers both in their music making and their embodied use of urban spaces. Followingly it will observe how urban realities, urban space, and geographical segregation are perceived, challenged, and reclaimed through their craft. The study asks how underground musicians are debating questions of authenticity that have risen along music’s localization, and how musicians strive for artistic legitimacy which would verify their street credibility both within their local music scenes and wider society, as well as within global music community. -
No Vember/De Cember 20 18
NOV/DEC 2018 NOVEMBER/DECEMBER 2018 NOVEMBER/DECEMBER Christmas atCINEMASTERS: GFT BILLY WILDER PETERLOO | WIDOWS | NAE PASARAN SUSPIRIA | SHOPLIFTERS | OUTLAW KING FRENCH FILM FESTIVAL | AFRICA IN MOTION THE OLD MAN AND THE GUN | UTØYA | SQIFF GLASGOWFILM.ORG | 0141 332 6535 12 ROSE STREET, GLASGOW, G3 6RB CONTENTS 3 Days in Quiberon 23 Possum + Q&A 21 White Christmas 17 Access Film Club: Blindspotting 28 Science Fair 21 CINEMASTERS: BILLY WILDER Scottish Animation: Access Film Club: Home Alone 28 7 The Apartment 15 Stories Brought to Life Anna and the Apocalypse + short 23 Double Indemnity 15 Shoplifters 22 Archive Film, Propaganda and The Private Life of Sherlock Holmes - 5 15 Spanish Civil War Sorry to Bother You 23 35mm Bad Reputation 20 Super November + Q&A 7 Some Like It Hot 15 Becoming Animal + Q&A 6 Suspiria 22 Sunset Boulevard 15 Been So Long + Q&A 6 Three Identical Strangers 23 COMEDY GENIUS Blue Black Permanent 24 Utøya - July 22 20 9 to 5 25 Blueprint: Scottish Independent Shorts 8 Visible Cinema: It’s A Wonderful Life 28 Shaun of the Dead 25 Calibre + Q&A 5 Visible Cinema: RCS Curates: Widows 28 South Park Sing-a-long - 35mm 25 21 Disobedience 23 Widows DID YOU MISS 22 The Wild Pear Tree 23 Distant Voices, Still Lives Black 47 25 20 Wildlife 22 Don’t Worry, He Won’t Get Far on Foot BlacKkKlansman 25 6 A Woman Captured + Q&A 5 Evelyn + Discussion C’est la vie 25 20 The Workshop 22 An Evening with Beverley Luff Linn Cold War 25 @glasgowfilm 24 Worlds of Ursula K Le Guin 7 The Evil Dead ESTONIA NOW Fahrenheit 11/9 20 AFRICA -
Women Warriors: the Voices of Change
Friday Evening, September 20, 2019, at 8:00 Orchestra Moderne NYC Amy Andersson, Founder and Music Director Women Warriors: The Voices of Change Introductory Remarks MASIH ALINEJAD, Author and Activist Prologue* LOLITA RITMANIS Chapter One The Long Road LOLITA RITMANIS The Long Road* Chapter Two Freedom MIRIAM CUTLER Women Unite* Chapter Three The 1980s AIDS/HIV Crisis PENKA KOUNEVA AIDS Crisis* Chapter Four Love is Love STARR PARODI Joy of the Waters* Chapter Five Women Build Peace PENKA KOUNEVA Build Peace* NATHALIE BONIN, Violin Chapter Six Yearning to Breathe Free SHARON FARBER HURRIYA Wind in My Hair* Chapter Seven Mother Earth Protectors NATHALIE BONIN Tender Dismay* PENKA KOUNEVA Standing Rock* MIRIAM CUTLER Earth Activists* Intermission Alice Tully Hall Please make certain your cellular phone, pager, or watch alarm is switched off. Chapter Eight Our Truth is Our Power SONITA ALIZADEH/MAHDI Daughters for Sale MANDY HOFFMAN Orchestral Arrangement* NATHALIE BONIN Prayer* PENKA KOUNEVA Our Truth – Our Power* Chapter Nine Seeking Justice and Equality SHARON FARBER Say Their Name* ANNE-KATHRIN DERN He is Not Coming Back** Chapter Ten Parkland ISOLDE FAIR/STARR PARODI Rise* ISOLDE FAIR, Soloist Featuring THE VISIONARY SINGERS Chapter Eleven Hell Hath No Fury Like a Woman Scorned PENKA KOUNEVA Me Too* Chapter Twelve We Will Honor Her PENKA KOUNEVA Honor Her* Finale Women Hold Up Half the Sky AMY ANDERSSON/LOLITA RITMANIS We Rise* GILLIAN HASSERT, Soloist Featuring RIGA CATHEDRAL GIRLS’ CHOIR TIARA * World Premiere **U.S. Premiere Lincoln Center At a Glance Women Warriors: The Voices of Change Orchestra Moderne NYC proudly presents a new world premiere production featuring the works of composers and singer/songwriters Sonita Alizadeh, Amy Andersson, Nathalie Bonin, Miriam Cutler, Anne-Kathrin Dern, Isolde Fair, Sharon Farber, Mandy Hoffman, Pen- ka Kouneva, Starr Parodi, and Lolita Ritmanis. -
31 December @Bfi #Bfilove
BFI UNVEILS UK-WIDE BLOCKBUSTER FOR AUTUMN 2015 LOVE FILMS TO FALL IN LOVE WITH... FILMS TO BREAK YOUR HEART 24 OCTOBER – 31 DECEMBER www.bfi.org.uk/love @BFI #BFILOVE Tuesday 15 September 2015, 10:00 The BFI today revealed its three month, UK-wide 2015 blockbuster, LOVE: FILMS TO FALL IN LOVE WITH… FILMS TO BREAK YOUR HEART, in partnership with Plusnet, at a special launch event at BFI Southbank, in which Four Weddings and a Funeral director Mike Newell, writer of Man Up and rising star Tess Morris and Woman’s Hour’s Jenni Murray discussed love on the big and small screen. LOVE will encompass three key themes – The Power of Love, Fools For Love and Fatal Attractions – and includes film screenings and Q&As with directors Stephen Frears (My Beautiful Laundrette, Dangerous Liaisons), Gina Prince-Bythewood (Love and Basketball, Beyond the Lights), Mike Newell (Four Weddings and a Funeral) and Gurinder Chadha (Bend it Like Beckham, Bride and Prejudice), actors Derek Jacobi (Love is the Devil), Gugu Mbatha-Raw (Beyond the Lights), Adrian Lester (Hustle), John Gordon Sinclair and Claire Grogan (Gregory’s Girl) and musician KT Tunstall. Director Mike Newell, speaking about his classic British rom-com Four Weddings and a Funeral, today said today of rom-com icn, Hugh Grant, “Hugh was the first of the commitment-phobics… he’s good looking, has wonderful hair, and he’s immensely deft with words – he could speak Richard Curtis’s wonderful script as it was supposed to be.” Panel host, Jenny Murray called for a new kind of rom-com, asking, “when will we see a woman in her 60s with a man in his mid-30s?” Jenny encouraged fellow panellists, Mike Newell and writer Tess Morris to run with her idea. -
David Blandy CV
David Blandy b. 1976 Lives and works in Brighton & London David Blandy has established his terrain through a series of investigations into the cultural forces that inform and influence him, ranging from his love of hip hop and soul, to computer games and manga. His works slip between performance and video, reality and construct, using references sampled from the wide, disparate sources that provide his (and our own) individualist sense of self. He is also one half of a collaborative practise with Larry Achiampong. Their recent work focuses on the writing of Frantz Fanon and post-colonial identity. His work has been shown at numerous public institutions including Tate, London; FACT, Liverpool; BALTIC Centre for Contemporary Art, Gateshead; INIVA, London; Künstlerhaus Stuttgart; Spike Island, Bristol; Turner Contemporary, Margate; Nouveau Musée National de Monaco; Kiasma Museum of Contemporary Art, Helsinki; Serpentine Gallery, London; Witte de With, Rotterdam; Modern Art Oxford; Kölnischer Kunstverein, Cologne Solo Exhibitions 2019 The World After, New Geographies Commission, Focal Point Gallery, Southend-on-Sea Genetic Automata, Larry Achiampong & David Blandy, Arts Catalyst, London 2018 FF Gaiden: Delete, Larry Achiampong & David Blandy, Bury Art Museum, Moving Image Gallery, Bury Finding Fanon, Screening, National Gallery of the Bahamas, Nassau, The Bahamas 2017 The End of the World, Seventeen, London Finding Fanon Sequence, Larry Achiampong & David Blandy, Plymouth Arts Centre, Plymouth Finding Fanon Trilogy, Larry Achiampong & David -
October 2016
OCTOBER 2016 I, DANIEL BLAKE | DE PALMA SCOTLAND LOVES ANIME AFRICA IN MOTION | LUMINATE SMHAFF | BLACK STAR GLASGOW FILM THEATRE BOX OFFICE 0141 332 6535 • WWW.GLASGOWFILM.ORG CONTENTS DIARY 4–6 The Secret Life of Pets 32 35mm: Quay Brothers Meet The Shining 15 12 Christopher Nolan Tharlo 10 The 48 Hour Film Project 11 Train to Busan 14 Access Film Club: Little Men 17 Under the Shadow 7 Akeelah and the Bee 32 Visible Cinema: The Grump 17 American Honey 11 AFRICA IN MOTION The Ana Trilogy I & II 13 The Battle of Algiers 23 Atomic - Living in Dread and Promise 13 In the Last Days of the City 23 The Beatles: Eight Days a Week 18 BLACK STAR Baden Baden 13 The Fabulous Nicholas Brothers 24 The Battle of the Somme Stormy Weather 24 27 with Live Score EDINBURGH SPANISH Belladonna of Sadness 29 FILM FESTIVAL Black 27 Lovers: A True Story 26 Blazing Saddles 29 Mr Kaplan 26 Blinky Bill the Movie 31 Sex, Maracas & Chihuahuas 26 Blow Out 9 EVENT CINEMA Bobby Sands: 66 Days 14 Bolshoi Ballet: The Bright Stream 36 Burn Burn Burn 14 Bolshoi Ballet: A Contemporary Evening 36 Courted 11 Bolshoi Ballet: The Golden Age 35 De Palma 9 Bolshoi Ballet: A Hero of Our Time 36 The Exorcist (Director’s Cut) 30 Bolshoi Ballet: The Nutcracker 36 The Fencer 7 Bolshoi Ballet: The Sleeping Beauty 36 The First Monday in May 10 Bolshoi Ballet: Swan Lake 36 From Dusk Till Dawn 30 Branagh Theatre Live: The Entertainer 33 The Girl With All the Gifts 7 NT Live: Hedda Gabler 35 Halloween 29 NT Live: No Man’s Land 34 I, Daniel Blake 12 NT Live: Saint Joan (Encore screening) -
Sonita Alizadeh
SPEAK TRUTH HUMAN RIGHTS DEFENDERS WHO ARE CHANGING OUR WORLD TO POWER Based on the book by KERRY KENNEDY | Photography by EDDIE ADAMS and ARCHITECTS OF PEACE Containing excerpts from the play Speak Truth To Power: Voices from Beyond the Dark by ARIEL DORFMAN ROBERT F. KENNEDY HUMAN RIGHTS KERRY KENNEDY In a world when a common lament is that there are no more repression, and so have come to a natural understanding of the heroes, too often cynicism and despair are perceived as issues and desire to overcome the wrongs. Others saw injustice evidence of the death of moral courage. That perception is in a community they were not a part of and took up the cause. wrong. People of great valor and heart, committed to a noble And still others had enjoyed the comforts of being among the purpose, with long records of personal sacrifice, walk among elite in their countries, yet risked banishment—and worse—to us in every country of the world. Nearly twenty years ago, I right wrongs committed by their peers. traveled the globe to forty countries and five continents, Despite the overwhelming powers arrayed against them, interviewing individuals who appear in the pages of the first these men and women are, as a whole, an optimistic lot. edition of Speak Truth To Power, and in the Ariel Dorfman play. In my interview with Archbishop Tutu, he emphasized this These are people whose lives are filled with extraordinary attitude, saying, “We have a God who doesn’t say, ‘Ah... Got feats of bravery. I’ve listened to them speak about the quality you!’ No. -
Aim 2013 End of Year Report
AiM 2013 End of Year Report Overview The eighth edition of the Africa in Motion (AiM) Film Festival centred around films and events which reflected the overarching theme of Twende: Africa on the Move (‘’twende’’ a Swahili word which translates as ‘’let’s go!’’), capturing Africa’s diverse richness and beauty through movement. We devised a programme that encapsulated all types of movement, from the movement of people across regions and borders with films about immigration and asylum, to political, cultural and social movements; to movement in its more literal form with films about sport dance and the vibrancy of African cities and street life. As in past years, our film programme was accompanied by a wide range of complementary events across different venues. These included opening nights in both Edinburgh and Glasgow, children’s days, music performances, art exhibitions, two masterclasses and a distribution forum. This year we also developed many new initiatives in order to expand audience accessibility to African cinema in Scotland. As part of this we developed the AiM Nomad Cinema that took films outside of our main cinema hubs to create pop-up screenings in bars, churches, empty swimming pools and more. Last year AiM expanded to Glasgow after six successful years in Edinburgh, and it was clear that Glasgow audiences were excited by African cinema. This year we expanded the Glasgow programme, as we continue with our aim to build and develop audiences in Glasgow. Film Programme AiM’s extensive and diverse film programme consisted of over 50 films – features, shorts and documentaries – which included 12 UK premieres and spanned 20 African countries. -
Bfi Announces Further Projects to Receive Funding from Bfi's Lottery Fund for Audience Development
Press release 11 August 2011 11/63 BFI ANNOUNCES FURTHER PROJECTS TO RECEIVE FUNDING FROM BFI’S LOTTERY FUND FOR AUDIENCE DEVELOPMENT The BFI has today announced the next selection of projects to be supported by its Lottery Transition Fund for Audience Development. A further 22 projects from across the UK dedicated to delivering a wide range of audience development activities for specialised and British film will receive funding totalling £371,324.80 and take the total number of projects helped to 59. The Transition Fund for Audience Development was set up swiftly by the BFI in order to support audience development projects facing budget cuts in funding as a result of the changes in the national and regional film funding landscape which have taken place before a new film strategy and funding priorities come into effect from April 2012. The projects funded, all of which demonstrated that their funding for core activities has been significantly reduced or withdrawn for the financial year 2011-12, represents a diverse range of activities and a wide geographical spread. The projects announced today include the Independent Cinema Office (ICO), the national organisation for the development and support of independent film exhibition in the UK, the Oska Bright International film and digital media festival which features work created by people with learning disabilities, The Birmingham Black Film Festival which promotes the work of local black film makers, and The Byre Theatre in St. Andrews, Fife which shows a diverse range of art house and non-mainstream cinema reflective of the local audience. Peter Buckingham, Head of Distribution and Exhibition, BFI, said, “We have moved as swiftly as possible to ensure that film organisations are able to survive in this period of transition, and that audiences can continue to benefit from the important work that they do.