An Analysis of Woody Allen's Mighty Aphrodite by Means
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KATHRYN HIMOFF, ACE Editor
KATHRYN HIMOFF, ACE Editor PROJECTS Partial List DIRECTORS STUDIOS/PRODUCERS PLAYERS Trish Sie CAMPFIRE / NETFLIX Feature Film Ross Dinerstein, Ross Girard, Marc Platt UNT. YANCE FORD DOC Yance Ford HARPO FILMS Documentary Keetin Mayakara LOVE, GUARANTEED Mark Steven NETFLIX Feature Film Johnson Stephanie Slack, Margret Huddleston LIMETOWN Rebecca Thomas ENDEAVOR CONTENT / FACEBOOK Pilot & Season 1 Andre Nemec, Josh Appelbaum FINDING STEVE MCQUEEN Mark Steven IDENTITY FILMS Johnson Anthony Mastromauro, Silvio Muraglia THE FINEST Regina King LINCOLN SQUARE / ABC SIGNATURE Pilot Raymond Quinlan, Linda Berman, Pam Veasey EVERY DAY Michael Sucsy MGM / Peter Cron, Paul Trijbits GUARDIANS OF THE GALAXY II James Gunn MARVEL / DISNEY Add’l Editor Louis D’Esposito, Kevin Feige Victoria Alonso, Jonathan Schwartz DICE Series Various Directors SHOWTIME / Furst Films, Richard Shepard THE MAN IN THE HIGH CASTLE David Semel SCOTT FREE PROD. / AMAZON Pilot David Zucker, Ridley Scott, Frank Spotnitz Mark Mitchell THE STRAIN Peter Weller FX Series Deran Sarafian Guillermo del Toro, Carlton Cuse TRUST ME Clark Gregg BRON STUDIOS / Keith Kjarval JOYFUL NOISE Todd Graff ALCON / WARNER BROS. / Andrew Kosove GEORGIA O’KEEFE Bob Balaban SONY MOW Josh Maurer, Alixandre Witlin, Tony Mark APPALOOSA Ed Harris GROUNDSWELL / NEW LINE CINEMA Michael London, Ed Harris, Robert Knott LICENSE TO WED Ken Kwapis WARNER BROS. Robert Simonds, Christine Sacani UGLY BETTY Richard Shepard ABC Pilot Ben Silverman, Teri Weinberg, Silvio Horta THE SISTERHOOD OF THE Ken Kwapis WARNER BROS / ALCON TRAVELING PANTS Andrew Kosove, Debra Martin Chase THE OFFICE Pilot Ken Kwapis NBC / Ken Kwapis, Greg Daniels HOUSE OF 1000 CORPSES Rob Zombie LIONSGATE / Andy Gould POLLOCK Ed Harris SONY CLASSICS / Fred Berner, Jon Kilik Nominated, Academy Award, Best Actor Peter Brant, Joseph Allen Won, Academy Award, Best Supporting Actress KILLING ZOE Roger Avary OCTOBER FILMS Quentin Tarantino, Samuel Hadida INNOVATIVE-PRODUCTION.COM | 310.656.5151 . -
Euphemism in Animated Films a Multimodal And
Seeing the unseen: Euphemism in Animated Films A Multimodal and Critical Discourse Study by Dalia Abyd Asseel M.A. (Linguistics) A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in THE DEPARTMENT OF LINGUISTICS AND ENGLISH LANGUAGE LANCASTER UNIVERSITY, UK JULY 2020 Abstract Animated films are contemporary popular cultural products recreating the ‘real’ world and engaging massive worldwide audiences of adults and children. Children as the ostensible viewers of animated films may acquire their cultural and ideological knowledge and beliefs about the world from the representations in animated films. Although during the past decade animated films have increasingly been the focus of attention of researchers across different disciplines, including education, gender, sexuality and literacy, studies tackling the discourse and language of animated films are still in their early stages. More specifically, very few studies have investigated the use of euphemism as a major micro-level linguistic device reflecting macro-level discourse and extending to sociocultural structures. To this end, this thesis examines euphemism constructed through the discourse of animated films by employing the strategies of Critical Discourse Studies (CDS). Moreover, Multimodal Discourse Analysis (MDA) is employed to examine discursive strategies involving visual representations accompanying euphemism and what underpins those strategies, and to shed light on the multimodal relations between the representation of both. Euphemism is frequently associated with the notion of taboo. Consequently, new words or phrases are designated to refer to linguistic taboos as alternatives used by speakers to minimise the threat to the audience’s face as well as to their own. -
ROBERT GREENHUT Producer
ROBERT GREENHUT Producer TRUST - Millennium - David Schwimmer, director PICASSO & BRAQUE GO TO THE MOVIES - Independent - Arne Glimcher, director BROOKLYN’S FINEST - Warner Bros. - Antoine Fuqua, director AUGUST RUSH - Warner Bros. - Kirsten Sheridan, director FIND ME GUILTY - Yari Film Group - Sidney Lumet, director STATESIDE - First Look Films - Reverge Anselmo, director THE BLACK KNIGHT - 20th Century Fox - Gil Junger, director WHITE RIVER KID - Independent - Arne Glimcher, director WITH FRIENDS LIKE THESE - Independent - Phillip Frank Messina, director THE PREACHER’S WIFE - Buena Vista - Penny Marshall, director EVERYONE SAYS I LOVE YOU - Miramax - Woody Allen, director MIGHTY APHRODITE - Miramax - Woody Allen, director BULLETS OVER BROADWAY - Miramax - Woody Allen, director RENAISSANCE MAN - Buena Vista - Penny Marshall, director WOLF (Executive) - Columbia - Mike Nichols, director MANHATTAN MURDER MYSTERY - TriStar - Woody Allen, director HUSBANDS AND WIVES - TriStar - Woody Allen, director SHADOWS AND FOG - Orion - Woody Allen, director A LEAGUE OF THEIR OWN - Columbia - Penny Marshall, director REGARDING HENRY (Executive) - Paramount - Mike Nichols, director ALICE - Orion - Woody Allen, director QUICK CHANGE - Warner Bros. - Howard Franklin, Bill Murray, directors POSTCARDS FROM THE EDGE (Executive) - Columbia - Mike Nichols, director CRIMES AND MISDEMEANORS - Orion - Woody Allen, director NEW YORK STORIES - Touchstone - Woody Allen, director WORKING GIRL - 20th Century Fox - Mike Nichols, director BIG - 20th Century Fox - Penny -
Resource Materials on the Learning and Teaching of Film This Set of Materials Aims to Develop Senior Secondary Students' Film
Resource Materials on the Learning and Teaching of Film This set of materials aims to develop senior secondary students’ film analysis skills and provide guidelines on how to approach a film and develop critical responses to it. It covers the fundamentals of film study and is intended for use by Literature in English teachers to introduce film as a new literary genre to beginners. The materials can be used as a learning task in class to introduce basic film concepts and viewing skills to students before engaging them in close textual analysis of the set films. They can also be used as supplementary materials to extend students’ learning beyond the classroom and promote self-directed learning. The materials consist of two parts, each with the Student’s Copy and Teacher’s Notes. The Student’s Copy includes handouts and worksheets for students, while the Teacher’s Notes provides teaching steps and ideas, as well as suggested answers for teachers’ reference. Part 1 provides an overview of film study and introduces students to the fundamentals of film analysis. It includes the following sections: A. Key Aspects of Film Analysis B. Guiding Questions for Film Study C. Learning Activity – Writing a Short Review Part 2 provides opportunities for students to enrich their knowledge of different aspects of film analysis and to apply it in the study of a short film. The short film “My Shoes” has been chosen to illustrate and highlight different areas of cinematography (e.g. the use of music, camera shots, angles and movements, editing techniques). Explanatory notes and viewing activities are provided to improve students’ viewing skills and deepen their understanding of the cinematic techniques. -
Celebrity and Authorial Integrity in the Films of Woody Men %Y
CELEBRITY AND AUTHORIAL INTEGRITY IN THE FILMS OF WOODY ALLEN BY FAYE MCINTYRE A Thesis Submitted to the Facul@ of Graduate Studies in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY Department of English University of Manitoba Winnipeg, Manitoba (c) January, 200 1 National Library BibIiothèque nationale du Canada Acquisitions and Acquisitions et Bibliographic Services services bibliographiques 395 Wellington Street 395. rue Wellington Ottawa ON Ki A ON4 Ottawa ON KI A ON4 Canada Canada rour rïk vom rbw~ Our fi& Notre rtifBrence The author has granted a non- L'auteur a accordé une licence non exclusive licence allowing the exclusive permettant à la National Lïbrary of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or seU reproduire, prêter, distribuer ou copies of this thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/film, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantid extracts fÏom it Ni la thèse ni des extraits substantiels may be printed or othemise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. THE UNIVERSITY OF MANITOBA FACULTY OF GRADUATE STUDIES *f *f * COPYRIGHT PERMISSION PAGE Celebrity and Authorial Integrity in the Films of Woody Men %Y Faye McIntyre A Thesis/Practicum submitted to the Faculty of Graduate Studies of The University of Manitoba in partial fulNlment of the requirements of the degree of Doctor of Philosophy FAYE MCINTYRE O 2001 Permission has been granted to the Library of The University of Manitoba to Iend or seU copies of this thesis/practicum, to the National Library of Canada to microfilm this thesis/practicum and to lend or sell copies of the film, and to Dissertations Abstracts International to publish an abstract of this thesis/practicum. -
Crimes and Misdemeanors, Match Point, and Cassandra’S Dream) Are Males
RECEPTION OF CLASSICAL MYTHOLOGY IN WOODY ALLEN’S DRAMAS: CRIMES AND MISDEMEANORS, MATCH POINT, AND CASSANDRA’S DREAM by Olga Sergeyevna Savenkova A thesis submitted to the faculty of The University of Utah in partial fulfillment of the requirements for the degree of Master of Arts Department of Languages and Literature The University of Utah May 2013 Copyright © Olga Sergeyevna Savenkova 2013 All Rights Reserved The University of Utah Graduate School STATEMENT OF THESIS APPROVAL The thesis of Olga Sergeyevna Savenkova a has been approved by the following supervisory committee members: Margaret Toscano , Chair 03/05/2013 Date Approved Erin O’Connell , Member 03/05/2013 Date Approved Gerald Root , Member 03/07/2013 Date Approved and by Katharina Gerstenberger , Chair of the Department of Languages and Literature a and by Donna M. White, Interim Dean of The Graduate School. ABSTRACT The thesis explores the reception of classical mythology in three dramas by Woody Allen: Crimes and Misdemeanors (1989), Match Point (2005), and Cassandra’s Dream (2007). These films are studied as contemporary interpretations of the ancient stories of Oedipus, Narcissus, and Orestes. Allen’s films use mythic patterns to meditate on such ancient themes as illusion versus reality, status, alienation and self-identity, the tragedy of love, human conscience, moral choice and responsibility, fate and revenge, crime and punishment. The purpose of this study is to show how Woody Allen’s dramas originate from ancient mythology and how the study of Greek tragedy and Roman poetry sheds light on the problems centered in his movies, which are neglected by most critics. -
Hallmark Collection
Hallmark Collection 20000 Leagues Under The Sea In 1867, Professor Aronnax (Richard Crenna), renowned marine biologist, is summoned by the Navy to identify the mysterious sea creature that disabled the steamship Scotia in die North Atlantic. He agrees to undertake an expedition. His daughter, Sophie (Julie Cox), also a brilliant marine biologist, disguised as a man, comes as her father's assistant. On ship, she becomes smitten with harpoonist Ned Land (Paul Gross). At night, the shimmering green sea beast is spotted. When Ned tries to spear it, the monster rams their ship. Aronnax, Sophie and Ned are thrown overboard. Floundering, they cling to a huge hull which rises from the deeps. The "sea beast" is a sleek futuristic submarine, commanded by Captain Nemo. He invites them aboard, but warns if they enter the Nautilus, they will not be free to leave. The submarine is a marvel of technology, with electricity harnessed for use on board. Nemo provides his guests diving suits equipped with oxygen for exploration of die dazzling undersea world. Aronnax learns Nemo was destined to be the king to lead his people into the modern scientific world, but was forced from his land by enemies. Now, he is hoping to halt shipping between the United States and Europe as a way of regaining his throne. Ned makes several escape attempts, but Sophie and her father find the opportunities for scientific study too great to leave. Sophie rejects Nemo's marriage proposal calling him selfish. He shows his generosity, revealing gold bars he will drop near his former country for pearl divers to find and use to help the unfortunate. -
Dermatologist Relishes Cameo Roles
66 Practice Trends S KIN & ALLERGY N EWS • May 2008 T HE R EST OF Y OUR L IFE Dermatologist Relishes Cameo Roles riter and film director Woody down” (1999) and in “Small Time Crooks” Allen was about to leave Dr. (2000); a magician’s volunteer in “The WKenneth L. Edelson’s derma- Curse of the Jade Scorpion” (2001); an eye tology office on Manhattan’s Upper East doctor in “Hollywood Ending” (2002); a Side in March of 1986, when he turned to hotel desk clerk in “Anything Else” (2003); Dr. Edelson and made him a promise. and a disco guest in “Melinda and Melin- “In his inimitable manner, Woody da” (2005). Along the way, he has rubbed scratched his head and said, ‘You know Dr. elbows with scores of celebrities, includ- Edelson, you’re a real funny guy,’ ” re- ing Helena Bonham Carter, Mia Farrow, called Dr. Edelson, who did not know Mr. Will Ferrell, Dustin Hoffman, Helen Allen prior to that office visit. “‘I’m going Hunt, Sean Penn, Cybill Shepherd, Peter to put you in my next film.’ I thought, Weller, and Uma Thurman. ‘Yeah, right, I’ll be in the movies!’ ” Acting “allows some stress and tension DELSON The next day, Mr. Allen’s longtime cast- release,” said Dr. Edelson, who listed Jack- L. E ing director Juliet Taylor called Dr. Edelson ie Gleason, Red Skelton, Steve Allen, Lau- to confirm that Mr. Allen’s pledge was gen- rel and Hardy, Abbott and Costello, and ENNETH . K R uine and to inquire about his acting histo- the Three Stooges among his favorite D ry. -
A Study of the Theoretical Position Within Metzian Film Semiotics of Sound in Cinema Kathryn L
Eastern Illinois University The Keep Masters Theses Student Theses & Publications 1983 The oundS and the Theory: A Study of the Theoretical Position within Metzian Film Semiotics of Sound in Cinema Kathryn L. Ingle Eastern Illinois University This research is a product of the graduate program in Speech Communication at Eastern Illinois University. Find out more about the program. Recommended Citation Ingle, Kathryn L., "The oundS and the Theory: A Study of the Theoretical Position within Metzian Film Semiotics of Sound in Cinema" (1983). Masters Theses. 2888. https://thekeep.eiu.edu/theses/2888 This is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. THESIS REPRODUCTION CERTIFICATE TO: Graduate Degree Candidates who have written formal theses. SUBJECT: Permission to reproduce theses. The University Library is receiving a number of requests from other institutions asking permission to reproduce dissertations for inclusion in their library holdings. Although no copyright laws are involved, we feel that professional courtesy demands that permission be obtained from the author before we allow theses to be copied. Please sign one of the following statements: Booth Library of Eastern Illinois University has my permission to lend my thesis to a reputable college or university for the purpose of copying it for inclusion in that institution's library or research holdings. Date Author I respectfully request Booth Library of Eastern Illinois University not allow my thesis be reproduced because -�� Date Author m THE SOUND AND THE THEORY (TITLE) BY Kathryn L. -
Starlog Magazine
—' 'IV \ j, ! t ''timmffy* STAR WARS Christopher Lee vs. Yoda! REIGN OF FIRE Total future dragon war! EIGHT LEGGED FREAKS Spider nightmare fun! Discover the power af the dark side with the Star Wars Trading Card Game. The tempting new Sith Rising card set lets you crush your enemies with weapons, ships, and villains from The Star Wars saga. Or refuse to give in to your anger, and thwart those who would tyrannize the galaxy. Once you learn to control the Force, take your battle into a new arena the Star Wars TCG League. You will embark on Jedi training, and even a Sith Lord can't stop you from earning exclusive promo cards and learning Jedi secrets. Rules only available in: Two-Player Starter Game Advanced Starter Decks Dfficial Star Wars Web Site www.starwars.CDm © 2002 Lucasfilm Ltd. & TM. All rights resen/ed. Wizards of the Coast is a registered trademark of Wizards of the Coast, Inc. BACK IN BLACK Barry Sonnenfeld directs the scum of the universe again FILING MINORITY REPORT i { Producer Bonnie Curtis takes a reel view of future paranoia TOM CRUISE ON THE RUN He's desperate to prove he's an innocent guilty man SECRETS OF FARSCAPE Pssst! David Kemper reveals all—or not—on the series' new year MISSION: ODYSSEY 5 Only creator Manny Coto knows why the world ends MY PET KILLER ALIEN watercolor Lilo's world with thoughts of Elvis & Stitch WEBS OF SPIDER DEATH Producer Dean Devlin Preeds Eight Legged Freaks HERE THERE BE DRAGONS Director RoP Bowman readies Earth for a Reign of Fire CHRISTOPHER LEE SPEAKS Now, the legend in starlight can talk aPout Star Wars MIND READER Anthony Michael Hall predicts success for The Dead Zone NIGHT, ARES Not content with munching GOOD SWEET STARLOG's indicia The late Kevin Smith recalled life with (see the replacement on xena & Hercules page 6), Stitch taste-tests the logo. -
Art, Love, and Life in the Films of Woody Allen
Reconstructing Woody: Art, Love, and Life in the Films of Woody Allen For too long, the films of Woody Allen have been interpreted as expressions of deconstructionism, nihilism, and postmodern angst. In this pathbreaking new book, distinguished writer Mary P. Nichols challenges these assumptions by arguing that Allen’s entire body of work, from “Play It Again, Sam” to “Mighty Aphrodite,” is actually an attempt to explore and reconcile the tension between art and life. As witty and complex as its subject, “Reconstructing Woody” shows why Allen, despite his recent personal turmoil, is immensely concerned with human ethics, goodness, and virtue. (Bullets over Broadway) 179 Ardent fans and strident detractors will view 13. The Sportswriter and the Whore Woody Allen’s films from an entirely new (Mighty Aphrodite) 195 perspective. 14. The Comic 211 Notes 223 Acknowledgements vii Bibliography 245 Preface ix Index 249 1. The Interpreter and the Artist 1 About the Author 255 2. The Hero and the Klutz (Play It Again, Sam) 19 3. The Anhedonist and the Singer (Annie Hall) 33 4. The Interior Decorator and the Vulgarian (Interiors) 49 5. The Director and the Fan (Stardust Memories) 65 6. The Empiricist and the Image Maker (A Midsummer Night’s Sex Comedy) 83 7. The Changing Man and the Psychiatrist (Zelig) 99 8. The Actor and the Character (The Purple Rose of Cairo) 115 9. The Eavesdropper and the Patient (Another Woman) 131 10. The Ophthalmologist and the Filmmaker (Crimes and Misdemeanors) 149 11. The Detectives (Manhatten Murder Mystery) 165 12. The Murderer and the Playwright . -
Starlog Magazine Issue
'ne Interview Mel 1 THE SCIENCE FICTION UNIVERSE Brooks UGUST INNERSPACE #121 Joe Dante's fantastic voyage with Steven Spielberg 08 John Lithgow Peter Weller '71896H9112 1 ALIENS -v> The Motion Picture GROUP, ! CANNON INC.*sra ,GOLAN-GLOBUS..K?mEDWARO R. PRESSMAN FILM CORPORATION .GARY G0D0ARO™ DOLPH LUNOGREN • PRANK fANGELLA MASTERS OF THE UNIVERSE the MOTION ORE ™»COURTENEY COX • JAMES TOIKAN • CHRISTINA PICKLES,* MEG FOSTERS V "SBILL CONTIgS JULIE WEISS Z ANNE V. COATES, ACE. SK RICHARD EDLUND7K WILLIAM STOUT SMNIA BAER B EDWARD R PRESSMAN»™,„ ELLIOT SCHICK -S DAVID ODEll^MENAHEM GOUNJfOMM GLOBUS^TGARY GOODARD *B«xw*H<*-*mm i;-* poiBYsriniol CANNON HJ I COMING TO EARTH THIS AUGUST AUGUST 1987 NUMBER 121 THE SCIENCE FICTION UNIVERSE Christopher Reeve—Page 37 beJohn Uthgow—Page 16 Galaxy Rangers—Page 65 MEL BROOKS SPACEBALLS: THE DIRECTOR The master of genre spoofs cant even give the "Star wars" saga an even break Karen Allen—Page 23 Peter weller—Page 45 14 DAVID CERROLD'S GENERATIONS A view from the bridge at those 37 CHRISTOPHER REEVE who serve behind "Star Trek: The THE MAN INSIDE Next Generation" "SUPERMAN IV" 16 ACTING! GENIUS! in this fourth film flight, the Man JOHN LITHGOW! of Steel regains his humanity Planet 10's favorite loony is 45 PETER WELLER just wild about "Harry & the CODENAME: ROBOCOP Hendersons" The "Buckaroo Banzai" star strikes 20 OF SHARKS & "STAR TREK" back as a cyborg centurion in search of heart "Corbomite Maneuver" & a "Colossus" director Joseph 50 TRIBUTE Sargent puts the bite on Remembering Ray Bolger, "Jaws: