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Favorite Movies
Favorites as of June 2011 Favorite Movies - 00s The Boondock Saints Kiss Kiss, Bang Bang Lord of War The Machinist The Prestige The Punisher Harold and Kumar Go to White Castle The Butterfly Effect Confessions of a Dangerous Mind The Ring We Were Soldiers Ghost World Snatch Memento Serendipity Shoot „Em Up Taken Rules of Attraction Resident Evil & (Apocalypse) American Psycho Favorite Movies - 90s Fight Club PI Election The Usual Suspects Reservoir Dogs The Player Gattaca True Romance Freeway Dogfight ----------------------------- Free Enterprise Groundhog Day Goodwill Hunting The Inner Circle Dark City From Dusk till Dawn Reality Bites Sixth Sense Chasing Amy Fear and Loathing in Las Vegas Avalon/Liberty Heights American Beauty Go Something About Mary Office Space Oleanna Forrest Gump Wild Things Pulp Fiction Scream 1 & 2 Lock, Stock, & Two Smoking Barrels Favorites as of June 2011 Favorite Movies - 80s The Sure Thing Valley Girl Real Genius Terminator Baby Its You Breakfast Club 48 Hours Amadeus A Fish Called Wanda Jacob's Ladder -------------------- Repo Man Into the Night Die Hard Insignificance Field of Dreams Sixteen Candles One Crazy Summer Better Off Dead Weird Science The Empire Strikes Back Aliens Raiders of the Lost Ark/Temple of Doom Robocop The Hitcher The Manhattan Project Heartbreak Ridge Peggy Sue Got Married Favorites as of June 2011 Favorite Movies - Previous Citizen Kane (1941) Casablanca (1943) Dead of Night (1945) Its a Wonderful Life (1946) Curse of the Demon (1957) Touch of Evil (1958) Psycho (1960) David and Lisa -
Derek Brunson and (#10) Kevin Holland Battle at Ufc® Apex
EXCITING MIDDLEWEIGHT CONTENDERS (#7) DEREK BRUNSON AND (#10) KEVIN HOLLAND BATTLE AT UFC® APEX Las Vegas – UFC® continues its run of events at UFC APEX with a thrilling middleweight contenders’ bout that will see No. 7 ranked Derek Brunson look to stop the momentum of rising No. 10 Kevin Holland. In a fascinating co-main event, No. 15 ranked lightweight contender Gregor Gillespie returns against surging former kickboxer Brad Riddell. UFC FIGHT NIGHT®: BRUNSON vs. HOLLAND will take place Saturday, March 20 at UFC APEX in Las Vegas. The main card will air live at 10 p.m. ET / 7 p.m. PT on ESPN and will also be simulcast in English and Spanish on ESPN+. ESPN Deportes will also air the main event joining in progress at 11 p.m. ET. The prelims will kick off on ESPN+ and ESPN2 at 7 p.m. ET / 4 p.m. PT. Perennial contender Brunson (21-7, fighting out of Wilmington, N.C.) is coming off one of his most impressive performances to date, handing highly touted Edmen Shahbazyan his first professional loss in August via TKO. A NCAA Division II wrestler with KO power, Brunson has also earned KO wins over Lyoto Machida, Uriah Hall and Sam Alvey. Brunson now has his sights set on securing his fourth consecutive victory by turning back yet another rising contender. Holland (21-5, fighting out of Fort Worth, Texas) hopes to continue the momentum of his historic 2020 campaign, which saw him become the first middleweight in UFC history to win five bouts inside a calendar year. -
Winona Daily News Winona City Newspapers
Winona State University OpenRiver Winona Daily News Winona City Newspapers 3-3-1969 Winona Daily News Winona Daily News Follow this and additional works at: https://openriver.winona.edu/winonadailynews Recommended Citation Winona Daily News, "Winona Daily News" (1969). Winona Daily News. 849. https://openriver.winona.edu/winonadailynews/849 This Newspaper is brought to you for free and open access by the Winona City Newspapers at OpenRiver. It has been accepted for inclusion in Winona Daily News by an authorized administrator of OpenRiver. For more information, please contact [email protected]. THE RIVER Yesterday 6.36 . ""* Read By More Today .: 6.42 Crest Than 90,000 1965 ... 8.24 20.75 1952 ... 5.79 17.93 People Every Day 1951 .. 5.54 17.35 Apollo 9 Thunders Into Orbit CAPE KENNEDY, Fla. CAP) the ground, the astronauts — The Apollo 9 astronauts rock- showed just about the level of eted into orbit today and skill- excitement that flight surgeons fully executed a link-up with a Docking Maneuv er Goes Smoothly expected, except for civilian as- fragile ugly duckling spaceship tronaut Russell L. Schweickart, which they hope to qualify to day earth-circling trip, they Just after docking, McDivitt posed in its rocket garage. pad. The orbit ranged from 118 making his first space flight. land men on the moon next could clear the way for two broke the silence to report the Advancing cautiously as both to ,119 miles above the earth, McDivitt's heart was beating July. Americans to make the landing status fully, and said,"Every- vehicles sped at 17,400 miles an just about perfect. -
Mercury Rising NAU Climate Researchers Work to Make Sense of Soaring Global Temperatures
THE MAGAZINE OF THE NORTHERN ARIZONA UNIVERSITY ALUMNI ASSOCIATION Mercury Rising NAU climate researchers work to make sense of soaring global temperatures FALL 2006 Two for the Road to Gold Alums Mike Jankowski, ’98 B.S., and Michele Gleich, ’92 B.S., go Olympic in Torino p. 12 Behind the Mike Phoenix radio personality and former class clown Tim Chelgren (attended) gets serious—sort of p. 14 Left to right: associate professors George Koch and Bruce Hungate ALSO: For NAU students who spent spring break rebuilding after Katrina, it was a labor of love. p. 16 FFdPNFA06_cover.indddPNFA06_cover.indd 2244 88/22/06/22/06 88:25:43:25:43 AAMM In this Issue 2 Fall 2006 I naualumni.com FFdPNFA06_02-03_TOC.indddPNFA06_02-03_TOC.indd 2 88/22/06/22/06 88:28:03:28:03 AAMM Feeling the Heat NAU climate researchers 8 help unearth the mysteries of global warming and its effect on the planet. Olympic FEATURES Ringers Mike Jankowski, 12 ’98 B.S., and Michele Gleich, ’92 B.S., carry a torch for NAU—and the Olympic Winter Games in Torino. Top of the Dial Meet Tim Chelgren, 14 aka Tim Hattrick (attended), the NAU half of Phoenix’s famous “Tim & Willy in the Morning” radio show on KNIX. Thoughts What matters 4 most? Sharing old—and making new—memories. Join us for Homecoming and do both. Links Casting calls, new 5 faces, Fulbright Scholars and all the newsletters fit to email. Journeys NAU spring 16 breakers help rebuild Mis- sissippi after Hurricane Katrina. Connections Find out DEPARTMENTS 18 what’s been happening with your NAU classmates. -
Classical Hollywood As an Epistemological Network
CLASSICAL HOLLYWOOD AS AN EPISTEMOLOGICAL NETWORK Birk Weiberg The paper discusses optical effect techniques of the 1930s and early sound film as intrinsic practices of commercial cinema. The approach only to be sketched here is to discuss structures, machines, people, and institutions as tantamount agents of an epistemological network where education turns into means of development and control. Perhaps no other medium has been described, analyzed, and understood in relation to other media as much as film has been. Theatre, photography, and magic provided a framework for understanding the intermediality of film as an exchange between people, objects, and techniques. In what follows I shall leave aside the peculiarities of these entities, and shall instead regard them as equivalent containers of knowledge – a reduction that resembles Bruno Latour’s concept of an ontological symmetry of human and non-human actors. [1] The attempt to describe Hollywood around 1930 as an epistemological network immediately raises the questions of how much external knowledge was necessary and how much was digestible to support the development of a relatively young medium like film at that time? I shall claim that Hollywood progres- sively excluded external ‘actors’ and therefore was forced to establish its own structures in order to compensate this loss or integrate knowledge on its own terms. The fact that most people working in the industry did not have higher or specialized education proved to be favorable for achieving independence. Autonomy here means self-referentiality as opposed to inter- mediality. 1 Hollywood & Education In 1927, banker Joseph P. Kennedy, who had recently made his first ventures into the movie business, organized a lecture series at Harvard Business School. -
Build a Be4er Neplix, Win a Million Dollars?
Build a Be)er Ne,lix, Win a Million Dollars? Lester Mackey 2012 USA Science and Engineering FesDval Nelix • Rents & streams movies and TV shows • 100,000 movie Dtles • 26 million customers Recommends “Movies You’ll ♥” Recommending Movies You’ll ♥ Hated it! Loved it! Recommending Movies You’ll ♥ Recommending Movies You’ll ♥ How This Works Top Secret Now I’m Cinematch Computer Program I don’t unhappy! like this movie. Your Predicted Rang: Back at Ne,lix How can we Let’s have a improve contest! Cinematch? What should the prize be? How about $1 million? The Ne,lix Prize October 2, 2006 • Contest open to the world • 100 million movie rangs released to public • Goal: Create computer program to predict rangs • $1 Million Grand Prize for beang Cinematch accuracy by 10% • $50,000 Progress Prize for the team with the best predicDons each year 5,100 teams from 186 countries entered Dinosaur Planet David Weiss David Lin Lester Mackey Team Dinosaur Planet The Rangs • Training Set – What computer programs use to learn customer preferences – Each entry: July 5, 1999 – 100,500,000 rangs in total – 480,000 customers and 18,000 movies The Rangs: A Closer Look Highest Rated Movies The Shawshank RedempDon Lord of the Rings: The Return of the King Raiders of the Lost Ark Lord of the Rings: The Two Towers Finding Nemo The Green Mile Most Divisive Movies Fahrenheit 9/11 Napoleon Dynamite Pearl Harbor Miss Congeniality Lost in Translaon The Royal Tenenbaums How the Contest Worked • Quiz Set & Test Set – Used to evaluate accuracy of computer programs – Each entry: Rang Sept. -
2021 UFC Select Checklist
2021 Select UFC Checklist - By Fighter Fighter Set Card # Team Print Run Al Iaquinta Auto - Octagon Action Sigs + Parallels 24 Lightweight 185 Aleksandar Rakic Base - Concourse 6 Light Heavyweight Aleksandar Rakic Base - Octagonside 226 Light Heavyweight Aleksandar Rakic Base - Premier Level 153 Light Heavyweight Alexander Gustafsson Auto - Octagon Action Sigs + Parallels 25 Heavyweight 285 Alexander Gustafsson Insert - Global Icons 23 Heavyweight Alexander Volkanovski Auto - Signatures + Parallels 40 Featherweight 135 Alexander Volkanovski Base - Concourse 16 Featherweight Alexander Volkanovski Base - Octagonside 246 Featherweight Alexander Volkanovski Base - Premier Level 155 Featherweight Alexander Volkanovski Insert - Global Icons 9 Featherweight Alexander Volkanovski Insert - Phenomenon 21 Featherweight Alexander Volkov Base - Concourse 26 Heavyweight Alexander Volkov Base - Octagonside 266 Heavyweight Alexander Volkov Base - Premier Level 157 Heavyweight Aljamain Sterling Base - Concourse 46 Bantamweight Aljamain Sterling Base - Octagonside 206 Bantamweight Aljamain Sterling Base - Premier Level 151 Bantamweight Aljamain Sterling Insert - Select Grapplers 15 Bantamweight Amanda Nunes Insert - Select Strikers 13 Women's Bantamweight Amanda Nunes Auto - Signatures + Parallels 16 Women's Featherweight 135 Amanda Nunes Base - Concourse 56 Women's Featherweight Amanda Nunes Base - Octagonside 216 Women's Featherweight Amanda Nunes Base - Premier Level 152 Women's Featherweight Amanda Nunes Insert - Global Icons 17 Women's Featherweight -
The Hollywood Cinema Industry's Coming of Digital Age: The
The Hollywood Cinema Industry’s Coming of Digital Age: the Digitisation of Visual Effects, 1977-1999 Volume I Rama Venkatasawmy BA (Hons) Murdoch This thesis is presented for the degree of Doctor of Philosophy of Murdoch University 2010 I declare that this thesis is my own account of my research and contains as its main content work which has not previously been submitted for a degree at any tertiary education institution. -------------------------------- Rama Venkatasawmy Abstract By 1902, Georges Méliès’s Le Voyage Dans La Lune had already articulated a pivotal function for visual effects or VFX in the cinema. It enabled the visual realisation of concepts and ideas that would otherwise have been, in practical and logistical terms, too risky, expensive or plain impossible to capture, re-present and reproduce on film according to so-called “conventional” motion-picture recording techniques and devices. Since then, VFX – in conjunction with their respective techno-visual means of re-production – have gradually become utterly indispensable to the array of practices, techniques and tools commonly used in filmmaking as such. For the Hollywood cinema industry, comprehensive VFX applications have not only motivated the expansion of commercial filmmaking praxis. They have also influenced the evolution of viewing pleasures and spectatorship experiences. Following the digitisation of their associated technologies, VFX have been responsible for multiplying the strategies of re-presentation and story-telling as well as extending the range of stories that can potentially be told on screen. By the same token, the visual standards of the Hollywood film’s production and exhibition have been growing in sophistication. -
The Quicksilver Question Web Module
Environmental Health The Quicksilver Question Web Module An interactive, computer based environmental health curriculum for middle school students. http://depts.washington.edu/iehmsp/ These materials were developed by the Integrated Environmental Health Middle School Project (NIEHS Grant #ES10738 and #ES07033) at the University of Washington, Seattle. Copyright 2005 University of Washington. These materials are produced by the NIEHS Center for Ecogenetics & Environmental Health at the University of Washington, Seattle. Funding provided by the Integrated Environmental Health Middle School Project (NIEHS grant ES 10738 and ES 07033). Any opinions, fi ndings, conclusions, or recommendations expressed in this publication are those of the authors and do not necessarily refl ect the view of the funding agency. Copyright 2005 by the University of Washington. You have the permission of the authors to reproduce items in this curriculum for your classroom use. 3 Table of Contents Introduction The Quicksilver Question Web Module . 5 For Teachers . 6 Key to Symbols . 9 Lessons at a Glance . 10 IEHMSP Student Learning Outcomes . 12 Connecting to the Washington State Learning Requirements. 14 About the IEHMSP and Sponsoring Centers. 17 Authors and Reviewers . 18 How to Contact Us. 18 Web Module Student Handouts. 19 The Quicksilver Question Web Module Student Handout . 19 QQuicksilver Student Introduction: Environmental Health . 23 Web Module Teacher Resources . 33 Exploring the Functions. 33 The Path of Exploration. 33 Guide to the Location of Key Documents . 37 Pop Quiz Questions . 39 Technical Requirements and Information . 41 Social Studies Lessons Lesson One: Expedition Medicine. 45 Lesson Two: Gold Mining in South America . 55 Science Lessons Lesson One: Up the Food Chain. -
Copyright by Philip Joseph Wagner 2016
UNIVERSITY OF CALIFORNIA Los Angeles Research, Rhetoric, and the Cinematic Events of Cecil B. DeMille A Dissertation Submitted in Partial Satisfaction of the Requirement for the Degree of Doctor in Philosophy In Film and Television by Philip Joseph Wagner 2016 ©Copyright by Philip Joseph Wagner 2016 ABSTRACT OF THE DISSERTATION Research, Rhetoric, and the Cinematic Events of Cecil B. DeMille By Philip Joseph Wagner Doctor of Philosophy in Film and Television University of California, Los Angeles, 2016 Professor Chon A. Noriega, Chair This dissertation looks to the career of epic cinema pioneer Cecil B. DeMille in order to grasp the role of the research department in the Hollywood studio system. Situated at the intersections of three areas of study—scholarship on the form and social function of popular historical representation; theorizing on the archive as a site of knowledge production; and studies on film authorship that attend to the historical underpinnings of aesthetic choices—the dissertation explores the following questions in particular: What were the industrial standards on which studio researchers based the success and authenticity of their work? And what can we know about the research process as it relates to the production and reception of DeMille’s brand of spectacular cinema? ii I offer this study as an intervention into previous scholarship on research practice in Hollywood, which too often stresses cinema’s divergence from the factual record and draws a rigid binary between academia’s histories and the “unprofessional” ones derived from research departments. This study takes a different approach by examining a wider range of archival materials, including studio library circulation records, scaled prop sketches based on photographs and artifacts, and researcher correspondence with historical consultants and museum curators. -
February 26, 2021 Amazon Warehouse Workers in Bessemer
February 26, 2021 Amazon warehouse workers in Bessemer, Alabama are voting to form a union with the Retail, Wholesale and Department Store Union (RWDSU). We are the writers of feature films and television series. All of our work is done under union contracts whether it appears on Amazon Prime, a different streaming service, or a television network. Unions protect workers with essential rights and benefits. Most importantly, a union gives employees a seat at the table to negotiate fair pay, scheduling and more workplace policies. Amazon accepts unions for entertainment workers, and we believe warehouse workers deserve the same respect in the workplace. We strongly urge all Amazon warehouse workers in Bessemer to VOTE UNION YES. In solidarity and support, Megan Abbott (DARE ME) Chris Abbott (LITTLE HOUSE ON THE PRAIRIE; CAGNEY AND LACEY; MAGNUM, PI; HIGH SIERRA SEARCH AND RESCUE; DR. QUINN, MEDICINE WOMAN; LEGACY; DIAGNOSIS, MURDER; BOLD AND THE BEAUTIFUL; YOUNG AND THE RESTLESS) Melanie Abdoun (BLACK MOVIE AWARDS; BET ABFF HONORS) John Aboud (HOME ECONOMICS; CLOSE ENOUGH; A FUTILE AND STUPID GESTURE; CHILDRENS HOSPITAL; PENGUINS OF MADAGASCAR; LEVERAGE) Jay Abramowitz (FULL HOUSE; GROWING PAINS; THE HOGAN FAMILY; THE PARKERS) David Abramowitz (HIGHLANDER; MACGYVER; CAGNEY AND LACEY; BUCK JAMES; JAKE AND THE FAT MAN; SPENSER FOR HIRE) Gayle Abrams (FRASIER; GILMORE GIRLS) 1 of 72 Jessica Abrams (WATCH OVER ME; PROFILER; KNOCKING ON DOORS) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEPPER) Nick Adams (NEW GIRL; BOJACK HORSEMAN; BLACKISH) -
Punch Gunk Press
PRESS RESOURCES Our Mission Punch Gunk is an award-winning performance therapeutics company that develops innovative approaches to pain relief and workout recovery. At Punch Gunk we believe life should not be limited by life's aches and pains. Our goal is to synthesize the best of science and nature to develop products that are naturally focused and effective. Engage With Us www.PunchGunk.com Press contact Meg Treat, APR [email protected] 714-485-6697 The PUnch GUNK STORY In 2015, Cameron and Nadene McIntyre found out that being an athlete or simply an active fitness forward adult came with plenty of aches, pains, soreness, and strains. Suffering from the impact of their athletic endeavors, Cameron and Nadene tried the popular muscle rubs, only to find they had limited efficacy and were unpleasant to use. They went out in search of a special or secret remedy that only the top boxers and MMA fighters might know about. It turns out that even athletes facing the toughest pain had no choice but to turn to those old-fashioned products with an overpowering smell, a greasy residue, and unpleasant extremes in sensations – ones that don’t actually penetrate your skin effectively to treat the pain. So, rather than turn to that icky goop, they sought out to create something new, something better. In 2015, they began extensive research, product development and testing in collaboration with notable chemist Fred Khoury at Above Rinaldi Labs. In 2017, the Gunk made its debut. Since then, the world's smallest over-the-counter pharmaceutical company continues to redefine pain relief and set itself apart.