Cine/Technology Blade Runner Screening Questions

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English 345: Cine/Technology Blade Runner Screening Questions Questions Related to Kerman’s Article In her article, “Technology and Politics in the Blade Runner Dystopia,” Judith Kerman examines the links between the film’s depiction of technology and its “political critique of today’s society and its trends . .” (16). As you watch Blade Runner, pay attention to the following technologies and questions: 1. The city: · How is the city physically constructed? · What is its environmental condition? · How are people organized within the city (who lives on what level, for example)? · What kinds of technologies control or accost city dwellers? · What is the allure of the Off-World Colonies? 2. The Esper (photo-viewing) machine: · What does the Esper machine allow Deckard to see? · How does the machine augment his capacity to see? · What power does it give him? 3. Chew’s laboratory: · What is Chew’s relationship to the Tyrell Corporation? · What’s the structure of the replicant manufacturing process? 4. The Replicants: · Why do replicants have short life spans? · What is the difference between replicants and humans? Questions Related to Stiller’s Article In “The Music in Blade Runner,” Andrew Stiller contends that the film’s score employs “very specific styles of music” associated with science fiction and detective film noir (197). As you screen the film, listen for the following types of sounds: 1. Saxophone, trumpet or trombone (or synthesized music suggesting these instruments): · When does such music play in the film? · Do such sounds mark key visuals or plot moments? 2. Sounds produced with a synthesizer: · When do we hear these “traditional” science-fiction sounds? · Do such sounds mark key visuals or plot moments? 3. Reverb: · When does composer Vangelis use reverb? · What effect does reverberation have on particular scenes? 4. Diegetic music: · How does diegetic music define various spaces in the story world? .

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RIO RIO Appellation is identified by Book: “Do Androids Dream The complete picture under EDM Book: Title: “The Blade “The Blade Runner” of Electric Sheep?” P.Dick Runner” 1968 Appellation A.Nourse 1974 Title: “Blade is derivative of is derivative Runner (The movie)” RIO of is derivative of Appellation is identified by Book: “Blade Runner (The movie)” Title: is derivative of W.Burroughs 1979 “Blade Runner” RIO Book: RIO “Blade Runner screenplay” Film: “Metropolis” RIO H.Fancher&D.Peoples 1982 is identified by is similar to F.Lang 1927 unreleased Film Score: “Blade Runner” Vangelis 1982 incorporates RIO incorporates Film: incorporates is derivative of “Blade Runner” R.Scott is derivative of 1982 is derivative of RIO RIO RIO RIO RIO Comic: A Marvel.. Blade Soundtrack: “Blade Runner” Film score: “Blade Runner” is derivative of (is version) Runner” A.Goodwin Vangelis 1982 New American Orchestra Reprint: Film: “San Diego Sneak 1982 “Blade Runner (Do Preview” 1982 is similar to 1982 androids..)”P.Dick RIO DPO Film: “International Cut” Videogame: “Blade incorporates 1982 Runner” CRL Group P LC 1985 RIO DRO incorporates is successor of Film: “US Theatrical bootleg cd: “bootleg Version”1982 DPO Blade Runner recording” Videogame: “Blade Off World Music Ltd 1993 RIO RIO Runner” Westwood Studios Film: “US Broadcast Film score: “Blade Runner” 1997 Vangelis 1994 RIO Version”1986 Book: “Blade Runner 2: RIO The edge..” K.Jeter 1995 Film: “Director’s Cut” 1992 incorporates RIO incorporates Film: is successor of “The Final Cut” 2007 RIO DPO Book: “Blade
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