The Danish Computer Game Industry Annual Mapping 2005
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DADIU ALUMNI SURVEY 2017 - Page 2
TABLE OF CONTENT 1. Preface by Simon Jon Andreasen……………… 03 2. Introduction………………………………………. 04 3. Overview – the main findings…………………... 05 4. Method……………………………………………. 06 5. Demographics……………………………………. 08 6. Current Job……………………………………….. 10 7. First Job…………………………………………… 11 8. Entrepreneurs…………………………………….. 13 9. In or out of the games industry………………… 15 10. Evaluation of DADIU…………………………….. 19 DADIU ALUMNI SURVEY 2017 - Page 2 1. PREFACE DADIU is based on an idea born by a group of And we should continue to change lives by educators from all of Denmark and developed developing DADIU. Two thirds of our alumni in close collaboration with the local games work in the creative industries. Half of these industry. At that point I was the founder and work in the games industry, and the other half creative director of a large game studio and in directly related industries. Some of the felt first hand the major challenge that the alumni say that they see no clear bounderies graduates from universities and art schools, between the industries, and I agree. The media although knowledgeable and skilled, lacked the are converging, and we must keep up. With the most basic skills of collaboration across rapid development of game tech and related professions. Training these collaborative skills digital media such as 360° media and co- has been at the core of DADIU from the start. creation based media, training the collaborative skills becomes more important than ever. Has DADIU fullfilled the initial wishes? The industry says yes. We hear that being a DADIU alumni automatically gets you an interview in the games companies. I am also immensely Copenhagen, October 2017 proud to read that our alumni describe DADIU as a life-changing experience and that almost all Simon Jon Andreasen, Head of DADIU would recommend participating in DADIU. -
Thf SO~Twarf Toolworks®Catalog SOFTWARE for FUN & INFORMATION
THf SO~TWARf TOOlWORKS®CATAlOG SOFTWARE FOR FUN & INFORMATION ORDER TOLL FREE 1•800•234•3088 moni tors each lesson and builds a seri es of personalized exercises just fo r yo u. And by THE MIRACLE PAGE 2 borrowi ng the fun of vid eo ga mes, it Expand yo ur repertoire ! IT'S AMIRAClf ! makes kids (even grown-up kids) want to The JI!/ irac/e So11g PAGE 4 NINT!NDO THE MIRACLE PIANO TEACHING SYSTEM learn . It doesn't matter whether you 're 6 Coflectioll: Vo/11111e I ~ or 96 - The Mirttcle brings th e joy of music adds 40 popular ENT!RTA INMENT PAGE/ to everyo ne. ,.-~.--. titles to your The Miracle PiC1110 PRODUCTI VITY PAGE 10 Tet1dti11gSyste111, in cluding: "La Bamba," by Ri chi e Valens; INFORMATION PAGElJ "Sara," by Stevie Nicks; and "Thi s Masquerade," by Leon Russell. Volume II VA LU EP ACKS PAGE 16 adds 40 MORE titles, including: "Eleanor Rigby," by John Lennon and Paul McCartney; "Faith," by George M ichael; Learn at your own pace, and at "The Girl Is M in e," by Michael Jackson; your own level. THESE SYMBOLS INDICATE and "People Get Ready," by C urtis FORMAT AVAILABILITY: As a stand-alone instrument, The M irt1de Mayfield. Each song includes two levels of play - and learn - at yo ur own rivals the music industry's most sophis playin g difficulty and is full y arra nged pace, at your own level, NIN TEN DO ti cated MIDI consoles, with over 128 with complete accompaniments for a truly ENTERTAINMENT SYST!M whenever yo u want. -
Directx™ 12 Case Studies
DirectX™ 12 Case Studies Holger Gruen Senior DevTech Engineer, 3/1/2017 Agenda •Introduction •DX12 in The Division from Massive Entertainment •DX12 in Anvil Next Engine from Ubisoft •DX12 in Hitman from IO Interactive •DX12 in 'Game AAA' •AfterMath Preview •Nsight VSE & DirectX12 Games •Q&A www.gameworks.nvidia.com 2 Agenda •Introduction •DX12 in The Division from Massive Entertainment •DX12 in Anvil Next Engine from Ubisoft •DX12 in Hitman from IO Interactive •DX12 in 'Game AAA' •AfterMath Preview •Nsight VSE & DirectX12 Games •Q&A www.gameworks.nvidia.com 3 Introduction •DirectX 12 is here to stay • Games do now support DX12 & many engines are transitioning to DX12 •DirectX 12 makes 3D programming more complex • see DX12 Do’s & Don’ts in developer section on NVIDIA.com •Goal for this talk is to … • Hear what talented developers have done to cope with DX12 • See what developers want to share when asked to describe their DX12 story • Gain insights for your own DX11 to DX12 transition www.gameworks.nvidia.com 4 Thanks & Credits •Carl Johan Lejdfors Technical Director & Daniel Wesslen Render Architect - Massive •Jonas Meyer Lead Render Programmer & Anders Wang Kristensen Render Programmer - Io-Interactive •Tiago Rodrigues 3D Programmer - Ubisoft Montreal www.gameworks.nvidia.com 5 Before we really start … •Things we’ll be hearing about a lot • Memory Managment • Barriers • Pipeline State Objects • Root Signature and Shader Bindings • Multiple Queues • Multi threading If you get a chance check out the DX12 presentation from Monday’s ‘The -
DADIU ALUMNI SURVEY 2017 - Page 2
TABLE OF CONTENT 1. Preface by Simon Jon Andreasen……………… 03 2. Introduction………………………………………. 04 3. Overview – the main findings…………………... 05 4. Method……………………………………………. 06 5. Demographics……………………………………. 08 6. Current Job……………………………………….. 10 7. First Job…………………………………………… 11 8. Entrepreneurs…………………………………….. 13 9. In or out of the games industry………………… 15 10. Evaluation of DADIU…………………………….. 19 DADIU ALUMNI SURVEY 2017 - Page 2 1. PREFACE DADIU is based on an idea born by a group of And we should continue to change lives by educators from all of Denmark and developed developing DADIU. Two thirds of our alumni in close collaboration with the local games work in the creative industries. Half of these industry. At that point I was the founder and work in the games industry, and the other half creative director of a large game studio and in directly related industries. Some of the felt first hand the major challenge that the alumni say that they see no clear bounderies graduates from universities and art schools, between the industries, and I agree. The media although knowledgeable and skilled, lacked the are converging, and we must keep up. With the most basic skills of collaboration across rapid development of game tech and related professions. Training these collaborative skills digital media such as 360° media and co- has been at the core of DADIU from the start. creation based media, training the collaborative skills becomes more important than ever. Has DADIU fullfilled the initial wishes? The industry says yes. We hear that being a DADIU alumni automatically gets you an interview in the games companies. I am also immensely Copenhagen, October 2017 proud to read that our alumni describe DADIU as a life-changing experience and that almost all Simon Jon Andreasen, Head of DADIU would recommend participating in DADIU. -
Oplæg Til Lav-Et-Spil-På Workshop
Proposal for”Nordic Game Jam” (Revised by JJ 12-10-2005.) Nordic Game Jam is a weekend workshop in January 27-29th 2006 at the IT University in Copenhagen, Denmark. The workshop is about "making a game in a weekend", dealing with game design and technical issues, and meeting other people working with game design and development. The workshop is technologically agnostic, but all games created must follow the shared theme of Cooperative Multiplayer Games. Participants can sign up in groups or as individuals. Individuals will be asked to form groups during the workshop. The workshop also provides a special opportunity for working in OTEE's Unity engine. Program The weekend begins Friday with a welcome and an introduction. During the weekend, participants work in teams on creating a game prototype based on the shared theme of the workshop. On Sunday afternoon, teams show their projects. Favorite projects are selected by other participants and by a jury. Hopefully we can get a few companies to sponsor some prizes. Goal The purpose of this event is (at least) two-fold: First of all, the goal is to provide the possibility for skilled practitioners to get together in a sandbox context and hopefully explore new interesting ideas that could inspire and improve their everyday work. Second, to help bridge the gap between different agents in the game- sector in the Øresund Region which don’t often meet, e.g. the established game industry, student environments, media institutions, technology providers etc. Side 1 af 3 Attendees We aim for 50 participants from the following target groups: • Experienced developers who want to work in a smaller format and try out new gameplay ideas (approx. -
Sony Computer Entertainment Inc. Introduces Playstation®4 (Ps4™)
FOR IMMEDIATE RELEASE SONY COMPUTER ENTERTAINMENT INC. INTRODUCES PLAYSTATION®4 (PS4™) PS4’s Powerful System Architecture, Social Integration and Intelligent Personalization, Combined with PlayStation Network with Cloud Technology, Delivers Breakthrough Gaming Experiences and Completely New Ways to Play New York City, New York, February 20, 2013 –Sony Computer Entertainment Inc. (SCEI) today introduced PlayStation®4 (PS4™), its next generation computer entertainment system that redefines rich and immersive gameplay with powerful graphics and speed, intelligent personalization, deeply integrated social capabilities, and innovative second-screen features. Combined with PlayStation®Network with cloud technology, PS4 offers an expansive gaming ecosystem that is centered on gamers, enabling them to play when, where and how they want. PS4 will be available this holiday season. Gamer Focused, Developer Inspired PS4 was designed from the ground up to ensure that the very best games and the most immersive experiences reach PlayStation gamers. PS4 accomplishes this by enabling the greatest game developers in the world to unlock their creativity and push the boundaries of play through a system that is tuned specifically to their needs. PS4 also fluidly connects players to the larger world of experiences offered by PlayStation, across the console and mobile spaces, and PlayStation® Network (PSN). The PS4 system architecture is distinguished by its high performance and ease of development. PS4 is centered around a powerful custom chip that contains eight x86-64 cores and a state of the art graphics processor. The Graphics Processing Unit (GPU) has been enhanced in a number of ways, principally to allow for easier use of the GPU for general purpose computing (GPGPU) such as physics simulation. -
GAME CAREER GUIDE July 2016 Breaking in the Easy(Ish) Way!
TOP FREE GAME TOOLS JULY 2016 GAME FROM GAME EXPO TO GAME JOB Indie intro to VR Brought to you by GRADUATE #2 PROGRAM JULY 2016 CONTENTS DEPARTMENTS 4 EDITOR’S NOTE IT'S ALL ABOUT TASTE! 96 FREE TOOLS FREE DEVELOPMENT TOOLS 2016 53 GAME SCHOOL DIRECTORY 104 ARRESTED DEVELOPMENT There are tons of options out there in terms INDIE DREAMIN' of viable game schools, and this list is just the starting point to get you acquainted with the schools near you (or far from you, if that’s what STUDENT POSTMORTEM you prefer!). 32 BEGLITCHED 72 VIRTUALLY DESIGNED NYU Game Center students Alec Thomson and Jennu Jiao Hsia discuss their IGF Award- VR has quickly moved from buzzword, to proto- winning match three game about insecurity type, to viable business. This guide will help you within computers, and within ourselves. get started in VR development, avoiding some common pitfalls. FEATURES 78 SOUNDS GOOD TO ME! 8 BREAKING IN THE EASY(ISH) WAY! Advice for making audio (with or without) How attending expos can land you a job. an audio specialist. 18 ZERO TO HERO Hey! You want to learn low poly modeling but 84 A SELLER’S MARKET don’t know where to start? Look no further! Marketing fundamentals for your first game. With this guide, we hope to provide a good introduction to not only the software, but 90 INTRO TO GAME ENGINES also the concepts and theory at play. A brief discussion of some of the newest and most popular DO YOU NEED A PUBLISHER? 34 game engines. -
Content About the Author
An Audio Tutorial Sightseeing sound Bjørn Jacobsen 2012 Ma.IT. Audio Design and Ma.Musicae.Emusic Ba.Musicae.Emusic Content About the author Introduction Sound in a nutshell Game sound came a long way Theorists perspective Diegesis The functions of sound Acoustics Microphones and transducers Recording Mixing Decibels The digital plane Sequencing Plug-ins Programming / Scripting C# / Javascript max/MSP and PD Effects Bjørn Jacobsen || Cujo Sound || Copyright myself || Please support me by either donating or at least thinking of me when you use my material || http://cujosound.com Compression Limiting Gating Phasing Flanger Reverb Impulse Response Noise Delay EQ Vocoders Field recording Foley Binaural recording and playback Psychoacoustics Synthesis Modular synthesis Granular synthesis Additive synthesis Game Audio Game Engines Audio Engines Wwise fMod Bjørn Jacobsen || Cujo Sound || Copyright myself || Please support me by either donating or at least thinking of me when you use my material || http://cujosound.com A bit on game sound theory Game design Film Audio Theory Interative audio Arduino Aestetics Creative thoughts and thinking Rassool & A Mothers Inferno Building hardware audio effects Creating audio, using the DAW as an instrument Creating drones and pads Using effects for other purposes than the given Projects and exercises References Other interesting reading material About the author Bjørn Jacobsen, born 1981 in Copenhagen, Denmark. Educated MA. of Music / Cand.Musicae – from the Royal Academy of Music in Aarhus, Denmark- Danish -
NG18 Program (Screen)
PROGRAM 2018 PROGRAM#nordicgame 2017 #nordicgame Welcome to Nordic Game 2018 It’s a great pleasure to welcome you to this fifteenth edition of Nordic Game, the only conference in the world with a dedicated focus on the entire Nordic games industry. Over the years we’ve evolved from a humble regional conference into a truly global industry event, as our vision of a strong, united games community and the values so many of us share - openness, innovation and diversity - have resonated with games industry professionals around the world, and they have been welcomed into our extended family. Of course, we continue to proudly celebrate the sheer quality and variety of games developed in the Nordic countries, and this year’s Nordic Game Awards (Thursday, 24 May from 18:00 in the Unreal Theatre) once again reflects the imagination and vitality of developers from the region we call home. However, our rapidly changing, interconnected industry doesn’t allow us to rest on our laurels, and our opening keynote (Wednesday, 23 May at 11:00 in the Unreal Theatre) brings together a panel of leaders from some of our most prominent Nordic studios to explore key challenges and opportunities for game developers moving forward. True to the many values we share with our extended global family, we’re also introducing a string of talks - the Impact sessions - that delve beyond the albeit important business and technical aspects of game development, to encourage all of us to think more deeply about the real impact of the games we create - and how we create them - on our world. -
Conference Report
AES 49 th International Conference Audio for Games London, UK 6–8 February 2013 CONFERENCE REPORT he AES 49th International Conference, Audio of knowledge sharing between theoretical research for Games, was held in London this year from into interactive audio and the practical application of TFebruary 6th through 8th. This was the third techniques is more critical than ever. AES conference devoted to game audio, held every The facilities at 2 Carlton House Terrace, where the two years in London. The conference is one of the conference was held, provided an intimate and flexi - largest conferences in the world focused specifically ble space to accommodate the free flow of ideas on sound and technical art of interactive audio. Look - throughout the week. The main presentation hall ing to bring together the working practices, discus - played host to over fifteen speakers, and another audi - sions, innovations, and diversity in interactive audio torium hosted the paper and poster sessions. When across professional game development and academic this second auditorium was not in use, a live video research, the AES Audio for Games conference helps feed from the main presentation hall was projected, bridge the gap between works done across different allowing for overflow and to help inspire further disciplines in interactive audio. The inaugural AES conversation. In addition to these spaces there were Audio for Games conference in 2009 (the 35th) ush - three smaller rooms that ran short sponsored educa - ered in the beginning of the current video game con - tional sessions throughout the week. sole generation. As the industry stands on the cusp of The central London location proved the perfect another transition to new technology, the importance stage for the three days of conference proceedings in 454 J. -
Patterns of Play: Play-Personas in User-Centred Game Development
Patterns of Play: Play-Personas in User-Centred Game Development Alessandro Canossa Anders Drachen Denmark Design School / IO Interactive Center for Computer Games Research, Strandboulevarden 47, 2100 Copenhagen Ø, IT University of Copenhagen Denmark / Rued Langgaards Vej 7, 2300 Copenhagen, Kalvebod Brygge 4, 1354 Copenhagen K, Denmark, Denmark [email protected] [email protected] /[email protected] ABSTRACT towards being put in charge of the content, to a smaller or In recent years certain trends from User-Centered design greater degree, as is evidenced by the sales figures of titles have been seeping into the practice of designing computer such as Little Big Planet [5a], Spore [7a] and The Sims 3 games. The balance of power between game designers and [9a]. players is being renegotiated in order to find a more active role for players and provide them with control in shaping Other games, such as Fallout 3 [2a], Grand theft Auto IV the experiences that games are meant to evoke. A growing [4a], The Elder Scrolls IV: Oblivion [8a], retain complete player agency can turn both into an increased sense of creative control but opt for open worlds and modular player immersion and potentially improve the chances of narratives to increase player’s agency. critical acclaim. There seem to be a push for games to become more This paper presents a possible solution to the challenge of democratic, the power balance between game designers and involving the user in the design of interactive entertainment players could be shifting. The dictatorship of game by adopting and adapting the "persona" framework designers, holding all the cards and slowly revealing the introduced by Alan Cooper in the field of Human Computer game at their own pace to the players, is coming to terms Interaction. -
IO Interactive
CASE STUDY (Cybersecurity) AT-A-GLANCE IO Interactive Profile IO Interactive is an independent video game developer based in Copenhagen, Denmark and the creative force behind some of the most talked-about Company IO Interactive Industry Gaming multi-platform video games to emerge in the last decade. Starting with the Multimedia groundbreaking and award-winning Hitman series, IO Interactive has since developed the cult classic “Freedom Fighters”, the controversial “Kane & Lynch” series CHALLENGES and the adorable “Mini Ninjas”. Dedication to creating original IP and unforgettable • Difficulty moving and managing game files characters and experiences are the hallmarks of IO Interactive. across multiple outsourced studios • Latency, packet loss and network Challenge degradation had detrimental effects on While covering events in multiple venues, NBC Sports Group needed to deliver efficiency & development video files over a global 5 Gbps link to their headquarters in Stamford, Connecticut, PRODUCTS where the footage was edited. Archived footage also had to move from Stamford to • FileCatalyst Direct PyeongChang, and across the various event locations for editorial purposes. RESULTS Solution • Maximized bandwidth and substantially In order to overcome these challenges, IO Interactive has deployed FileCatalyst boosted productivity Direct and the FileCatalyst HotFolder client application. • Removed the need for human interaction during transfer tasks FileCatalyst Direct is a suite of server and client applications that enables point- to-point fast file transfers which are capable of reaching speeds of up to 10 Gbps. HotFolder is a FileCatalyst Direct client application that provides automated download and uploads folders that can be set to user-defined intervals, ensuring that every endpoint has the most current version of every file.