The Heart of Rock and Soul by Dave Marsh

Total Page:16

File Type:pdf, Size:1020Kb

The Heart of Rock and Soul by Dave Marsh The Heart of Rock and Soul by Dave Marsh 19 DO YOU LOVE ME, The Contours Written and produced by Berry Gordy Jr. Gordy 7005 1962 Billboard: #3 Next time somebody tells you Motown's too slick, slap this on the box and accept their apology gracefully. Benny Benjamin's drums are the lead instrument, and he's every bit as biting as anyone else's lead guitar. The drums overwhelm even Billy Gordon's hoarse lead vocal, which sounds like Frogman Henry after a shot of pure adrenaline. Breaking the beat down and putting it back together again, Benjamin dominates a record that has everything, from the best spoken introduction ever (" You broke my heart because I couldn't dance . .") to an artful false ending (it fakes me out every time). * Berry Gordy's business genius sometimes makes him seem like nothing more than the Henry Ford of pop music. In fact, he was a superb musician, songwriter, arranger, and producer -- closer to Thomas Edison than Ford. Presuming he plays piano here (as he often did in Motown's early days), every one of those skills is put to use on "Do You Love Me" and the result is not only classic rock and roll but a tribute to his stature as the greatest backstage talent in rock history. <note>* The glory of "Do You Love Me." it must be noted, has now been bowdlerized and traduced by contemporary hit radio stations, which play an edited version made for the soundtrack of Dirty Dancing, that omits, among other things, the fake ending. That's an abomination, of course, because the song's so short to begin with. only 2:49, and because omitting anything from such a seamless disc disrupts the greatness of the whole. Future generations may grow up thinking that there i s no other version of "Do You Love Me," which would be tragic and infuriating.</note> Created: September 25, 2021 at 6.09 am at http://www.lexjansen.com with FPDF 1.81 Page 1.
Recommended publications
  • Songs by Artist
    Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S.
    [Show full text]
  • 12 Approved Literature List by Title Title Author Gr
    K- 12 Approved Literature List by Title Title Author Gr 1984 Orwell, George 9 10 for Dinner Bogart, Jo Ellen 3 100 Book Race: Hog Wild in the Reading Room, The Giff, Patricia Reilly 1 1000 Acres, A Knoph, Alfred A. 12 101 Success Secrets for Gifted Kids, The Ultimate Fonseca, Christina 6 Handbook (BOE approved April 2014) 11 Birthdays Mass, Wendy 4 12 Ways to Get to 11 Merriam, Eve 2 2001: A Space Odyssey Clarke, Arthur 6 2002: A Space Odyssey Clarke, Arthur 6 2061: Odyssey Three Clarke, Arthur 6 26 Fairmount Avenue dePaola, Tomie 2 4 Valentines In A Rainstorm Bond, Felicia 1 5th of March Rinaldi, Ann 5 6 Titles: Eagles, Bees and Wasps, Alligators and Crocodiles, Morgan, Sally 1 Giraffes, Sharks, Tortoises and Turtles 79-Squares Bosse, Malcolm 6 A Likely Place Fox, Paula 4 A Night to Remember Lord, Waler 6 A Nightmare in History: The Holocaust 1933-1945 Chaikin, Miriam 5 A, My Name Is Alice Bayer, Jane 2 Abandoned Puppy Costello, Emily 3 Abby My Love Irwin, Hadley 6 ABC Bunny, The Gag, Wanda 1 Abe Lincoln Goes to Washington Harness, Cheryl 2 Abe Lincoln Grows Up Sandburg, Carl 6 Updated November 11, 2016 *previously approved at higher grade level 1 K- 12 Approved Literature List by Title Title Author Gr Abe Lincoln's Hat Brenner, Martha 2 Abel's Island Steig, William 3 Abigail Adams, Girl of Colonial Days Wagoner, Jean Brown 2 Abraham Lincoln Cashore, Kristen 2 Abraham Lincoln, Lawyer, Leader, Legend Fontes, Justine & Ron 2 Abraham Lincoln: Great Man, Great Words Cashore, Kristen 5 Abraham Lincoln: Our 16th President Luciano, Barbara L.
    [Show full text]
  • First Steps with the Drum Set a Play Along Approach to Learning the Drums
    First Steps With The Drum Set a play along approach to learning the drums JOHN SAYRE www.JohnSayreMusic.com 1 CONTENTS Page 5: Part 1, FIRST STEPS Money Beat, Four on the Floor, Four Rudiments Page 13: Part 2, 8th NOTES WITH ACCENTS Page 18: Part 3, ROCK GROOVES 8th notes, Queen, R.E.M., Stevie Wonder, Nirvana, etc. Page 22: Part 4, 16th NOTES WITH ACCENTS Page 27: Part 5, 16th NOTES ON DRUM SET Page 34: Part 6, PLAYING IN BETWEEN THE HI-HAT David Bowie, Bob Marley, James Brown, Led Zeppelin etc. Page 40: Part 7, RUDIMENTS ON THE DRUM SET Page 46: Part 8, 16th NOTE GROOVES Michael Jackson, Erykah Badu, Imagine Dragons etc. Page 57: Part 9, TRIPLETS Rudiments, Accents Page 66: Part 10, TRIPLET-BASED GROOVES Journey, Taj Mahal, Toto etc. Page 72: Part 11, UNIQUE GROOVES Grateful Dead, Phish, The Beatles etc. Page 76: Part 12, DRUMMERS TO KNOW 2 INTRODUCTION This book focuses on helping you get started playing music that has a backbeat; rock, pop, country, soul, funk, etc. If you are new to the drums I recommend working with a teacher who has a healthy amount of real world professional experience. To get the most out of this book you will need: -Drumsticks -Access to the internet -Device to play music -Good set of headphones—I like the isolation headphones made by Vic Firth -Metronome you can plug headphones into -Music stand -Basic understanding of reading rhythms—quarter, eighth, triplets, and sixteenth notes -Drum set: bass drum, snare drum, hi-hat is a great start -Other musicians to play with Look up any names, bands, and words you do not know.
    [Show full text]
  • Popular Music, Stars and Stardom
    POPULAR MUSIC, STARS AND STARDOM POPULAR MUSIC, STARS AND STARDOM EDITED BY STEPHEN LOY, JULIE RICKWOOD AND SAMANTHA BENNETT Published by ANU Press The Australian National University Acton ACT 2601, Australia Email: [email protected] Available to download for free at press.anu.edu.au A catalogue record for this book is available from the National Library of Australia ISBN (print): 9781760462123 ISBN (online): 9781760462130 WorldCat (print): 1039732304 WorldCat (online): 1039731982 DOI: 10.22459/PMSS.06.2018 This title is published under a Creative Commons Attribution-NonCommercial- NoDerivatives 4.0 International (CC BY-NC-ND 4.0). The full licence terms are available at creativecommons.org/licenses/by-nc-nd/4.0/legalcode Cover design by Fiona Edge and layout by ANU Press This edition © 2018 ANU Press All chapters in this collection have been subjected to a double-blind peer-review process, as well as further reviewing at manuscript stage. Contents Acknowledgements . vii Contributors . ix 1 . Popular Music, Stars and Stardom: Definitions, Discourses, Interpretations . 1 Stephen Loy, Julie Rickwood and Samantha Bennett 2 . Interstellar Songwriting: What Propels a Song Beyond Escape Velocity? . 21 Clive Harrison 3 . A Good Black Music Story? Black American Stars in Australian Musical Entertainment Before ‘Jazz’ . 37 John Whiteoak 4 . ‘You’re Messin’ Up My Mind’: Why Judy Jacques Avoided the Path of the Pop Diva . 55 Robin Ryan 5 . Wendy Saddington: Beyond an ‘Underground Icon’ . 73 Julie Rickwood 6 . Unsung Heroes: Recreating the Ensemble Dynamic of Motown’s Funk Brothers . 95 Vincent Perry 7 . When Divas and Rock Stars Collide: Interpreting Freddie Mercury and Montserrat Caballé’s Barcelona .
    [Show full text]
  • Sermon 21.06.06
    Sermon 21.06.06 John 21: 15-22 (NRSV) When they had gone ashore, they saw a charcoal fire there, with fish on it, and bread. Jesus said to them, ‘Bring some of the fish that you have just caught.’ So Simon Peter went aboard and hauled the net ashore, full of large fish, a hundred and fifty-three of them; and though there were so many, the net was not torn. Jesus said to them, ‘Come and have breakfast.’ Now none of the disciples dared to ask him, ‘Who are you?’ because they knew it was the Lord. Jesus came and took the bread and gave it to them, and did the same with the fish. This was now the third time that Jesus appeared to the disciples after he was raised from the dead. When they had finished breakfast, Jesus said to Simon Peter, ‘Simon son of John, do you love me more than these?’ He said to him, ‘Yes, Lord; you know that I love you.’ Jesus said to him, ‘Feed my lambs.’ A second time he said to him, ‘Simon son of John, do you love me?’ He said to him, ‘Yes, Lord; you know that I love you.’ Jesus said to him, ‘Tend my sheep.’ He said to him the third time, ‘Simon son of John, do you love me?’ Peter felt hurt because he said to him the third time, ‘Do you love me?’ And he said to him, ‘Lord, you know everything; you know that I love you.’ Jesus said to him, ‘Feed my sheep.
    [Show full text]
  • Beatles Cover Albums During the Beatle Period
    Beatles Cover Albums during the Beatle Period As a companion to the Hollyridge Strings page, this page proposes to be a listing of (and commentary on) certain albums that were released in the United States between 1964 and April 1970. Every album in this listing has a title that indicates Beatles-related content and/or a cover that is a parody of a Beatles cover. In addition, the content of every album listed here is at least 50% Beatles-related (or, in the case of albums from 1964, "British"). Albums that are not included here include, for example, records named after a single Beatles song but which contain only a few Beatles songs: for example, Hey Jude, Hey Bing!, by Bing Crosby. 1964: Nineteen-sixty-four saw the first wave of Beatles cover albums. The earliest of these were released before the release of "Can't Buy Me Love." They tended to be quickly-recorded records designed to capitalize rapidly on the group's expanding success. Therefore, most of these albums are on small record labels, and the records themselves tended to be loaded with "filler." Possibly, the companies were not aware of the majority of Beatle product. Beattle Mash The Liverpool Kids Palace M-777 Side One Side Two 1. She Loves You 1. Thrill Me Baby 2. Why Don't You Set Me Free 2. I'm Lost Without You 3. Let Me Tell You 3. You Are the One 4. Take a Chance 4. Pea Jacket Hop 5. Swinging Papa 5. Japanese Beatles 6. Lookout for Charlie The label not only spells "Beatle" correctly but also lists the artist as "The Schoolboys." The liner notes show that this album was released before the Beatles' trip to America in February, 1964.
    [Show full text]
  • Premium Pack by Artist
    2 ABBA Mamma Mia 44 ABBA Waterloo 137 AC DC Back in Black 128 AC DC Hells Bells 184 Adam Sandler Ode to My Car 129 Aerosmith Angel 268 Aerosmith Dream On 361 Aerosmith Dream On 319 Aerosmith Livin' on the Edge 297 Alabama Mountain Music 466 Alan Jackson Little Bitty 508 Alan Jackson Pop a Top 478 Alan Jackson Where I Come From 474 Alan Jackson Who's Cheatin' Who 421 Alan Jackson with Jimmy Buffett It's Five O'Clock Somewhere 358 Alice Cooper I Love the Dead 178 Alice Cooper Is It My Body 153 Allman Brothers Ain't Wastin' Time No More 118 Allman Brothers One Way Out 371 Andrew Gold Lonely Boy 309 Angels My Boyfriend's Back 332 Animals House of the Rising Sun 373 Animals House of the Rising Sun 382 Aretha Franklin RESPECT 322 B-52s Love Shack 329 Bachman Turner Overdrive Takin' Care of Business 346 Bachman Turner Overdrive Takin' Care of Business 139 Bad Company Bad Company 335 Bangles Manic Monday 522 Barenaked Ladies If I Had $1,000,000 510 Barenaked Ladies One Week 16 Barry Manilow Copacabana 272 Beach Boys California Girls 441 Beach Boys Good Vibrations 162 Beastie Boys Fight For Your Right To Party 279 Beatles Back in the USSR 354 Beatles I Saw You Standing There 245 Beatles Lucy in the Sky with Diamonds 258 Beatles Sgt Peppers Lonely Hearts Club Band 74 Beatles Twist & Shout 288 Beatles Twist & Shout 307 Beatles When I'm 64 93 Bee Gees Night Fever 51 Bee Gees Stayin' Alive 247 Ben E King Stand By Me 381 Ben E King Stand By Me 257 Bette Midler The Rose 271 Bette Midler The Rose 290 Bette Midler The Wind Beneath My Wings 274 Bill Haley
    [Show full text]
  • Most Requested Songs of 2009
    Top 200 Most Requested Songs Based on nearly 2 million requests made at weddings & parties through the DJ Intelligence music request system in 2009 RANK ARTIST SONG 1 AC/DC You Shook Me All Night Long 2 Journey Don't Stop Believin' 3 Lady Gaga Feat. Colby O'donis Just Dance 4 Bon Jovi Livin' On A Prayer 5 Def Leppard Pour Some Sugar On Me 6 Morrison, Van Brown Eyed Girl 7 Beyonce Single Ladies (Put A Ring On It) 8 Timberlake, Justin Sexyback 9 B-52's Love Shack 10 Lynyrd Skynyrd Sweet Home Alabama 11 ABBA Dancing Queen 12 Diamond, Neil Sweet Caroline (Good Times Never Seemed So Good) 13 Black Eyed Peas Boom Boom Pow 14 Rihanna Don't Stop The Music 15 Jackson, Michael Billie Jean 16 Outkast Hey Ya! 17 Sister Sledge We Are Family 18 Sir Mix-A-Lot Baby Got Back 19 Kool & The Gang Celebration 20 Cupid Cupid Shuffle 21 Clapton, Eric Wonderful Tonight 22 Black Eyed Peas I Gotta Feeling 23 Lady Gaga Poker Face 24 Beatles Twist And Shout 25 James, Etta At Last 26 Black Eyed Peas Let's Get It Started 27 Usher Feat. Ludacris & Lil' Jon Yeah 28 Jackson, Michael Thriller 29 DJ Casper Cha Cha Slide 30 Mraz, Jason I'm Yours 31 Commodores Brick House 32 Brooks, Garth Friends In Low Places 33 Temptations My Girl 34 Foundations Build Me Up Buttercup 35 Vanilla Ice Ice Ice Baby 36 Bee Gees Stayin' Alive 37 Sinatra, Frank The Way You Look Tonight 38 Village People Y.M.C.A.
    [Show full text]
  • Top 10 Songs of 1960 Top 10 Songs of 1961 Top 10 Songs of 1962 Top
    Top 10 Songs of 1960 1. Will You Love Me Tomorrow - Shirelles 2. Georgia On My Mind - Ray Charles 3. Only The Lonely - Roy Orbison 4. Let's Go, Let's Go, Let's Go - Hank Ballard & the Midnighters 5. Stay - Maurice Williams & the Zodiacs 6. Chain Gang - Sam Cooke 7. Save The Last Dance For Me - Drifters 8. Shop Around - Miracles 9. The Twist - Chubby Checker 10. Cathy's Clown - Everly Brothers Top 10 Songs of 1961 1. Stand By Me - Ben E. King 2. Crazy - Patsy Cline 3. The Wanderer - Dion 4. Runaround Sue - Dion 5. Crying - Roy Orbison 6. Hit The Road Jack - Ray Charles 7. Runaway - Del Shannon 8. Quarter To Three - Gary U.S. Bonds 9. It Will Stand - Showmen 10. Running Scared - Roy Orbison Top 10 Songs of 1962 1. Green Onions - Booker T. & the MG's 2. Bring It On Home To Me - Sam Cooke 3. You've Really Got A Hold On Me - Miracles 4. The Loco-Motion - Little Eva 5. Sherry - Four Seasons 6. I Can't Stop Loving You - Ray Charles 7. Up On The Roof - Drifters 8. Twist And Shout - Isley Brothers 9. These Arms Of Mine - Otis Redding 10. Do You Love Me - Contours Top 10 Songs of 1963 1. Louie Louie - Kingsmen 2. She Loves You - Beatles 3. I Want To Hold Your Hand - Beatles 4. Be My Baby - Ronettes 5. I Saw Her Standing There - Beatles 6. Surfin' USA - Beach Boys 7. Glad All Over - Dave Clark Five 8. It's All Right - Impressions 9. Blowin' In The Wind - Bob Dylan / Peter Paul & Mary 10.
    [Show full text]
  • Recreating the Ensemble Dynamic of Motown's Funk Brothers
    6 Unsung Heroes: Recreating the Ensemble Dynamic of Motown’s Funk Brothers Vincent Perry Introduction By the early 1960s, the genre known as soul had become the most commercially successful of all the crossover styles. Drawing on musical influences from the genres of gospel, jazz and blues, ‘soul’s success was as much due to a number of labels, so-called “house sounds”, and little- known bands, as it was to specific performers or songwriters’ (Borthwick and Moy, 2004, p. 5). Following on from the pioneer releases of Ray Charles and Sam Cooke, a Detroit-based independent label would soon become the ‘most successful and high profile of all the soul labels’ (Borthwick and Moy, 2004, p. 5). Throughout the early 1960s, Berry Gordy’s Tamla Motown dominated the domestic US pop and R&B charts with its assembly-line approach to music production (Moorefield, 2005, p. 21), which resulted in a distinctive sound that was shared by all the label’s artists. However, in 1963, the company ‘achieved its international breakthrough’ shortly after signing a landmark distribution deal with EMI in the UK (Borthwick and Moy, 2004, p. 5). Gordy’s headquarters—a seemingly humble, suburban 95 POPULAR MUSIC, STARS AND STARDOM residence—was ambitiously named Hitsville USA and, throughout the 1960s, it became a hub for pop record success. Emerson (2005, p. 194) acknowledged Motown’s industry presence when he noted: Motown was muscling in on the market for dance music. Streamlined, turbo-charged singles by the Marvelettes, Martha and the Vandellas, and the Supremes rolled off the Detroit assembly line … Berry Gordy’s ‘Sound of Young America’ challenged the Brill Building, 1650 Broadway, and 711 Fifth Avenue as severely as the British Invasion because it proved that black artists did not need white writers to reach a broad pop audience.
    [Show full text]
  • English Songs
    English Songs 18000 04 55-Vũ Luân-Thoại My 18001 1 2 3-Gloria Estefan 18002 1 Sweet Day-Mariah Carey Boyz Ii M 18003 10,000 Promises-Backstreet Boys 18004 1999-Prince 18005 1everytime I Close My Eyes-Backstr 18006 2 Become 1-Spice Girls 18007 2 Become 1-Unknown 18008 2 Unlimited-No Limit 18009 25 Minutes-Michael Learns To Rock 18010 25 Minutes-Unknown 18011 4 gio 55-Wynners 18012 4 Seasons Of Lonelyness-Boyz Ii Me 18013 50 Ways To Leave Your Lover-Paul S 18014 500 Miles Away From Home-Peter Pau 18015 500 Miles-Man 18016 500 Miles-Peter Paul-Mary 18017 500 Miles-Unknown 18018 59th Street Bridge Song-Classic 18019 6 8 12-Brian McKnight 18020 7 Seconds-Unknown 18021 7-Prince 18022 9999999 Tears-Unknown 18023 A Better Love Next Time-Cruise-Pa 18024 A Certain Smile-Unknown 18025 A Christmas Carol-Jose Mari Chan 18026 A Christmas Greeting-Jeremiah 18027 A Day In The Life-Beatles-The 18028 A dear John Letter Lounge-Cardwell 18029 A dear John Letter-Jean Sheard Fer 18030 A dear John Letter-Skeeter Davis 18031 A dear Johns Letter-Foxtrot 18032 A Different Beat-Boyzone 18033 A Different Beat-Unknown 18034 A Different Corner-Barbra Streisan 18035 A Different Corner-George Michael 18036 A Foggy Day-Unknown 18037 A Girll Like You-Unknown 18038 A Groovy Kind Of Love-Phil Collins 18039 A Guy Is A Guy-Unknown 18040 A Hard Day S Night-The Beatle 18041 A Hard Days Night-The Beatles 18042 A Horse With No Name-America 18043 À La Même Heure Dans deux Ans-Fema 18044 A Lesson Of Love-Unknown 18045 A Little Bit Of Love Goes A Long W- 18046 A Little Bit-Jessica
    [Show full text]
  • James Jamerson 2000.Pdf
    able to conjure up the one lick, fill or effect that perfected albums. Live at Fillmore West exhibits Curtis the bandleader the sound. Some of his best work is found on those records. at his absolute best on a night when his extraordinary players There’s little else to say about Hal Blaine that the music included Bernard Purdie, Jerry Jemmott and Cornell Dupree. itself doesn’t communicate. But I’ll tell you one experience I His 1962 “Soul Twist” single MfclNumber One on the R&B had that showed me just how widespread his influence has charts and the Top Twenty on the pop charts, and made such been. Hal was famous for rubber-stamping his name upon an impression on Sam Cooke that he referred to it in “Having all the charts to which he contributed. In 1981, after one of a Party:” But nothing King Curtis did on his own ever scaled our concerts at Wembley Arena, Bruce asked me into his the Promethean heights of his sax work as a sideman, where dressing room. He pointed to the wall and said, “Look at he mastered the ability to be an individual within a group, that.” I looked at the wall but didn’t see anything except peel­ standing out but never overshadowing the artists he was sup­ ing wallpaper. “Look closer,” he said. Finally, I kneeled down porting and mastering the little nuances that made winners to the spot he was pointing to, and - to my great surprise - of the records on which he played. His was a rare voice j a rare in a crack in the paper, rubber-stamped on the w a ll, there it sensibility, a rare soul; and that sound - whether it be caress­ was: HAL BLAINE STRIKES AGAIN.
    [Show full text]