Tears for Fears, Writes Sally Browne
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President's Welcome
PRESIDENT’S WELCOME Friends, Colleagues, and Students, Welcome to the 82nd Annual Mississippi Bandmasters Association State Band Clinic in Natchez. The other members of the MBA Executive Board and I hope that you will experience growth, new perspectives, and renewed aspirations for teaching and learning music in your community during this year’s clinic. I would like to wish all of the students in attendance a heartfelt congratulations on participating in this esteemed event. You represent the very best of the students from your band programs – I encourage you to take that sentiment to heart. Thousands of students have shared in this honor for the last 82 years. Many of you will meet friends this weekend that you will have throughout your life. Lastly, I encourage you to take this opportunity to enjoy making music with others and learning from some of the most outstanding teachers in our country. For members of our association, take the time to visit with the exhibitors and clinicians throughout the weekend. Take advantage of the clinics and presentations that are offered so that you may leave Natchez with new insights and perspectives that you can use with your students at home. Clinic is also a time to renew old friendships and foster new ones. I hope that veteran teachers will take the time to get to know those that are new to our profession and new teachers will seek out the guidance of those with more experience. To our guest clinicians, exhibitors, featured ensembles, and conductors we welcome you and hope that you will enjoy your time with us. -
L&Rsquo;Ex-Chanteur Des Tears for Fears Explique Son Choix Des Creative Commons
L’ex-chanteur des Tears for Fears explique son choix des Creative Commons Il y a ceux qui se morfondent à constater la crise actuelle de l’industrie musicale et qui croient naïvement que la loi Hadopi[1] va résoudre leurs problèmes. Et puis il y a les autres, comme le chanteur Curt Smith, qui nous explique calmement et sereinement en quoi les licences Creative Commons sont un choix contemporain simple et pertinent, pour ne pas dire « naturel », quand on souhaite autoriser la diffusion de sa musique sous certaines condition (ici la non exploitation commerciale). Curt Smith (à ne pas confondre avec Robert Smith) ne vous dira peut-être rien, mais certains vieux (comme moi) se souviennent de son groupe Tears for Fears dont les quelques chansons suivantes bercèrent la jeunesse new wave des années quatre- vingts : Mad Word, Change, Shout ou encore Sowing the seeds of love. Depuis Curt Smith[2] poursuit une carrière solo et a donc placé son dernier album Halfway, pleased sous licence Creative Commons By-Nc-Sa. Il s’en explique dans cette interview vidéo donnée le mois de novembre dernier sur le site de Dave Harris RetroRewind. La clarté de ses propos associée au climat tendu que fait régner la « menace Hadopi » nous ont donné envie de faire acte de résistance et de subversion en traduisant et sous-titrant[3] ci-dessous le début de l’entretien. —> La vidéo au format webm Notes [1] La loi Hadopi, rebaptisée « Création et Internet », devrait arriver à l’Assemblée nationale fin février. Nous vous suggérons deux sites pour suivre son hacktualité et mieux en décrypter ses tenants et aboutissants : La Quadrature du Net et Numerama. -
Elite Music Productions This Music Guide Represents the Most Requested Songs at Weddings and Parties
Elite Music Productions This Music Guide represents the most requested songs at Weddings and Parties. Please circle songs you like and cross out the ones you don’t. You can also write-in additional requests on the back page! WEDDING SONGS ALL TIME PARTY FAVORITES CEREMONY MUSIC CELEBRATION THE TWIST HERE COMES THE BRIDE WE’RE HAVIN’ A PARTY SHOUT GOOD FEELIN’ HOLIDAY THE WEDDING MARCH IN THE MOOD YMCA FATHER OF THE BRIDE OLD TIME ROCK N ROLL BACK IN TIME INTRODUCTION MUSIC IT TAKES TWO STAYIN ALIVE ST. ELMOS FIRE, A NIGHT TO REMEMBER, RUNAROUND SUE MEN IN BLACK WHAT I LIKE ABOUT YOU RAPPERS DELIGHT GET READY FOR THIS, HERE COMES THE BRIDE BROWN EYED GIRL MAMBO #5 (DISCO VERSION), ROCKY THEME, LOVE & GETTIN’ JIGGY WITH IT LIVIN, LA VIDA LOCA MARRIAGE, JEFFERSONS THEME, BANG BANG EVERYBODY DANCE NOW WE LIKE TO PARTY OH WHAT A NIGHT HOT IN HERE BRIDE WITH FATHER DADDY’S LITTLE GIRL, I LOVED HER FIRST, DADDY’S HANDS, FATHER’S EYES, BUTTERFLY GROUP DANCES KISSES, HAVE I TOLD YOU LATELY, HERO, I’LL ALWAYS LOVE YOU, IF I COULD WRITE A SONG, CHICKEN DANCE ALLEY CAT CONGA LINE ELECTRIC SLIDE MORE, ONE IN A MILLION, THROUGH THE HANDS UP HOKEY POKEY YEARS, TIME IN A BOTTLE, UNFORGETTABLE, NEW YORK NEW YORK WALTZ WIND BENEATH MY WINGS, YOU LIGHT UP MY TANGO YMCA LIFE, YOU’RE THE INSPIRATION LINDY MAMBO #5BAD GROOM WITH MOTHER CUPID SHUFFLE STROLL YOU RAISE ME UP, TIMES OF MY LIFE, SPECIAL DOLLAR WINE DANCE MACERENA ANGEL, HOLDING BACK THE YEARS, YOU AND CHA CHA SLIDE COTTON EYED JOE ME AGAINST THE WORLD, CLOSE TO YOU, MR. -
The Spirit of the Living Creatures Was in the Wheels -- Ezekiel 1:21
The spirit of the living creatures was in the wheels -- Ezekiel 1:21 "Wheels Within Wheels deepens the musical experience created at Congregation Bet Haverim by lifting the veil between the ordinary and the sacred, so that our earthy expression of musical holiness connects with the celestial resonance of the universal. Like Ezekiel’s mystical vision, the spirals of harmonies, voices and instruments evoke contemplation, awe and celebration. At times Wheels Within Wheels will transport you to an intimate experience with your innermost self, and at other times it will convey a profound connection with the world around you." -- Rabbi Joshua Lesser THE MUSICIANS OF CONGREGATION BET HAVERIM Chorus Soprano: Nefesh Chaya, Sara Dardik, Julie Fishman, Nancy Gerber, Joy Goodman, Ellie McGraw, Theresa Prestwood, Rina Rosenberg, Faith Russler, Sandi Schein Alto: Jesse Harris Bathrick, Elke Davidson, Gayanne Geurin, Kim Goldsmith, Rebecca Green, Carrie Hausman, Alix Laing, Rebecca Leary Safon, AnnaLaura Scheer, Valerie Singer, Linda Weiskoff, Valerie Wolpe, McKenzie Wren Tenor: Ned Bridges, Brad Davidorf, Faye Dresner, Henry Farber, Alan Hymowitz, Lynne Norton Bass: Dan Arnold, Gregg Bedol, David Borthwick, Gary Falcon, Bill Laing, Bill Witherspoon, Howard Winer Band Will Robertson, guitar, keyboards; Natalie Stahl, clarinet, saxophone; Sarah Zaslaw, violin, viola; Reuben Haller, mandolin; Jordan Dayan, bass, electric bass; Mike Zimmerman, drum kit, percussion; Henry Farber and Gayanne Geurin, percussion; with Matthew Kaminski, accordion Strings Sarah Zaslaw and Benjamin Reiss, violin; David Borthwick, viola; Ruth Einstein, cello; Will Robertson, double bass Children’s Choir and CBH Community School Chorus director: Will Robertson Music director: Gayanne Geurin Thank You It takes a shul to raise a recording. -
Evaluation of the Youthbuild Youth Offender Grants
S O CIAL PO L ICY R ESEAR C H A SSO CIATES • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • Evaluation of the YouthBuild Youth Offender Grants Final Report May 2009 Prepared by: Wally Abrazaldo Jo-Ann Adefuin Jennifer Henderson-Frakes Charles Lea Jill Leufgen Heather Lewis-Charp Sukey Soukamneuth Andrew Wiegand Prepared for: U.S. Department of Labor/ETA 200 Constitution Ave., N.W. Washington, D.C. 20210 Project No. 1148 1330 Broadway, Suite 1426 Oakland, CA 94612 Tel: (510) 763-1499 Fax: (510) 763-1599 www.spra.com DISCLAIMER This report was prepared for the U.S. Department of Labor, Employment and Training Administration, Office of Policy Development and Research, by Social Policy Research Associates. Since contractors conducting research and evaluation projects under government sponsorship are encouraged to express their own judgment freely, this report does not necessarily represent the official opinion or policy of the U.S. Department of Labor Acknowledgements and Attributions The authors of this report wish to acknowledge the contributions and support of DOL Employment and Training Administration staff, especially our project officer, Laura Paulen. Additionally, several other ETA staff provided valuable feedback and assistance with the evaluation, including Dan Ryan, Greg Weltz, David Lah, and Anne Stom. Their advice and steadfast support are much appreciated. We also wish to acknowledge the generous contributions provided by YouthBuild USA staff, particularly Dorothy Stoneman. Finally, we wish to the invaluable assistance and cooperation provided by the sites included in this evaluation, and the participants in these programs. Though too many individuals to be named shared their time and insights with us, the fact that we cannot list them all here should not be taken as an indication that their assistance is unappreciated. -
News Flash: It Snowed
FRIDAY, FEBRUARY 10, 2017 Lynn eld Lynn re ghters settle on contract looks to By Thomas Grillo ghters will receive a retroactive 2 percent asked for, they received a better deal than ITEM STAFF raise for each of scal years 2015 and 2016, the $2.2 million four-year police contract a 2.5 percent hike for 2017, another 2 per- that was settled in August. LYNN — It took nearly ve months of cent for 2018 and on June 30, 2018 they will The 8 percent retroactive police agree- state for arbitration, but city re ghters won a new four-year contract that calls for a 9.5 per- collect another 1 percent. ment provided a 1 percent boost for 2014, a cent raise, sources told The Item. Mayor Judith Flanagan Kennedy had of- 2 percent increase for 2015, 2016 and 2017 library The $2.5 million deal was settled late fered re ghters 8 percent last year, similar and a 1 percent raise for 2018. Wednesday by the Joint Labor-Management to the police contract that was settled last Kennedy declined to comment. summer. But Lynn Fire ghters Local 739 By Leah Dearborn Committee, a quasi-public agency that ne- “I am still crunching the numbers and re- ITEM STAFF gotiates collective bargaining disputes be- sought a 10 percent increase over the life of viewing the decision,” she said. tween municipalities and public employees. the four-year contract. LYNNFIELD — The Lynn- Under the terms of the agreement, the re- While the re ghters got less than they CONTRACT, A7 eld Public Library Board of Trustees is inching forward in the process of building a new library by applying for a state grant. -
TEARS for FEARS CONCERT RESCHEDULED for SEPTEMBER 26 Original Tickets Will Be Honored
FOR IMMEDIATE RELEASE CONTACT: John VanderHaagen | Public Relations Manager | 616-975-3155 | [email protected] TEARS FOR FEARS CONCERT RESCHEDULED FOR SEPTEMBER 26 Original tickets will be honored. Tickets for rescheduled date go on sale June 24 at 9 a.m. June 17, 2016 — Tears for Fears’ Roland Orzabal and Curt Smith are pleased to announce that they have rescheduled their concert at Frederik Meijer Gardens & Sculpture Park. The concert originally scheduled for June 6 will now take place on Monday, September 26. Tickets purchased for the June 6 concert at Meijer Gardens will be honored for the new date. Refunds will be available at point of purchase until August 1. Please note, after August 1, all tickets for the original June 6 date become non-refundable. Tickets purchased for the September 26 date are non-refundable. Ticket prices are $75 during the members-only presale. After July 1, tickets are $78 for members and $80 for the public. Members-Only Presale Members may buy tickets for the rescheduled date during a members-only presale beginning at 9 a.m., June 24 through midnight, July 1. Members save $5 per ticket during the presale. The preferred method to purchase tickets is online, but multiple options are available: Online at StarTickets.com – handling fee of $8 per order (preferred method) By phone at 1-800-585-3737 - handling fee of $8 per order In-person at Meijer Gardens Admission Desk during normal business hours – no handling fees Public Ticket Sale If tickets remain available after the members-only presale, sales to the public will begin at 9 a.m., July 2. -
Lista Ofrecida Por Mashe De Forobeta. Visita Mi Blog Como Agradecimiento :P Y Pon E Me Gusta En Forobeta!
Lista ofrecida por mashe de forobeta. Visita mi blog como agradecimiento :P Y pon e Me Gusta en Forobeta! http://mashet.com/ Seguime en Twitter si queres tambien y avisame que sos de Forobeta y voy a evalu ar si te sigo o no.. >>@mashet NO ABUSEN Y SIGAN LOS CONSEJOS DEL THREAD! http://blog.newsarama.com/2009/04/09/supernaturalcrimefightinghasanewname anditssolomonstone/ http://htmlgiant.com/?p=7408 http://mootools.net/blog/2009/04/01/anewnameformootools/ http://freemovement.wordpress.com/2009/02/11/rlctochangename/ http://www.mattheaton.com/?p=14 http://www.webhostingsearch.com/blog/noavailabledomainnames068 http://findportablesolarpower.com/updatesandnews/worldresponsesearthhour2009 / http://www.neuescurriculum.org/nc/?p=12 http://www.ybointeractive.com/blog/2008/09/18/thewrongwaytochooseadomain name/ http://www.marcozehe.de/2008/02/29/easyariatip1usingariarequired/ http://www.universetoday.com/2009/03/16/europesclimatesatellitefailstoleave pad/ http://blogs.sjr.com/editor/index.php/2009/03/27/touchinganerveresponsesto acolumn/ http://blog.privcom.gc.ca/index.php/2008/03/18/yourcreativejuicesrequired/ http://www.taiaiake.com/27 http://www.deadmilkmen.com/2007/08/24/leaveusaloan/ http://www.techgadgets.in/household/2007/06/roboamassagingchairresponsesto yourvoice/ http://blog.swishzone.com/?p=1095 http://www.lorenzogil.com/blog/2009/01/18/mappinginheritancetoardbmswithst ormandlazrdelegates/ http://www.venganza.org/about/openletter/responses/ http://www.middleclassforum.org/?p=405 http://flavio.castelli.name/qjson_qt_json_library http://www.razorit.com/designers_central/howtochooseadomainnameforapree -
1-U3753-WHS-Prog-Channel-FIBE
CHANNEL LISTING FIBE TV CURRENT AS OF JANUARY 15, 2015. $ 95/MO.1 CTV NEWS CHANNEL.............................501 NBC HD ........................................................ 1220 TSN1 ................................................................ 400 IN A BUNDLE CTV NEWS CHANNEL HD ..................1501 NTV - ST. JOHN’S ......................................212 TSN1 HD .......................................................1400 GOOD FROM 41 CTV TWO ......................................................202 O TSN RADIO 1050 .......................................977 A CTV TWO HD ............................................ 1202 OMNI.1 - TORONTO ................................206 TSN RADIO 1290 WINNIPEG ..............979 ABC - EAST ................................................... 221 E OMNI.1 HD - TORONTO ......................1206 TSN RADIO 990 MONTREAL ............ 980 ABC HD - EAST ..........................................1221 E! .........................................................................621 OMNI.2 - TORONTO ............................... 207 TSN3 ........................................................ VARIES ABORIGINAL VOICES RADIO ............946 E! HD ................................................................1621 OMNI.2 HD - TORONTO ......................1207 TSN3 HD ................................................ VARIES AMI-AUDIO ....................................................49 ÉSPACE MUSIQUE ................................... 975 ONTARIO LEGISLATIVE TSN4 ....................................................... -
Tears for Fears the Seeds of Love Mp3, Flac, Wma
Tears For Fears The Seeds Of Love mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock / Pop Album: The Seeds Of Love Country: Greece Released: 1989 Style: New Wave, Synth-pop MP3 version RAR size: 1837 mb FLAC version RAR size: 1617 mb WMA version RAR size: 1204 mb Rating: 4.5 Votes: 630 Other Formats: DTS AUD DXD FLAC WAV VOX VOC Tracklist Hide Credits Woman In Chains A1 Drums – Phil CollinsGuitar [Arpeggio] – Neil TaylorMixed By – Bob ClearmountainVocals 6:30 [Female] – Oleta Adams Badman's Song Backing Vocals – Carol Kenyon, Nicky Holland, Tessa NilesBass – Pino PalladinoDrums – A2 8:32 Manu KatchéLead Guitar, Slide Guitar – Robbie McIntoshOrgan [Hammond], Synthesizer – Simon ClarkPercussion – Carole Steele*Vocals, Piano – Oleta Adams Sowing The Seeds Of Love A3 Arranged By [Orchestra] – Raoul's Fairlight, Richard NilesDrums – Chris HughesOrgan 6:15 [Hammond] – Ian Stanley Advice For The Young At Heart A4 Backing Vocals – Maggie Ryder, Nicky HollandOrgan [Hammond] – Simon ClarkPiano – 4:52 Nicky Holland Standing On The Corner Of The Third World Backing Vocals – Carol Kenyon, Tessa NilesBass – Pino PalladinoDrums – Manu B1 5:30 KatchéHarmonica – Peter Hope-Evans*Percussion – Carole Steele*Piano – Oleta AdamsSynthesizer, Organ [Hammond] – Simon ClarkTrumpet – Jon Hassell Swords And Knives B2 6:14 Piano – Nicky HollandSaxophone, Oboe – Kate St. JohnVocals [Female] – Tessa Niles Year Of The Knife Backing Vocals – Andy Caine, Carol Kenyon, Dolette McDonald, Nicky Holland, Tessa B3 7:06 NilesLead Guitar – Robbie McIntoshMixed By – Bob Clearmountain, David BascombeOrgan [Hammond] – Simon ClarkRhythm Guitar – Neil Taylor Famous Last Words B4 4:23 Synthesizer [Kurtzweil Strings], Piano – Nicky HollandTrumpet – Jon Hassell Companies, etc. Manufactured By – Polygram Inc. -
Artist:Tears for Fears , Writer:Roland Orzabal and Ian Stanley
Shout artist:Tears For Fears , writer:Roland Orzabal and Ian Stanley Tears for Fears - https://www.youtube.com/watch?v=ZEWwZNUafKo [Gm] Shout, shout, let it all out, [Eb] these are the things I can do without Come [C] on, I'm talking to you, come [Gm] on [Gm] Shout, shout, let it all out, [Eb] these are the things I can do without Come [C] on, I'm talking to you, come [Gm] on In [Bb] violent times, you shouldn't have to [C] sell your soul In [Bb] black and white, they really really [C] ought to know [Bb] Those one track minds that took you for a [C] working boy Kiss [Bb] them goodbye, you shouldn't have to [C] jump for joy [C] You shouldn't have to [Gm] shout for joy [Gm] Shout, shout, let it all out, [Bb]these are the things I can do without Come [C] on, I'm talking to you, come [Gm] on [Bb] They gave you life, and in return you [C] gave them hell As [Bb] cold as ice, I hope we live to [C] tell the tale I[C]hope we live to [Gm] tell the tale [Gm] Shout, shout, let it all out, [Eb] these are the things I can do without Come [C] on, I'm talking to you, come [Gm] on [Gm] Shout, shout, let it all out, [Eb] these are the things I can do without Come [C] on, I'm talking to you, come [Gm] on [Bb] And when you've taken [C] down your guard If I [Bb] could change your mind, I'd really love to [C] break your heart I'd really love to [Gm] break your heart [Gm] Shout, shout, let it all out, [Eb] these are the things I can do without Come [C] on, I'm talking to you, come [Gm] on [Gm] Shout, shout, let it all out, [Eb]these are the things I can do without Come [C] on, I'm talking to you, come [Gm] on [Gm] Shout, shout, let it all out [Eb] These are the things I can do without Come [C] on, I'm talking to you, come [Gm] on [Gm] Shout, shout, let it all out [Eb] These are the things I can do without Come [C] on, I'm talking to you, come [Gm] on [Gm] Shout, shout, let it all out, [Eb]these are the things I can do without Come [C] on, I'm talking to you, come [Gm] on Produced by www.ozbcoz.com - Jim's Baritone Ukulele Songbook Baritone Tuning DGBE. -
Leksykon Polskiej I Światowej Muzyki Elektronicznej
Piotr Mulawka Leksykon polskiej i światowej muzyki elektronicznej „Zrealizowano w ramach programu stypendialnego Ministra Kultury i Dziedzictwa Narodowego-Kultura w sieci” Wydawca: Piotr Mulawka [email protected] © 2020 Wszelkie prawa zastrzeżone ISBN 978-83-943331-4-0 2 Przedmowa Muzyka elektroniczna narodziła się w latach 50-tych XX wieku, a do jej powstania przyczyniły się zdobycze techniki z końca XIX wieku m.in. telefon- pierwsze urządzenie służące do przesyłania dźwięków na odległość (Aleksander Graham Bell), fonograf- pierwsze urządzenie zapisujące dźwięk (Thomas Alv Edison 1877), gramofon (Emile Berliner 1887). Jak podają źródła, w 1948 roku francuski badacz, kompozytor, akustyk Pierre Schaeffer (1910-1995) nagrał za pomocą mikrofonu dźwięki naturalne m.in. (śpiew ptaków, hałas uliczny, rozmowy) i próbował je przekształcać. Tak powstała muzyka nazwana konkretną (fr. musigue concrete). W tym samym roku wyemitował w radiu „Koncert szumów”. Jego najważniejszą kompozycją okazał się utwór pt. „Symphonie pour un homme seul” z 1950 roku. W kolejnych latach muzykę konkretną łączono z muzyką tradycyjną. Oto pionierzy tego eksperymentu: John Cage i Yannis Xenakis. Muzyka konkretna pojawiła się w kompozycji Rogera Watersa. Utwór ten trafił na ścieżkę dźwiękową do filmu „The Body” (1970). Grupa Beaver and Krause wprowadziła muzykę konkretną do utworu „Walking Green Algae Blues” z albumu „In A Wild Sanctuary” (1970), a zespół Pink Floyd w „Animals” (1977). Pierwsze próby tworzenia muzyki elektronicznej miały miejsce w Darmstadt (w Niemczech) na Międzynarodowych Kursach Nowej Muzyki w 1950 roku. W 1951 roku powstało pierwsze studio muzyki elektronicznej przy Rozgłośni Radia Zachodnioniemieckiego w Kolonii (NWDR- Nordwestdeutscher Rundfunk). Tu tworzyli: H. Eimert (Glockenspiel 1953), K. Stockhausen (Elektronische Studie I, II-1951-1954), H.