B.U.I.L.D. Rites of Passage/Mentoring Project
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Do Diffusion Protocols Govern Cascade Growth?
Proceedings of the Twelfth International AAAI Conference on Web and Social Media (ICWSM 2018) Do Diffusion Protocols Govern Cascade Growth? Justin Cheng,1 Jon Kleinberg,2 Jure Leskovec,3 David Liben-Nowell,4 Bogdan State,1 Karthik Subbian,1 Lada Adamic1 [email protected], [email protected], [email protected], [email protected], [email protected], [email protected], [email protected] 1Facebook, 2Cornell University, 3Stanford University, 4Carleton College Abstract Large cascades can develop in online social networks as peo- ple share information with one another. Though simple re- share cascades have been studied extensively, the full range of cascading behaviors on social media is much more di- verse. Here we study how diffusion protocols, or the social ex- changes that enable information transmission, affect cascade growth, analogous to the way communication protocols de- fine how information is transmitted from one point to another. Studying 98 of the largest information cascades on Facebook, we find a wide range of diffusion protocols – from cascading reshares of images, which use a simple protocol of tapping a single button for propagation, to the ALS Ice Bucket Chal- lenge, whose diffusion protocol involved individuals creating and posting a video, and then nominating specific others to do the same. We find recurring classes of diffusion protocols, and identify two key counterbalancing factors in the con- struction of these protocols, with implications for a cascade’s growth: the effort required to participate in the cascade, and Figure 1: The diffusion tree of a cascade with a volunteer the social cost of staying on the sidelines. -
| Rites and Rituals |
Overcoming Islamophobia - Handbook for Educators CULTURAL AWARENESS | Rites and Rituals | GVi^dcVaZ/ Rites and rituals have existed at all times and in all cultures throughout human history. They are defined as rituals, or ceremonies, that surround milestone events in a person’s life such as birth, maturity, reproduction and death. Other rites of passage can celebrate transitions that are wholly cultural, marking changes in social position, occupation or affiliation. Whether they take place in a secular or religious context, such rites perform a similar function. They symbolically mark--often actually enable--an individual’s passage from one phase of life, or social status, to another. Rites of passage can be considered universal in human experience, in that all societies find ways to mark transition between one phase of life to another. The Muslim rites and customs explored in this activity may be different from a person’s own experience but nonetheless participants may be able to identify points of commonality between their own social, culture or religious identity and the rites explored in this activity. This activity is designed to help participants identify and explore the range of rituals and practices that may be part of a Muslim person’s, or families’, experience of life cycle events and rituals It is also worth pointing out that some of the rituals described may be considered as a duty within Islam. Learning Outcomes To gain knowledge of some of the rites and rituals that are part of a Muslim persons life cycle. To gain an understanding of ritual as a way to mark the passage from one stage of a persons life to another. -
TRADITIONAL WEDDING CEREMONY Hillside Christian Church (Disciples of Christ)
TRADITIONAL WEDDING CEREMONY Hillside Christian Church (Disciples of Christ) Minister: Dearly beloved, we are here assembled in the presence of God to unite A_______ (groom’s name) and B________(bride’s name) in marriage. The Bible teaches that marriage is to be a permanent relationship of one man and one woman freely and totally committed to each other as companions for life. Our Lord declared that man shall leave his father and mother and unite with his wife in the building of a home, and the two shall become one flesh. Who gives the bride to be married? Bride’s Father: I do. Minister: The home is built upon love, which virtue is best portrayed in the thirteenth chapter of Paul’s first letter to the Corinthians. “Love is patient and kind; love is not jealous or boastful; it is not arrogant or rude. Love does not insist on its own way; it is not irritable or resentful; it does not rejoice at wrong, but rejoices in the right. Love bears all things, believes all things, hopes all things, endures all things. Love never ends; ...So faith, hope, love abide, these three; but the greatest of these is love” (I Corinthians 13:4-13, RSV). Marriage is a companionship which involves mutual commitment and responsibility. You will share alike in the responsibilities and the joys of life. When companions share a sorrow the sorrow is halved, and when they share a joy the joy is doubled. You are exhorted to dedicate your home to your Creator. Take his Word, the Bible, for your guide. -
Newly Betwixt and Between: Revising Liminality in the Context of a Teacher Preparation Program Alison Cook-Sather Bryn Mawr College, [email protected]
Bryn Mawr College Scholarship, Research, and Creative Work at Bryn Mawr College Education Program Faculty Research and Education Program Scholarship 2006 Newly Betwixt and Between: Revising Liminality in the Context of a Teacher Preparation Program Alison Cook-Sather Bryn Mawr College, [email protected] Let us know how access to this document benefits ouy . Follow this and additional works at: http://repository.brynmawr.edu/edu_pubs Part of the Education Commons Custom Citation Cook-Sather, Alison, “Newly Betwixt and Between: Revising Liminality in the Context of a Teacher Preparation Program,” Anthropology and Education Quarterly 37 (2006): 110-127. This paper is posted at Scholarship, Research, and Creative Work at Bryn Mawr College. http://repository.brynmawr.edu/edu_pubs/9 For more information, please contact [email protected]. Newly Betwixt and Between: Revising Liminality in Learning to Teach. Anthropology and Education Quarterly 37, 2 (June 2006), 110-127. Alison Cook-Sather Bryn Mawr College, [email protected] Abstract Through an analysis of a contemporary rite of passage—the final stage of teacher preparation— the author develops a new theory of liminality that both builds on and extends Victor Turner’s enduring insights. The analysis focuses on how pre-service teachers in an undergraduate education program engage in a process of identity formation within an asynchronous, non- dimensional liminal space made possible and shaped by email and with the support of experienced mentor teachers. Key Words: liminal, transition, teacher preparation, identity formation, self “Betwixt and between” is a phrase Victor Turner used to capture the essence of his theory of “liminality,” a central feature of the framework he developed in the late 1960s to analyze rites of passage within tribal, sociocultural systems. -
The Five Major African Initiation Rites1
The Five Major African Initiation Rites1 There are five major African initiation rites which are fundamental to human growth and development. These rites were originally established by African ancestors while they were living in order to link the individual to the community and the community to the broader and more potent spiritual world. Initiation rites are a natural and necessary part of a community, as are arms and legs natural and necessary extension of the human body. These rites are critical to individual and community development, and it should not to be taken for granted that people automatically grow and develop into responsible, community-oriented adults. The process of initiation concerns undergoing a fundamental set of rites to start a new phase or beginning in life. It marks the passing from one phase in life to the next more mature phase. Initiation fundamentally has to do with transformation, and has been a central component of traditional African cultures since time immemorial. The details of the rites vary among the different societies, but these rites are nevertheless basic components of the society as they help guide the person from one stage in life into the next stage of one’s life and development, that is, from birth to death and beyond. The five rites are birth, adulthood, marriage, eldership, and ancestorship. A rite is a fundamental act (or set of rituals) performed according to prescribed social rules and customs. Each of these rites are a key component that are a part of traditional African cultures. Some societies have more 1 http://www.manuampim.com/AfricanInitiationRites.htm elaborate and extensive ceremonies than others, but these five themes are the thread that links families and villages in traditional Africa and provide the necessary structure for individual growth and development. -
Contemporary Rites of Passage at a Time When We Need Them the Most by Tara Moreno
Contemporary Rites of Passage At A Time When We Need Them The Most By Tara Moreno There’s no doubt we are living in turbulent times. As human consciousness shifts, it is becoming more and more apparent that we need communities to recognize and honor the growing pains and transitional challenges that we are all experiencing as individuals. How can communities do that? One very important way is by practicing rites of passage, which have been used by ancient and modern cultures around the world to support community members in transition by ritualizing and supporting change. The term rite of passage, as coined in 1929 by anthropologist Arnold van Gennep, describes the universal practice of ceremonializing life’s major events or transitions. In the book The Art of Ritual, authors Renee Beck and Sydney Barbara Metrick remind us that “Human beings have used ritual for centuries as an important buffer to change and as a way of consciously recognizing and supporting a life event rather than denying or indulging in it … the end results of all ritual are increased balance, strength, energy, and comfort.” A more commonly known rites of passage is “initiation”, which often takes the form of a coming of age ceremony in which a community comes together to person as they let go of one stage of development (childhood or adolescence) and embrace the new identity or role of the next stage (adolescence or young adulthood). Globally, there are numerous cultures currently using coming of age ceremonies regularly, exemplified by the Pathways programs for youth in Australia. -
Kentucky State Council Newsletter August 2017
Kentucky State Council Newsletter February 2019 Though the shortest month of the year, February is rich in Liturgical activity. It contains a feast (Presentation of our Lord) that bridges two other seasons (Christmas and Easter)! In addition, the faithful may receive in February two of the four major public sacramentals that the Church confers during the liturgical year: blessed candles and the blessing of throats. The Solemnity of the Presentation of the Lord on February 2nd harkens back to the Christmas mystery of Light except that now, Christ, the helpless babe, is “the Light of Revelation to the Gentiles who will save his people from their sins.” Candles, symbolizing Christ our Light, will be carried in procession this day, as will be the Paschal candle during the Easter Vigil Liturgy. "The Light of Revelation" shines more brightly with each successive Sunday of Ordinary Time, until its magnificence – exposing our sinfulness and need for conversion – propels us into the penitential Season of Lent. We prepare to accept the cross of blessed ashes on Ash Wednesday (March 1) and plunge ourselves into anticipating the major exercises of Lent – fasting, prayer, almsgiving – laying our thoughts and prayers on the heart of our Mother Mary. She, who offered her Son in the temple and on the Cross, will teach us how to deny ourselves, take up our cross daily, and follow after her Son. Kentucky State Council Newsletter February 2019 Chalice Blessing ceremony The Kentucky District of the Fr. Edward Sorin Province of the Fourth Degree Knights of Columbus held a Fourth Degree Exemplification at St. -
Rite of Passage Is a Popular Business Term Are Re-Defining What a Hearing Loss T for Crises That Force Change
The theory of the he image of a burning platform sound amplification products (PSAPs) rite of passage is a popular business term are re-defining what a hearing loss T for crises that force change. means. Clients are becoming consum- may offer hearing Wisdom suggests the better strategy ers. If professionals spend less time care managers may be earlier identification of the focusing on technology, they may be need for transformation and “step- able to focus more on counseling ser- inspiration for ping boldly into the future.” Such is vices and on better understanding the an alternative the opportunity that faces modern client’s hearing loss. And this might hearing care. turn out to be good news for both approach to Future technological break- clients and clinicians. conceptualizing the throughs may change the fitting Of course, understanding the patient journey. process as we know it. Already, new client’s needs, supportive counsel- self-adjusting technology and personal ing, caring guidance, and trust have 30 AUDIOLOGY TODAY Mar/Apr 2015 Vol 27 No 2 RITE of PASSAGEAn Alternative Approach to Rehabilitation BY HANS HENRIK PHILIPSEN always been part of the hearing-care reasons for why we do what we do. Rite of Passage equation. But the importance and The sciences of anthropology and The notion of the rite of passage added value of being able to assist ethnography offer insightful perspec- originally described by ethnography the client all the way on the journey tives on understanding our roles as has lately been reintroduced as a very through the rough patches of living both individuals and as professionals. -
The Art of Ceremony: Regalia of Native Oregon
The Art of Ceremony: Regalia of Native Oregon September 28, 2008 – January 18, 2009 Hallie Ford Museum of Art Willamette University Teachers Guide This guide is to help teachers prepare students for a field trip to the exhibition, The Art of Ceremony: Regalia of Native Oregon and offer ideas for leading self-guided groups through the galleries. Teachers, however, will need to consider the level and needs of their students in adapting these materials and lessons. Goals • To introduce students to the history and culture of Oregon’s nine federally recognized tribal communities • To introduce students to the life ways, traditions, rituals and ceremonies of each of the nine tribal communities through their art and art forms (ancient techniques, materials, preparation, and cultural guidelines and practices) • To understand the relevance of continuity to a culture Objectives Students will be able to • Discuss works of art and different art forms in relation to the history and culture of Oregon’s nine federally recognized tribal communities • Discuss various traditional art forms as reflected in the objects and performances represented in the exhibition • Identify a number of traditional techniques, including weaving, beadwork and carving • Discuss tradition and renewal in the art forms of the nine tribal communities and their relationship to the life ways, traditions and rituals of the communities • Make connections to other disciplines Preparing for the tour: • If possible, visit the exhibition on your own beforehand. • Using the images (print out transparencies or sets for students, create a bulletin board, etc.) and information in the teacher packet, create a pre-tour lesson plan for the classroom to support and complement the gallery experience. -
A Rite of Passage: Helping Daughters Reach Their Godly Potential Amy F
A Rite of Passage: Helping Daughters Reach Their Godly Potential Amy F. Davis Abdallah An honest conversation with a young Christian woman in the rites of passage are ritualized; in fact, in North America, most are United States would reveal the prevalent hurt and fear in her ex- not. Christian women who have realized their true identity and perience as well as her search for meaning and identity. Media potential would likely narrate a series of several life experiences and society encourage her to find empowerment in a “Girls Gone that have catalyzed this transformation rather than a distinct Wild” or “Spring Break” rite of passage experience and to allow ritual. Some may argue that initiation is a daily, gradual occur- her peers and the opposite sex to form her meaning and identity. rence for daughters and happens through gaining more respon- The Christian church negates these ideas, but offers discipleship sibility at home or various “passage activities,” such as “beginning that is often one-dimensional teaching about following God’s menstruation, getting a driver’s license, reaching drinking age, commands. She needs more than that. graduating, moving away from the parental home, or earning an So, how do we intentionally empower Christian daughters to income.”4 These are often unritualized. become fully the women God created them to be? If their true Though becoming a godly woman who realizes her true iden- identity has been exchanged for a lie, extinguished by negative tity and potential is a very significant rite of passage, it also does voices or unpleasant experiences, covered by thick shame, or oth- not have an accompanying ritual. -
L and Etviony
L AND ETVIONY Teacher Preparation Ritual and ceremonial behavior is a formalized display of the spiritual and social forces that operate in the lives of people. To greater or less- er degrees, each of us acknowledges these forces in the course of daily routine. A Tlingit woman briefly thanks the spirits when she enters the rainforest to gather cedar bark for her weaving. A student says a silent prayer before a big exam. A dinner guest pfesents a bouquet of flowers to reciprocate his host's generosity. such rituals, often per- formed as unconscious habits, hint at the fundamental religious and social structures that influence our lives as individuals and as members of a particular community of culture. The more elaborate rituals and ceremonies we hold for special occasions such as weddings, holidays, religious observances, and funerals bring the defining values and beliefs that lie just below the surface of daily life into the foreground. 'lØhen On these occasions, the flow of time is altered. a Hopi elder retells the story of emefgence into the Fourth'!florld during the first winter ceremony or when the story of the deliverance of the Jews from Egypt is told during Passover, the sacred past is given meaning for the present. our homes or communities or churches become like stages where the past is reenacted, change is acknowledged, and a common future is launched. The drama and formality lent by music, dancing, feasting on special foods, and wearing special clothing intensify the importance of the event. Every person involved is both actor and tl1 138 Ritual ønd Ceremony audience in a performance that defines the community and the roles of individuals within it. -
Rites of Passage and Oral Storytelling in Romanian Epic and the New Testament
Oral Tradition, 17/2 (2002): 236-258 Rites of Passage and Oral Storytelling in Romanian Epic and the New Testament Margaret H. Beissinger The exploration of traditional narratives that circulated in the pre- modern age through the comparative study of contemporary genres has a rich precedent in the groundbreaking work of Milman Parry and Albert Lord. Starting in the 1930s, Parry and Lord sought to gain insight into the compositional style of the Homeric epics by observing and analyzing Yugoslav oral epic poets and their poetry. Their findings and conclusions were seminal. In 1960, Lord posited that traditional singers compose long sung poetry in isometric verses in performance through their reliance on groups of words that are regularly used-—as parts of lines, entire lines, and groups of lines—to represent ideas in the poetry.1 This became known as the theory of oral-formulaic composition and has had profound implications in the study of epic and other traditional genres from ancient to modern times.2 Oral epic is no longer performed in today’s former Yugoslavia. But there are still traces of traditional narrative poetry elsewhere in the Balkans, namely in southern Romania, where I have done much fieldwork among epic singers and at epic performances. Though greatly inspired by the work of Parry and Lord, my goals in this article, of course, are far humbler. I examine narrative patterns in a Romanian epic song cycle in order to offer possible models for the further study of oral storytelling in the New Testament. My exploration centers on epics of initiation and the nature of the initiatory hero.