Using the Internet, Use the Information Below to Determine Which Year These Events Occurred
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The Early Years of the Acoustic Phonograph Its Developmental Origins and Fall from Favor 1877-1929
THE EARLY YEARS OF THE ACOUSTIC PHONOGRAPH ITS DEVELOPMENTAL ORIGINS AND FALL FROM FAVOR 1877-1929 by CARL R. MC QUEARY A SENIOR THESIS IN HISTORICAL AMERICAN TECHNOLOGIES Submitted to the General Studies Committee of the College of Arts and Sciences of Texas Tech University in Partial Fulfillment of the Requirements for the Degree of BACHELOR OF GENERAL STUDIES Approved Accepted Director of General Studies March, 1990 0^ Ac T 3> ^"^^ DEDICATION No. 2) This thesis would not have been possible without the love and support of my wife Laura, who has continued to love me even when I had phonograph parts scattered through out the house. Thanks also to my loving parents, who have always been there for me. The Early Years of the Acoustic Phonograph Its developmental origins and fall from favor 1877-1929 "Mary had a little lamb, its fleece was white as snov^. And everywhere that Mary went, the lamb was sure to go." With the recitation of a child's nursery rhyme, thirty-year- old Thomas Alva Edison ushered in a bright new age--the age of recorded sound. Edison's successful reproduction and recording of the human voice was the end result of countless hours of work on his part and represented the culmination of mankind's attempts, over thousands of years, to capture and reproduce the sounds and rhythms of his own vocal utterances as well as those of his environment. Although the industry that Edison spawned continues to this day, the phonograph is much changed, and little resembles the simple acoustical marvel that Edison created. -
Lasa Journal 8 Pp.36- 43) to Set up a Working Group with Us
laSa• International Association of Sound and Audiovisual Archives Association Internationale d' Archives Sonoreset Audiovisuelles Internationale Vereinigung der Schall- und Audiovisuellen Archive laSa• journal (formerly Phonographic Bulletin) no. 9 May 1997 IASA JOURNAL Journal of the International Association of Sound and Audiovisual Archives IASA Organie de l'Association Internationale d'Archives Sonores et Audiovisuelle IASA Zeitschchrift der Internationalen Vereinigung der Schall- und Audiovisuellen Archive IASA Editor: Chris Clark, The British Library National Sound Archive, 29 Exhibition Road, London SW7 2AS, UK. Fax 441714127413, e-mail [email protected] Reviews and Recent Publications Editor: Pekka Gronow, Finnish Broadcasting Company, PO Box 10, SF-00241, Helsinki, Finland. Fax 358014802089 The IASA Journal is published twice a year and is sent to all members of IASA. Applications for membership of IASA should be sent to the Secretary General (see list of officers below). The annual dues are 25GBP for individual members and 100GBP for institutional members. Back copies of the IASA Journal from -1971 are available on application. Subscriptions to the current year's issues of the IASA Journal are also available to non-members at a cost of 35GBP. Le IASA Journal est publie deux fois I'an et distribue a tous les membres. Veuilliez envoyer vos demandes d'adhesion au secretaire dont vous trouverez I'adresse ci-dessous. Les cotisations anuelles sont en ce moment de 25GBP pour les membres individuels et 100GBP pour les membres institutionelles. Les numeros precedeentes (a partir de 1971) du IASA Journal sont disponibles sure demande. Ceux qui ne sont pas membres de I' Assoociation puevent obtenir un abonnement du IASA Journal pour I'annee courante au cout de 35GBP. -
Lynn Olson: a Tiny History of High Fidelity
A Tiny History of High Fidelity, Part 1 A Rainy Night in Portland, 1936. Thanks to the restoration movement, much of downtown Portland still looks like this. Where do I come from? Where am I going? Who am I? These ancient questions are with us still. With only the slightest of changes, they can be recast into a form that provides a guidepost to the music lover, the audiophile, the hobbyist, and the artisan-engineer. Where does the art of sound reproduction come from? Where is it going? What do I seek from this art? Radio! 1900-1930 In the first years of Electrical Amplification, engineers had their hands full just trying to master the complex and non-intuitive mathematics of vacuum tube amplifiers and oscillators. It is worth keeping in mind that vacuum tubes were electronics in the first half of the Twentieth Century; before Lee DeForest modified Edison's light-bulb, the only form of "amplification" were relays that could repeat and rebuild telegraph signals. Radio relied on tuned circuits, massive brute-force spark-gap transmitters, large long-wave antennas, and crystal-diode rectification that directly powered the headphones. The faint signal that wiggled the headset diaphragm was a infinitesimal fraction of the megawatts that poured in all directions from the transmitter. Records, of course, were purely mechanical and acoustic, and wouldn't work at all if it weren't for horn-gain in recording and playback. What we now think of as electronic engineering back then was electrical engineering, focussed on keeping AC power transmission systems in phase and specialized techniques for pushing a telephone-audio signal down hundreds of miles of wire without benefit of amplification. -
The Marriage That Almost Was Western Union Has Always Been R.Idiculed for Rejecting the All Telephone
RETROSPECTIVE .Innovation The marriage that almost was Western Union has always been r.idiculed for rejecting the telephone. But what actually happened wasn't so ridiculous after all The hirth of the telephone.,-one hundred years ago railway and illuminating gas to Cambridge, Mass. this month-is a fascinating story of the geJ;Jius and Long intrigued by telegraphy, he decided to do persistence of on.e man. In addition, it is an instruc something about what he called "this monopoly tive demonstration of how an industrial giant, in with its inflated capital which serves its stockhold this case the Western Union Telegraph Co., can ers better than the 'public and whose:rates are ex miss its chance to foster an industry-creating orbitant and prohibiting of many kinds of busi breakthrough-something that has happened again ness." Between 1868 and 1874, he lobbied unceas and again in electronics and other fields. ingly, shuttling back and forth betweep. homes in Between ·1875 and 1879, Western Union's chiefs Boston and Washington. for a private "postal tele engaged in an intricate minuet with Alexander graph company" to be chartered by Congress but Graham Bell and his associates. On more than one with Hubbard and some of his friends among the occasion, the telegraph colossus came excruciating incorporators. As Hubbard envisioned it, the com ly close to absorbing the small group of ~ntre pany would build telegraph lines along the nation's preneurs, That the absorption was finally avoided rail and post roads and contract with the Post was probably the result of a technological gamble Office Department to send telegrams on its wires ~t that simply didn't payoff, as rates roughly half those being charged by Western ••• The place: the ollie of well as a clash of personali Union. -
The Story of Alan Blumlein
Alan Dower Blumlein Of the men who were responsible for the development of the Marconi-EMI high-definition television system in the early 1930s, the name of Alan Dower Blumlein stands out. He was one of the most remarkable and significant engineers of the twentieth century. Yet, following his death in 1942, his work was shrouded in secrecy. He received neither obituary nor tributes. This article is based on Robert Alexander's book, which is the first comprehensive Blumlein biography hortly after 4.20 in the He simply found no need to be able afternoon on Sunday, 7 June to write. As with all things in his life S1942 — a glorious summer's up to this time, if he saw no need, he day, clear skies, warm sunshine and showed no interest. It was only perfect visibility for flying — a Halifax through sheer determination that Alan bomber crashed into the steep hillside Blumlein set himself the task of of a valley just north of the River learning to read detailed reference Wye near the village of Welsh books on his chosen subject, realising Bicknor in Herefordshire. All of its the need for this in order to advance eleven occupants were killed in the his passion for everything electrical. enormous fire that engulfed the aircraft on impact. After a slow start... Of the scientific personnel who died Blumlein's career initially took that day, Alan Dower Blumlein stands gradual steps. hi 1925, he co- out as possibly the greatest loss. "A published an elementary paper on national tragedy," one of his electrical principles in Wireless and later friend, Isaac Shoenberg, who Bernard colleagues would call it. -
Annual Report of the Librarian of Congress
ANNUAL REPO R T O F THE LIBR ARIAN OF CONGRESS ANNUAL REPORT OF T HE L IBRARIAN OF CONGRESS For the Fiscal Year Ending September , Washington Library of Congress Independence Avenue, S.E. Washington, DC For the Library of Congress on the World Wide Web visit: <www.loc.gov>. The annual report is published through the Public Affairs Office, Office of the Librarian, Library of Congress, Washington, DC -, and the Publishing Office, Library Services, Library of Congress, Washington, DC -. Telephone () - (Public Affairs) or () - (Publishing). Managing Editor: Audrey Fischer Copyediting: Publications Professionals LLC Indexer: Victoria Agee, Agee Indexing Design and Composition: Anne Theilgard, Kachergis Book Design Production Manager: Gloria Baskerville-Holmes Assistant Production Manager: Clarke Allen Library of Congress Catalog Card Number - - Key title: Annual Report of the Librarian of Congress For sale by the U.S. Government Printing Office Superintendent of Documents, Mail Stop: SSOP Washington, DC - A Letter from the Librarian of Congress / vii Library of Congress Officers and Consultants / ix Organization Chart / x Library of Congress Committees / xiii Highlights of / Library of Congress Bicentennial / Bicentennial Chronology / Congressional Research Service / Copyright Office / Law Library of Congress / Library Services / National Digital Library Program / Office of the Librarian / A. Bicentennial / . Steering Committee / . Local Legacies / . Exhibitions / . Publications / . Symposia / . Concerts: I Hear America Singing / . Living Legends / . Commemorative Coins / . Commemorative Stamp: Second-Day Issue Sites / . Gifts to the Nation / . International Gifts to the Nation / v vi Contents B. Major Events at the Library / C. The Librarian’s Testimony / D. Advisory Bodies / E. Honors / F. Selected Acquisitions / G. Exhibitions / H. Online Collections and Exhibitions / I. -
Alan Blumlein: Wartime Radio Pioneer
Alan Blumlein: wartime radio pioneer to design, develop and install a working designed the Air Interception (Al) radar EMI, including Blumlein. There was no system ready for the BBC launch "in system, which operated automatically. EMI gear on V9977. But there had been November 1936. By May 1937 the EMI By the spring of 1941 they had improv- much debate over whether the H,S test U team had produced outside broadcast ed the accuracy of Al radar sufficiently flights should use magnetrons or equipment which could transmit King for one aircraft to detect another in the klystrons. Winston Churchill was worried George VI's coronation the first ever - air several kilometres away. But it is like- in case the magnetron, which was vir- television broadcast from outside a ly that from as early as 1937, Blumlein's tually indestructible, might fall into studio. real aim was to develop a "plan position enemy hands if there should be a crash. In January 1935, while EMI team the indicator" an airborne radar, that could The fated bomber, Halifax V9977, was was starting work on the 405 -line all - display a picture of the ground or sea fitted with a magnetron and the flight on electronic TV system, Robert (later Sir) below. Some people believe Blumlein June 7 was made solely so that the EMI Watson -Watt was working on a commit- succeeded in this as early as 1938. team could see how the prototype H,S tee, chaired by Henry Tizard, for the Accuracy and clarity of the image magnetron equipment worked at high Scientific Survey Air of Defence. -
Inventing Television: Transnational Networks of Co-Operation and Rivalry, 1870-1936
Inventing Television: Transnational Networks of Co-operation and Rivalry, 1870-1936 A thesis submitted to the University of Manchester for the degree of Doctor of Philosophy In the faculty of Life Sciences 2011 Paul Marshall Table of contents List of figures .............................................................................................................. 7 Chapter 2 .............................................................................................................. 7 Chapter 3 .............................................................................................................. 7 Chapter 4 .............................................................................................................. 8 Chapter 5 .............................................................................................................. 8 Chapter 6 .............................................................................................................. 9 List of tables ................................................................................................................ 9 Chapter 1 .............................................................................................................. 9 Chapter 2 .............................................................................................................. 9 Chapter 6 .............................................................................................................. 9 Abstract .................................................................................................................... -
Redd Microphone Redd Microphone
REDD MICROPHONE REDD MICROPHONE Continuing in the rich tradition of innovation at EMI, dating back to the early 1930s with Alan Blumlein, the father of ‘Stereo’, the company’s first coil microphones, velocity ‘ribbon’ mics and the “Blumlein pair” technique, Chandler Limited and Abbey Road Stu- dios introduce the first new EMI badged microphone in over a half century, the ‘REDD Microphone’. While the aesthetic is unmistakably classic, an ode to a gilded age of audio, the REDD Microphone is not a U-Type clone, it stands apart and on its own. The patent pending REDD Microphone is a large diaphragm tube condenser microphone, combining mic and preamplifier into the microphone body. Featuring the vacuum tube based REDD.47 Mic Amplifier circuit coupled directly to a custom handmade premium platinum membrane capsule, the REDD Microphone can be used with or without an external preamp. The proximity of the REDD Microphone’s custom capsule to its internal REDD.47 mic preamp circuit, creates the shortest possible path between the two most important elements in the recording chain, delivering a larger than life full-bodied sound, with a silky smooth top-end. Features available from the microphone body, include: 9 gain selections, +4 to +33db in ‘NORM’, extended gain and punch in ‘DRIVE’, Cardioid/Omni patterns, 10db Pad, and Phase. Continu- ous output control and low-contour voicing features are accessible from the high-quality external power supply. HISTORY In 1958, EMI and Abbey Road Studios, through their REDD (Re- cord Engineering Development Department) technical division, designed the REDD.47 line amplifier as a plug-in line amplifier for their new REDD.51 consoles, replacing the Telefunken/Siemens V72s used in early REDD mixing consoles. -
Manual of Analogue Sound Restoration Techniques
MANUAL OF ANALOGUE SOUND RESTORATION TECHNIQUES by Peter Copeland The British Library Analogue Sound Restoration Techniques MANUAL OF ANALOGUE SOUND RESTORATION TECHNIQUES by Peter Copeland This manual is dedicated to the memory of Patrick Saul who founded the British Institute of Recorded Sound,* and was its director from 1953 to 1978, thereby setting the scene which made this manual possible. Published September 2008 by The British Library 96 Euston Road, London NW1 2DB Copyright 2008, The British Library Board www.bl.uk * renamed the British Library Sound Archive in 1983. ii Analogue Sound Restoration Techniques CONTENTS Preface ................................................................................................................................................................1 Acknowledgements .............................................................................................................................................2 1 Introduction ..............................................................................................................................................3 1.1 The organisation of this manual ...........................................................................................................3 1.2 The target audience for this manual .....................................................................................................4 1.3 The original sound................................................................................................................................6 -
The Penn Discourse Treebank 2.0 Annotation Manual
University of Pennsylvania ScholarlyCommons IRCS Technical Reports Series Institute for Research in Cognitive Science 12-17-2007 The Penn Discourse Treebank 2.0 Annotation Manual Rashmi Prasad University of Pennsylvania, [email protected] Eleni Miltsakaki University of Pennsylvania, [email protected] Nikhil Dinesh University of Pennsylvania, [email protected] Alan Lee University of Pennsylvania, [email protected] Aravind Joshi University of Pennsylvania, [email protected] See next page for additional authors Follow this and additional works at: https://repository.upenn.edu/ircs_reports Part of the Arts and Humanities Commons, and the Computer Engineering Commons Prasad, Rashmi; Miltsakaki, Eleni; Dinesh, Nikhil; Lee, Alan; Joshi, Aravind; Robaldo, Livio; and Webber, Bonnie L., "The Penn Discourse Treebank 2.0 Annotation Manual" (2007). IRCS Technical Reports Series. 203. https://repository.upenn.edu/ircs_reports/203 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/ircs_reports/203 For more information, please contact [email protected]. The Penn Discourse Treebank 2.0 Annotation Manual Abstract This report contains the guidelines for the annotation of discourse relations in the Penn Discourse Treebank (http://www.seas.upenn.edu/~pdtb), PDTB. Discourse relations in the PDTB are annotated in a bottom up fashion, and capture both lexically realized relations as well as implicit relations. Guidelines in this report are provided for all aspects of the annotation, including annotation explicit discourse connectives, implicit relations, arguments of relations, senses of relations, and the attribution of relations and their arguments. The report also provides descriptions of the annotation format representation. Keywords natural language processing, discourse analysis, discourse structure, discourse coherence, annotation Disciplines Arts and Humanities | Computer Engineering Author(s) Rashmi Prasad, Eleni Miltsakaki, Nikhil Dinesh, Alan Lee, Aravind Joshi, Livio Robaldo, and Bonnie L. -
Guide to the Charles Sumner Tainter Papers
Guide to the Charles Sumner Tainter Papers NMAH.AC.0124 Robert Harding 1984 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Scope and Contents........................................................................................................ 4 Arrangement..................................................................................................................... 4 Biographical / Historical.................................................................................................... 2 Bibliography...................................................................................................................... 4 Names and Subjects ...................................................................................................... 5 Container Listing ............................................................................................................. 6 Series 1: Papers, 1878-1937, undated.................................................................... 6 Series 2: Laboratory Notes, 1881-1908................................................................... 8 Series 3: Artifacts, undated...................................................................................