DOCSLIB.ORG

HOW the ENTERTAINMENT INDUSTRY IS WORKING THROUGH a COVID-19 PANDEMIC Moderator: Jodi Peikoff Partner, Peikoff Mahan Panelists: Pamela J

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
HOW the ENTERTAINMENT INDUSTRY IS WORKING THROUGH a COVID-19 PANDEMIC Moderator: Jodi Peikoff Partner, Peikoff Mahan Panelists: Pamela J WEDNESDAY, JULY 22, 2020 5:50p - 6:35p PDT THE SAFETY DANCE: HOW THE ENTERTAINMENT INDUSTRY IS WORKING THROUGH A COVID-19 PANDEMIC moderator: Jodi Peikoff Partner, Peikoff Mahan panelists: Pamela J. Martinson Partner, Sidley Austin LLP Stephen Plum Senior Executive Vice President, Business and Legal Affairs, Paramount Pictures Daniel R'bibo Senior Vice President, Gallagher PAMELA J. MARTINSON PARTNER, SIDLEY AUSTIN LLP AMELA MARTINSON REPRESENTS MAJOR • LEADING LAWYER IN BANKING & FINANCE, P INSTITUTIONAL AND OTHER LENDERS, LESSORS, CHAMBERS USA (2011–2019) BORROWERS AND EQUITY SPONSORS. SHE POSSESSES • LEADING LAWYER IN BANKING LAW AND EXTENSIVE EXPERIENCE IN COMPLEX FINANCINGS OF ALL STRUCTURED FINANCE LAW, THE BEST LAWYERS IN KINDS, INCLUDING SYNDICATED LENDING AMERICA (2007–2020) TRANSACTIONS (SECURED AND UNSECURED), • “LAWYER OF THE YEAR”, BANKING AND FINANCE EQUIPMENT LEASING, ASSET-BASED LENDING, LAW, THE BEST LAWYERS IN AMERICA (2020) UNITRANCHE LOANS, SUBSCRIPTION FINANCE AND • LEADING LAWYER IN BANK LENDING, THE LEGAL STRUCTURED FINANCE. PAM HAS EXPERIENCE IN A WIDE 500 (2012) VARIETY OF FINANCING PROGRAMS FOR POWER SPORTS • LEADING LAWYER IN EQUIPMENT FINANCE LAW, VEHICLES, INCLUDING WAREHOUSE FACILITIES SECURED THE BEST LAWYERS IN AMERICA (2011–2020) BY ELECTRONIC CHATTEL PAPER, AND FORWARD FLOW • FELLOW, AMERICAN COLLEGE OF PROGRAMS FOR MARKETPLACE LENDERS. HER PRACTICE COMMERCIAL FINANCE LAWYERS IN LARGE PART CENTERS ON CROSS-BORDER LOANS AND (EXECUTIVE COMMITTEE OFFICER, 2016– SECURITY, MARKETPLACE LENDING, FUND FINANCE, PRESENT, PRESIDENT, 2020–2021) INTERCREDITOR RELATIONSHIPS AND LENDING TO TECHNOLOGY AND GROWTH COMPANIES, MANY MEMBERSHIPS AND ACTIVITIES: • WITHIN FINTECH. PAM HAS BEEN INSTRUMENTAL IN OBSERVER TO UNIFORM LAW COMMISSION DEVELOPING LOAN AND LEASE DOCUMENTATION FOR DRAFTING COMMITTEE ON REGULATION OF COMMERCIAL LENDERS AND EQUIPMENT LESSORS AND VIRTUAL CURRENCY BUSINESSES (2015–2017) • HAS EXPERIENCE IN LEASE AND LOAN FINANCING OF CO-CHAIR, WOMEN IN LAW EMPOWERMENT EARLY-STAGE COMPANIES THAT INCLUDE THE ISSUANCE FORUM ADVISORY BOARD • OF WARRANTS. SHE ADVISES CLIENTS WITH RESPECT TO AMERICAN BAR ASSOCIATION, CHAIR OF CREDIT, WORKOUT AND UNIFORM COMMERCIAL CODE SECURED TRANSACTIONS SUBCOMMITTEE • ISSUES. MEMBER, BOARD OF TRUSTEES, WOODSIDE PRIORY SCHOOL • PAM ALSO HAS MORE THAN 10 YEARS OF EXPERIENCE BUILDON WEST COAST BOARD AND AS A BANKER AND COMMERCIAL LENDER. SHE WAS DEVELOPMENT COMMITTEE • EMPLOYED BY AN ASSET-BASED LENDER AND A PAST MEMBER, UCC COMMITTEE OF THE COMMERCIAL BANK IN CREDIT, CREDIT MANAGEMENT BUSINESS LAW SECTION, STATE BAR OF AND SALES POSITIONS. PAM WAS RESPONSIBLE FOR CALIFORNIA, AND CHAIR OF SUBCOMMITTEE ON ASSET-BASED LENDING OPERATIONS INCLUDING CREDIT LEGAL OPINIONS ANALYSIS, COLLATERAL CONTROL AND PORTFOLIO PUBLICATIONS: MANAGEMENT. SHE DEVELOPED AND IMPLEMENTED • “SECURITY INTERESTS: FUND FINANCE,” WORKOUT ARRANGEMENTS FOR PROBLEM LOANS. PAM PRACTICAL LAW COMPANY, PRACTICE MARKETED PRIVATE- LABEL LEASING PROGRAMS TO U.S. NOTE 1-535-9385 (2019) VENDORS OF EQUIPMENT, AND SOLD AND STRUCTURED • “SERVING TWO MASTERS: WHEN ‘BANKRUPTCY- TAX-ADVANTAGED LEASES ON BEHALF OF A BANK REMOTE’ MEETS PUBLIC POLICY,” LJN’S LEASING COMPANY. EQUIPMENT LEASING NEWSLETTER (AUGUST 2017) WITH HER BUSINESS EXPERIENCE AS A LENDER AND • “BITCOIN AND THE SECURED LENDER,” BANKING LESSOR, PAM UNDERSTANDS AND APPRECIATES THE & FINANCIAL SERVICES POLICY REPORT, (JUNE CREDIT RISK AND OTHER BUSINESS ASPECTS OF A 2014, CO-AUTHORED WITH CHRISTOPHER FINANCING AND IS A VALUABLE RESOURCE IN MASTERSON) STRUCTURING DEBT AND LEASE TRANSACTIONS. • “EMERGING PAYMENT SYSTEMS REQUIRE NEW LEARNING BY CREDITORS,” LAW360, AWARDS AND HONORS: (JANUARY 2014, CO-AUTHORED WITH • NAMED THE BEST LAWYERS’ 2014 PALO ALTO CHRISTOPHER MASTERSON) BANKING AND FINANCE LAW “LAWYER OF THE • “BANKTHINK: THE HAZARDS OF LENDING TO YEAR” BITCOIN USERS,” AMERICAN BANKER, SUNNYVALE (OCTOBER 2015) (JANUARY 2014, CO-AUTHORED WITH • SPEAKER ON THE SUBJECT OF INTELLECTUAL CHRISTOPHER MASTERSON) PROPERTY COLLATERAL AT THE CREDITORS’ • “A LEASE IS A LEASE IS A … LOAN? AVOIDING RIGHTS SUBCOMMITTEE OF THE ABA, SAN RECHARACTERIZATION,” LJN’S EQUIPMENT FRANCISCO (APRIL 2015) LEASING NEWSLETTER • PANEL CHAIR AND SPEAKER, BITCOIN AND (DECEMBER 2012) ELECTRONIC PAYMENT PLATFORMS, ABA ANNUAL MEETING, CHICAGO (AUGUST EVENTS: 2014) • CHAIR AND PANEL MEMBER, LEGAL • PANEL CHAIR AND SPEAKER, VENTURE DEVELOPMENTS, EQUIPMENT LEASING AND LENDING, ABA ANNUAL MEETING, SAN FINANCE ASSOCIATION, ANNUAL LEGAL FRANCISCO (AUGUST 2013) FORUM (2014–2018) • PANEL MEMBER, ASSET-BASED FINANCING ADMISSIONS AND CERTIFICATIONS: STRATEGIES 2018 AND 2019, PRACTISING LAW • CALIFORNIA INSTITUTE WEBINAR (FEBRUARY 2018, FEBRUARY • NEW YORK 2019) • SPEAKER, RISKS AND REWARDS IN PROCESSING EDUCATION: PAYMENTS AND PAYMENT-RELATED DATA, • HARVARD LAW SCHOOL (J.D.) 28TH ANNUAL ALL HANDS MEETING, SILICON • UNIVERSITY OF DENVER (M.B.A.) VALLEY ASSOCIATION OF GENERAL COUNSEL • UNIVERSITY OF DENVER (B.A., MAGNA CUM SANTA CLARA (NOVEMBER 2016 WITH DAVID LAUDE, PHI BETA KAPPA) TEITELBAUM) • PANEL MEMBER, GETTING THE MONEY — ROADMAP OF A FINANCING TRANSACTION, ABA WEBINAR (JANUARY 2016) • PANEL MEMBER, VENTURE DEBT: USES, TRENDS AND TERMS, NVCA CORPORATE VENTURE SUMMIT, JODI PEIKOFF PARTNER, PEIKOFF MAHAN ODI PEIKOFF REPRESENTS TALENT CLIENTS IN ALL STEVENS, AMERICA FERRERA, DAVID HARBOUR, JASPECTS OF THEIR ENTERTAINMENT BUSINESS FELICITY JONES, MICHIEL HUISMAN, TILDA SWINTON, TRANSACTIONS INCLUDING MOTION PICTURES, VERA FARMIGA, MICHAEL C. HALL, DIANE KRUGER, TELEVISION, THEATER, PUBLISHING AND ENDORSEMENTS. JOHN CAMERON MITCHELL, AND BOBBY LOPEZ AND CLIENTS INCLUDE EZRA MILLER, MARK RYLANCE, DAN KRISTEN ANDERSON-LOPEZ. STEPHEN PLUM SENIOR EXECUTIVE VICE PRESIDENT, BUSINESS AND LEGAL AFFAIRS, PARAMOUNT PICTURES BUSINESS AFFAIRS FOR THE MOTION PICTURE GROUP TEPHEN PLUM HAS BEEN THE SENIOR EXECUTIVE AT TWENTIETH CENTURY FOX, WHERE HE OVERSAW SVICE PRESIDENT, HEAD OF BUSINESS AND LEGAL BUSINESS AFFAIRS FOR THE FOX 2000, FOX AFFAIRS AT PARAMOUNT PICTURES SINCE MARCH OF ANIMATION, FOX FAMILY AND FOX INTERNATIONAL 2017. HE HAS RESPONSIBILITY FOR ALL BUSINESS AND RODUCTIONS DIVISIONS RIOR TO OX HE WAS IN LEGAL MATTERS PERTAINING TO THE DEVELOPMENT P . P F THE USINESS FFAIRS AND EGAL FFAIRS AND PRODUCTION OF MOTION PICTURES AT B A L A DEPARTMENTS AT PARAMOUNT FROM 1990 TO 1997, PARAMOUNT. AND BEFORE THAT IN PRIVATE PRACTICE IN NEW YORK. PRIOR TO THAT HE WAS EXECUTIVE VICE PRESIDENT, STEVE IS A MEMBER OF THE NEW YORK AND ENGLAND WHERE HE RECEIVED A BA (HONS) IN CALIFORNIA BARS, AND AN ENGLISH SOLICITOR. LAW, AND THE COLLEGE OF LAW, LONDON, HE ATTENDED THE UNIVERSITY OF SUSSEX IN WHERE HE QUALIFIED AS AN ENGLISH SOLICITOR. DANIEL R’BIBO SENIOR VICE PRESIDENT, GALLAGHER ANIEL R’BIBO DANIEL HAS BEEN IN THE BROKERS IN SEPTEMBER 2011 WITH THE PURPOSE OF D ENTERTAINMENT INSURANCE INDUSTRY FOR OVER CREATING AND BUILDING LIBERTY ENTERTAINMENT 18 YEARS. DANIEL RECEIVED HIS BACHELOR’S DEGREE INSURANCE SERVICES, THE ENTERTAINMENT DIVISION OF IN BUSINESS ADMINISTRATION FROM CALIFORNIA STATE THE FIRM. DURING THIS TIME, HE HAS OVERSEEN THE UNIVERSITY, NORTHRIDGE IN 2002. STARTING HIS ACQUISITION OF CMM ENTERTAINMENT AS WELL AS CAREER AT AON/ ALBERT G. RUBEN INSURANCE OPEN UP LIBERTY OFFICES IN NEW MEXICO AND SERVICES IN 2000 AS THE IT ADMINISTRATOR, HE LOUISIANA AND BUILDING RELATIONSHIPS WITH AFFILIATE QUICKLY MOVED INTO THE ENTERTAINMENT INSURANCE OFFICES THROUGHOUT THE COUNTRY. AS A RESULT OF SIDE OF THE COMPANY IN 2002. DURING HIS TENURE AT THE ACQUISITION DANIEL OVERSAW ALL ENTERTAINMENT AON, DANIEL HAS SERVICED A RANGE OF OPERATIONS WHICH INCLUDED MANAGEMENT FOR ENTERTAINMENT CLIENTELE RANGING FROM APPROXIMATELY 15 EMPLOYEES IN 3 STATES AS WELL AS INDEPENDENT FILM PRODUCERS TO LARGE STUDIOS. HE THE DAY-TO-DAY SERVICING FOR THE ENTERTAINMENT HAS WORKED ON ALL LINES OF INSURANCE RANGING BUSINESS MANAGEMENT AND PRODUCTION CLIENTS. FROM PRODUCTION INSURANCE POLICIES TO FINANCIAL AND CYBERTECHNOLOGY POLICIES SUCH AS IN MARCH, 2013 DANIEL JOINED GALLAGHER, ONE OF E&O, D&O AND NETWORK/ SECURITY & PRIVACY THE LARGEST ENTERTAINMENT INSURANCE BROKERS IN COVERAGES. THE WORLD WHERE HE MANAGES HIS CLIENTS INCLUDING PILGRIM MEDIA GROUP, UCLA, ACADEMY OF ART IN 2011 DANIEL WON THE POWER BROKER AWARD IN UNIVERSITY AND EMMETT/ FURLA FILMS AND MORE. THE MEDIA & ENTERTAINMENT CATEGORY AS WELL AS DANIEL WAS AWARDED THE POWER BROKER AWARD IN BEING IN THEIR TOP 40 UNDER 40 CATEGORY BY RISK THE MEDIA & ENTERTAINMENT CATEGORY BY RISK AND AND INSURANCE MAGAZINE. INSURANCE MAGAZINE AGAIN IN 2016, 2017 AND 2018. DANIEL JOINED THE LIBERTY COMPANY INSURANCE TABLE OF CONTENTS THE SAFETY DANCE: HOW THE ENTERTAINMENT INDUSTRY IS WORKING THROUGH A COVID-19 PANDEMIC A. MCLE Credit B. Outline of Topics/Issues C. “SAG-AFTRA Requires Members to Seek Union Approval for Work Due to Coronavirus,” Variety (May 14, 2020) D. “Hollywood Submits COVID-19 Reopening Plan from Studios, Unions & Producers to NY & CA Governors,” Deadline (June 1, 2020) E. “Safety Protocols for Restarting Film & TV Production Amid Coronavirus Are Announced by Los Angeles County Officials,” Deadline (June 11, 2020) F. “Limiting Damages After a Breached Contract Due to COVID-19,” Schuyler M. Moore (March 2020) G. “5 Things Producers Should Do When They Can’t Produce,” Elsa Ramo (April 1, 2020) H. “Proposed Health and Safety Guidelines for Motion Picture, Television, and Streaming Productions During the COVID-19 Pandemic,” Alliance of Motion Picture and Television Producers,
Load more

Recommended publications
  • GLAAD Media Institute Began to Track LGBTQ Characters Who Have a Disability
    Studio Responsibility IndexDeadline 2021 STUDIO RESPONSIBILITY INDEX 2021 From the desk of the President & CEO, Sarah Kate Ellis In 2013, GLAAD created the Studio Responsibility Index theatrical release windows and studios are testing different (SRI) to track lesbian, gay, bisexual, transgender, and release models and patterns. queer (LGBTQ) inclusion in major studio films and to drive We know for sure the immense power of the theatrical acceptance and meaningful LGBTQ inclusion. To date, experience. Data proves that audiences crave the return we’ve seen and felt the great impact our TV research has to theaters for that communal experience after more than had and its continued impact, driving creators and industry a year of isolation. Nielsen reports that 63 percent of executives to do more and better. After several years of Americans say they are “very or somewhat” eager to go issuing this study, progress presented itself with the release to a movie theater as soon as possible within three months of outstanding movies like Love, Simon, Blockers, and of COVID restrictions being lifted. May polling from movie Rocketman hitting big screens in recent years, and we remain ticket company Fandango found that 96% of 4,000 users hopeful with the announcements of upcoming queer-inclusive surveyed plan to see “multiple movies” in theaters this movies originally set for theatrical distribution in 2020 and summer with 87% listing “going to the movies” as the top beyond. But no one could have predicted the impact of the slot in their summer plans. And, an April poll from Morning COVID-19 global pandemic, and the ways it would uniquely Consult/The Hollywood Reporter found that over 50 percent disrupt and halt the theatrical distribution business these past of respondents would likely purchase a film ticket within a sixteen months.
    [Show full text]
  • The Commuter Production Notes
    THE COMMUTER PRODUCTION NOTES RELEASE DATES Australia, New Zealand & Germany (STUDIOCANAL): January 11th 2018 US (Lionsgate): January 12th 2018 UK (STUDIOCANAL): January 19th 2018 France (STUDIOCANAL): January 24th 2018 CONTACTS [email protected] [email protected] [email protected] [email protected] 1 ABOUT THE PRODUCTION Following the worldwide success of Unknown, Non-Stop and Run All Night, star Liam Neeson and director Jaume Collet-Serra reunite for a fourth time with explosive thriller THE COMMUTER about one man‘s frantic quest to prevent disaster on a packed commuter train. The screenplay proved irresistible to both the director and star, not just for the bravura of the action and the thrill of the suspense but for the moral conundrum the protagonist is faced with and the consequences it has on him, the passengers on the train and his family at home. “THE COMMUTER asks the audience, if someone asked you to do something that seems insignifi- cant but you’re not sure of the outcome in exchange for a considerable financial reward, would you do it?” says Jaume Collet-Serra. “That‘s the philosophical choice that our central character - a man of 60 who’s just been fired, has no savings and is mortgaged to the hilt - is faced with. Is he think- ing just about himself or is he going to take into consideration the possible moral consequences of what he’s asked to do? That’s the question we want the audience to ask themselves.” For Neeson, it was also the story’s real-time narrative that gives it a thrilling momentum.
    [Show full text]
  • Directory of National and International Labor
    Directory of National and International Labor Unions in the United States, 1961 Listing of National and International Unions State Labor Organizations Developments Since 1959 Structure and Membership Bulletin No. 1320 March 1962 UNITED STATES DEPARTMENT OF LABOR Arthur J. Goldberg, Secretary BUREAU OF LABOR STATISTICS Ewan Clague, Commissioner Digitized for FRASER http://fraser.stlouisfed.org/ Federal Reserve Bank of St. Louis Additions, corrections, and deletions to the---- DIRECTORY OF NATIONAL AND INTERNATIONAL LABOR UNIONS IN THE UNITED STATES, 1961 (BLS Bulletin No. 1320) March 1963 UNITED STATES DEPARTMENT OF LABOR W. WILLARD WIRTZ, SECRETARY BUREAU OF LABOR STATISTICS Ewan Clague, Commissioner Digitized for FRASER http://fraser.stlouisfed.org/ Federal Reserve Bank of St. Louis Digitized for FRASER http://fraser.stlouisfed.org/ Federal Reserve Bank of St. Louis UNION DIRECTORY CHANGES Listed below are additions, corrections, and deletions to the Directory of National and International Labor Unions, 1961 (BLS Bulle­ tin No. 1320) which was issued early in 1962. This listing includes all the changes covered in listings 1 through 3 issued previously, and changes which have come to the Bureau's attention as of March 1, 1963* Since a new Directory of National and International Labor Unions will be issued in late 1963, no additional listings of changes will be issued for BLS Bulletin 1320. Page 1 Executive Council Herman D. Kenin, President, American Federation of Musicians, replaces William C. Doherty (resigned) 2 AFL- CIO Staff Research:
    [Show full text]
  • You Can Find Details of All the Films Currently Selling/Coming to Market in the Screen
    1 Introduction We are proud to present the Fís Éireann/Screen Irish screen production activity has more than Ireland-supported 2020 slate of productions. From doubled in the last decade. A great deal has also been comedy to drama to powerful documentaries, we achieved in terms of fostering more diversity within are delighted to support a wide, diverse and highly the industry, but there remains a lot more to do. anticipated slate of stories which we hope will Investment in creative talent remains our priority and captivate audiences in the year ahead. Following focus in everything we do across film, television and an extraordinary period for Irish talent which has animation. We are working closely with government seen Irish stories reach global audiences, gain and other industry partners to further develop our international critical acclaim and awards success, studio infrastructure. We are identifying new partners we will continue to build on these achievements in that will help to build audiences for Irish screen the coming decade. content, in more countries and on more screens. With the broadened remit that Fís Éireann/Screen Through Screen Skills Ireland, our skills development Ireland now represents both on the big and small division, we are playing a strategic leadership role in screen, our slate showcases the breadth and the development of a diverse range of skills for the depth of quality work being brought to life by Irish screen industries in Ireland to meet the anticipated creative talent. From animation, TV drama and demand from the sector. documentaries to short and full-length feature films, there is a wide range of stories to appeal to The power of Irish stories on screen, both at home and all audiences.
    [Show full text]
  • 1 2 3 4 5 6 7 8 9 10 11 12 13 13A 13B 13C 13D 13E 14 15 16 17 18 18A
    1. AFL-CIO 2. Air Line Pilots Association (ALPA) 3. Amalgamated Transit Union (ATU) 4. American Federation of Government Employees (AFGE) LOOK FOR THE UNION LABEL 5. American Federation of Musicians of the United States and Canada (AFM) 6. American Federation of School Administrators (AFSA) 7. American Federation of State, County and Municipal 1 2 3 4 5 6 Employees (AFSCME) 8. American Federation of Teachers (AFT) 9. American Federation of Television and Radio Artists (AFTRA) 10. American Postal Workers Union (APWU) 11. American Radio Association (ARA) 12. American Train Dispatchers Association (ATDA) 13. Associated Actors and Artistes of America (4As) 7 8 9 10 11 12 a. Actors’ Equity Association (AEA) b. American Guild of Musical Artists (AGMA) c. American Guild of Variety Artists (AGVA) d. Screen Actors Guild (SAG) e. The Guild of Italian American Actors (GIAA) 14. Bakery, Confectionery, Tobacco Workers and Grain Millers International Union (BCTGM) 15. Brotherhood of Railroad Signalmen (BRS) 16. California Nurses Association/National Nurses Organizing Committee (CNA/NNOC) 13 13a 13b 13c 13d 13e 17. California School Employees Association (CSEA) 18. Communications Workers of America (CWA) a. Association of Flight Attendants (AFA-CWA) b. International Union of Electronic, Electrical, Salaried c. Machine and Furniture Workers Sector (IUE-CWA) d. National Association of Broadcast Employees & Technicians (NABET-CWA) e. The Newspaper Guild (TNG-CWA) 14 15 16 17 18 18a f. Printing Publishing & Medial Workers Sector (PPMWS-CWA) 19. Farm Labor Organizing Committee (FLOC) 20. National Football League Players Association (NFLPA) 21. Glass, Molders, Pottery, Plastics and Allied Workers International Union (GMP) 22.
    [Show full text]
  • Labor and Labor Unions Collection Inventory
    Mss. Coll. 86 Labor and Labor Unions Collection Inventory Box 1 Folder 1 Toledo Labor Unions, ca. 1894 (Original) 1. Pamphlet, possibly for multi-union gathering, gives brief history of the following unions: Painters and Decorators’ Union No. 7; Metal Polishers, Buffers and Platers No. 2; Union No. 25, U. B. of C. and J. of A.; Bakers’ union, No. 66; United Association Journeymen Plumbers, Gas Fitters, Steam Fitters, and Steam Fitters’ Helpers, Local Union No. 50; Local Union No. 81 of the A. F. G. W. U.; Toledo Musical Protective Association, Local 25; Beer Drivers’ Union No. 87; Brewery Workers’ Union, No. 60; Drivers and Helpers’ Protective Union, No. 6020; Barbers’ Union No. 5; Toledo Lodge No. 105, I. A. of M.; Amalgamated Council of Building Trades; Toledo Typographical Union, No. 63; Coopers’ Union, No. 34; and Stone Pavers’ Union, No. 5191 Folder 2 Toledo Labor Unions, ca. 1894 (Photocopy) 1. See description of Folder 1 Folder 3 Amalgamated Meat Cutters & Butcher Workmen, Local 466 1. Circular re Kroger and A&P groceries, n.d. Folder 4 American Flint Glass Workers Union, AFL-CIO 1. House organ, American Flint, vol. 68, no. 7 (July 1978) 100th Anniversary – 1878-1978 2. Pamphlet, “American Flint Glass Workers Union, AFL-CIO, Organized July 1, 1878, Toledo, Ohio, ca. 1979 (2 copies) Folder 5 Cigarmakers Int. Union of America, Local Union No. 48 1. Letter to Board of Public Service, Toledo, April 21, 1903 Folder 6 International Association of Machinists, Toledo Lodge No. 105 1. Bylaws, 1943 Folder 7 International Labour Office, Metal Trades Committee 1.
    [Show full text]
  • STUNT CONTACT BREAKDOWN SERVICE 1-11-2017 8581 SANTA MONICA BLVD #143, WEST HOLLYWOOD, CA 90069 - TEL: 323-951-1500 Page 1 of 48
    STUNT CONTACT BREAKDOWN SERVICE 1-11-2017 8581 SANTA MONICA BLVD #143, WEST HOLLYWOOD, CA 90069 - TEL: 323-951-1500 Page 1 of 48 STUNT CONTACT ACTION BREAKDOWN SERVICE FOR STUNT PROFESSIONALS 1-11-2017 (323) 951-1500 WWW.STUNTCONTACT.COM 2017. Stunt Contact is provided under a single license and is for personal use only. Any sharing or commercial redistribution of information contained herein is strictly prohibited without the express written permission of the Editor and will be prosecuted to the full extent of the law. SHOW TITLE: UNDERWATER FEATURE** PRODUCTION COMPANY: CHERNIN ENTERTAINMENT / TWENTIETH CENTURY FOX FILM CORP ADDRESS: UNDERWATER - PROD OFFICE FOX LOUSIANA PRODUCTIONS LLC 8301 W JUDGE PEREZ DR SUITE 302 CHALMETTE, LA 70043 ATTN: MARK RAYNER, STUNT COORDINATOR [email protected] TEL: 504-595-1710 PRODUCER: PETER CHERNIN, TONIA DAVIS, JENNO TOPPING WRITER: BRIAN DUFFIELD DIRECTOR: WILLIAM EUBANK LOCATION: NEW ORLEANS SHOOTS: 3/6/2017 SPECIAL INSTRUCTIONS: AQUATIC THRILLER WILL BE HELMED BY “THE SIGNAL” DIRECTOR, WILLIAM EUBANK. AFTER AN EARTHQUAKE DESTROYS THEIR UNDERWATER STATION, A CREW OF SIX MUST NAVIGATE TWO MILES IN THE DANGEROUS UNKNOWN DEPTHS OF THE OCEAN FLOOR TO MAKE IT TO SAFETY. SCRIPT WAS ON THE 2015 HIT LIST. VERY EARLY. PROJ IS STILL IN CASTING - NOT CERTAIN OF DOUBLE REQUIREMENTS. LOCAL HIRES MAY SUBMIT NOW BY EMAIL ONLY. SHOOTS THRU MID-MAY. SHOW TITLE: KNUCKLEBALL FEATURE** PRODUCTION COMPANY: THE UMBRELLA COLLECTIVE / 775 MEDIA ADDRESS: KUCKLEBALL - PROD OFFICE 2003090 ALBERTA LTD 1 To subscribe go to: www.stuntcontact.com STUNT CONTACT BREAKDOWN SERVICE 1-11-2017 8581 SANTA MONICA BLVD #143, WEST HOLLYWOOD, CA 90069 - TEL: 323-951-1500 Page 2 of 48 123 CREE ROAD SHERWOOD PARK, AB T8A 3X9 ATTN: RON WEBBER, STUNT COORDINATOR [email protected] 587-328-0288 PRODUCER: KURTIS DAVID HARDER, LARS LEHMAN, JULIAN BLACK ANTELOPE WRITER: KEVIN COCKLE, MICHAEL PETERSON DIRECTOR: MICHAEL PETERSON LOCATION: EDMONTON, AB CAST: MICHAEL IRONSIDE SHOOTS: 1/16/2017 - TENT SPECIAL INSTRUCTIONS: HORROR THRILLER.
    [Show full text]
  • Cases Closed
    Case Type (All Column Values) Election Held Date Between None - None Case Number None Dispute Unit State (All Column Values) Case Closed Date Between 07/01/2020 - 07/31/2020 Case Name None Dispute Unit City (All Column Values) Labor Org 1 Name None Action Type 10E, 10e, 10j, 10j - 10l, 10j - 10l Contempt, 10k, AC, ALJ, ALJ EAJA, Adversary, Appellate, Appellate Mediation, Bankruptcy, Title of the Report Election Report for Cases Closed Bankruptcy Guidance, Before ALJ, Before ALJ - Compliance, Before Board, Before Board - Compliance, Board Notice, Board Order, Board Order Enforcement, C-Case Decision, CA, CB, CC, CCSLB Compliance Investigation, CCSLB Contempt, CD, CE, CG, CP, Cert Recommendation, Certiorari, Closed w/out Full Compliance, Collection Enforcement, Collection Post-Judgment, Collection Pre-Judgment, Collyer, Complaint, Compliance, Compliance - ALJ, Compliance Agreement, Compliance Determination, Compliance Hrg, Compliance Investigation, Compliance Specification, Compliance ULP Hrg, Conditional, Conditional/Merit, Consent, Contempt, Court Judgment, Court Remand, Court of Appeals Bankruptcy, Court of Appeals Contempt, Decision on Hearing, Decision on Remand, Decision on Review - C Case, Decision on Review - R Case, Decision on Stipulated Facts, Decision on Stipulated Record, Deferral, Discriminatee, Dismissal, District Court, District Crt 10j, District Crt 10l, District Crt Bankruptcy, Dubo, EAJA, EAJA - ALJ, Election Agreement, Enforcement, Enforcement/Review, Ethics, Exceptions or Auto Adopt - C, Exceptions or Auto Adopt - R, Finance, Formal, Formal Bilateral, Formal Settlement, Guideline, Hearing, ILB, ILB - 10j, ILB - Appeal Consideration, ILB - Contempt, ILB - Ct Doc Rev, ILB - Litigation Advice, Informal, Informal Settlement, Initial C, Initial R, Intervention, Interview, Investigative, Litigation Matters - Other, MSJ ? Board Notice, Manual, Merit Dismissal, Mot. to Transfer on StipFacts, Motion ? Other, Motion - Other, Motion for Clarification, Motion for Default Judgment, Motion for Default Judgmnt ALJ, Motion for Reconsid.
    [Show full text]
  • Gordon David, New York City, Representing the Committee For
    1192 ECONOMIC SECURITY ACT where the deceased had his home at the time of his death. Only the Federal Government can effectively distribute the burden, because only it can effectively reach incomes and inheritances and make them available for the people of all States. We must remember that the bill here considered does not depend for its con­ stitutionality on any consideration of the “interstate commerce power”, upon , the argument that the regulation of intrastate business is necessary because of its effect on interstate business. In this respect, this bill rests on a far sounder con­ stitutional basis than do the N. R. A. and the A. A. A. Those acts stand or fall, depending upon the extent to which the interstate commerce power can be prop­ erly exercised. But this bill is merely an exercise of the appropriating power. It rests upon the same constitutional basis as do the Reconstruction Finance Corporation Act and Home Owners’ Loan Corporation Act, which involve merely an exercise of the power of Congress to spend Federal moneys. The Reconstruction Finance Corporation Act, the Home Owners’ Loan Cor­ poration Act, and, indeed, the bulk of the national emergency legislation which has been enacted during the Hoover and Rooseveit administrations, involve an understanding of the national character of our problems. Furthermore, they indicate an appreciation of the inadequacy and the cumbersomeness of the Federal subsidy system. These acts all provide for direct aid to persons, firms, and cor­ porations in the States. The Reconstruction Finance Corporation supplies Federal moneys direct to bankers throughout country. The Home Owners’ Loan Corporation supplies Federal moneys direct to mort­ gagees throughout the country.
    [Show full text]
  • Lionsgate Acquires U.S. Distribution Rights to Two Studiocanal Thrillers
    Beat: Entertainment LIONSGATE ACQUIRES U.S. DISTRIBUTION RIGHTS TO TWO STUDIOCANAL THRILLERS THE COMMUTER & OUR KIND OF TRAITOR PARIS - SANTA MONICA, 09.11.2015, 12:11 Time USPA NEWS - Lionsgate has acquired the U.S. distribution rights to two films from Europe's leading studio STUDIOCANAL, the suspense thriller 'The Commuter', starring Liam Neeson, and the international thriller 'Our Kind of Traitor', starring Ewan McGregor... Lionsgate has acquired the U.S. distribution rights to two films from Europe's leading studio STUDIOCANAL, the suspense thriller 'The Commuter', starring Liam Neeson, and the international thriller 'Our Kind of Traitor', starring Ewan McGregor. It was announced today by Lionsgate Co-COO and Motion Picture Group President Steve Beeks and STUDIOCANAL President of International Distribution & Marketing Rodolphe Buet. - 'The Commuter' stars Neeson : as an ordinary businessman on his daily commute home, a commute that becomes anything but routine as he realizes a deadly plan is unfolding and he is unwittingly caught up in a criminal conspiracy that has life and death consequences. Written by Byron Willinger and Phil de Blasi, The Commuter is produced by The Picture Company's Andrew Rona and Alex Heineman. - 'Our Kind of Traitor' is an international thriller starring McGregor : Based on the John Le Carre spy novel, it is directed by Susanna White and produced by The Ink Factory and Potboiler Productions. The two companies' multi-faceted alliance already encompasses STUDIOCANAL's distribution of Lionsgate films in Germany, Lionsgate's distribution of the prestigious STUDIOCANAL library in North America and the Elevation Sales home entertainment joint venture in the UK.
    [Show full text]
  • Labor Support
    Labor Support Rhode Island AFL-CIO Executive Committee Michael Araujo Paul A. MacDonald Armand E. Sabitoni Ingrid Armada Maureen Martin Michael F. Sabitoni J. Michael Downey Timothy Melia Matt Taibi John L. Faria George H. Nee Frank Flynn Lawrence E. Purtill\Patrick Quinn We gratefully acknowledge the members of the following unions who work so hard to help their fellow Rhode Islanders in need. AFSCME Local 2872 I.B.P.O. Local #519 LIUNA Local #1033 RI Federation of Teachers & Health Amalgamated Transit Union Institute of Labor Studies & Research LIUNA Local #808 RI Judicial Professionals Local #618 International Association of Bridge Professional & Technical Employees RI State Association of Fire Fighters Central Falls Teachers Union Structural & Ornament Workers Local 400 IFPTE SEIU Local 401 Chariho Teachers Union Local #37 N.A.G.E. / I.B.P.O. SEIU Local 580 Construction and General Laborers’ International Brotherhood of Electrical NAON/NAGE Local 79 UAW Local #7770 Local Union 271 Workers, Local 99 National Association of Letter Carriers United Association of Plumbers and Council 94 International Brotherhood of Painters & Local #15 Pipefitting Coventry Teachers Alliance Allied Trades NEARI United Brotherhood of Carpenters & Local #1075 Local #1333 North Smithfield Teachers Association Joiners Local #94 Cranston Custodians & Kitchen International Brotherhood of Teamsters Local #825 United Food and Commercial Workers Employees Local #251 Pawtucket IAFF Local #328 Cranston IAFF Jamestown Teachers Association Local Pawtucket Teachers Alliance Cranston Teachers Alliance #815 Local #930 Local #1704 Johnson Federation of Teachers Providence Clerks East Greenwich Teachers Union Johnston IAFF Providence Teachers Union East Providence IAFF Local #850 Laborers International Union of North RI AFL-CIO East Providence Teachers Association America RI Brotherhood of Correctional Officers Local #810 Lincoln Teachers Association RI Building Trades Hotel and Restaurant Employees Local #1461 Rhode Island Carpenters Local #217 LIUNA District Council Local Union 94.
    [Show full text]
  • Did Hollywood Take Theatre "By Hook Or by Crook?"" (2018)
    BearWorks MSU Graduate Theses Fall 2018 AsDid with Hollywood any intellectual T prakoject,e Theatr the contente "b andy Hook views expr oressed by Cr inook?" this thesis may be considered objectionable by some readers. However, this student-scholar’s work has been Catherine S. Wright Missourijudged t oState hav eUniv academicersity, Catherine845@liv value by the student’e.missouristate.edus thesis committee members trained in the discipline. The content and views expressed in this thesis are those of the student-scholar and are not endorsed by Missouri State University, its Graduate College, or its employees. Follow this and additional works at: https://bearworks.missouristate.edu/theses Part of the Acting Commons, Applied Ethics Commons, Art Education Commons, Business and Corporate Communications Commons, Business Law, Public Responsibility, and Ethics Commons, Collective Bargaining Commons, Comparative Philosophy Commons, Digital Humanities Commons, Dramatic Literature, Criticism and Theory Commons, E-Commerce Commons, Ethics and Political Philosophy Commons, History of Philosophy Commons, Intellectual History Commons, International and Comparative Labor Relations Commons, Legal Commons, Metaphysics Commons, Other Business Commons, Other Classics Commons, Other Film and Media Studies Commons, Other Theatre and Performance Studies Commons, Performance Management Commons, Philosophy of Science Commons, Playwriting Commons, Public History Commons, Screenwriting Commons, Social and Behavioral Sciences Commons, Social History Commons, Technical and Professional Writing Commons, Television Commons, Theatre History Commons, Unions Commons, and the United States History Commons Recommended Citation Wright, Catherine S., "Did Hollywood Take Theatre "by Hook or by Crook?"" (2018). MSU Graduate Theses. 3320. https://bearworks.missouristate.edu/theses/3320 This article or document was made available through BearWorks, the institutional repository of Missouri State University.
    [Show full text]