MORPHEUS 2015.Pdf
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Fingerprints of the “5” Royales Nearly 65 Years After Forming in Winston-Salem, the “5” Royales’ Impact on Popular Music Is Evident Today
The Fingerprints of the “5” Royales Nearly 65 years after forming in Winston-Salem, the “5” Royales’ impact on popular music is evident today. Start tracing the influences of some of today’s biggest acts, then trace the influence of those acts and, in many cases, the trail winds back to the “5” Royales. — Lisa O’Donnell CLARENCE PAUL SONGS VOCALS LOWMAN “PETE” PAULING An original member of the Royal Sons, the group that became the The Royales made a seamless transition from gospel to R&B, recording The Royales explored new terrain in the 1950s, merging the raw emotion of In the mid-1950s, Pauling took over the band’s guitar duties, adding a new, “5” Royales, Clarence Paul was the younger brother of Lowman Pauling. songs that included elements of doo-wop and pop. The band’s songs, gospel with the smooth R&B harmonies that were popular then. That new explosive dimension to the Royales’ sound. With his guitar slung down to He became an executive in the early days of Motown, serving as a mentor most of which were written by Lowman Pauling, have been recorded by a sound was embraced most prominently within the black community. Some his knees, Pauling electrified crowds with his showmanship and a crackling and friend to some of the top acts in music history. diverse array of artists. Here’s the path a few of their songs took: of those early listeners grew up to put their spin on the Royales’ sound. guitar style that hinted at the instrument’s role in the coming decades. -
Proquest Dissertations
THE BOOK OF SEXUA.L ERRORS By Nicholas T. Boggs Submitted to the Faculty of the College of Arts and Sciences of /\merican Uni V{'rsity in Partial Fulfillment of tht~ Req~irements for the Degree of l\fastcr of Fine An::; ln Crcati vc \V rifr:ig Chair: _ f2:0:~_t_::-_C'::-: ____ _ H-.ichard McCa.rm ~~It_~~ Andrev.r Holleran 6--~----~K ______ _ Dair:: 2008 Vvashmgton, D.C. _'.2!)() ! 6 AMERICAN UNIVERSITY LIBRARY 0\ ~CJ"'\ UMI Number: 1460501 Copyright 2008 by Boggs, Nicholas T. All rights reserved. INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. ® UMI UM I M icroform 1460501 Copyright 2009 by ProQuest LLC. All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 E. Eisenhower Parkway PO Box 1346 Ann Arbor, Ml 48106-1346 ©COPYRIGHT by Nicholas T. Boggs 2008 ALL RIGHTS RESERVED THE BOOK OF SEXUAL ERRORS BY Nicholas T. Boggs ABS"IRAc·1· The Book of,\'exual Errors is an original work of autobiographical fiction that e;'>'.plort.~s the story of a young graduate student at Columbia University, Nick, v\lw mov.;;s into his hom0scxual uncle's rcnt-controlkd apartment in the East V11lagc; of New York City in the summer of! 999. -
MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division -
1 Soulsister the Way to Your Heart 1988 2 Two Man Sound Disco
1 Soulsister The Way To Your Heart 1988 2 Two Man Sound Disco Samba 1986 3 Clouseau Daar Gaat Ze 1990 4 Isabelle A He Lekker Beest 1990 5 Katrina & The Waves Walking On Sunshine 1985 6 Blof & Geike Arnaert Zoutelande 2017 7 Marianne Rosenberg Ich Bin Wie Du 1976 8 Kaoma Lambada 1989 9 George Baker Selection Paloma Blanca 1975 10 Helene Fischer Atemlos Durch Die Nacht 2014 11 Mavericks Dance The Night Away 1998 12 Elton John Nikita 1985 13 Vaya Con Dios Nah Neh Nah 1990 14 Dana Winner Westenwind 1995 15 Patrick Hernandez Born To Be Alive 1979 16 Roy Orbison You Got It 1989 17 Benny Neyman Waarom Fluister Ik Je Naam Nog 1985 18 Andre Hazes Jr. Leef 2015 19 Radio's She Goes Nana 1993 20 Will Tura Hemelsblauw 1994 21 Sandra Kim J'aime La Vie 1986 22 Linda De Suza Une Fille De Tous Les Pays 1982 23 Mixed Emotions You Want Love (Maria, Maria) 1987 24 John Spencer Een Meisje Voor Altijd 1984 25 A-Ha Take On Me 1985 26 Erik Van Neygen & Sanne Veel Te Mooi 1990 27 Al Bano & Romina Power Felicita 1982 28 Queen I Want To Break Free 1984 29 Adamo Vous Permettez Monsieur 1964 30 Frans Duijts Jij Denkt Maar Dat Je Alles Mag Van Mij 2008 31 Piet Veerman Sailin' Home 1987 32 Creedence Clearwater Revival Bad Moon Rising 1969 33 Andre Hazes Ik Meen 't 1985 34 Rob De Nijs Banger Hart 1996 35 VOF De Kunst Een Kopje Koffie 1987 36 Radio's I'm Into Folk 1989 37 Corry Konings Mooi Was Die Tijd 1990 38 Will Tura Mooi, 't Leven Is Mooi 1989 39 Nick MacKenzie Hello Good Morning 1980/1996 40 Noordkaap Ik Hou Van U 1995 41 F.R. -
PDF (V. 86:21, March 15, 1985)
COV\q(~UI~6)\SJ CCfl..'\~ THE ro.:h!\lrl-r0\1\S I K~r-lo.\. CALIFORNIA ::red \. VOLUME 86 PASADENA, CALIFORNIA / FRIDAY 15 MARCH 1985 NUMBER ~1 Admiral Gayler Speaks On The Way Out by Diana Foss destroyed just as easily by a gravi- Last Thursday, the Caltech ty bomb dropped from a plane as Distinguished Speakers Fund, the by a MIRVed ICBM. In fact, Caltech Y, and the Caltech World technology often has a highly Affairs Forum jointly sponsored a detrimental effect. Improved ac talk by Admiral Noel Gayler entitl- curacy of nuclear missles has led ed, "The Way Out: A General to the ability to target silos with Nuclear Settlement." The talk, pinpoint precision. This leads to the which was given in Baxter Lecture dangerous philosophy of "use Hall, drew about sixty people, them or lose them," with such mainly staff, faculty, and graduate manifestations as preemptive students, with a sprinkling of strikes and launch-on-warning undergraduates. President systems. Goldberger introduced Admiral While Gayler views as laudable 15' Gayler, who is a former Com- Reagan's attempts to find a more :tl mander in Chiefofthe Pacific Fleet "humane" policy than Mutually ~ and a former director of the Na- Assured Detruction, he sees the ~ tional Security Agency. Space Defense Initiative as a .s Gayler began his talk by em- fruitless attempt to use technology ~ phasizing the. threat of the huge to work impossible miracles, part -a nuclear stockpiles of the two super- of a general trend to make science I powers. The numbers themselves, an omnipotent god. -
Album Review of the Velvet Underground & Nico
Album Review of The Velvet Underground & Nico – Artifacts Journal - University of Mi... Page 1 of 4 University of Missouri A Journal of Undergraduate Writing Album Review of The Velvet Underground & Nico Sam Jennings Sam Jennings started attending the University of Missouri in 2012 and is currently pursuing a bachelor of music performance in guitar. He writes in his spare time and fronts a local Columbia rock band, “The Rollups”. He is thankful to Dr. Michael J. Budds for encouraging him and his submission to this journal. He wrote this paper as one part of a multi-paper project in Historical Studies in Jazz and Popular Music, taught by Dr. Michael J. Budds. They were expected to choose a musician (before 1970) and review a full-length LP by that artist; he felt particularly inclined to make the case for a set of truly bizarre, radical artists who have been historically misunderstood and misaligned. When The Velvet Underground & Nico was released in March of 1967, it was to a public that hardly cared and a critical establishment that could not make heads or tails of it. Its sales were dismal, due in part to legal troubles, and MGM’s bungled attempts at promoting the record. The Velvet Underground’s seedy, druggy music defiantly reflected an urban attitude even closer to the beatniks than Bob Dylan and even more devoted to rock n’ roll primitivism than The Rolling Stones or The Who. Nevertheless, the recording had no place in a landscape soon to be dominated by San Francisco psychedelics and high- concept British pop. -
MCHS-2000.Pdf
TABLEof CONTENTS 0/udenl Bife ...... .. 2 Clubs ......... ..... .. 24 0porls ............... 50 :?eopfe . 94 !Jacufly ........ 96 !Jres.hmen .... 110 0ophomores . 122 ;Juniors ........ 132 0eniors ........ 142 7/cfs .. ............... 166 Luis Montigo makes use of his lime while waiting to get up to his locker. Students need to be ingenious organizers to stay on top. Seniors ham it up after deli verin g new desks to Ms. Anthony's room. Janneth Casas, Gilda Onerero. Perla Jaurequi. and Ray Musquiz team up on Macbeth in Ms. K·s British Lit. Ivan Ayon and Erica Hill play a little one on one soccer after school, while Valeriano Chavez referees. 3 l JUISl, IFOOILIING AlflOUINID by Cv~LAIUivf~£¼' Most Marian students feel pretty lucky. After all, we're located in an almost always sunny spot. We could surf and go skiing on the same day if we wanted to. We're a school that's safe. In fact, everyone gets along pretty well. We're on the small side, which has some advantages. For one thing, just about everybody knows everyone. Our teachers may get mad sometimes, but we know they really care about us. And Marian is fun. There's always time to fool around a little: talk with friends, play games and just goof off. That's what we sometimes like to do best. That's what will make memories for us when we look back and remember the time of our lives. Margaret Alcock and Philip Disney look on patiently as James Perkins contemplates his next move. Many students give up their lunch break to play chess in the library. -
Your Pretty Face Is Going to Hell the Dangerous Glitter of David Bowie, Iggy Pop,And Lou Reed
PF00fr(i-viii;vibl) 9/3/09 4:01 PM Page iii YOUR PRETTY FACE IS GOING TO HELL THE DANGEROUS GLITTER OF DAVID BOWIE, IGGY POP,AND LOU REED Dave Thompson An Imprint of Hal Leonard Corporation New York PF00fr(i-viii;vibl) 9/16/09 3:34 PM Page iv Frontispiece: David Bowie, Iggy Pop, and Lou Reed (with MainMan boss Tony Defries laughing in the background) at the Dorchester Hotel, 1972. Copyright © 2009 by Dave Thompson All rights reserved. No part of this book may be reproduced in any form, with- out written permission, except by a newspaper or magazine reviewer who wishes to quote brief passages in connection with a review. Published in 2009 by Backbeat Books An Imprint of Hal Leonard Corporation 7777 West Bluemound Road Milwaukee, WI 53213 Trade Book Division Editorial Offices 19 West 21st Street, New York, NY 10010 Printed in the United States of America Book design by David Ursone Typography by UB Communications Library of Congress Cataloging-in-Publication Data Thompson, Dave, 1960 Jan. 3- Your pretty face is going to hell : the dangerous glitter of David Bowie, Iggy Pop, and Lou Reed / Dave Thompson. — 1st paperback ed. p. cm. Includes bibliographical references and discography. ISBN 978-0-87930-985-5 (alk. paper) 1. Bowie, David. 2. Pop, Iggy, 1947-3. Reed, Lou. 4. Rock musicians— England—Biography. 5. Punk rock musicians—United States—Biography. I. Title. ML400.T47 2009 782.42166092'2—dc22 2009036966 www.backbeatbooks.com PF00fr(i-viii;vibl) 9/3/09 4:01 PM Page vi PF00fr(i-viii;vibl) 9/3/09 4:01 PM Page vii CONTENTS Prologue . -
Degrieck Patrick 11/01/2019 P. 1
Degrieck Patrick 11/01/2019 Amor Dean Martin Cha Cha Cha Cha cha cha Raymond v. h. Groenewoud Cha Cha Cha Cherry pink & apple blossom white James Last Cha Cha Cha Corazon Espinado Santana Cha Cha Cha Guantanamera Helmut Lotti Cha Cha Cha Me lo diga adela Bert Kaempfert Cha Cha Cha Pata Pata Coumba Gawlo Cha Cha Cha Pata Pata Miriam Makeba Cha Cha Cha Pepito Los Machucambos Cha Cha Cha Sway Michael Bublé Cha Cha Cha Sway Pussycat Dolls Cha Cha Cha Tea for two cha cha Tommy Dorsey Cha Cha Cha Un Rayo del Sol Los Diablos Cha Cha Cha 1 Life Xandee Dance 00 1 Life Xandee Dance 00 1 Life Xandee Dance 00 6th Gate D-Devils Dance 00 A bit patchy Switch Dance 00 Adagio for Strings Tiësto Dance 00 Adelante Sash Dance 00 Ain't no party like an alcoholic party The Jumpaholic Dance 00 Alejandro Lady Gaga Dance 00 Alive Kate Ryan Dance 00 All alone Splitter Dance 00 All day, all night X-Session Dance 00 All day, All night X-Session Dance 00 All for you Kate Ryan Dance 00 All I need The Mackenzie Feat. Jessy Dance 00 All I need The Mackenzie feat. Jessy Dance 00 All night long Lasgo Dance 00 All or nothing Natalia Dance 00 Allein Allein Polarkreis Dance 00 Allejoppa Gunther D Dance 00 Alone Lasgo Dance 00 Alors on danse Stromae Dance 00 Amoré Loco Elsie Moraïs Dance 00 Annie hou jij m'n tassie ff vast Nienke Dance 00 Another Chance Roger Chance Dance 00 Another world Checkmate Dance 00 Anyplace anywhere anytime Nena & Kim Wilde Dance 00 Anyplace, anywhere, anytime Nena & Kim Wilde Dance 00 Attention Da Rick Dance 00 Axel F Crazy Frog Dance 00 Baby when the light David Guetta Dance 00 Back in my life Alice Deejay Dance 00 Bad habit A.T.F.C. -
Atravessar O Fogo 310 Letras
LOU REED Atravessar o fogo 310 letras Tradução Christian Schwartz e Caetano W. Galindo 12758-atravessarofogo.indd 3 7/5/10 4:43:29 PM Copyright © 2000 by Lou Reed. Todos os direitos reservados Grafia atualizada segundo o Acordo Ortográfico da Língua Portuguesa de 1990, que entrou em vigor no Brasil em 2009. Título original Pass thru fire – The collected lyrics Capa Jeff Fischer Preparação Alexandre Boide Revisão Huendel Viana Marina Nogueira Dados Internacionais de Catalogação na Publicação (CIP ) (Câmara Brasileira do Livro, SP , Brasil) Reed, Lou Atravessar o fogo : 310 letras / Lou Reed ; tradução Christian Schwartz e Caetano W. Galindo — São Paulo : Companhia das Letras, 2010. Título original : Pass thru fire : the collected lyrics. ISBN 978-85-359-1697-3 1. Letras de música 2. Música rock - Letras I. Título. 10-05405 CDD -782.42166 Índice para catálogo sistemático: 1. Rock : Letras de música 782.42166 [2010] Todos os direitos desta edição reservados à EDITORA SCHWARCZ LTDA . Rua Bandeira Paulista 702 cj. 32 04532-002 — São Paulo — SP Tel. (11) 3707-3500 Fax (11) 3707-3501 www.companhiadasletras.com.br 12758-atravessarofogo.indd 4 7/5/10 4:43:29 PM Sumário 19 Prefácio à edição da Da Capo Press 21 Introdução — Atravessar o fogo 23 Nota sobre a tradução THE VELVET UNDERGROUND & NICO 26/ 501 Domingo de manhã/ Sunday morning 27/ 501 Estou esperando o cara/ I’m waiting for the man 28/ 502 Femme fatale/ Femme fatale 29/ 503 A Vênus das peles/ Venus in furs 30/ 503 Corra corra corra/ Run run run 31/ 504 Todas as festas de amanhã/ All tomorrow’s -
Nr Titel Artiest
NR TITEL ARTIEST 1 Africa Toto 2 Summer Of '69 Bryan Adams 3 Purple Rain Prince 4 With Or Without You U2 5 (Don't You) Forget About Me Simple Minds 6 Dancing In The Dark Bruce Springsteen 7 The Best Tina Turner 8 Billie Jean Michael Jackson 9 Blue Monday New Order 10 Radio Gaga Queen 11 Wake Me Up Before You Go-Go Wham! 12 I Wanna Dance With Somebody Whitney Houston 13 A Forest Cure 14 The Reflex Duran Duran 15 Jump Van Halen 16 Like A Virgin Madonna 17 Careless Whisper George Michael 18 Take On Me A-Ha 19 In The Air Tonight Phil Collins 20 When The Lady Smiles Golden Earring 21 Let's Dance David Bowie 22 Jeanny Falco 23 Relax Frankie Goes To Hollywood 24 Fast Car Tracy Chapman 25 Girls Just Want To Have Fun Cyndi Lauper 26 99 Luftballons Nena 27 Anne Clouseau 28 Into The Groove Madonna 29 Living On A Prayer Bon Jovi 30 The Winner Takes It All Abba 31 Pump Up The Jam Technotronic 32 (I've Had) The Time Of My Life Bill Medley & Jennifer Warnes 33 Sunday Bloody Sunday U2 34 Every Breath You Take Police 35 Just Can't Get Enough Depeche Mode 36 Beat It Michael Jackson 37 The Final Countdown Europe 38 I Want To Break Free Queen 39 Private Investigations Dire Straits 40 1999 Prince 41 Tainted Love Soft Cell 42 The Way To Your Heart Soulsister 43 Faith George Michael 44 Heaven Bryan Adams 45 You Can Call Me Al Paul Simon 46 Kronenburg Park Frank Boeijen Groep 47 The Sound Of C Confetti's 48 Sweet Child O'Mine Guns N' Roses 49 Don't You Want Me Human League 50 The River Bruce Springsteen 51 O La La La (C'est Magnifique) TC Matic 52 Never Gonna -
Murmur 25Th Anniversary Deluxe Edition Press Release
1 R.E.M.’S DEBUT ALBUM, THE GROUNDBREAKING MURMUR, REISSUED IN TWO-CD 25TH ANNIVERSARY DELUXE EDITION FEATURING PREVIOUSLY UNRELEASED 1983 CONCERT Alternative rock did not begin with a bang but with a Murmur. In 1983, a band from Athens, Georgia made its full- length album debut. The band was R.E.M.; the album was Murmur, Rolling Stone’s Album of the Year and one of the first alternative rock albums to gain mainstream notice. The two-CD 25th Anniversary Deluxe Edition of Murmur (I.R.S./UMe), released November 25, 2008, features that original landmark album remastered plus an additional disc with a previously unreleased concert recorded at Larry’s Hideaway in Toronto three months after Murmur’s April release. The 16-song live performance boasts nine of Murmur’s 12 songs, including “Radio Free Europe”; three songs first heard on 1982’s Chronic Town EP; early renditions of two songs that would subsequently appear on the band’s second album, 1984’s Reckoning; “Just A Touch,” later heard on R.E.M.’s fourth album, 1986’s Lifes Rich Pageant; and a cover of Velvet Underground’s “There She Goes Again,” which the group recorded in the studio for the b-side of “Radio Free Europe.” Assembled in conjunction with R.E.M., Murmur - Deluxe Edition, the package also includes exclusive essays providing insight into the recording of the album by producers Mitch Easter and Don Dixon, as well as former I.R.S. executives Jay Boberg, Sig Sigworth, Carlos Grasso, Michael Plen. Writes Dixon: “R.E.M.