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Music, Yale Philharmonic, Paul Collard Yale Glee Club, and Yale Bands; and Join Us in the Celebration of the Arts and The
t!: ~h~ ~~~ » U: t:l\ t:l\ J1 Dear Friend, Festivals draw their strength, their uniqueness, and their character from ~~~ the people and place in which they are rooted. It should come as no sur ~ prise therefore that the International Festival of Arts & Ideas, now only in its third year, should have established such a strong, unique character in Yale University such a short time. and the International Festival of Arts & Ideas: The quality of the architectural character of the centre of New Haven, in which the Festival takes place, is astonishing. Yale University, New Haven Green, the historic buildings, and City Hall create an elegant tight city core Partners for a Greater New Haven more European than ~erican in character- a wonderful setting which the International Festival exploits to the full. As we prepare to finish our third century and celebrate our tercentennial in 2001, Yale is The strong cultural life of the City, with its theatres, galleries, orchestras, museums, and other cultural institutions provide an extraordinarily po proud to be a leading sponsor of the third International Fe stival of Arts & Idea s. tent platform from which to launch a festival. Arts and ideas are at the heart of Yale, and we are pleased to join with our neighbors in Most of all, the cultures, nationalities, and races that make New Haven such a vibrant City, bring a diversity and international vision to the Festival hosting this great festival. We are especially proud that even more of our facilities wi ll which few other cities could emulate. serve as festival venues in 1998. -
Connecticut College Magazine, July 1993 Connecticut College
Connecticut College Digital Commons @ Connecticut College Linda Lear Center for Special Collections & Alumni News Archives 7-1993 Connecticut College Magazine, July 1993 Connecticut College Follow this and additional works at: http://digitalcommons.conncoll.edu/alumnews Recommended Citation Connecticut College, "Connecticut College Magazine, July 1993" (1993). Alumni News. Paper 262. http://digitalcommons.conncoll.edu/alumnews/262 This Magazine is brought to you for free and open access by the Linda Lear Center for Special Collections & Archives at Digital Commons @ Connecticut College. It has been accepted for inclusion in Alumni News by an authorized administrator of Digital Commons @ Connecticut College. For more information, please contact [email protected]. The views expressed in this paper are solely those of the author. Contents July / August 1993 ConnecticutCollegeMagazine Vollime 3 / Number 1 3 Word for Word: More 011 Kimoo Wood '65; the enduriJlg it!fif.lcllce ~rJO(/1/.King Co-Editors: Lisa H. Brownell, Charles B. Luce Jr. 5 Perception: A "Southerner" reflects 011 life in the land oj COlmecliCl/( Yal/kees Assistant Editor/Class Notes: Campus View: Call good-Illck rituals improve yo HI' grades? record-setting lacrosse Mary Farrar 6 season; /'lew look for Cro; and urcre Art Director: Sharon Butler Photography: Paul Horton 11 Notes from the Field: A potent's gil ide to Russian sightseeing Contributing Writers: Joseph P. Silvestri, Lee White 12 Chapter and Verse: The dgcIISive Chonoue Bronte; doillg business wilh the Assistant: Liz Gallagher [apancse; and sevell other /lelll hooks Advertising Sales: Michellee Yushkevich 203-347-47'15 16 Verbatim: COli/mel/cement speaker ElIgCIIC V. Gallagher all t!tings (!I(If matter Editorial Board Jeff Berman '93 Room to Grow 75th Commencement. -
Codifications: the Regulation of Lesbian Relationships
City University of New York (CUNY) CUNY Academic Works Publications and Research CUNY School of Law 1997 Codifications: The Regulation of Lesbian Relationships Ruthann Robson CUNY School of Law How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/cl_pubs/291 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] THE CODIFICATION OF LESBIAN RELATIONSHIPS: EXAMPLES FROM LAW AND LITERATURE IN THE UNITED STATES Ruthann Robson* In this post-modern era celebrating diversity, admitting fragmentation, and arguing for polymorphous perversities, there is nevertheless a trend in the United States (US) as well as in other common law nations' toward the codification of Lesbian relationships. By codification, I mean the process of proscribing normative rules as well as the set of prescriptions which result from that process.2 Such normative understandings shape our judgments about lesbianism and lesbian relationships. We decide which incidents fit within the category of 'lesbian relationship'. We then make further judgments about those incidents which do fit within the category, dividing them into subcategories such as 'acceptable' or 'not acceptable'. It could be argued, however, that there have always been such rules regulating lesbian relationships, including two longstanding and contradictory edicts: lesbian relationships do not exist and lesbian relationships are sick. Happily, although these rules certainly still operate, they no longer possess the regulatory force that they did a mere 20, or perhaps even 10,years ago.3 Yet the movement away from these very restrictive rules does not necessarily mean a movement into greater liberty. -
Connecticut College Magazine, July 1991
Connecticut College Digital Commons @ Connecticut College Linda Lear Center for Special Collections & Alumni News Archives 7-1991 Connecticut College Magazine, July 1991 Connecticut College Follow this and additional works at: https://digitalcommons.conncoll.edu/alumnews Recommended Citation Connecticut College, "Connecticut College Magazine, July 1991" (1991). Alumni News. 256. https://digitalcommons.conncoll.edu/alumnews/256 This Magazine is brought to you for free and open access by the Linda Lear Center for Special Collections & Archives at Digital Commons @ Connecticut College. It has been accepted for inclusion in Alumni News by an authorized administrator of Digital Commons @ Connecticut College. For more information, please contact [email protected]. The views expressed in this paper are solely those of the author. -- - -- ---- - ~---------- V<,/IIIIIC 1 / Numbe: 1 Jllly 1991 Sykes Alumni Center Becker House Connecticut College New London, CT 06320-4196 Dear Reader, Welcome to the inaugural issue of Connecticut College Magazille. These 56 pages represent the first time the Alumni Association and the college administration have collaborated on a publication intended for off-campus audiences. Like the periodicals it replaces - View and the Alumni Magazille - the purpose of this new bimonthly is to keep you in touch with campus happenings and our extended college family. We'J] do that by limiting content to the things we know best: higher education in general and Connecticut College in particular. Cenemt News A LaYOHt YOH Can Live With. We realize there is a lot of competition for the time you are able to allot the media, so when planning the architecture of Connecticut Coffege Magazine we tried to make it easy to find your way around. -
{PDF EPUB} Tomb of the Unknown Racist by Blanche Mccrary Boyd Tomb of the Unknown Racist
Read Ebook {PDF EPUB} Tomb of the Unknown Racist by Blanche McCrary Boyd Tomb of the Unknown Racist. Доступность может меняться на протяжении месяца в зависимости от бюджета библиотеки. Вы можете заказать материал и ваш заказ будет автоматически исполнен, как только материал снова будет добавлен в коллекцию. Формат Kindle Book на этом сайте не поддерживается для следующих языков: Эл. книга для совместного чтения. Формат OverDrive Read этой электронной книги содержит профессиональный дикторский текст, который проигрывается во время чтения в браузере. Более подробные сведения можно получить здесь. Достигнут предел количества рекомендаций. На данный момент вы достигли максимального числа рекомендаций для покупки, которые можно оставить. Моя учетная запись. Поддержка. Справка Получить поддержку Свежая информация. Оставайтесь на связи. Поддержка. Требуется помощь? В разделе «Помощь OverDrive» есть руководства по началу работы, видео, практические руководства, советы по решению проблем и многое другое. Не можете найти ответ на вопрос в разделе «Помощь OverDrive», требуется помощь? Вход Нет читательского билета? Справка Получить поддержку. English Español 日本語 Русский. Поддержка. Требуется помощь? В разделе «Помощь OverDrive» есть руководства по началу работы, видео, практические руководства, советы по решению проблем и многое другое. Не можете найти ответ на вопрос в разделе «Помощь OverDrive», требуется помощь? Время сеанса истекло. Время вашего сеанса истекло. Повторно войдите в учетную запись, чтобы продолжить брать материалы напрокат и получить доступ к страницам "Прокат", "Список желаний" и "Заказы". Добавить читательский билет. Для заказа цифровых материалов напрокат, размещения заказов и добавления материалов в список желаний добавьте читательский билет в ваш аккаунт. У вас есть читательский билет? Добавьте его сейчас для получения материалов из коллекции напрокат. Ошибка читательского билета. -
NEA Literature Fellowships
National Endowment for the Arts NEA Literature Fellowships 40 Year s of Supporting American Writers National Endowment for the Arts This year, the National Endowment for the Arts marks its 40th anniversary of leadership in the arts. The NEA is a public agency dedicated to supporting excellence in the arts, both new and established; bringing the arts to all Americans; and providing leadership in arts education. Established by Congress in 1965 as an independent agency of the federal government, the Arts Endowment is the largest national funder of the arts, bringing great art to all 50 states, including rural areas, inner cities, and military bases. National Endowment for the Arts NEA Literature Fellowships 40 Year s of Supporting American Writers March 2006 Credits This publication is published by: Photo Credits Dana Gioia: Photo by Vance Jacobs (page 1) National Endowment for the Arts John Steinbeck and Ralph Ellison: Photo by R. Philip Hanes, Jr. (page 3) Office of Communications Julia Alvarez: Photo by Bill Eichner (page 12) T. C. Boyle: Photo by Pablo Campos (page 13) Felicia Knight, Director Jared Carter: Photo by Diane Carter (page 14) Don Ball, Publications Manager/Editor Annie Dillard: Photo by Carin Clevidence (page 15) Rita Dove: Photo by Fred Viebahn (page 16) Designed by Nancy Bratton Design Andre Dubus: Photo by Marion Ettlinger (page 17) Cover Photo by Nancy Bratton Ernest J. Gaines: Photo by Dianne S. Gaines (page 18) Christina Garcia: Photo courtesy of Lavin Agency (page 19) Thanks to Amy Stolls, David Kipen, Jon Peede, Paulette Beete, Campbell Kaye Gibbons: photo by Marion Ettlinger (page 20) Irving, Pamela Kirkpatrick, and Garrick Davis for their contributions to John Haines: Photo by Peter Iseman (page 21) the publication. -
Cowbirds, Locals, and the Dynamic Endurance of Regionalism1
Cowbirds, Locals, and the Dynamic Endurance of Regionalism1 Wendy Griswold and Nathan Wright Northwestern University Regional cultures, far from atrophying in the face of national and global cultural circuits, are both enduring and reproducing them- selves. This is not just due to locals holding fast to their traditions but to cosmopolitans becoming knowledgeable about the culture of place as part of their ongoing identity construction. Results from Survey2000, an online survey conducted by the National Geographic Society, show the processes that are maintaining and even increasing the cultural distinctiveness of American regions as indicated by res- idents’ knowledge of local literature. One such process involves what we call cultural “cowbirds,” people new to a region who catch up with the natives’ local cultural knowledge. Does regional culture still exist in America? Can it withstand both the movement of people and the pressures toward homogenized sights, sounds, tastes, and experiences? If regional culture endures in a dynamic social context, what processes maintain or recreate it? To gain some empirical purchase on these broad questions requires research on specific forms of regional culture and specific aspects of con- temporary social dynamics. This article looks at the relationship between regional literary culture on the one hand and residential mobility on the other. Regional literature is just one form of place-based cultural expres- sion, of course; regional food, dialect, and music are others, and they affect more people. Literature impacts the culturally influential “reading 1 The authors worked equally on this research; their names are in alphabetical order. We presented an early version of this article at the American Sociological Association’s 1999 annual meeting, and we are grateful for the comments received at that time. -
Sexuality and Sociality in Literary Productions, 1974-1997 Jaime Cantrell Louisiana State University and Agricultural and Mechanical College, [email protected]
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2014 Southern Sapphisms: Sexuality and Sociality in Literary Productions, 1974-1997 Jaime Cantrell Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the English Language and Literature Commons Recommended Citation Cantrell, Jaime, "Southern Sapphisms: Sexuality and Sociality in Literary Productions, 1974-1997" (2014). LSU Doctoral Dissertations. 3292. https://digitalcommons.lsu.edu/gradschool_dissertations/3292 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. SOUTHERN SAPPHISMS: SEXUALITY AND SOCIALITY IN LITERARY PRODUCTIONS, 1974-1997 A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of English by Jaime L. Cantrell B.A., The University of Southern Mississippi, 2007 M.A., The University of Alabama, 2009 August 2014! © 2014 Jaime Lynn Cantrell All Rights Reserved! ! ii To Chris, the best. ! ! ! iii ACKNOWLEDGEMENTS There are so many people who deserve recognition and gratitude; thanking them all is a damn near impossible task. At Louisiana State University, I wish to distinguish my dissertation committee. Its chair, Katherine Henninger, was an exceptionally committed reader. I am deeply indebted to her. She provided me with the countless comments and provocations that gave unparalleled shape and direction to Southern Sapphisms. -
The Words May Be Wrong”
ABSTRACT Title of Dissertation: SOMEWHERE THERE’S MUSIC: NANCY HAMILTON, THE OLD GIRLS’ NETWORK, AND THE AMERICAN MUSICAL THEATRE OF THE 1930S AND 1940S Korey R. Rothman, Doctor of Philosophy, 2005 Dissertation directed by: Professor Heather Nathans Department of Theatre Nancy Hamilton, a Broadway lyricist, playwright, actress, screenwriter, and Academy Award-winning filmmaker, is an important unsung figure of the twentieth century musical theatre. Although she is now remembered chiefly as the lyricist of the song “How High the Moon” and, in the recent drive to recover gay and lesbian history, the life-long romantic partner of “first lady of the American stage,” Katharine Cornell, Hamilton was a successful lyricist of the intimate revue, a genre of musical theatre that flourished during the 1930s. Her intimate revues One for the Money (1939) and Two for the Show (1940) launched the careers of luminaries of stage and screen, including Alfred Drake, Gene Kelly, and Betty Hutton, and Three to Make Ready (1946), which featured Ray Bolger, ran for an impressive 323 performances. Throughout the 1930s and 1940s, Hamilton maintained a constant presence as employer or employee on Broadway, and it appeared that she thrived by surrounding herself with an Old Girls’ Network of women with whom she maintained overlapping professional and romantic relationships. This previously unchronicled Old Girls’ Network, which included women such as Katharine Hepburn, Beatrice Lillie, and Mary Martin, countered the established Old Boys’ Network of popular entertainment and launched the careers of many well-known women performers, producers, directors, composers, and lyricists. Yet, even with the support of this network, Hamilton could barely sustain her career after the 1940s.