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“Thoughts on the Idiot by Dostoevsky”1 Hermann Hesse
“Thoughts on The Idiot by Dostoevsky”1 Hermann Hesse 1919 DOSTOEVSKY'S "Idiot", Prince Leo Myshkin, is often compared to Jesus. This is easy enough to do. You can compare to Jesus anyone who has been touched by one of the magical truths, who no longer separates thinking from living and thereby isolates himself in the midst of his surroundings and becomes the opponent of all. Beyond that, the comparison between Myshkin and Jesus seems to me not exactly apt. Only one characteristic in Myshkin, an important one to be sure, strikes me as Jesus-like - his timid chastity. The concealed fear of sex and procreation is a characteristic that could not be wanting in the "historical" Jesus, the Jesus of the Gospels, a trait that is clearly part of his world and is not neglected in even so superficial a portrait of Jesus as Renan's. But it is strange - little though I sympathize with the constant comparison between Myshkin and Christ - that I too see the two images unconsciously related to each other. It only occurred to me belatedly and in connection with a tiny matter. One day when I was thinking about the "idiot" I realized that my first thought of him always seems to be an apparently insignificant one. In the first flash of my imagination I always see him in one particular secondary scene of no importance in itself. I have exactly the same experience with the Savior. Whenever an association calls up the image of Jesus or I hear or see the word "Jesus," what leaps into my mind first is not Jesus on the cross, or Jesus in the wilderness, or Jesus the miracle worker, or Jesus risen from the dead, but Jesus in the garden of Gethsemane, tasting the last cup of loneliness, his soul torn by the woes of impending death and a higher rebirth. -
Unicode Request for Cyrillic Modifier Letters Superscript Modifiers
Unicode request for Cyrillic modifier letters L2/21-107 Kirk Miller, [email protected] 2021 June 07 This is a request for spacing superscript and subscript Cyrillic characters. It has been favorably reviewed by Sebastian Kempgen (University of Bamberg) and others at the Commission for Computer Supported Processing of Medieval Slavonic Manuscripts and Early Printed Books. Cyrillic-based phonetic transcription uses superscript modifier letters in a manner analogous to the IPA. This convention is widespread, found in both academic publication and standard dictionaries. Transcription of pronunciations into Cyrillic is the norm for monolingual dictionaries, and Cyrillic rather than IPA is often found in linguistic descriptions as well, as seen in the illustrations below for Slavic dialectology, Yugur (Yellow Uyghur) and Evenki. The Great Russian Encyclopedia states that Cyrillic notation is more common in Russian studies than is IPA (‘Transkripcija’, Bol’šaja rossijskaja ènciplopedija, Russian Ministry of Culture, 2005–2019). Unicode currently encodes only three modifier Cyrillic letters: U+A69C ⟨ꚜ⟩ and U+A69D ⟨ꚝ⟩, intended for descriptions of Baltic languages in Latin script but ubiquitous for Slavic languages in Cyrillic script, and U+1D78 ⟨ᵸ⟩, used for nasalized vowels, for example in descriptions of Chechen. The requested spacing modifier letters cannot be substituted by the encoded combining diacritics because (a) some authors contrast them, and (b) they themselves need to be able to take combining diacritics, including diacritics that go under the modifier letter, as in ⟨ᶟ̭̈⟩BA . (See next section and e.g. Figure 18. ) In addition, some linguists make a distinction between spacing superscript letters, used for phonetic detail as in the IPA tradition, and spacing subscript letters, used to denote phonological concepts such as archiphonemes. -
Nosa 3S an Angel Sow Epitaphs from Crawford County, Pennsylvania William B
Nosa 3s an Angel Sow Epitaphs from Crawford County, Pennsylvania William B. Moore and Stephen C. Davies Part 3 McCLURE CEMETERY Tis finished, so the Savior cried And meekly bowed his head and died Tis finished :Yes my race is run Mybattle fought, my victory won. —SOLOMON ENGELHAUPT (1792 1853) McDowell cemetery My children dear assemble here Thy mother's grave to see ! Not long ago Idwelt with you But soon you'll dwell with me. —MARGARET McDOWELL (1793 1819) God my Redeemer lives And ever from the skies Looks down and watches all my dust Tillhe shall bid me rise. —ALEXANDER McDOWELL 2nd (1813 1846) Now Ilay me down to sleep Ipray the Lord my soul to keep IfIshould die before Iwake Ipray the Lord my soul to take. —HARRIET EMELINEMcDOWELL (1847 1851) My Home is above For Iknow that my Redeemer liveth AndinHeaven there is rest Farewell dear Robert, thou hast been a kind Husband, an af- fectionate Son, a dear Father and a good Brother Beloved when living and bemoaned [when dead?] —ROBERT WILLCOX (1822 1852) 328 WILLIAMB. MOORE AND STEPHEN C. DAVIES JULY Friends so dear both far and near Ifyou come this way this marble slab Willtell you where beneathe Ilay. —WILSON MYERS (1832-1856) Is Jesus precious Oh yes Take good care of the children —MARGARET BEAR (1822-1858) Private Co. I2nd Pa. Cavalry Died at Brandy Station, Va. Jan. 18, 1864 He sweetly sleeps whydo we mourn His toils on earth are done His life is hid with Christ in God Tillhis Redeemer comes. -
+1. Introduction 2. Cyrillic Letter Rumanian Yn
MAIN.HTM 10/13/2006 06:42 PM +1. INTRODUCTION These are comments to "Additional Cyrillic Characters In Unicode: A Preliminary Proposal". I'm examining each section of that document, as well as adding some extra notes (marked "+" in titles). Below I use standard Russian Cyrillic characters; please be sure that you have appropriate fonts installed. If everything is OK, the following two lines must look similarly (encoding CP-1251): (sample Cyrillic letters) АабВЕеЗКкМНОопРрСсТуХхЧЬ (Latin letters and digits) Aa6BEe3KkMHOonPpCcTyXx4b 2. CYRILLIC LETTER RUMANIAN YN In the late Cyrillic semi-uncial Rumanian/Moldavian editions, the shape of YN was very similar to inverted PSI, see the following sample from the Ноул Тестамент (New Testament) of 1818, Neamt/Нямец, folio 542 v.: file:///Users/everson/Documents/Eudora%20Folder/Attachments%20Folder/Addons/MAIN.HTM Page 1 of 28 MAIN.HTM 10/13/2006 06:42 PM Here you can see YN and PSI in both upper- and lowercase forms. Note that the upper part of YN is not a sharp arrowhead, but something horizontally cut even with kind of serif (in the uppercase form). Thus, the shape of the letter in modern-style fonts (like Times or Arial) may look somewhat similar to Cyrillic "Л"/"л" with the central vertical stem looking like in lowercase "ф" drawn from the middle of upper horizontal line downwards, with regular serif at the bottom (horizontal, not slanted): Compare also with the proposed shape of PSI (Section 36). 3. CYRILLIC LETTER IOTIFIED A file:///Users/everson/Documents/Eudora%20Folder/Attachments%20Folder/Addons/MAIN.HTM Page 2 of 28 MAIN.HTM 10/13/2006 06:42 PM I support the idea that "IA" must be separated from "Я". -
Jean Felzine
Videoclub POP FACTORY LES VOIX D’HIVER | ANGE | WE WILL FOLK YOU N°49 FÉVRIER 2020 BREF! 4 ACTU DES SALLES 6 AÉRONEF 6 LA BRAT CAVE 7 GRAND MIX 8 POP FACTORY 16 CENTRE CULTUREL G. PHILIPE 9 LA BULLE CAFÉ 10 MÉTAPHONE 11 DE KREUN 12 LE POCHE 13 4 ÉCLUSES 14 PHAROS 15 CONCERTS & FESTIVALS 16 POP FACTORY 16 L’IMPÉRATRICE 18 JEAN FELZINE 20 LES VOIX D’HIVER 22 LES ENCHANTEURS 24 WE WILL FOLK TOU 26 WE WILL FOLK YOU 26 ANGE 28 IN THEATRUM DENONIUM 30 POSTER 32 BLACK PUMAS 34 BARQUE 35 LES SOUCOUPES VIOLENTES 36 SYLVAIN RIFFLET 38 THE WELL 40 GUSSIE P. 41 LOFOFORA 42 Kelly Finnigan 44 CD D’ICI 46 AGENDA 48 ANGE 28 Édité par MANICRAC DIFFUSION Réalisée par nos soins sur RÉDACTEURS Guillaume A, aSk, Yann Association loi 1901 à but non lucratif. Lille. Merci à nos diffuseur·euse·s pour la AUBERTOT, ben.mindgrief, Claude Dépôt légal : à parution diffusion en région Hauts-de-France. COLPAERT, Patrick DALLONGEVILLE, Tirage : 15 000 exemplaires. Selector DDAY, Vincent DEMARET, RÉDACTION Ricardo DESOMBRE, Frid, JITY, Maryse 6 rue Wulverick 59160 LOMME LALOUX, Bertrand LANCIAUX, Steff [email protected] DIRECTEUR DE LA PUBLICATION LECHIEN, Xavier LELIEVRE, Florent LE Tel : 06 62 71 47 38 & MISE EN PAGE Samuel SYLARD TOULLEC, Raphaël LOUVIAU, Mathy, www.illicomag.fr [email protected] Louise MITCHELL, Sébastien NOWICKI, Olivier PARENTY, PIDZ, Romain ADMINISTRATION Aurore DECLERCK IMPRIMERIE MORDACQ RICHEZ, SCHNAPS, SCOLTI, Benoit Aire-sur-la-Lys [62] SECRÉTAIRE DE RÉDACTION SERRA, Nicolas SWIERCZEK, James Emilie LASSERRE VERSTRAETE. -
THE SHAPE of the GRAVE by Laura Lundgren Smith Copyright
THE SHAPE OF THE GRAVE By Laura Lundgren Smith Copyright November 2004 Salmon Publishing Ltd. Cliffs of Moher, Ireland All Rights Pending SCENE 1 (Lights up to a cacophony (cacophony= a meaningless mixture of sounds) of sounds and movement. Onstage, a riot between British soldiers and Republican Irish protesters. Shouts of “United Free Ireland!” “Civil Rights for all Irish” “End Internment (=confinement) NOW!!” ring out, then degrades into more coarse slogans as rocks and bricks are thrown at the soldiers. Gas canisters make an appearance. The noise reaches a fury pitch, shots ring out, there are screams of fear and anger, then the noise fades suddenly into the background, and the rioters move to slow motion. One of the protesters peels off from the group.) Pro#1: It was ten of four, January 30th, 1972 when the bullets started flying in Bog side. Pro#2: A Sunday. Cold and bleak. Pro#3: We were 20,000 strong, coming together to say to the British, you can’t lock us up without a reason. Pro#1: They could grab us up off the street, throw us in the jails, just for looking at them wrong. Pro#2: If they thought we looked suspicious, or we went in the wrong shop. Pro#1: Could keep us up to six months at a go, with no reason. Longer with trumped up evidence. Pro#3: “Internment for ye, and if we don’t kneecap ye with a drill Pro#2: Or burn ye with our cigarettes. 1 Pro#1: Count yourself lucky.” Pro#3: We’d had enough. -
GI V E N T H E L O N G O D Y S S E Y of Shternberg's Manuscript, As Well
AP P E N D I X A: SO C I A L OR G A N I Z AT I O N I N T H E AR C H I V E S GI V E N T H E L O N G O D Y S S E Y of Shternberg’s manuscript, as well as the influence of outside editors on the text since Shternberg and Boas’ original agreement, excerpts from the more salient correspondence are included here. 1 1904 J A N U A RY 2 5 . Boas writes to Russian academician V. V. Radlov, saying he is pleased with the work of Bogoraz and Iokhel’son and hopes to meet Shtern b e rg soon [AAN f. 282, o. 2, d. 29, l. 1]. 1905 MA R C H 2 . Boas writes to Shternberg, inviting him to New York for 3 months in the summer to work on the AMNH’s Amur collection together with Berthold Laufer [AAN f. 282, o. 2, d. 29, l. 2]. MAY 7 . Shternberg writes his wife, Sarra Ratner-Shternberg, on AMNH letterhead. In his letters over the next 3 months he writes that he has visited her relatives in New York and has had intense meetings with local Jewish activists. He makes an agreement with Boas to submit a volume on “Gilyaks and Their Neighbours” for the Jesup publication series [AAN f. 282, o. 5, d. 64, l. 80–105]. 1906 AU G U S T 1 1 . Shternberg writes to Boas, explaining that 1905 was a difficult year for him because of anti-Jewish incidents in Russia. -
Old Cyrillic in Unicode*
Old Cyrillic in Unicode* Ivan A Derzhanski Institute for Mathematics and Computer Science, Bulgarian Academy of Sciences [email protected] The current version of the Unicode Standard acknowledges the existence of a pre- modern version of the Cyrillic script, but its support thereof is limited to assigning code points to several obsolete letters. Meanwhile mediæval Cyrillic manuscripts and some early printed books feature a plethora of letter shapes, ligatures, diacritic and punctuation marks that want proper representation. (In addition, contemporary editions of mediæval texts employ a variety of annotation signs.) As generally with scripts that predate printing, an obvious problem is the abundance of functional, chronological, regional and decorative variant shapes, the precise details of whose distribution are often unknown. The present contents of the block will need to be interpreted with Old Cyrillic in mind, and decisions to be made as to which remaining characters should be implemented via Unicode’s mechanism of variation selection, as ligatures in the typeface, or as code points in the Private space or the standard Cyrillic block. I discuss the initial stage of this work. The Unicode Standard (Unicode 4.0.1) makes a controversial statement: The historical form of the Cyrillic alphabet is treated as a font style variation of modern Cyrillic because the historical forms are relatively close to the modern appearance, and because some of them are still in modern use in languages other than Russian (for example, U+0406 “I” CYRILLIC CAPITAL LETTER I is used in modern Ukrainian and Byelorussian). Some of the letters in this range were used in modern typefaces in Russian and Bulgarian. -
Neurological Soft Signs in Mainstream Pupils Arch Dis Child: First Published As 10.1136/Adc.85.5.371 on 1 November 2001
Arch Dis Child 2001;85:371–374 371 Neurological soft signs in mainstream pupils Arch Dis Child: first published as 10.1136/adc.85.5.371 on 1 November 2001. Downloaded from J M Fellick, A P J Thomson, J Sills, C A Hart Abstract psychiatry. Are there any tests that a paediatri- Aims—(1) To examine the relation be- cian may use to predict which children have tween neurological soft signs and meas- significant problems? ures of cognition, coordination, and Neurological soft signs (NSS) may be behaviour in mainstream schoolchildren. defined as minor abnormalities in the neuro- (2) To determine whether high soft sign logical examination in the absence of other fea- scores may predict children with signifi- tures of fixed or transient neurological disor- cant problems in other areas. der.1 They have been associated with Methods—A total of 169 children aged behaviour,12 coordination,3 and learning diY- between 8 and 13 years from mainstream culties.4 Other authors believe they represent a schools were assessed. They form part of developmental lag rather than a fixed abnor- a larger study into the outcome of menin- mality.5 Studies have found a high incidence of gococcal disease in childhood. Half had soft signs in children following premature6 or previous meningococcal disease and half low birthweight7 birth, meningitis,8 and malnu- were controls. Assessment involved trition.910 measurement of six soft signs followed by There are a number of soft sign batteries assessment of motor skills (movement published that include tests of sensory func- ABC), cognitive function (WISC-III), and tion, coordination, motor speed, and abnormal behaviour (Conners’ Rating Scales). -
Jason Flemyng Maybe I Was Russian in My Former Life…
we have only fresh and savory news! March 2014 | № 03 (126) DO NOT MISS: March 22 — Birthday of Korchma in Krasnokazarmennaya Street March 25 — Birthday of Korchma in Petrovka Street More news and photos at www.tarasbulba.us e U v o [email protected] k l r a h Project manager – Yuri Beloyvan i it n [email protected] i w an e c ad uisine – m Jason Flemyng Maybe I was RussIan In My foRMeR lIfe… 15 yEarS of SuccESS korchma ‘taraS BulBa’ cElEBratES itS BirthDay! GooD nEWS for thE GourmEtS! in march your faVoritE chain of ukrainian rEStaurantS korchma ‘taraS BulBa’ cElEBratES itS 15th anniVErSary. on our BirthDay WE not juSt SErhiy Prytula: rEcEiVE But alSo GiVE out PrESEntS. our motto: 15 yEarS – 25th of march – you’re going to laugh, but i am not a big fan of salo 15% off to Each GuESt. Exotic collEction: indian conch Shell, Wooden Drymba and corn Violin… taraS ShEVchEnko: the 200th anniversary of the birth of the genius’ DELIVERY OF HOMEMADE UKRAINIAN FOOD AND HOTLINE 6+ www.tarasbulba.us (212) 510-75-10 2 | guest guest | 3 ImpressIve settIngs, uneclIpsed actors’ performances, and box offIce records – thIs Is what accompanIed the trIumph of the hIghly – What will be your next project after antIcIpated new versIon of the fIlm vIy. that the fIlm was hIghly successful Is proved by the fact that In russIa oleg stepchenko’s pIcture Viy? Or will you take a break from filming? became the fIrst multI-mIllIon fIlm In 2014 and left the new leodardo dI caprIo fIlm the wolf of wall street far behInd. -
Richard O'neill
Richard O’Neill 1276 Aikins Way Boulder, CO 80305 917.826.7041 [email protected] www.richard-oneill.com Education University of North Carolina School of the Arts 1997 High School Diploma University of Southern California, Thornton School of Music 2001 Bachelor of Music, magna cum laude The Juilliard School 2003 Master of Music The Juilliard School 2005 Artist Diploma Teaching University of Colorado, Boulder, College of Music 2020 - present Experience Artist in Residence, Takacs Quartet University of California Los Angeles, Herb Alpert School of Music 2007 - 2016 Lecturer of Viola University of Southern California, Thornton School of Music 2008 Viola Masterclasses Hello?! Orchestra (South Korea) 2012 - present Multicultural Youth Orchestra Founder, conductor and teacher Music Academy of the West, Santa Barbara 2014 - present Viola and Chamber Music Florida International University 2014 Viola Masterclass Brown University 2015 Viola Masterclass Hong Kong Academy of Performing Arts. 2016, 2018 Viola Masterclasses Scotia Festival 2017 Viola Masterclasses Asia Society, Hong Kong 2018 Viola and Chamber Music Masterclasses Mannes School of Music 2018 Viola Masterclass The Broad Stage, Santa Monica 2018 - 2019 Artist-in-residence, viola masterclasses, community events Affiliations Sejong Soloists 2001 - 2007 Principal Viola The Chamber Music Society of Lincoln Center 2003 - present CMS Two/Bowers YoungArtist from 2004-06 CREDIA International Artist Management 2004 - present Worldwide manager, based in South Korea Seattle Chamber Music Society -
Curriculum Vitae
Curriculum Vitae Lowell E. Graham 1058 Eagle Ridge El Paso, Texas 79912 Residence Work Home e-mail (915) 581-9741 (915) 747-7825 [email protected] Education Doctor of Musical Arts, Catholic University of America, 1977, Orchestral Conducting Graduate Studies in Music, University of Missouri at Kansas City, summers 1972 and 1973 Master of Arts, University of Northern Colorado, 1971, Clarinet Performance Bachelor of Arts, University of Northern Colorado, 1970, Music Education Military Professional Education Air War College, 1996 Air Command and Staff College, 1983 Squadron Officer School, 1977 Work Experience 2009 to Present Director of Orchestral Activities Music Director, UTEP Symphony Orchestra University of Texas at El Paso El Paso, Texas As the Director or Orchestral Activities I am responsible for the training and development of major orchestral ensembles at the university. I began a tradition of featuring faculty soloists as well as winners of the annual student Concerto Competition, now with an award offered by Olivas Music, providing the orchestra the opportunity to perform significant concerto literature as well as learning the art of accompanying. In 2012, I developed a new chamber orchestra called the “UTEP Virtuosi” focusing on significant string orchestra repertoire. I initiated a concert featuring music in movies and for stage in which that music is presented and integrated via multimedia with lectures and video. It has become the capstone event for the year featuring the artistry of faculty soloists and comments per classical music used in movies and music composed exclusively for that medium. Each year six performances are scheduled. Repertoire for each year covers all eras and styles.