You Are the One You’Ve Been Waiting For
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Personal Pronouns, Pronoun-Antecedent Agreement, and Vague Or Unclear Pronoun References
Personal Pronouns, Pronoun-Antecedent Agreement, and Vague or Unclear Pronoun References PERSONAL PRONOUNS Personal pronouns are pronouns that are used to refer to specific individuals or things. Personal pronouns can be singular or plural, and can refer to someone in the first, second, or third person. First person is used when the speaker or narrator is identifying himself or herself. Second person is used when the speaker or narrator is directly addressing another person who is present. Third person is used when the speaker or narrator is referring to a person who is not present or to anything other than a person, e.g., a boat, a university, a theory. First-, second-, and third-person personal pronouns can all be singular or plural. Also, all of them can be nominative (the subject of a verb), objective (the object of a verb or preposition), or possessive. Personal pronouns tend to change form as they change number and function. Singular Plural 1st person I, me, my, mine We, us, our, ours 2nd person you, you, your, yours you, you, your, yours she, her, her, hers 3rd person he, him, his, his they, them, their, theirs it, it, its Most academic writing uses third-person personal pronouns exclusively and avoids first- and second-person personal pronouns. MORE . PRONOUN-ANTECEDENT AGREEMENT A personal pronoun takes the place of a noun. An antecedent is the word, phrase, or clause to which a pronoun refers. In all of the following examples, the antecedent is in bold and the pronoun is italicized: The teacher forgot her book. -
Names a Person, Place, Thing, Or an Idea. A. Common Noun – Names Any One of a Group of Persons, Places, Things, Or Ideas
Name: __________________________________________ Block: ______ English II: Price 1. Noun – names a person, place, thing, or an idea. a. Common noun – names any one of a group of persons, places, things, or ideas. b. Proper noun – names a particular person, place, thing, or idea. c. Compound noun – consists of two or more words that together name a person, place, thing, or idea. d. Concrete noun – names a person, place, thing that can be perceived by one or more of the senses. e. Abstract noun – names an idea, a feeling, a quality, or a characteristic. f. Collective noun – names a group of people, animals, or things. 2. Pronoun – takes the place of one or more nouns or pronouns. a. Antecedent – the word or word group that a pronoun stands for. b. Personal pronouns – refers to the one(s) speaking (first person), the one(s) spoken to (second person), or the one(s) spoken about (third person). Singular Plural First person I, me, my, mine We, us, our, ours Second person You, your, yours You, your, yours Third person He, him, his, she, her, hers, it, its They, them, their, theirs c. Case Forms of Personal Pronouns – form that a pronoun takes to show its relationship to other words in a sentence. Case Forms of Personal Pronouns Nominative Case Objective Case Possessive Case Singular Plural Singular Plural Singular Plural First Person I We Me Us My, mine Our, ours Second Person You You You You Your, yours Your, yours Third Person He, she, it they Him her it them His, her, hers, its Their, theirs d. -
Towards Hope
A SEA OF WORDS 4TH YEAR Towards Hope Alaa Almalfouth. Palestine The wide-brimmed hat he was wearing could The news was more painful than a dagger not stop him sweating from his forehead and stabbing his chest. He walked towards the offi- cheeks, just as his sunglasses could not con- cer through the crowd of travellers, who raised ceal his obvious watchful gaze. He was hold- their angry furious voices, and tried to question ing luggage laden with clothes and personal the closure. The officer interrupted, telling him things, as his heart was loaded with endless that the Palestinian side is powerless. troubles and immense pain. The long wait Samy dragged his feet as depression since the early morning made him lose all his and grief added twenty years to his twenty- energy, despite the fatty breakfast he had eat- five year old face. He took a bus home, leav- en, which was prepared for him by his mother ing the crossing and abandoning his dreams. while she bid him a farewell and murmured: It did not take long for him to reach home; he “Samy, this is the last breakfast for you rushed to his bed and drifted into deep sleep. in Gaza and, God willing, your breakfast to- The sunrays infiltrating the window morrow will be in Manchester.” burned his face, and an intruding fly buzzed He smiled as he recalled this situation. around him. He tried to continue sleeping The growing fatigue made him unashamed but the heat of the sun and the buzzing fly to sit on his suitcase, and he started to scan prevented him. -
PARTS of SPEECH ADJECTIVE: Describes a Noun Or Pronoun; Tells
PARTS OF SPEECH ADJECTIVE: Describes a noun or pronoun; tells which one, what kind or how many. ADVERB: Describes verbs, adjectives, or other adverbs; tells how, why, when, where, to what extent. CONJUNCTION: A word that joins two or more structures; may be coordinating, subordinating, or correlative. INTERJECTION: A word, usually at the beginning of a sentence, which is used to show emotion: one expressing strong emotion is followed by an exclamation point (!); mild emotion followed by a comma (,). NOUN: Name of a person, place, or thing (tells who or what); may be concrete or abstract; common or proper, singular or plural. PREPOSITION: A word that connects a noun or noun phrase (the object) to another word, phrase, or clause and conveys a relation between the elements. PRONOUN: Takes the place of a person, place, or thing: can function any way a noun can function; may be nominative, objective, or possessive; may be singular or plural; may be personal (therefore, first, second or third person), demonstrative, intensive, interrogative, reflexive, relative, or indefinite. VERB: Word that represents an action or a state of being; may be action, linking, or helping; may be past, present, or future tense; may be singular or plural; may have active or passive voice; may be indicative, imperative, or subjunctive mood. FUNCTIONS OF WORDS WITHIN A SENTENCE: CLAUSE: A group of words that contains a subject and complete predicate: may be independent (able to stand alone as a simple sentence) or dependent (unable to stand alone, not expressing a complete thought, acting as either a noun, adjective, or adverb). -
Hello and Welcome Back to the Third Episode of Good Ancestor Podcast
Layla Saad: Hello and welcome back to the third episode of Good Ancestor podcast. Today I'm here with Ebony Janice Moore, someone I'm very excited to speak to. Someone who I've had the pleasure of being interviewed by and so I know this is going to be a really fire and really, um, moving conversation. Ebony Janice is a hip hop womanist, a scholar, and an activist doing community organizing work, most specifically around Black women's body ownership as a justice issue. We'll be speaking about that in today's conversation. She is the founder of Black Girl Mixtape, which is a multi-platform lecture series created to center and celebrate the intellectual authority of Black women. She founded BGM institute, Black Girl Mixtape Institute, an online school, offering classes that center people of color doing the work of decolonizing education and offering coaching and consulting that is decolonizing authority. Welcome to the podcast Ebony Janie. Ebony Janice: Thank you for having me. I want you to introduce me in everything! Layla: Welcome. I'm really, um, I'm really looking, as I said before we hit record, I'm really looking forward to having this conversation with you. You're really unique in the conversation that you are cultivating. Um, and so I am looking forward to what's going to come through today because I know that when I've listened to your sermons it really moves me and it always, um, it's always something I need to hear to remind me of my own power. -
Apostrophes.Pdf
The Writing Center Library Technology Center concordia.csp.edu/writingcenter 651-603-6233 Apostrophes Apostrophes have four main roles: creating possessive nouns (both singular and plural), creating possessive indefinite pronouns, representing omitted letters in a word, and forming plurals of letters and numbers. Creating possessive nouns Examples: My car’s tires are all flat. (singular, indicates the tires of one car) o Both of my bikes’ lights need batteries. (plural possessive, lights of more than one bike) o Carolyn’s house is so nice. (singular, the house of Carolyn) o James’s* bike is awesome. (singular, the bike of James.) o Shawn’s and Susan’s sunglasses are the same brand. (two singular possessive nouns—the sunglasses of Shawn and the sunglasses of Susan) o Yang and Natalie and Sidney’s project won first place. (plural possessive—one project of several people. Note the apostrophe is only placed after the last person listed) *Note: When a noun that ends with an s is possessive, either write s’ or s’s to make it possessive is acceptable: James’ or the James’s. There is conflicting opinion about a set way, but the Concordia University Writing Center uses pronunciation as the determining factor. If the possessive of Perkins is pronounced as three syllables (Perk-en-sez), write Perkins’s. When pronouncing the possessive of boss as two syllables (boss-sez), write boss’s and not boss’ (ess apostrophe ess). When pronouncing the possessive of Israelites as two syllables, use just one apostrophe after the ess: The Israelites’ flag design is nice (not Israelites’s flag). -
Pressed on 180 Gram HQ, This Specially Packaged Release Includes New Artwork and a Full CD of the Album
RED HOUSE RECORDS Publicity Contact: Ellen Stanley • [email protected] • (651) 644-4161 HOT TUNA Steady As She Goes RHR-CD-241 • Release Date: April 5, 2011 RHR-LP-241 • Release Date: May, 2011 Iconic roots rockers return with their first new studio album in 20 years! Red House Records is pleased to announce the April 5, 2011 release of Steady As She Goes, the first new album in twenty years from the legendary Hot Tuna. Featuring Rock & Roll Hall of Famers and Jefferson Airplane founding members Jack Casady and Jorma Kaukonen, the band celebrates over four decades of playing together. Now, with the release of their Red House debut, they prove that they remain one of the most innovative bands in American music. Why did it take so long for Hot Tuna to record a new album? “Well, it just worked out that way,” Kaukonen says. “Hot Tuna never quit playing. The moment just wasn’t right before; now it is, and we have a great project to show for it.” Returning to upstate New York decades after Kaukonen and Casady first played Woodstock, they went into Levon Helm’s studio over the winter to record twelve new tracks with mandolin player Barry Mitterhoff and drummer Skoota Warner (Cyndi Lauper, Matisyahu, Santana). Working with famed producer Larry Campbell (who Kaukonen worked with on his last solo album River of Time) the band plugged in for the electric Hot Tuna album that fans have been waiting for. Taking no prisoners, the band tears into it, kicking off with the rocking Americana number “Angel of Darkness” (co- written by Kaukonen and Campbell). -
Songs by Title
Karaoke Song Book Songs by Title Title Artist Title Artist #1 Nelly 18 And Life Skid Row #1 Crush Garbage 18 'til I Die Adams, Bryan #Dream Lennon, John 18 Yellow Roses Darin, Bobby (doo Wop) That Thing Parody 19 2000 Gorillaz (I Hate) Everything About You Three Days Grace 19 2000 Gorrilaz (I Would Do) Anything For Love Meatloaf 19 Somethin' Mark Wills (If You're Not In It For Love) I'm Outta Here Twain, Shania 19 Somethin' Wills, Mark (I'm Not Your) Steppin' Stone Monkees, The 19 SOMETHING WILLS,MARK (Now & Then) There's A Fool Such As I Presley, Elvis 192000 Gorillaz (Our Love) Don't Throw It All Away Andy Gibb 1969 Stegall, Keith (Sitting On The) Dock Of The Bay Redding, Otis 1979 Smashing Pumpkins (Theme From) The Monkees Monkees, The 1982 Randy Travis (you Drive Me) Crazy Britney Spears 1982 Travis, Randy (Your Love Has Lifted Me) Higher And Higher Coolidge, Rita 1985 BOWLING FOR SOUP 03 Bonnie & Clyde Jay Z & Beyonce 1985 Bowling For Soup 03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 BOWLING FOR SOUP '03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 Bowling For Soup 03 Bonnie And Clyde Jay Z & Beyonce 1999 Prince 1 2 3 Estefan, Gloria 1999 Prince & Revolution 1 Thing Amerie 1999 Wilkinsons, The 1, 2, 3, 4, Sumpin' New Coolio 19Th Nervous Breakdown Rolling Stones, The 1,2 STEP CIARA & M. ELLIOTT 2 Become 1 Jewel 10 Days Late Third Eye Blind 2 Become 1 Spice Girls 10 Min Sorry We've Stopped Taking Requests 2 Become 1 Spice Girls, The 10 Min The Karaoke Show Is Over 2 Become One SPICE GIRLS 10 Min Welcome To Karaoke Show 2 Faced Louise 10 Out Of 10 Louchie Lou 2 Find U Jewel 10 Rounds With Jose Cuervo Byrd, Tracy 2 For The Show Trooper 10 Seconds Down Sugar Ray 2 Legit 2 Quit Hammer, M.C. -
The Complete Stories
The Complete Stories by Franz Kafka a.b.e-book v3.0 / Notes at the end Back Cover : "An important book, valuable in itself and absolutely fascinating. The stories are dreamlike, allegorical, symbolic, parabolic, grotesque, ritualistic, nasty, lucent, extremely personal, ghoulishly detached, exquisitely comic. numinous and prophetic." -- New York Times "The Complete Stories is an encyclopedia of our insecurities and our brave attempts to oppose them." -- Anatole Broyard Franz Kafka wrote continuously and furiously throughout his short and intensely lived life, but only allowed a fraction of his work to be published during his lifetime. Shortly before his death at the age of forty, he instructed Max Brod, his friend and literary executor, to burn all his remaining works of fiction. Fortunately, Brod disobeyed. Page 1 The Complete Stories brings together all of Kafka's stories, from the classic tales such as "The Metamorphosis," "In the Penal Colony" and "The Hunger Artist" to less-known, shorter pieces and fragments Brod released after Kafka's death; with the exception of his three novels, the whole of Kafka's narrative work is included in this volume. The remarkable depth and breadth of his brilliant and probing imagination become even more evident when these stories are seen as a whole. This edition also features a fascinating introduction by John Updike, a chronology of Kafka's life, and a selected bibliography of critical writings about Kafka. Copyright © 1971 by Schocken Books Inc. All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Schocken Books Inc., New York. Distributed by Pantheon Books, a division of Random House, Inc., New York. -
VIBE ACTIVITIES Issueyears 198 K-1
Years K-1 Y E A R Name: K-1 VIBE ACTIVITIES IssueYears 198 K-1 Female Artist of the Year – Jessica Mauboy page 7 Shellie Morris DeGeneres Show. In April, she was ranked at number 16 on FEMALE ARTIST Contemporary folk musician Shellie Morris the Herald-Sun’s list of the ‘100 was raised in Sydney and began singing at a Greatest Australian Singers of All Time’. young age. As a young woman she moved Mauboy has been in the US working OF THE YEAR to Darwin to find her Indigenous family and on her upcoming third studio album, also found her musical legacy. That connection which is due for release in late 2013. and knowledge has helped her become a talented and popular singer/songwriter with musicals, Hollywood blockbusters and a voice that has been described as “soaring”. Casey Donovan collaborations with showbiz and musical At the age of 16, Casey Donovan became luminaries, such as Baz Luhrmann, Paul Kelly Shellie has played with artists such as Sinead and David Atkins. O’Connor, Gurrumul and Ricki-Lee Jones and the youngest ever winner of Australian featured as a singer with the Black Arm Band. Idol, and has since made her mark on Anu began her performing career as both the Australian music and theatre a dancer, but quickly moved on to singing Ngambala Wiji Li-Wunungu (Together We are scene. After releasing her debut EP, Eye back-up vocals for The Rainmakers and Strong) is Shellie’s latest release; recorded 2 Eye, Casey was encouraged to try her eventually releasing her own solo material, with family members from her grandmother’s hand at theatre where she received which has produced platinum- and country in Borroloola, the album is sung critical acclaim for her roles in the 2010 gold-selling albums and singles, including entirely in several Indigenous languages. -
12 Different Types of Meditation (And How to Know Which Is Right for You) a Note from Eric
THETHE ONEONE YOUYOU FEEDFEED PODCASTPODCAST 12 DIFFERENT TYPES OF MEDITATION (AND HOW TO KNOW WHICH IS RIGHT FOR YOU) A NOTE FROM ERIC Well done. You’ve done a really good thing for yourself. By downloading this guide, you have taken a great step in the direction of establishing deeper roots for your meditation practice, thereby moving you along the path towards an experience with life that is rich in wisdom, strength, steadiness, a deep sense of inner peace and inner calm. As you read on, you will discover 12 What meditation DOES do is give us the different types of meditation as well as ability to interact differently, more skillfully some guidance surrounding which might and more intentionally with our thoughts be right for you. Keep in mind, many and feelings thereby completely changing meditation practices are comprised of the way we experience them. We begin to several different types of meditation so suffer less at their hands, gain some don’t limit yourself to just one. internal space and connect to a deep well of inner strength and calm amidst the chaos of Before we dive into this content, let’s life - within us and around us. And that is a discuss the most important part of game-changer. engaging in any type of meditation, the purpose and the context - as well as what Though deeply spiritual, the practice of meditation is NOT. meditation isn’t necessarily religious. In fact, many types of meditation are secular One of the biggest misconceptions about and you can practice meditation in addition meditation is the belief that the point of to any deeply held religious faith or meditating is to somehow control your tradition. -
2012 Publication
Editor’s Note Dear Artists and Authors, Works of literature, whether whimsical or profound, arise from inspiration, consideration, observation and craft. At times the words flow effortlessly from the pen; occasionally the grip becomes worn and the ink nearly dries before producing works of merit. We call this creative writing. It is a highly coveted skill that makes this journal possible. Clearly, as one can see from perusing page-to-page, the end justifies the means. However, it has occurred to me in a powerful epiphany as I began reading and editing that the true art does not come to completion with publication or press release. No, the true art comes to fruition perennially via you, the reader. We call the process creative writing but the purpose is realized through a creative understanding, a creative interpretation formed from experience and phenomenology. In many ways, much like a piece of paper is a canvas for the writer, the literature itself is a canvas for the readers, on which they plant their own perception and unearth a work of art no other reader can harvest. On each page, a multiplicity of stories thrive, far more than the pages of this journal are capable of containing. Your distinct reading will find something different, an exclusive reflection of yourself both fertilized by and budding from the words in a circular and mutual appreciation. This is the very essence of creative understanding. Now turn the page and begin— reap what you will, experience each story in every way you know how and sow a parcel of yourself in our journal.