The Tiny Code That's Toppling Evolution
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Excesss Karaoke Master by Artist
XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not -
Special Issue
ISSUE 750 / 19 OCTOBER 2017 15 TOP 5 MUST-READ ARTICLES record of the week } Post Malone scored Leave A Light On Billboard Hot 100 No. 1 with “sneaky” Tom Walker YouTube scheme. Relentless Records (Fader) out now Tom Walker is enjoying a meteoric rise. His new single Leave } Spotify moves A Light On, released last Friday, is a brilliant emotional piano to formalise pitch led song which builds to a crescendo of skittering drums and process for slots in pitched-up synths. Co-written and produced by Steve Mac 1 as part of the Brit List. Streaming support is big too, with top CONTENTS its Browse section. (Ed Sheeran, Clean Bandit, P!nk, Rita Ora, Liam Payne), we placement on Spotify, Apple and others helping to generate (MusicAlly) love the deliberate sense of space and depth within the mix over 50 million plays across his repertoire so far. Active on which allows Tom’s powerful vocals to resonate with strength. the road, he is currently supporting The Script in the US and P2 Editorial: Paul Scaife, } Universal Music Support for the Glasgow-born, Manchester-raised singer has will embark on an eight date UK headline tour next month RotD at 15 years announces been building all year with TV performances at Glastonbury including a London show at The Garage on 29 November P8 Special feature: ‘accelerator Treehouse on BBC2 and on the Today Show in the US. before hotfooting across Europe with Hurts. With the quality Happy Birthday engagement network’. Recent press includes Sunday Times Culture “Breaking Act”, of this single, Tom’s on the edge of the big time and we’re Record of the Day! (PRNewswire) The Sun (Bizarre), Pigeons & Planes, Clash, Shortlist and certain to see him in the mix for Brits Critics’ Choice for 2018. -
Ascap Songwriters in the Top 50 of the Country Aircheck
Peak Position Peak Wks. on 2020 Artist Title Label (wks. at No.1) Date Chart Rank JASON ALDEAN We Back Macon Music/Broken Bow 6 3/23/20 21 43 JASON ALDEAN Got What I Got Macon Music/Broken Bow 1(1) 10/19/20 29 33 A JIMMIE ALLEN Make Me Want To Stoney Creek 1(1) 3/2/20 18 28 s INGRID ANDRESS More Hearts Than Mine Warner/WEA 1(1) 4/27/20 26 24 of TOP 15 KELSEA BALLERINI Hole In The Bottle Black River 13 11/9/20 19 75 GABBY BARRETT I Hope Warner/WAR 1(1) 4/20/20 25 3 LEE BRICE One Of Them Girls Curb 1(2) 10/5/20 26 32 GARTH BROOKS & BLAKE SHELTON Dive Bar Pearl 5 3/2/20 17 56 B KANE BROWN Homesick RCA 1(2) 3/16/20 20 17 KANE BROWN Cool Again RCA 2 9/28/20 25 37 LUKE BRYAN What She Wants Tonight Capitol 1(1) 3/30/20 22 30 2020 LUKE BRYAN One Margarita Capitol 1(2) 7/13/20 15 22 theYEAR KENNY CHESNEY Tip Of My Tongue Blue Chair/Warner/WEA 7 11/18/19 8 74 CARLY PEARCE in MUSIC KENNY CHESNEY Here And Now Blue Chair/Warner/WEA 1(1) 6/29/20 21 36 CMA Musical Event of the Year (“I Hope You’re Happy Now”) KENNY CHESNEY Happy Does Blue Chair/Warner/WEA 11 11/9/20 16 64 ERIC CHURCH Monsters EMI Nashville 15 5/4/20 30 55 C LUKE COMBS Even Though I’m Leaving River House/Columbia 1(3) 12/2/19 9 5 LUKE COMBS f/ERIC CHURCH Does To Me River House/Columbia 1(2) 6/1/20 20 11 DAN + SHAY & JUSTIN BIEBER LUKE COMBS Lovin’ On You River House/Columbia 1(2) 9/21/20 16 38 JAMIE MOORE & CRAIG WISEMAN 3x AMA Winners LUKE COMBS Better Together River House/Columbia 15 11/9/20 5 -- Aircheck #1 Country Song of the Year Favorite Song/Collab of the Year (“10,000 Hours”) -
Country Update
Country Update BILLBOARD.COM/NEWSLETTERS NOVEMBER 9, 2020 | PAGE 1 OF 17 INSIDE BILLBOARD COUNTRY UPDATE [email protected] Russell Dickerson ASCAP, BMI, SESAC Country Extends Streak >page 4 Winners Reflect On Their Jobs’ Value CMA Battles COVID-19 Successful country songwriters know how to embed their songs song of the year victor for co-writing the Luke Combs hit “Even >page 9 with just the right amount of repetition. Though I’m Leaving.” Old Dominion’s “One Man Band” took The performing rights organizations set the top of their 2020 the ASCAP country song trophy for three of the group’s mem- winners’ lists to repeat as the ASCAP, BMI and SESAC country bers — Trevor Rosen, Brad Tursi and Matthew Ramsey, who songwriter and publisher of the year awards all went to enti- previously earned the ASCAP songwriter-artist trophy in 2017 Christmas With ties who have pre- — plus songwriter The Oaks, LeVox, viously taken top Josh Osborne, Dan + Shay honors. A shley who adds the title >page 10 Gorley (“Catch,” to two song of the “Living”) hooked year winners he ASCAP’s song- co-wrote with Sam writer medallion Hunt: 2018 cham- Trebek Leaves Some for the eighth time, pion “Body Like a Trivia In His Wake and for the sev- Back Road” and >page 10 enth year in a row, 2015 victor “Leave when victors were the Night On.” unveiled Nov. 9. Even Ben Bur- Makin’ Tracks: Ross Copperman gess, who won Michael Ray’s (“What She Wants his first-ever BMI Tonight,” “Love award with “Whis- ‘Whiskey And Rain’ COPPERMAN GORLEY McGINN >page 14 Someone”) swiped key Glasses,” BMI’s songwriter cruised to the PRO’s title for the fourth time on Nov. -
Child Development: Day Care. 8. Serving Children with Special Needs
DOCUMENT RESUME ED 068 185 PS 005 949 AUTHOR Granato, Sam; Krone, Elizabeth TITLE Child Development: Day Care. 8. Serving Children with Special Needs. INSTITUTION Bureau of Education for the Handicapped (DHEW/OE), Washington, D.C.; Department of Health, Education, and Welfare, Washington, D.C. Secretary's Committee on Mental Retardation.; Office of Child Development (DHEW), Washington, D.C.; President's Committee on Mental Retardation, Washington, D.C. REPORT NO DHEW-OCD-72-42 PUB DATE 72 NOTE 74p. AVAILABLE FROM Superintendent of Documents, U.S. Government Printing Office, Washington, D.C. 20402 (Stock Number 1791-0176, $0.75) EDRS PRICE MF-$0.65 HC-$3.29 DESCRIPTORS Behavioral Objectives; *Child Care Workers; *Child Development; Community Resources; *Day Care Programs; Deaf Children; Emotionally Disturbed; Financial Support; Guides; *Handicapped Children; Mentally Handicapped; Parent Participation; Physically Handicapped; Program Planning; *Special Services; Visually Handicapped ABSTRACT This handbook defines children with special needs and develops guidelines for providing services to them. It answers questions commonly raised by staff and describes staff needs, training, and resources. It discusses problems related to communicating with parents, questions parents ask, parents of special children, and communication between parents. It provides guidelines for program development including basic needs for all children, orientation activities, promoting good feelings among children, designing behavior, daily activities, dealing with difficult -
Volume 6 - Issue 9 - June, 1897 Rose Technic Staff Rose-Hulman Institute of Technology
Rose-Hulman Institute of Technology Rose-Hulman Scholar Technic Student Newspaper Summer 6-1897 Volume 6 - Issue 9 - June, 1897 Rose Technic Staff Rose-Hulman Institute of Technology Follow this and additional works at: https://scholar.rose-hulman.edu/technic Recommended Citation Staff, Rose Technic, "Volume 6 - Issue 9 - June, 1897" (1897). Technic. 199. https://scholar.rose-hulman.edu/technic/199 Disclaimer: Archived issues of the Rose-Hulman yearbook, which were compiled by students, may contain stereotyped, insensitive or inappropriate content, such as images, that reflected prejudicial attitudes of their day--attitudes that should not have been acceptable then, and which would be widely condemned by today's standards. Rose-Hulman is presenting the yearbooks as originally published because they are an archival record of a point in time. To remove offensive material now would, in essence, sanitize history by erasing the stereotypes and prejudices from historical record as if they never existed. This Book is brought to you for free and open access by the Student Newspaper at Rose-Hulman Scholar. It has been accepted for inclusion in Technic by an authorized administrator of Rose-Hulman Scholar. For more information, please contact [email protected]. THE ROSE TECHNIC. VOL. VI. Terre'Haute, Ind., June, 1897. No. 9. THE TECHNIC. that we extend our most sincere thanks to both subscribers and contributors for their aid in mak- BOARD OF EDITORS: ing TIIE TECHNIC a possibility. We greatly ap- ' Editor in Chief. preciate the support we have received from the J. H. HALL. faculty, the alumni and the students, as well as Associate Editors. -
Songs by Title
16,341 (11-2020) (Title-Artist) Songs by Title 16,341 (11-2020) (Title-Artist) Title Artist Title Artist (I Wanna Be) Your Adams, Bryan (Medley) Little Ole Cuddy, Shawn Underwear Wine Drinker Me & (Medley) 70's Estefan, Gloria Welcome Home & 'Moment' (Part 3) Walk Right Back (Medley) Abba 2017 De Toppers, The (Medley) Maggie May Stewart, Rod (Medley) Are You Jackson, Alan & Hot Legs & Da Ya Washed In The Blood Think I'm Sexy & I'll Fly Away (Medley) Pure Love De Toppers, The (Medley) Beatles Darin, Bobby (Medley) Queen (Part De Toppers, The (Live Remix) 2) (Medley) Bohemian Queen (Medley) Rhythm Is Estefan, Gloria & Rhapsody & Killer Gonna Get You & 1- Miami Sound Queen & The March 2-3 Machine Of The Black Queen (Medley) Rick Astley De Toppers, The (Live) (Medley) Secrets Mud (Medley) Burning Survivor That You Keep & Cat Heart & Eye Of The Crept In & Tiger Feet Tiger (Down 3 (Medley) Stand By Wynette, Tammy Semitones) Your Man & D-I-V-O- (Medley) Charley English, Michael R-C-E Pride (Medley) Stars Stars On 45 (Medley) Elton John De Toppers, The Sisters (Andrews (Medley) Full Monty (Duets) Williams, Sisters) Robbie & Tom Jones (Medley) Tainted Pussycat Dolls (Medley) Generation Dalida Love + Where Did 78 (French) Our Love Go (Medley) George De Toppers, The (Medley) Teddy Bear Richard, Cliff Michael, Wham (Live) & Too Much (Medley) Give Me Benson, George (Medley) Trini Lopez De Toppers, The The Night & Never (Live) Give Up On A Good (Medley) We Love De Toppers, The Thing The 90 S (Medley) Gold & Only Spandau Ballet (Medley) Y.M.C.A. -
April 12, 2021
APRIL 12, 2021 APRIL 12, 2021 Tab le o f Contents 4 #1 Songs This Week 6 powers 7 action/ recurrents 9 hotzone / developing 11 pro-file 14 video streaming 15 country callout 16 future tracks 17 intelescope 18 intelevision 19 methodolgy 20 the back page Songs this week #1 BY MMI COMPOSITE CATEGORIES 4.12.21 ai r p lay FLORIDA GEORGIA LINE “Long Live” retenTion TENILLE ARTS“Somebody Like That” callout BRETT YOUNG“Lady” audio CHRIS STAPLETON“Starting Over” VIDEO LUKE COMBS“Forever After All” SALES GABBY BARRETT“The Good Ones” COMPOSITE GABBY BARRETT“The Good Ones” MondayMorningIntel.com CLICK HERE to E-MAIL Monday Morning Intel with your thoughts, suggestions, or ideas. mmi-powers 4.12.21 Weighted Airplay, Retention Scores, Streaming Scores, and Sales Scores this week combined and equally weighted deviser Powers Rankers. TW RK TW RK TW RK TW RK TW RK TW RK TW COMP AIRPLAY RETENTION CALLOUT AUDIO VIDEO SALES RANK ARTIST TITLE LABEL 4 9 6 2 3 1 1 GABBY BARRETT The Good Ones Warner/WAR 2 8 4 4 13 4 2 THOMAS RHETT What’s Your Country Song Valory 3 6 31 1 2 3 3 CHRIS STAPLETON Starting Over Mercury Nashville 5 13 1 10 4 7 4 BRETT YOUNG Lady BMLG 19 x 17 3 1 2 5 LUKE COMBS Forever After All River House/Columbia Nash 1 3 2 5 31 16 6 FLORIDA GEORGIA LINE Long Live BMLG 7 2 16 9 19 24 7 DUSTIN LYNCH Momma’s House Broken Bow 11 10 24 6 14 8 8 ERIC CHURCH Hell Of A View EMI Nashville 8 5 8 23 29 10 9 JAKE OWEN Made For You Big Loud 20 15 13 14 9 9 10 KEITH URBAN WITH P!NK One Too Many RCA/Capitol Nashville 12 20 7 12 11 13 11 SAM HUNT Breaking Up Was Easy In The.. -
Cooper Fine After Flight; Awaits Hero's Welcome ABOARD USS KEARSARGE in the Current Mercury Series, (AP) — L
Dufrlbution Today 21,850 trt* ncatttred Aowtn «Mlfih, terttawm, bifh « to ». San- day, ratty cloudy. Set matter, DIAL SH I-0010 W 2 VOL. 85 ' NO 232 Utmt «•»>*• x««w anv^-rtuar. s«o<md CUM OUlcu. RED BANK, N. J., FRIDAY, MAY 17, 1963 7c PER COPY PAGE ONE Cooper Faced, Met Challenge Magnificently CAPE CANAVERAL, Fla. (AP) — For some 29 hours,, ond orbit. His fellow astronauts on the ground supposed he Essentially, what it did was to limit the ways Cooper John H. Glenn, Jr., who talked him down -through the early Astronaut Gorden Cooper was a man waiting for a chal- might take other catnaps when he had nothing to do. Finally had to control and to sense the position or attitude of his re-entry, he was right on the money. Glenn counted out the lenge. he slept for 7% hours during a planned rest period, awoke spacecraft. It knocked out the automatic control system's slow-down rocket countdown for him and monitored the po- It came and he met it magnificently. refreshed. usefulness for the first stages of re-entry—and it knocked out sition by radar from the Pacific Ocean ship on which he This is the story of a relaxed man—a man who can It seemed almost as dull as catching the bus to go to the accurate sensing devices that give an instrument reading was stationed, the coastal sentry. catch it catnap a hundred miles above the earth between work on Monday morning. of the spacecraft's attitude. Cooper had to rely on marks on his window, lining them up with references such as the earth's horizon, to set his jobs—and the story of that man in stress. -
Smash Hits Volume 8
1 ia^C^—... i ,<M March22-April419. 50 albums 25p to be won ,t|Vf. ^A Heart Thin Lizz akeYour *i ' 1 AND -< ' ... ! I Skids m 3' & Sira PLUS -f IN Chic J*SNAVY Rob Wake 9in Tom *o om yoor d,m. AND Bee Gee; in colon — ^~ ~ T* r u. Imperial Wizard By David Essex on Mercury Records Free the people don't make 'em wait Pity the people don't make a mistake Let go your press JJjen undo your press gangs Hold up your headTMgh make one honest stand Chorus , "^ 'Cos you know what they want And you're here for the grace of God. You send your generals to the front Any uprising will succumb to your guns. You took free speech from the people that spoke Hungary* is hungry and the people are broke Impjnlf fwizard salt mine king What ffntl of state of mind must your state be in Chorus mice Too many people don't feel like they're free Your high ideals look the lowest to me' Open your window let the sun shine on in There's more to living than killing, killing, killing . Chorus repeat to fade Words and music by David Essex. Reproduced by kind permission Imperial Songs. 2 SMASH HITS 4Way frefL '.fW tfo»L yOU e |5 a eoY ^ AP ri lViess 9 n s&s?*^2 BUZ*' Oeov^ pa9eS ^s d** » t Nee MK'\9] 0/2\ >aQeS 2 - '&$" '<< ' > C ? crt\99 sit,'- < Ceovo CW\C ao?StteW IX \ i V O ; iStffe V«S doSF ,s*> to" a* rr>a eet ,viet ^»fC S St* ^<?^s^^&tt#ess oeV EjtiW ntec i;^ffi#8Sis ,??&: ^%;^'s-'"?iS&" Use P^^ SMASH HITS 3 FRANKIE MILLER ^FALLING IN LOVE** Latest Album Available Now CHR1220 IncludesThe Singles 'GOODTO SEE YOU' D4RJN' and WHEN I'M AWAYFROMTCXJ also available on cassette **0. -
Tom Robinson
Tom Robinson Thomas Giles Robinson (born 1 June 1950) is a British singer-songwriter, bassist, radio presenter and long-time LGBT rights activist, best known for the hits "Glad to Be Gay", "2-4-6-8 Motorway", and "Don't Take No for an Answer", with his Tom Robinson Band. He later peaked at No. 6 in the UK Singles Chart with his solo single "War Baby". In 1973, Robinson moved to London and joined the acoustic trio Café Society. They impressed Ray Davies, of The Kinks, enough for him to sign them to his Konk label and produce their debut album. According to Robinson, Davies's other commitments made the recording a lengthy process and, after it sold only 600 copies, he left the band. Subsequently, when the Tom Robinson Band were playing at the Nashville Rooms in London, Robinson saw Davies enter and sarcastically performed The Kinks' hit "Tired of Waiting for You". Davies retaliated with the less- than-complimentary Kinks single "Prince of the Punks", about Robinson. In London, Robinson became involved in the emerging gay scene and embraced the politics of gay liberation, which linked gay rights to wider issues of social justice. Inspired by an early Sex Pistols gig, he founded the more political Tom Robinson Band in 1976. The following year the group released the single "2-4-6-8 Motorway", which peaked at No. 5 in the UK Singles Chart for two weeks. The song alludes obliquely to a gay truck driver. In February 1978, the band released the live extended play Rising Free, which peaked at No. -
The Top of the Poppers Sing and Play Punk
Title The Top of the Poppers sing and play punk Type Article URL https://ualresearchonline.arts.ac.uk/id/eprint/14980/ Dat e 2 0 1 9 Citation Bestley, Russ (2019) The Top of the Poppers sing and play punk. Punk & Post Punk, 8 (3). pp. 399-421. ISSN 2044 1 9 8 3 Cr e a to rs Bestley, Russ Usage Guidelines Please refer to usage guidelines at http://ualresearchonline.arts.ac.uk/policies.html or alternatively contact [email protected] . License: Creative Commons Attribution Non-commercial No Derivatives Unless otherwise stated, copyright owned by the author The Top of the Poppers sing and play punk Russ Bestley, London College of Communication By the mid-1970s, the music industry had a long history of accommodating and recuperating teenage rebellion, and punk’s defiant message of radical change also offered new opportunities for commercial enterprise. A rush to sign new bands who could be (broadly) associated with punk, and the concomitant shift toward ‘new wave’ styles, led to a degree of UK chart success for a number of groups. The inclusion of punk and new wave songs on a series of low-budget compilations featuring cover versions of contemporary hits strikes a particularly discordant tone with punk’s self-styled image of a break with traditional music industry conventions. The albums released on the longstanding budget compilation series Top of the Pops between mid-1977 and early 1982 tell an interesting story about the cultural recuperation of punk, new wave and post-punk, and ask questions, perhaps, about the legitimacy of punk’s often mythologised ‘outsider status’.