Frank Sinatra a Centenary Tribute 1915-2015
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The History of CBS New York Television Studios: 1937-1965
1 The History of CBS New York Television Studios: 1937-1965 By Bobby Ellerbee and Eyes of a Generation.com Preface and Acknowledgements This is the first known chronological listing that details the CBS television studios in New York City. Included in this exclusive presentation by and for Eyes of a Generation, are the outside performance theaters and their conversion dates to CBS Television theaters. This compilation gives us the clearest and most concise guide yet to the production and technical operations of television’s early days and the efforts at CBS to pioneer the new medium. This story is told to the best of our abilities, as a great deal of the information on these facilities is now gone…like so many of the men and women who worked there. I’ve told this as concisely as possible, but some elements are dependent on the memories of those who were there many years ago, and from conclusions drawn from research. If you can add to this with facts or photos, please contact me, as this is an ongoing project. (First Revision: August 6, 2018). Eyes of a Generation would like to offer a huge thanks to the many past and present CBS people that helped, but most especially to television historian and author David Schwartz (GSN), and Gady Reinhold (CBS 1966 to present), for their first-hand knowledge, photos and help. Among the distinguished CBS veterans providing background information are Dr. Joe Flaherty, George Sunga, Dave Dorsett, Allan Brown, Locke Wallace, Rick Scheckman, Jim Hergenrather, Craig Wilson and Bruce Martin. -
A Naturalist in Show Business
A NATURALIST IN SHOW BUSINESS or I Helped Kill Vaudeville by Sam Hinton Manuscript of April, 2001 Sam Hinton - 9420 La Jolla Shores Dr. - La Jolla, CA 92037 - (858) 453-0679 - Email: [email protected] Sam Hinton - 9420 La Jolla Shores Dr. - La Jolla, CA 92037 - (858) 453-0679 - Email: [email protected] A Naturalist in Show Business PROLOGUE In the two academic years 1934-1936, I was a student at Texas A & M College (now Texas A & M University), and music was an important hobby alongside of zoology, my major field of study. It was at A & M that I realized that the songs I most loved were called “folk songs” and that there was an extensive literature about them. I decided forthwith that the rest of my ;life would be devoted to these two activities--natural history and folk music. The singing got a boost when one of my fellow students, Rollins Colquitt, lent me his old guitar for the summer of 1935, with the understanding that over the summer I was to learn to play it, and teach him how the following school year.. Part of the deal worked out fine: I developed a very moderate proficiency on that useful instrument—but “Fish” Colquitt didn’t come back to A & M while I was there, and I kept that old guitar until it came to pieces several years later. With it, I performed whenever I could, and my first formal folk music concert came in the Spring of 1936, when Prof. J. Frank Dobie invited me to the University of Texas in Austin, to sing East Texas songs for the Texas Folklore Society. -
Ted Mack Videos TED Stands for Torrent Episode Downloader, a Multiplatform Application Developed in Java to Help You Find the Torrent Files for All Your Fave TV Shows
Ted For Mac TED.com features interactive transcripts for most videos in our library. To access a transcript, click the Transcript button underneath the video player. If the talk has been translated into a certain language, you'll be able to view the transcript in that language by clicking the drop-down menu and selecting it. The season finale of Ted Lasso is now available to watch on Apple TV+. The show stars Jason Sudeikis playing a character originally conceived back in 2013 as part of an advertising campaign for. The official TED app presents more than 1600 talks from some of the world's most fascinating people: education radicals, tech geniuses, medical mavericks, business gurus, and music legends. New talks are posted every day from TED events around the world. 1. Ted Macarthur 2. Ted Mack Performers Archives 3. Ted Download For Mac 4. Red For Mac 5. Ted Mack Videos TED stands for Torrent Episode Downloader, a multiplatform application developed in Java to help you find the torrent files for all your fave TV shows. (Note that you'll obviously have to use a BitTorrent client to download the episodes.) CSI in its many different versions, Beti, Eureka, Bones, The Closer, Dexter, House, Heroes, Kyle XY, Prison Break, Grey's Anatomy, or The Simpsons are just a few examples of the shows you can download with TED. The episodes are sorted by season and you can check the availability of an episode with the progress bar right next to its name. We recommend you use Transmission or Vuze as BitTorrent clients for Mac. -
Beverly Miriam Silverman, Born in Brooklyn in 1929, Made
Beverly Miriam Silverman, born in Brooklyn in 1929, made her pbblic debut at the age of 3 in a contest proclaiming her "Miss Beautiful Baby of 1932 She sang "The Wedding of Jack and Jill" and, as she said, won the award for.talent as well A as body. The name "Bubbles", a s she is known to close friends and associates, was a result of her having been, born with an enormous bubble of spit in her mouth and her brothers christened her Bubbles from then on. Her mother had an intense love of music and her daughter grew up listening to her mother's collection of old Madame Galli-Curci records and before she was 7 had memorized all 22 arias on the recordings and could sing them in phonetic Italian. Every Saturday morning Bubbles went to a school where she was given dancing and singing lessons and the school had a weekly Saturday morning show on WOR - "Uncle Bob's Rainbow Hour". There she did her big aria - '"The Wedding of Jack and Jill". One Saturday morning on the air Uncle Bob asked her how she was. She replied that she didn;t feel too g, she thought she had the mumps. This cleared the studio out - every male ran for the doors- and as soon as she finished her song she was hustled out. At age 7 she became Beverly Sills because an optomistic friend of the family thought that some day it would look better on a marque than Belle Silverman. And it marked the beginning of her introduction to Estelle Liebling who was called "Coach cf the World's Greatest Voices". -
Tbcproductlist Radiotv IV
CONTENTS Teresa’s Singles Section I Teresa’s Collections Section II Other & Multi-Artist Products featuring Teresa Brewer Section III Radio, TV & Movie Appearances by Teresa Brewer Section IV Sheet Music of Teresa Brewer Songs Section V Reprinted from the Teresa Brewer Center, http://www.teresafans.org 6/7/2019 Section IV CONTENTS Radio, TV & Movie Appearances by Teresa Brewer Page Radio Shows (by Date) IV-2 TV & Video (by Date) IV-4 Motion Picture IV-11 Reprinted from the Teresa Brewer Center, http://www.teresafans.org 6/7/2019 Page IV-1 Teresa Brewer Product List – Section IV / Radio Appearances by Teresa (by date) Radio Appearances by Teresa Brewer: (BY DATE) • Major Bowes’ Amateur Hour (1938) • Let's Go to Town - The National Guard Shows (1953) Original performance: Nov 1938 (1953; Radio) [D1790] The format for the Original Amateur Hour on TV was • Armed Forces Radio (1958) taken directly from radio days' Major Bowes' (1958; Radio LP CH-150 / SSL-11334 ) [D0295] Amateur Hour. Major Bowes presided over a weekly parade of mimics, kazoo players and one- • Army Entertainment Program (1958) man bands with genial good humor. A year and a (1958; Radio LP) [D0301] half after the Major's death, the show was transferred from radio to television, with Ted Mack • Army Bandstand as its host. Listeners -- and viewers when the show (1960; Radio Program #131 ) [D0300] switched to television -- voted for their favorites by telephone or postcard, with the finalists being • Here's To Veterans - "Widow's Pensions" awarded with scholarships. On an evening in Nov (1960; Radio Program #739 ) [D1270] 1938, little Teresa Brewer appeared on Major Bowes' radio show. -
Amateur Hour Collection [Finding Aid]. Library of Congress. [PDF Rendered
Amateur Hour Collection Guides to Special Collections in the Music Division of the Library of Congress Music Division, Library of Congress Washington, D.C. 2005 Revised 2010 March Contact information: http://hdl.loc.gov/loc.music/perform.contact Additional search options available at: http://hdl.loc.gov/loc.music/eadmus.mu004002 LC Online Catalog record: http://lccn.loc.gov/2010563506 Processed by the Music Division of the Library of Congress Collection Summary Title: Amateur Hour Collection Span Dates: 1934-1948 Call No.: ML31.A4 Creator: Bowes, Edward, Major, 1874-1946 Size: circa 8500 items ; 20 boxes ; 9 linear feet Language: Collection material in English Location: Music Division, Library of Congress, Washington, D.C. Summary: Primarily over 7000 applications from contestants who appeared on the Major Bowes' Original Amateur Hour radio program between 1934 and 1948. A small percentage of the administrative papers dating from the late 1940s and 1950s, as well as materials relating to the Mexican version of the program, La hora internacional del aficionado, are also included. Filed with the contestant applications are letters of introduction, reference letters, and other documents sent by prospective contestants. Applications from conventional performers such as musicians, dancers, singers, and impersonators are the most numerous, but also included are applications from novelty acts such as a human piccolo, a group of hand- standing singers, and a group who played harmonicas with fire extinguishers. Of particular interest are applications from various performers, now well-known, including Teresa Brewer, Stubby Kaye, Robert Merrill, Beverly Sills, and Frank Sinatra. Photographs from the 1940s and 1950s provide a visual record of the show, while correspondence to and from program staff members recount some of the program's business transactions. -
How Wide Is Broadway? : the Theatre Guild’S Radio and Television Productions in Post-World-War-Ii America
ABSTRACT Title of Dissertation: HOW WIDE IS BROADWAY? : THE THEATRE GUILD’S RADIO AND TELEVISION PRODUCTIONS IN POST-WORLD-WAR-II AMERICA Richard Kenneth Tharp, Doctor of Philosophy, 2010 Dissertation Directed by: Professor Heather S. Nathans Department of Theatre In the fall of 1947, the Theatre Guild, arguably the theatrical producing organization that had defined the American theatre aesthetic since its inception in 1918, splashed confidently and unhesitatingly into the barely-charted waters of the nascent medium of live television. The attempt seemed destined for success since the Guild had been producing a successful radio program for two years and was paired with NBC, the most successful of the early television networks. However, fourteen months later the Guild retired from television. It had failed in its ambitious plan to bring the sights, sounds of Broadway to every living room from coast to coast. I argue that the principal reason for its failure was artistic rather than commercial and that by 1948 the Guild’s various broadcasting ventures illustrate that the Theatre Guild, which had once defined itself as farsighted and experimental had in reality become nearsighted and stodgy. This dissertation explores the background of the Theatre Guild before it entered broadcasting, during the time it was developing its position as Broadway’s leading exponent of artistic plays and experimental theatre. It continues the story through the Guild’s production of The Theatre Guild on the Air, a weekly series of hour-long adaptations of stage plays that it began producing in 1945, and on to the Guild’s abortive first attempt at live television from 1947-1948.