Torcheres Return To Chateau-sur-Mer
WINTER 2011 • NO. 168 A Publication of The Preservation Society of Newport County
WINTER 2011 • ON. 168 page 4 The Cutting Edge 5 Conservation Easement Granted 6 Torcheres Restored 7 Highlights of the Collection 10 History Trail Completed 11 News in Brief 15 Profiles in Preservation Chateau-sur-Mer entrance hall, with 16 Newport Symposium detail of restored torchere. (See story page 6) Photo by Andrea Carneiro 17 Calendar of Events
Chandelier and ceiling in the Great Hall page of The Breakers. Photo by Stephen Mattos
Rich Buschgans of Lodi Welding The Preservation Society is grateful to Company removes a decorative iron element from Carol and Les Ballard for their support in the north Cliff Walk gate at The Breakers. (See story page 11) Photo by Andrea Carneiro underwriting this issue of the Newport Gazette.
Winter 2011 3 Our collaboration with ALT provides a second layer of protection ensuring that one of the last Cutting remaining parks on Bellevue Avenue will never be developed, and will continue to be a passive, pastoral space Conservation as envisioned by John Rovensky when Edge he gave the Preservation Society a gift of $175,000 (equivalent to $1.3 million Easement By Trudy Coxe in today’s dollars) for the purpose of CEO and Executive Director establishing and maintaining a park Granted on at the corner of Bellevue and Wheatlands Avenues in memory of Photo by corbettphotography.net his wife, Mrs. Mae Cadwell Rovensky. When the Preservation Society’s Rovensky Park President, Katherine Warren, By Andrea Carneiro, Communications Manager One of the frustrations of being an • Our consistent and successful announced this gift at the Society’s old-time environmentalist is seeing so support for passage of several open annual meeting in 1959, she remarked The Preservation Society’s Board of Trustees has approved the clearly the connection between land space bonds, including the most that, “This is our first gift of major granting of a conservation easement on Rovensky Park to the protection and historic preservation, recent one which will save land on importance and brings to us the Aquidneck Land Trust, ensuring that the park will continue to but not always being able to translate the Providence waterfront and at infinitely satisfying thought that be maintained as a passive, pastoral park into perpetuity. that connection into action as effec- Rocky Point in Warwick, and we have thereby taken our place as The Preservation Society retains sole ownership and management tively as one would like. That’s why will restore the stone fortifications a respected and permanent of the property, which was deeded to the Society in 1959 by John E. the Board of Trustees’ recent vote to at historic Fort Adams State Park organization in our community.” Rovensky in memory of his wife, subject to the condition that it give the Aquidneck Land Trust a here in Newport; and, When we began to research the idea “be kept and maintained…as a park, and for no other purpose.” conservation easement on Rovensky • Our contribution of $20,000 to of granting a conservation easement “This action will provide an extra level of Park is so important. This single the Friends of the Norman Bird on Rovensky Park, we learned that, protection, over and above the wording of the action will protect Rovensky from Sanctuary in 2003 to help save while not an everyday occurrence here deed, legally protecting the character of development in perpetuity and honors Third Beach from development. in Rhode Island, the granting of - to the letter - the deed requirements conservation easements at historic Rovensky Park as a passive park forever,” said established when the land was given Most importantly, we want to do properties is not uncommon on the Preservation Society CEO & Executive Director to the PS in 1959. For those who whatever we can to protect the his- national level. James Madison’s Trudy Coxe. “By granting this easement we might wonder why the Preservation toric viewsheds and landscapes of Montpelier, Thomas Jefferson’s are ensuring the public will always be able Society would place an easement on Aquidneck Island. The best and only Monticello, and the Olana estate in to enjoy this beautiful property, and also this land, let me explain. way we know how to do this is in Hudson, New York, to name only a demonstrating our support for the protection partnership with local organizations – of Newport’s historic landscapes as part of The Preservation Society’s Vision few, have conservation easements. like the Aquidneck Land Trust our overall mission of historic preservation.” Statement states that we seek to (ALT) - whose mission it is to con- So, when the opportunity arose for The conservation easement will maintain the become acclaimed locally, nationally, serve land. Since its founding twenty us to provide added assurance that park as a non-commercial, passive, pastoral park, legally prohibiting and globally for our support of local years ago, ALT has worked tirelessly the important viewshed of Rovensky any subdivision, siting of recreational buildings, permanent billboards preservation efforts and for our lead- to protect more than 2,000 acres of Park, on one of America’s most or parking lots, unnecessary planting or cutting of trees and plants, ership in linking historic preservation land across Aquidneck Island - view- historic streets, would be permanently dumping and general use of motorized vehicles. and the protection of historic land- sheds that all of us cherish - and in protected, we would have been remiss scapes. Over the years that goal has recent years has launched its Newport to pass it up. We could have no The Aquidneck Land Trust was founded in 1990; its mission is been reflected in a variety of ways, Conservation Initiative focused better partner in that mission than to “save the natural character, environmental health, and economic including: specifically on conserving strategic the Aquidneck Land Trust and we value of Aquidneck Island…..by helping to protect Aquidneck • The daily care we give to our 80 parks and large landscapes/estates in hope that the Preservation Society’s Island’s water resources, local agriculture, wildlife habitats, outdoor plus acres of gardens and grounds; the City. Two parks – King and action will motivate other large recreation areas and its scenic vistas that directly contribute to the Spencer – have just been added landowners in Newport to quality of life on Aquidneck Island.” to their list. consider doing the same. 4 Newport Gazette Winter 2011 5 Chateau-sur-Mer Torcheres Highlights Returned After Restoration Collection
By Charles Jeffers Moore Chief Conservator
Two patinated bronze torcheres in the form of half life-size female corrosion products figures in Japanese dress, holding on the surface were 3-branch candelabra, were re-installed removed with aqueous on the central staircase at Chateau- solutions containing sur-Mer this past fall, after a three chelating agents. The year absence. The kimono-clad ladies bright areas – kimono are dissimilar, with unique costume highlights, hair, etc. – designs, accessories, and attributes – were cleaned individually one holds a flowering cherry branch with custom-made acidic and the other a fan. Made in the late cleaning gels. The gelled 19th century and original to the house, form, which would stay they are signed by the French sculp- where it was put, was tor, Emile Guillemin, and the necessary so that the foundry, F. Barbedienne. treatment could be confined strictly to the Their removal was initiated by the bright parts. During need to upgrade the electrical service cleaning, a reddish and wiring in the house, and therefore material was found in the wiring in the formerly gas-lit textured surfaces and The torcheres in the conservation shop prior to being re-installed fixtures. The bronzes themselves were out-of-the-way places. at Chateau-sur-Mer. Photo by Jeff Moore grimy where decades of touching by This material was thought Bright areas on a candelabrum visitors had left their mark, and the to be a colored wax surface treatment similar to the bright highlights on patinated surface with bright high- intended to warm the color of the the figure were analyzed using an lights was dull. Assessment of the brightwork and add definition to the X-ray fluorescence machine at surface suggested seasonal coatings sculptural surface. The subsequent Williamstown Art Conservation The 16th century chimneypiece in The Breakers library is one of the highlights of oil in the past, which resulted in applications of oil would have dis- Center. The surface in those areas By Charles J. Burns, Associate Curator for Research of the Preservation Society’s collection. Photo by Stephen Mattos buildup, embedment of dirt and dust, solved it from the surface, leaving is gold, so the figures may be fairly and caused corrosion products to it to be found by the conservator. form. A decision was made to keep said to be parcel-gilt. The process The Preservation Society is creating a catalogue featuring ‘highlights’ from its the effect of the oil (but not the corro- The removal of grime and corro- of combining on a sculpture two extensive collection of fine and decorative arts within its 10 historic houses to be This is the first in a sion) on the two dark patinas – the sion products from the unpatinated colored patinas with the addition published on its website and possibly at a later date as a book. This ongoing project series of articles that skin and clothing – but to remove it areas resulted in quite bright of gold highlights is no doubt an will explore each of these important selected objects, placing them in their historical will examine some from the bright highlights where it highlights. Following touch-ups interesting one and will be the context. The object surveys will be read by specialists in the field, who have was dulling the surface and causing to compromised patina using subject of future research. generously volunteered their time, to provide further in-depth analysis. These of the highlights colored varnishes, a shop-made unacceptable base-metal corrosion. Once conservation treatment was experts include Rosalind Savill, the Director of the Wallace Collection in London, reddish-brown wax, similar to the of the Preservation completed, the fixtures were rewired, Charissa Bremer-David, Curator and expert on tapestries at The J. P. Getty Grime from visitors’ hands was residual material that was found, was new lamp holders were added, and Museum in Los Angeles, Gerald W. R. Ward, Curator of American Decorative Society’s collection of broken down and removed using applied selectively to the surface, with the ladies were returned to their Arts at the Museum of Fine Arts in Boston, and Nicholas Vincent, a Research fine and decorative arts. applications of solvents followed by a notable toning down of the bright- posts, ready to greet all visitors when Associate at the Metropolitan Museum of Art in New York. enzymatic treatments. Dusty, greenish ness and more clearly defined details. Chateau-sur-Mer reopens in April. Highlights Continued >>> 6 Newport Gazette Winter 2011 7 Detail of the chimneypiece in The Breakers library. Photo by Stephen Mattos Tapestry: The Death of Coligny Tapestry: The Battle of Marcel and Maillard Photos by Andrea Carneiro
Known in late nineteenth century America and Europe The Breakers chimneypiece was originally created for the In 1888 Mrs. William K. Vanderbilt acquired two mon- paintings were then selected for the Histoire series and for their vast wealth, the third generation of the Vanderbilt Merlan de Beaumont family in the early 16th century. It umental Gobelins tapestries from the ex-collection of the woven as tapestries by Pierre-François Cozette in 1790/91. family of New York and Newport are best known today decorated a second floor chamber in the family’s château at Duke of Rutland at Belvoir Castle, Leicestershire, England Cozette was one of the most famous of the eighteenth for the legacy of their palatial houses, including Marble Arnay-le-Duc in Burgundy. The chimneypiece remained in probably through her preferred London dealer Asher century master-weavers at the Gobelins workshops in House (1892) for Mr. & Mrs. William K. Vanderbilt and situ until 1865 when the château was converted to industrial Wertheimer. By 1892 the tapestries were inserted into Paris. During the French Revolution a jury des arts was The Breakers (1895) for Mr. & Mrs. Cornelius Vanderbilt use and key architectural elements were sold. It eventually giltwood frames designed by Allard and Sons to hold them appointed to examine tapestries then on the production II. The Vanderbilts were also important collectors of fine made its way into the collection of Baron Frédéric Spitzer, in place facing each other on the north and south walls of looms at Gobelins and decide on their fate. Of the 288 and decorative arts. This article looks at two of the who installed the chimneypiece in the library of his Paris the entrance hall of Marble House, giving the entrance a tapestries at the Gobelins workshops, only 20 were spared antique pieces provided for the Vanderbilts’ Newport residence. Baron Spitzer died in 1890, and three years later feeling of Versailles-era grandeur. destruction, including the present Vanderbilt tapestries, houses; both pieces have royal provenance, a very impor- the contents of his Parisian townhouse were sold at auction. The hangings were originally part of a group begun on which were sold abroad and are now on display at tant matter to collectors during the Gilded Age. The first The chimneypiece was purchased for 14,100 francs by the Gobelins looms in 1786 for Louis XVI known as the Marble House. is a French Renaissance limestone chimneypiece (circa Raoul Heilbronner, who in 1894 offered the piece for sale Histoire de France series. These weavings were based on Although these works are monumental in scale and 1535) in the Library at The Breakers and the second, at to Cornelius Vanderbilt II for The Breakers, then under historical paintings. One of the works to serve as a directly integrated into the interior architecture of their Marble House, consists of a pair of Gobelins tapestries construction, either through the intermediary of the model, The Death of Coligny by Joseph-Benoît Suvée, respective houses, our catalogue will also include such (dated 1790/91) woven for Louis XVI. Paris decorator Jules Allard or the architect Richard was displayed at the Paris Salon at the Louvre in 1787. minute and portable works of art as a gold snuffbox and Morris Hunt. The chimneypiece was installed in The The second tapestry is after a painting by Jean-Simon statuettes; all are integral to the decorative context of the Breakers library, following redesign work to accommodate Berthélemy entitled the Battle of Marcel and Maillard and Preservation Society’s historic houses. it, between September 1894 and January 1895. was created for the Paris Salon of 1783. Both of these
Highlights Collection
8 Newport Gazette Winter 2010 9 Louis XIV Returns to Marble House A late 17th century portrait of Louis XIV by the School of Henri Testelin was re-installed last October over the fireplace in the Dining Room at Marble House. It had been undergoing conservation work at the Williamstown Art Conservation Center for the last two years. The frame was conserved in-house by our own conservation technician, John Bartosh. The portrait is one of several versions of a 1668 likeness of the King as Protector of the Arts commissioned by the French Royal Academy for its assembly hall. This version is believed Conservation technician John Bartosh helps to carry the restored painting of Louis XIV through the foyer to have been presented by the King to of Marble House. Photo by Andrea Carneiro the city hall of Ypres, Belgium (then French Flanders). During the French Ronald Lee Fleming and Preservation Society Chairman Donald O. Ross with one of the Revolution, the portrait was cut from new markers outside the Isaac Bell House. its frame and sold, subsequently enter- Bellevue Avenue ing the English market where it was By Andrea Carneiro, Communications Manager purchased by Mrs. W.K. Vanderbilt..
History Visitors to Newport strolling along Bellevue Avenue can now enjoy a self-guided “walking tour” of one of America’s most legendary streets, Trail by reading the comprehensive information contained on a series of 11 framed markers stretching from Memorial Boulevard to Rough Point. Award-Winning Restoration Completed The Bellevue Avenue History Trail was dedicated last November, with the installation of the last few markers that contain photographs of The Breakers Gates and text describing the history of existing buildings as well as buildings Rosecliff & Its Neighbors: Fading Glamour & Modern Revival that have been lost. By following the markers, visitors get a complete Continues
The 1940s brought enormous change to houses on 1 Rosecliff 2 By the Sea 3 Seacliff this block of Bellevue Avenue as Gilded Age glamour (1899-1902) (1860) (1953) Our restoration of the main gates of The Breakers faded due to demolitions, fire, and acquisition of Architects: McKim, Mead and White Architect: George Champlin Mason, Sr. Architect: Frederick Rhinelander King overview of the architectural history and remarkable preservation of many properties for use by schools. Increasing s 4O MAKE WAY FOR A GRANDER 2OSECLIFF -RS /ELRICHS PURCHASED AND DEMOL s -R AND -RS !UGUST "ELMONT BUILT THIS )TALIANATE STYLE VILLA s #HRISTOPHER 7OLFE OF .EW 9ORK income and real estate taxes and a changing lifestyle ISHED THE WOODEN COTTAGE C OF 'EORGE "ANCROFT NOTED DIPLOMAT -R "ELMONT ORIGINALLY FROM 'ERMANY WAS A 53 AGENT OF THE BUILT AN )TALIANATE HOUSE CALLED in post-World War II America made the grand HISTORIAN AND HORTICULTURALIST FAMED FOR HIS ROSES POWERFUL 2OTHSCHILD BANK (IS WIFE #AROLINE WAS A DAUGHTER OF 4HE 2EEFS ON THIS SITE IN was honored with a Rhody Award from Preserve Rhode Island and s .EVADA SILVER HEIRESS 4HERESA &AIR