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PRELIMINARY PROGRAMME NECS Conference Amsterdam, June 27-29, 2018 » PROGRAMME www.necs.org media tactics and engagement The NECS 2018 Conference » Amsterdam, Netherlands » June 27-29, 2018 » PRELIMINARY PROGRAMME NECS Conference Amsterdam, June 27-29, 2018 » PROGRAMME DAY 1 DAY 2 DAY 3 Monday 25th Tuesday 26th Wednesday 27th Thursday 28st Friday 29th Saturday 30th schedule TBD REGISTRATION location TBD 9 9 9.00-10.45 9.00-10.45 9.00-10.30 9.30-18.00 Panels Panels E1-E14 Keynote 3 10 Graduate Pre-Conference A1-A10 10 Workshop Media in 11 “To Prefer Not To: Transition 11 11.00-12.45 Media @ Utrecht 11.00-12.45 11.00-12.45 Inoperativities” Panels Panels Panels University B1-B13 F1-F14 I1-I13 12 HoMER 12 Venue: Session Opening University Venue: College Utrecht 13 Het Huis Utrecht 12.45-13.45 12.45-13.45 12.45-13.45 13 Campusplein 1 Boorstraat 107 3584 ED Utrecht 3513 SE Utrecht Lunch Lunch Lunch 14 14 Please register for 13.45-15.30 13.45-15.30 13.45-15.30 this event at htps://mit.sites. Panels Panels Panels uu.nl/registration/ 15 C1-C14 G1-G13 J1-J13 15 For more information and registration, see: registration, and information more For 15.45-17.00 15.45-17.00 15.45-17.30 16 ps://oamediastudies.com/post-conference-open-media-studies/ 16 Panels Panels Panels t Post-conference “Open Access in Media Studies” in Media Access “Open Post-conference h D1-D10 H1-H14 K1-K11 Vision and Sound for Institute Netherlands Venue: 17 17 17.00-18.00 17.00-18.00 Meeting Publishers / Publishers / 16:15-18.00 Travel time HoMER General Travel time 17.45-19.00 DICIS by sponsored 18 18 Panels Cinema Studies) (Digital 18.15-19.50 18.15-19.45 L1-L10 - HoMER workshop 15.45-18.30 OPENING REMARKS 19 and Keynote 2 19 HoMER Closing Closing Keynote 1 Session 18:30-19.30 20 20 20.00 20.00-1.00 TBD NECS GENERAL MEETING Party Reception 21 Venue: 21 Escape DeLuxe Rembrandtplein 11 1017 CT Amsterdam 22 22 23 23 Wednesday 27th » 9.00-10.45 NECS Conference A 1 2 Cultures of Collaboration Participation and Media Engagement of Online Communities: - Engagement in emerging documentary practices Self-Representation Through Crowdfunding, Chair: Florian Mundhenke Social Eating and Instagram Communities Universitaet Leipzig Madalena Miranda Chair: Murat Akser »New University of Lisbon »Ulster University Collective portraits and Artivism against hegemonic structures Seda Aktaş »Nişantaşı University Katarzyna Ruchel-Stockmans Infrastructures of Engagement in Film Production: »Vrije Universiteit Brussel Collective Action Through Crowdfunding Difused authorship and emergent collaborations: documenting mass dissent Sedef Erdoğan Giovanelli »Istanbul Bilgi University Anna Wiehl Social Eating Platforms and New User Engagement »University of Bayreuth Practices From documentary networks to documentary worknets: Strategies of participation and co-creation in emerging İlkay Tuzcu Tığlı practices of factual »Galatasaray University User Engagement on Instagram: Diferent Strategies, Patrícia Nogueira Tactics and Transformation of Perceptions sponsored by the CCVA – Cinema and Contempo and – Cinema CCVA the by sponsored »School of Media Arts and Design, Polytechnic Institute rary Visual Arts + Documentary Film workgroups Arts + Documentary Visual rary of Porto Interaction of the Self: participative interactive documentary as a self-referential experience 3 4 Migration Works: New Infrastructures of Experimentalism and politics of the form: reflections Cinematic Knowledge regarding space in contemporary art and cinema. Chair: Miriam De Rosa Chair: TBD »Coventry University |School of Media and Performing Arts Nanna Heidenreich Alba Giménez »ifs internationale flmschule köln »European Centre for Documentary Research - University of South Tales of Infrastructures Wales Feng-Mei HeBerer Replication / Implication: Reconfguring experience in Harun »New York University Farocki’s Eye/Machine and in Rosalind Nashashibi’s Eyeballing Cutting against Border Regimes: Hito Steyerl’s João Leal Intersectional Montage »School of Media Arts and Design, Polytechnic of Porto Brigitta Kuster Artwork installation at the exhibition “The Laughable Enigma of »Humboldt Universitaet zu Berlin Ordinary Life” in the Arquipélago Centre of Cont. Arts (Azores) The Becoming flm of Sir, Alfred Mehran Juliana Froehlich »(UA/CAPES) University of Antwerp Abstraction and Experimental form: space in Hélio Oiticica’s Tropicália (1967) and in Glauber Rocha’s Entranced Earth (1967). Cassia Hosni »USP/FAPESP The 12th Sao Paulo Biennial (1973): The Audiovisual Within the Art and Communication Project. 5 6 Popular cinema in Poland in the 1980s: Fan Cultural Tactics of Engagement between dominant and subversive culture Chair: Petr Szczepanik Chair: TBD Charles University, Prague Anne Kustritz and Thessa Jensen »Utrecht University/ Aalborg University Piotr Zwierzchowski Histories of Fan Tactics for Engagement: Security, »Kazimierz Wielki University, Bydgoszcz Technology, and Intimacy Political contexts of popular cinema in Poland in the 1980s Sven Stollfuß »University of Leipzig, Institute of Communication and Jarosław Grzechowiak Media Studies »University of Lodz Television, Social Media and Audience Engagement Party in the Cinema – Cinema in the Party. Representations of recent history in pro-communist Sophie G. Einwächter Polish movies of the 80s. »Philipps-University Marburg A Fan and Celebrity Studies Perspective on Scholarly Marcin Adamczak Tactics of Engagement »Adam Mickiewicz University in Poznań Socialist imitation of New Hollywood as tactics of Polish Vicente Rodríguez Ortega cinema in 80’ »Universidad Carlos III de Madrid Soccer Fandom & Media Engagement: from Stadium Arkadiusz Lewicki Violence to Transmedia Hooligans »University of Wroclaw Why Empire showed “Star Wars”? Distribution policy in Poland in the 1980s 3 Wednesday 27th » 9.00-10.45 NECS Conference A 7 8 Strategic Spaces of Engagement in Film The Ethics of User Technologies Festivals’ History from 1950s to 1970s Chair: Stefano Pisu Chair: TBD »University of Cagliari/University of Roma Tre Sander De Ridder Caroline Moine »Ghent University »University of Versailles St-Quentin-en-Yvelines Dating and Datafcation The objectifcation and The International Federation of Film Producers Associations standardization of intimate connection Backstage at International Film Festivals during the Cold War Stephanie Dossou Stefano Pisu »Trinity College, Dublin »University of Cagliari/University of Roma Tre Strategies and Tactics in Finance - The Role of Finance The “Giornata del flm europeo” in Venice: Between Film Art in Citizen Engagement: A Case Study of the Finance Festivals and European Media Policies, 1956-1960 Art Installation Gabrielle Chomentowski Niels Niessen »National Institute for Oriental Languages and Civilizations, »University of Amsterdam Paris Questioning the Academic Integrity of Turnitin. African and Arab Filmmakers at Moscow and Tashkent Film Festivals: Foreign Policy and Professional Strategy during the Cold War Elena Razlogova »Concordia University, Montreal Translation as Surveillance and Curation at the Moscow International Film Festival in the 1960s 9 10 Alternative Aesthetics Migration and flow Chair: TBD Chair: TBD Cécile Chieze Temenuga Trifonova »Université Sorbonne Nouvelle Paris 3 »York University Cinematographic encounters: Refection on the use of The Ethical Turn in European Cinema of Migration compositing in The Red Drum Gateway, Hell’s Club and The Was. Irina Trocan »National University of Film and Theater Bucharest/ Mustafa Orhan Göztepe University of Pennsylvania »Istanbul Kültür University Audiovisual representations of race: from essay cinema On the usage of video letters as a hybrid element in My to online videos Marlon and Brando (Karabey, 2008) Aija Laura Zivitere Elina Reitere »Information Systems Management Institute (Riga) » “Human Flow”: Creation of the World and Ai Weiwei’s When you leave. Breakdown in communication in slow Strategies of (In)Visibility flms Silvia Murillo Chang-Min Yu »University of Zaragoza (Spain) »University of Iowa “Land-Gazing”: Engagement Through Focalization in Reconsidering Cinematic Modernism: the Hong Kong Sicario (2015) New Wave’s Corporeal Engagement 11 Tactics in Eastern European Cinema Chair: TBD Varga Balázs »ELTE Eötvös Loránd University Whose territory is it? Social apocalypse, political discourse and artistic tactics in Kornél Mundruczó’s Jupiter’s Moon Katarina Misikova »Academy of Performing Arts Bratislava Engaging with the Past. Poetics and Pragmatics of Representing the Political Situation of the 1990s in Slovak Cinema Terez Vincze »Department of Film Studies, ELTE University Film as Social/Cultural Manifesto in Contemporary Hungarian Cinema (A Case Study: Magyarország 2011) 4 Wednesday 27th » 11.00-12.45 NECS Conference B 1 2 Hacking and Making the Digital Era Film and crisis: social change and representation in 21st-century cinema Chair: TBD Maria B. Garda Chair: Elena Oliete-Aldea »Flinders University »Universidad de Zaragoza Maria B. Garda has a PhD in Cultural Studies and is a postdoc researcher at Flinders University, Australia. She Elena Oliete-Aldea is co-founder of »Universidad de Zaragoza Disaster Capitalism: The representation of the Global Gleb J. Albert Financial Crisis in Chandor’s Margin Call (2011) »University of Zurich Copying Software in the Age of Early Home Computing: Carmen Indurain Between Piracy, DIY, and Emerging Markets »Universidad Pública de Navarra Crisis and Society: Contemporary Silver Road Movies in Anders Carlsson the USA »Independent Researcher How Chip Music Hackers Have Changed Materialities for Luis Miguel García-Mainar 30 years »Universidad
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