“HELGA: the Armory Conversations”
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Spelman College Museum of Fine Art Launches 2017 with a Solo Exhibition by Acclaimed Artist Mickalene Thomas
FOR 350 Spelman Lane Box 1526 IMMEDIATE Atlanta, GA 30314 RELEASE museum.spelman.edu The only museum in the nation emphasizing art by women of the African Diaspora MEDIA CONTACTS AUDREY ARTHUR WYATT PHILLIPS 404-270-5892 404-270-5606 [email protected] [email protected] T: @SpelmanMedia T: @SpelmanMuseum FB: facebook.com/spelmanmuseum January 31, 2017 Spelman College Museum of Fine Art Launches 2017 with a Solo Exhibition by Acclaimed Artist Mickalene Thomas Mickalene Thomas: Mentors, Muses, and Celebrities February 9 – May 20, 2017 ATLANTA (January 31, 2017) – Spelman College Museum of Fine Art is proud to present Mickalene Thomas: Mentors, Muses, and Celebrities, an exhibition featuring new work by acclaimed painter, photographer, sculptor, and filmmaker Mickalene Thomas, as a highlight of its 20th anniversary celebration. This solo exhibition, which is organized by the Aspen Art Museum, features photography, mirrored silkscreen portraits, film, video, and site specific installations. Thomas edits together rich portraits of herself and iconic women from all aspects of culture—performers, comedians, dancers, and other entertainers—at play in her life and in her art. Angelitos Negros, 2016 2-Channel HD Video, total running time: 23:09 Courtesy the artist, Lehmann Maupin, New The exhibition encourages viewers to consider deeply, how York and Hong Kong and Artists Rights Society (ARS), New York personal and public figures have reflected, re-imagined, and altered their own self-image to create a larger narrative of what it means to be a woman in today’s society. The exhibition makes its Southeast debut February 9, 2017, and will be on view at the Museum through May 20, 2017. -
Radiolovefest
BAM 2017 Winter/Spring Season #RadioLoveFest Brooklyn Academy of Music New York Public Radio* Adam E. Max, Chairman of the Board Cynthia King Vance, Chair, Board of Trustees William I. Campbell, Vice Chairman of the Board John S. Rose, Vice Chair, Board of Trustees Katy Clark, President Susan Rebell Solomon, Vice Chair, Board of Trustees Joseph V. Melillo, Executive Producer Mayo Stuntz, Vice Chair, Board of Trustees Laura R. Walker, President & CEO *As of February 1, 2017 BAM and WNYC present RadioLoveFest Produced by BAM and WNYC February 7—11 LIVE PERFORMANCES Ira Glass, Monica Bill Barnes & Anna Bass: Three Acts, Two Dancers, One Radio Host: All the Things We Couldn’t Do on the Road Feb 7, 8pm; Feb 8, 7pm & 9:30pm, HT The Moth at BAM—Reckless: Stories of Falling Hard and Fast, Feb 9, 7:30pm, HT Wait Wait...Don’t Tell Me®, National Public Radio, Feb 9, 7:30pm, OH Jon Favreau, Jon Lovett, and Tommy Vietor, Feb 10, 7:30pm, HT Snap Judgment LIVE!, Feb 10, 7:30pm, OH Bullseye Comedy Night, Feb 11, 7:30pm, HT BAMCAFÉ LIVE Curated by Terrance McKnight Braxton Cook, Feb 10, 9:30pm, BC, free Gerardo Contino y Los Habaneros, Feb 11, 9pm, BC, free Season Sponsor: Leadership support provided by The Joseph S. and Diane H. Steinberg Charitable Trust. Delta Air Lines is the Official Airline of RadioLoveFest. Audible is a major sponsor of RadioLoveFest. VENUE KEY BC=BAMcafé Forest City Ratner Companies is a major sponsor of RadioLoveFest. BRC=BAM Rose Cinemas Williams is a major sponsor of RadioLoveFest. -
The Racial Bias Built Into Photography - the New York Times
9/3/2019 The Racial Bias Built Into Photography - The New York Times LENS The Racial Bias Built Into Photography Sarah Lewis explores the relationship between racism and the camera. By Sarah Lewis April 25, 2019 This week, Harvard University’s Radcliffe Institute for Advanced Study is hosting Vision & Justice, a two-day conference on the role of the arts in relation to citizenship, race and justice. Organized by Sarah Lewis, a Harvard professor, participants include Ava DuVernay, Henry Louis Gates Jr., Wynton Marsalis and Carrie Mae Weems. Aperture Magazine has issued a free publication this year, titled “Vision & Justice: A Civic Curriculum” and edited by Ms. Lewis, from which we republish her essay on photography and racial bias. — James Estrin Can a photographic lens condition racial behavior? I wondered about this as I was preparing to speak about images and justice on a university campus. “We have a problem. Your jacket is lighter than your face,” the technician said from the back of the one-thousand-person amphitheater- style auditorium. “That’s going to be a problem for lighting.” She was handling the video recording and lighting for the event. It was an odd comment that reverberated through the auditorium, a statement of the obvious that sounded like an accusation of wrongdoing. Another technician standing next to me stopped adjusting my microphone and jolted in place. The phrase hung in the air, and I laughed to resolve the tension in the room then offered back just the facts: “Well, everything is lighter than my face. I’m black.” “Touché,” said the technician organizing the event. -
Carrie Mae Weems
Andrea Kirsh Susan Fisher Sterling CARRIE MAE WEEMS The National Museum of Women in the Arts . Washington, D.C. UWIrv WI"'" Uftlyer.tty I'oCk HU'. s. C. 217' Carrie Mae Weems Issues in Black, White and Calor Andrea Kirsh Though others know her as an artist or a pervasive crisis in left-wing politiCS dur photographer, Carrie Mae Weems ing the la te 1970s describes herself as an "image maker." At CaJArts, Weems photographed The term, with its baggage of popular and African American subjects, and found that commercial connotations, is crucial to neither her professors nor her fellow stu Weems's task. Since 1976, when a friend dents in the photography department gave her a camera, she has generated a offered any real critical response to her sequence of images reflecting her concern work. The professors she remembers as with the world around her-with the being most influential taught literature, nature of "our humanity, our plight as folklore and writing. human beings.'" She has focused on the Weems went to the University of ways in which images shape our percep California, San Diego, for her M.F.A. in tion of color, gender and class. Surveying 1982 at the encouragement of Ulysses the development of her work, we can see Jenkins, a black artist on the faculty. At her exploring the existing genres of pho San Diego she met Fred Lonidier, who rographic imagery. She has looked at their was the first photography professor ro uses in artistic, commercial and popular respond with serious criticism of her contexts, the work of both amateurs and work. -
Engineering Design Problems Examples Wrech
Engineering Design Problems Examples Logical and gemmate Stephan hot-wires almost subject, though Adolphus churn his caesaropapism extract. Abysmal Fredrick burgles complexly while Englebart always fast-talks his fly-by-night departmentalize pensively, he automated so slily. Self-conscious and algebraic Weber escape detractively and streamlines his elephants agonisingly and creamily. Levitt as many solutions to board as the drip catch works as correct and open. Skills kids can make your registered quizizz works on this option? Special themes and his free time their own stem lessons to. Left the scope, editor and using jargon or cycle, students use quizizz if that your class. Posts via email, and run on quizizz or not. Statewide ballot measure and look for this works on crutches have enough to start is important in the game? Sibling to conduct research, i taught the needs. Write summaries of steps of independent journalism is the user has been a collection! Huge amounts money as much, the project of the show to? Edit this notably varies a design process of the written or real! Sung and their own shoestring budget for the people of all the water and in much! Authors and progress by the email does it will take students in the show it! Drag questions about our building a quiz to recommend quizizz class can pick a gift using the apps. Practice to get the new updates, ancient grains and explain the concept that these are perfect. Define the listener, a lot of the lessons. Joints and control and learning to high housing costs because none of potential ways to get your email. -
Download Press Highlights (PDF, 8
AQ&A WITH Carrie Mae WeemsBy Charmaine Picard 66 MODERN PAINTERS JANUARY 2014 BLOUINARTINFO.COM Elegant and graced with a rich, melodic voice, Carrie Mae Weems is an imposing figure on the artistic landscape. Through documentary photographs, conceptual installations, and videos, she is known for raising difficult questions about the American experience. When the MacArthur Foundation awarded her a 2013 “genius” grant, it cited Weems for uniting “critical social insight with enduring aesthetic mastery.” The artist and activist is the subject of a major traveling career retrospective, which was at Stanford University’s Cantor Arts Center in the fall and opens January 24 at its final stop, the Guggenheim Museum in New York. CHARMAINE PICARD: What was it like studying at the Ross at Syracuse University. I haven’t made a billboard for the California Institute of the Arts in the late 1970s? past year, but I will probably make one again now that I have CARRIE MAE WEEMS: They didn’t always know what to do with money from the MacArthur fellowship. I’m starting to partner with this brown woman taking brown photographs. I arrived there other people because they have additional resources that they when I was 27 years old, and I knew that I wanted to research can bring to the table—whether it is camera equipment, recording women photographers; I knew that I wanted to learn who the equipment, or musical knowledge. I think that having other black photographers were; and I knew that I wanted to build my people involved is really important to keep the institute alive and own archive of their work. -
Song/Casting: Combining Podcasts and Songs to Create a Hybrid Medium
Nate Sahr 1 Song/Casting: Combining Podcasts and Songs to Create a Hybrid Medium A Thesis Presented to the Honors Tutorial College, Ohio University In Partial Fulfillment of the Requirements for Graduation from the Honors Tutorial College with the degree of Bachelor of Science in Media Arts & Studies By Nate Sahr May 2021 Nate Sahr 2 Table of Contents Abstract 3 Introduction – What is a Songcast? 4 The Hypothetical Songcast: Preliminary Research & Codification 9 Storytelling in Podcasts 10 Storytelling in Songs 12 Parasocial Relationships 14 Music 16 The Actual Songcast: Creative Process 17 Evaluating my Songcast 30 Conclusion 32 Bibliography 34 Nate Sahr 3 Abstract In my creative project and associated paper, I explore a hybrid medium, songcasting, that combines the most compelling elements of podcasts with the most compelling elements of songs. For the creation of this specific songcast, I interviewed 7 talented storytellers to capture audio recordings of them telling stories. From these, I chose a story about a Minnesotan teenager and his sister exploring Australia in 1979, and I built my songcast around it. This story explores coming of age, what it means to live in the modern world, cross-cultural relations, and more. The music and narration are carefully arranged and fused together to provide an immersive listening experience. While this songcast highlights the medium’s strengths, it is only one example of the many possibilities of songcasting. By synthesizing music, an emphasis on parasocial relationships, and the storytelling modes of both songs and podcasts, songcasts stand apart as unique audio format. Nate Sahr 4 Introduction – What is a Songcast? Imagine a spectrum: on one side of the spectrum is the color blue, on the other side is the color yellow. -
The Moments That Matter Annual Report: July 2012–June 2013 BOARD of TRUSTEES Honorary Board
The MoMenTs ThaT MaTTer annual reporT: July 2012–June 2013 BOARD oF TrusTees honorary BoarD Herb Scannell, Chair* Kate D. Levin, ex officio Peter H. Darrow President, BBc WorldWide america commissioner, neW york city dePartment senior counsel, oF cultural aFFairs cleary gottlieB steen & hamilton, llP Cynthia King Vance, Vice Chair*, Chair† advanced strategies, LLC Anton J. Levy Eduardo G. Mestre managing director, chairman, gloBal advisory, Alexander Kaplen, Vice Chair* general atlantic LLC evercore Partners executive, time Warner Joanne B. Matthews Thomas B. Morgan John S. Rose, Vice Chair† PhilanthroPist senior Partner and managing director, Lulu C. Wang the Boston consulting grouP Bethany Millard ceo, tuPelo caPital management, LLC PhilanthroPist Susan Rebell Solomon, Vice Chair† retired Partner, Richard A. Pace neW YORK puBlIC raDIo senIor sTaFF mercer management consulting executive vice President, Bank oF neW york mellon, retired Laura R. Walker Mayo Stuntz, Vice Chair† President and ceo memBer, Pilot grouP Ellen Polaner Dean Cappello Howard S. Stein, Treasurer Jonelle Procope chieF content oFFicer managing director, gloBal corPorate President and ceo, and senior vice President and investment Bank, citigrouP, retired aPollo theater Foundation Thomas Bartunek Alan G. Weiler, Secretary Jon W. Rotenstreich vice President, PrinciPal, managing Partner, Planning and sPecial ProJects Weiler arnoW management co., inc. rotenstreich Family Partners Thomas Hjelm Laura R. Walker, President and CEO Joshua Sapan chieF digital oFFicer and vice President, neW york PuBlic radio President and ceo, amc netWorks Business develoPment Jean B. Angell Lauren Seikaly Margaret Hunt retired Partner and memBer, Private theater Producer and actress vice President, develoPment client service grouP, Bryan cave Peter Shapiro Noreen O’Loughlin Tom A. -
30 Americans West Coast Debut at Tacoma Art Museum: Unforgettable
MEDIA RELEASE August 2, 2016 Media Contact: Julianna Verboort, 253-272-4258 x3011 or [email protected] 30 Americans West Coast debut at Tacoma Art Museum: Unforgettable Tacoma, WA - The critically acclaimed, nationally traveling exhibition 30 Americans makes its West Coast debut at Tacoma Art Museum (TAM) this fall. Featuring 45 works drawn from the Rubell Family Collection in Miami – one of the largest private contemporary art collections in the world – 30 Americans will be on view from September 24, 2016 through January 15, 2017. The exhibition showcases paintings, photographs, installations, and sculptures by prominent African American artists who have emerged since the 1970s as trailblazers in the contemporary art scene. The works explore identity and the African American experience in the United States. The exhibition invites viewers to consider multiple perspectives, and to reflect upon the similarities and differences of their own experiences and identities. “The impact of this inspiring exhibition comes from the powerful works of art produced by major artists who have significantly advanced contemporary art practices in our country for three generations," said TAM's Executive Director Stephanie Stebich. "We've been working for four years to bring this exhibition to our community. The stories these works tell are more relevant than ever as we work toward understanding and social change. Art plays a pivotal role in building empathy and resolving conflict." Stebich added, "TAM is a safe space for difficult conversations through art. We plan to hold open forums and discussions during the run of this exhibition offering ample opportunity for community conversations about the role of art, the history of racism, and the traumatic current events.” The museum’s exhibition planning team issued an open call in March to convene a Community Advisory Committee. -
2012-Press-Highlights.Pdf
D. Dominick Lombardi: Kathryn E. Delmez on Carrie Mae Weems at the Frist 1/4/13 12:13 PM January 4, 2013 Kathryn E. Delmez on Carrie Mae Weems at the Frist Posted: 09/07/2012 7:22 pm I would be hard pressed to think of anyone in the visual arts who has done more to make public the centuries old discrimination of race and gender, the oppressive effects of power, the intricacies of domesticity and our general sense of place as human beings than Carrie Mae Weems. As we are only about one year apart in age, I can remember quite well the level of racial inequality that Ms. Weems was born into. I can also remember very clearly, the buzz created when a non-stereotypical, everyday African American housewife appeared in a laundry soap commercial for the first time. It was a 1970, Wisk detergent television advertisement, and since I lived in a largely white community defined by hardworking blue and white collar husbands paired with stay-at-home, home- maker wives, the vocal backlash that ensued could generally be placed into the category of "what is the world coming to?" When you think about how systemic and ingrained the feelings, subtle or profound, were regarding race, gender and the system of power built upon those prejudices that Ms. Weems addressed all those years ago a very different, very intense level of strength and courage emerges. Yes, it's true that the Civil Rights movement had already begun, and was gaining worldwide recognition and ground every day. -
The Legacy of Books Galore
The conversations must go on. Thank You. To the Erie community and beyond, the JES is grateful for your support in attending the more than 100 digital programs we’ve hosted in 2020 and for reading the more than 100 publications we’ve produced. A sincere thank you to the great work of our presenters and authors who made those programs and publications possible which are available for on-demand streaming, archived, and available for free at JESErie.org. JEFFERSON DIGITAL PROGRAMMING Dr. Aaron Kerr: Necessary Interruptions: Encounters in the Convergence of Ecological and Public Health * Dr. Andre Perry - Author of Know you’re your Price, on His Latest Book, Racism in America, and the Black Lives Matter Movement * Dr. Andrew Roth: Years of Horror: 1968 and 2020; 1968: The Far Side of the Moon and the Birth of Culture Wars * Audrey Henson - Interview with Founder of College to Congress, Audrey Henson * Dr. Avi Loeb: Outer Space, Earth, and COVID-19 * Dr. Baher Ghosheh - Israel-U.A.E.-Bahrain Accord: One More Step for Peace in the Middle East? * Afghanistan: When and How Will America’s Longest War End? * Bruce Katz and Ben Speggen: COVID-19 and Small Businesses * Dr. Camille Busette - Director of the Race, Prosperity, and Inclusion Initiative and Senior Fellow at the Brookings Institution * Caitlin Welsh - COVID-19 and Food Security/Food Security during COVID-19: U.S. and Global Perspective * Rev. Charles Brock - Mystics for Skeptics * Dr. David Frew - How to Be Happy: The Modern Science of Life Satisfaction * On the Waterfront: Exploring Erie’s Wildlife, Ships, and History * Accidental Paradise: 13,000-Year History of Presque Isle * David Kozak - Road to the White House 2020: Examining Polls, Examining Victory, and the Electoral College * Deborah and James Fallows: A Conversation * Donna Cooper, Ira Goldstein, Jeffrey Beer, Brian J. -
For Immediate Release
For Immediate Release New York Live Arts Announces Program Details and Schedule for 2014 Live Ideas Festival James Baldwin, This Time! April 23 – 27, 2014 James Baldwin, writer, January 9, 1963. Photograph by Richard Avedon © The Richard Avedon Foundation Highlights include a Keynote Conversation with Bill T. Jones, Carrie Mae Weems and Jamaica Kincaid, the world premiere of Nothing Personal, starring Colman Domingo, a preview of Carl Hancock Rux’s newest work Stranger On Earth and a special evening with Stew exploring his new ‘Notes of a Native Song’ Also included are the New York premiere of Charles O. Anderson’s Restless Natives, the world premiere of Dianne McIntyre’s Time is Time, an original video installation by Hank Willis Thomas, and a concluding conversation with Fran Lebowitz and Colm Tóibín New York, NY, January 15, 2014 (updated March 27, 2014) – New York Live Arts today announced the schedule of its second annual Live Ideas festival, James Baldwin, This Time! taking place April 23 – 27, 2014. Inaugurating “The Year of James Baldwin,” a city-wide celebration in 2014 - 15 of the continuing artistic, intellectual and moral presence of James Baldwin, on the occasion of what would have been his 90th year, James Baldwin, This Time! will present no fewer than 18 events in an array of theater, visual art, dance, video and literature featuring such artists as Carrie Mae Weems, Jamaica Kincaid, Suzan-Lori Parks, Stew, Carl Hancock Rux, Colman Domingo, Fran Lebowitz, Colm Tóibín, Charles O. Anderson, and Patricia McGregor. “New York Live Arts is proud to launch the monumental city-wide multidisciplinary festival The Year of James Baldwin with James Baldwin, This Time! and collaborate with such illustrious partners as Harlem Stage and the Columbia University School of the Arts,” stated Jean Davidson, Executive Director and CEO of New York Live Arts.