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The Restoration of Tulbagh As Cultural Signifier
BETWEEN MEMORY AND HISTORY: THE RESTORATION OF TULBAGH AS CULTURAL SIGNIFIER Town Cape of A 60-creditUniversity dissertation submitted in partial fulfilment of the Degree of Master of Philosophy in the Conservation of the Built Environment. Jayson Augustyn-Clark (CLRJAS001) University of Cape Town / June 2017 Faculty of Engineering and the Built Environment: School of Architecture, Planning and Geomatics The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgement of the source. The thesis is to be used for private study or non- commercial research purposes only. Published by the University of Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University of Cape Town ‘A measure of civilization’ Let us always remember that our historical buildings are not only big tourist attractions… more than just tradition…these buildings are a visible, tangible history. These buildings are an important indication of our level of civilisation and a convincing proof for a judgmental critical world - that for more than 300 years a structured and proper Western civilisation has flourished and exist here at the southern point of Africa. The visible tracks of our cultural heritage are our historic buildings…they are undoubtedly the deeds to the land we love and which God in his mercy gave to us. 1 2 Fig.1. Front cover – The reconstructed splendour of Church Street boasts seven gabled houses in a row along its western side. The author’s house (House 24, Tulbagh Country Guest House) is behind the tree (photo by Norman Collins). -
Transnational Resistance Strategies and Subnational Concessions in Namibia's Police Zone, 1919-1962
Graduate Theses, Dissertations, and Problem Reports 2021 “Remov[e] Us From the Bondage of South Africa:” Transnational Resistance Strategies and Subnational Concessions in Namibia's Police Zone, 1919-1962 Michael R. Hogan West Virginia University, [email protected] Follow this and additional works at: https://researchrepository.wvu.edu/etd Part of the African History Commons Recommended Citation Hogan, Michael R., "“Remov[e] Us From the Bondage of South Africa:” Transnational Resistance Strategies and Subnational Concessions in Namibia's Police Zone, 1919-1962" (2021). Graduate Theses, Dissertations, and Problem Reports. 8264. https://researchrepository.wvu.edu/etd/8264 This Dissertation is protected by copyright and/or related rights. It has been brought to you by the The Research Repository @ WVU with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you must obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Dissertation has been accepted for inclusion in WVU Graduate Theses, Dissertations, and Problem Reports collection by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. “Remov[e] Us From the Bondage of South Africa:” Transnational Resistance Strategies and Subnational Concessions in Namibia's Police Zone, 1919-1962 Michael Robert Hogan Dissertation submitted to the Eberly College of Arts and Sciences at West Virginia University in partial fulfillment of the requirements for the degree of Doctor of Philosophy In History Robert M. -
Constitutional Authority and Its Limitations: the Politics of Sexuality in South Africa
South Africa Constitutional Authority and its Limitations: The Politics of Sexuality in South Africa Belinda Beresford Helen Schneider Robert Sember Vagner Almeida “While the newly enfranchised have much to gain by supporting their government, they also have much to lose.” Adebe Zegeye (2001) A history of the future: Constitutional rights South Africa’s Constitutional Court is housed in an architecturally innovative complex on Constitution Hill, a 100-acre site in central Johannesburg. The site is adjacent to Hillbrow, a neighborhood of high-rise apartment buildings into which are crowded thousands of mi- grants from across the country and the continent. This is one of the country’s most densely populated, cosmopolitan and severely blighted urban areas. From its position atop Constitu- tion Hill, the Court offers views of Hillbrow’s high-rises and the distant northern suburbs where the established white elite and increasing numbers of newly affluent non-white South Africans live. Thus, while the light-filled, colorful and contemporary Constitutional Court buildings reflect the progressive and optimistic vision of post-apartheid South Africa the lo- cation is a reminder of the deeply entrenched inequalities that continue to define the rights of the majority of people in the country and the continent. CONSTITUTIONAL AUTHORITY AND ITS LIMITATIONS: THE POLITICS OF SEXUALITY IN SOUTH AFRICA 197 From the late 1800s to 1983 Constitution Hill was the location of Johannesburg’s central prison, the remains of which now lie in the shadow of the new court buildings. Former prison buildings include a fort built by the Boers (descendents of Dutch settlers) in the late 1800s to defend themselves against the thousands of men and women who arrived following the discovery of the area’s expansive gold deposits. -
True Confessions, End Papers and the Dakar Conference
Hermann Giliomee True Confessions, End Papers and Hermann Giliomee was Professor of the Dakar conference: A review of Political Studies at the University of Cape Town and is presently Professor the political arguments Extraordinary at the History Department, University of Stellenbosch. E-mail: [email protected] True Confessions, End Papers and the Dakar conference: A review of the political arguments As a social critic Breyten Breytenbach published two books of political commentary and political analysis during the mid-1980s without the opportunity of engaging with commentators at home. While True Confessions of an Albino Terrorist is part autobiography and part searing comment on prison life, End Papers is a more detached dissection of the major political and cultural issues confronting South Africa. Breytenbach was now one of the respected international voices on the political crisis in South Africa. The violent break-up of apartheid had changed Breytenbach’s social criticism. In the place of the earlier rejection and denunciation had come a willingness to engage and reason with his audience. The Dakar conference of 1987, which Breytenbach co-organised, offered an ideal opportunity for this. The conference was given wide publicity and was seen by some as the catalyst that broke the ice for the negotiations between the government and the ANC two and a half years later. Key words: Afrikaans literature, Dakar conference, National Party, African National Congress, South Africa, violence, negotiations. Introduction Shortly after being released from jail in 1982 Breyten Breytenbach published two non-fiction books, The True Confessions of an Albino Terrorist (1984) and End Papers (1986). -
Re-Membering Queer Africa in Literature and Film Matthew Ap Trick Durkin
Duquesne University Duquesne Scholarship Collection Electronic Theses and Dissertations Spring 1-1-2017 "Unorthodox Conduct": Re-membering Queer Africa in Literature and Film Matthew aP trick Durkin Follow this and additional works at: https://dsc.duq.edu/etd Recommended Citation Durkin, M. P. (2017). "Unorthodox Conduct": Re-membering Queer Africa in Literature and Film (Doctoral dissertation, Duquesne University). Retrieved from https://dsc.duq.edu/etd/126 This One-year Embargo is brought to you for free and open access by Duquesne Scholarship Collection. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Duquesne Scholarship Collection. For more information, please contact [email protected]. "UNORTHODOX CONDUCT": RE-MEMBERING QUEER AFRICA IN LITERATURE AND FILM A Dissertation Submitted to the McAnulty College and Graduate School of Liberal Arts Duquesne University In partial fulfillment of the requirements for the degree of Doctor of Philosophy By Matthew Durkin May 2017 Copyright by Matthew P. Durkin 2017 "UNORTHODOX CONDUCT": RE-MEMBERING QUEER AFRICA IN LITERATURE AND FILM By Matthew P. Durkin Approved April 7, 2017 ________________________________ ________________________________ Emad Mirmotahari, Ph.D. Laura Engel, Ph.D. Associate Professor of English Professor of English (Committee Chair) (Committee Member) ________________________________ James Holstun, Ph.D. Professor of English, University at Buffalo (Committee Member) ________________________________ ________________________________ -
Life & Times of Magda A: Telling a Story of Violence in South Africa
Life & Times of Magda A: Telling a Story of Violence in South Africa Author(s): Didier Fassin, Frédéric Le Marcis, and Todd Lethata Reviewed work(s): Source: Current Anthropology, Vol. 49, No. 2 (April 2008), pp. 225-246 Published by: The University of Chicago Press on behalf of Wenner-Gren Foundation for Anthropological Research Stable URL: http://www.jstor.org/stable/10.1086/526096 . Accessed: 08/06/2012 11:42 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. The University of Chicago Press and Wenner-Gren Foundation for Anthropological Research are collaborating with JSTOR to digitize, preserve and extend access to Current Anthropology. http://www.jstor.org Current Anthropology Volume 49, Number 2, April 2008 225 Life & Times of Magda A Telling a Story of Violence in South Africa by Didier Fassin, Fre´de´ric Le Marcis, and Todd Lethata How to write about violence? Most recent anthropological works have dealt with this question in terms of either political economy, narratives, or performance. Using J. M. Coetzee’s Life & Times of Michael K as a pre-text, an ethnological inquiry into violence is proposed through the biography of a young South African woman. -
Transforming the Iziko Bo-Kaap Museum Helene Vollgraaff 1
Transforming the Iziko Bo-Kaap Museum Helene Vollgraaff 1 Introduction The Bo-Kaap Museum, managed by Iziko Museums of Cape Town 2, was established in 1978 as a house museum showing the lifestyle of a typical “Cape Malay” family of the 19 th century. The well-known University of Cape Town Orientalist, Dr. I.D. du Plessis, was the driving force behind the establishment of the museum. From the start, the Bo-Kaap Museum was heavily criticized for its Orientalist approach. In true I.D. du Plessis style, Cape Muslims were depicted as a separate cultural group with an exotic and charming lifestyle that seperated them from the rest of local society. The exhibitions and programmes of the museum tended to focus on Islam as an all-consuming identity and emphasized customs that distinguished Cape Muslims from other religious and cultural groups in Cape Town. The result was a skewed representation that did not do justice to the diversity within the Cape Muslim community and was silent about aspects of integration between the Muslim and broader Cape Town communities. 3 In 2003, Iziko Museums launched a project to redevelop the Bo-Kaap Museum as a social history museum with Islam at the Cape and the history of the Bo-Kaap as its main themes. This approach allowed the museum to challenge its own Orientalist roots and to introduce exhibitions dealing with contemporary issues. As an interim measure, Iziko developed a series of small temporary exhibitions and public programmes that together signaled Iziko Museum’s intent to change the content and style of the museum. -
The Chief Executive of the Nelson Mandela Foundation
Message from the Chief Executive of the Nelson Mandela Foundation Dear Friends, In addition to the Annual Lecture, he engaged South Africans in three formal dialogue forums, as well as a number of Usually the months of September and October are relatively informal gatherings. quiet on the Nelson Mandela Foundation calendar; they provide a period of reflection and review after the The lecture itself was broadcast live by the SABC and was demands of Nelson Mandela International Day and the available in more than 50 African countries on the continent. Annual Lecture. In addition, the lecture was live-streamed on the Internet and delivered directly to the University College Dublin, This year, however, our Annual Lecture programme unfolded in Ireland; Polytechnic of Namibia; University of the West the last week of September and first week of October, providing Indies; Ibadan University, Nigeria; Lund University, Sweden; us with a second operational peak on the calendar. National University of Singapore; University of Ghana and the Pan African University. The media coverage and impact It has been an extraordinarily rich and fruitful period for us. The on public discourse was unprecedented. focus, of course, has been on the 13th Nelson Mandela Annual Lecture, but at the same time we have sustained an array of A transcript of the lecture, the full video, links to media routine memory and dialogue projects and interventions. reports and other resources are available on our website. And, for the first time, in partnership with the University of Highlights since the last newsletter include: the launch of the Johannesburg (UJ), we hosted more than 2 000 guests on exhibition Between States of Emergency, a photographic the day. -
Truth and Reconciliation Commission of South Africa Report: Volume 2
VOLUME TWO Truth and Reconciliation Commission of South Africa Report The report of the Truth and Reconciliation Commission was presented to President Nelson Mandela on 29 October 1998. Archbishop Desmond Tutu Ms Hlengiwe Mkhize Chairperson Dr Alex Boraine Mr Dumisa Ntsebeza Vice-Chairperson Ms Mary Burton Dr Wendy Orr Revd Bongani Finca Adv Denzil Potgieter Ms Sisi Khampepe Dr Fazel Randera Mr Richard Lyster Ms Yasmin Sooka Mr Wynand Malan* Ms Glenda Wildschut Dr Khoza Mgojo * Subject to minority position. See volume 5. Chief Executive Officer: Dr Biki Minyuku I CONTENTS Chapter 1 Chapter 6 National Overview .......................................... 1 Special Investigation The Death of President Samora Machel ................................................ 488 Chapter 2 The State outside Special Investigation South Africa (1960-1990).......................... 42 Helderberg Crash ........................................... 497 Special Investigation Chemical and Biological Warfare........ 504 Chapter 3 The State inside South Africa (1960-1990).......................... 165 Special Investigation Appendix: State Security Forces: Directory Secret State Funding................................... 518 of Organisations and Structures........................ 313 Special Investigation Exhumations....................................................... 537 Chapter 4 The Liberation Movements from 1960 to 1990 ..................................................... 325 Special Investigation Appendix: Organisational structures and The Mandela United -
Nelson Mandela and His Colleagues in the Rivonia Trial
South Africa: The Prisoners, The Banned and the Banished: Nelson Mandela and his colleagues in the Rivonia trial http://www.aluka.org/action/showMetadata?doi=10.5555/AL.SFF.DOCUMENT.nuun1969_08 Use of the Aluka digital library is subject to Aluka’s Terms and Conditions, available at http://www.aluka.org/page/about/termsConditions.jsp. By using Aluka, you agree that you have read and will abide by the Terms and Conditions. Among other things, the Terms and Conditions provide that the content in the Aluka digital library is only for personal, non-commercial use by authorized users of Aluka in connection with research, scholarship, and education. The content in the Aluka digital library is subject to copyright, with the exception of certain governmental works and very old materials that may be in the public domain under applicable law. Permission must be sought from Aluka and/or the applicable copyright holder in connection with any duplication or distribution of these materials where required by applicable law. Aluka is a not-for-profit initiative dedicated to creating and preserving a digital archive of materials about and from the developing world. For more information about Aluka, please see http://www.aluka.org South Africa: The Prisoners, The Banned and the Banished: Nelson Mandela and his colleagues in the Rivonia trial Alternative title Notes and Documents - United Nations Centre Against ApartheidNo. 13/69 Author/Creator United Nations Centre against Apartheid Publisher Department of Political and Security Council Affairs Date 1969-10-00 Resource type Reports Language English Subject Coverage (spatial) South Africa Coverage (temporal) 1969 Source Northwestern University Libraries Description Note. -
An Exhibition of South African Ceramics at Iziko Museums Article by Esther Esymol
Reflections on Fired – An Exhibition of South African Ceramics at Iziko Museums Article by Esther Esymol Abstract An exhibition dedicated to the history and development of South African ceramics, Fired, was on show at the Castle of Good Hope in Cape Town, South Africa, from 25th February 2012 until its temporary closure on 28th January 2015. Fired is due to reopen early 2016. The exhibition was created from the rich array of ceramics held in the permanent collections of Iziko Museums of South Africa. Iziko was formed in 1998 when various Cape Town based museums, having formerly functioned separately, were amalgamated into one organizational structure. Fired was created to celebrate the artistry of South African ceramists, showcasing works in clay created for domestic, ceremonial or decorative purposes, dating from the archaeological past to the present. This article reflects on the curatorial and design approaches to Fired, and the various themes which informed the exhibition. Reference is also made to the formation of the Iziko ceramics collections, and the ways in which Fired as an exhibition departed from ceramics displays previously presented in the museums that made up the Iziko group. Key words ceramics, studio pottery, production pottery, Community Economic Development (CED) potteries, museums Introduction Fired – an Exhibition of South African Ceramics celebrated South Africa’s rich and diverse legacy of ceramic making. The exhibition showcased a selection of about two hundred ceramic works, including some of the earliest indigenous pottery made in South Africa, going back some two thousand years, through to work produced by contemporary South African ceramists. The works were drawn mainly from the Social History Collections department of Iziko Museums of South Africa.1 Design and curatorial approaches Fired was exhibited within an evocative space in the Castle, with arched ceilings and columns and presented in two large elongated chambers (Fig.1). -
Aesthetic-Theological Perspectives on the Monumentalisation of Religion1
Scriptura 114 (2015:1), pp. 1-13 http://scriptura.journals.ac.za GOD IN GRANITE? AESTHETIC-THEOLOGICAL PERSPECTIVES ON THE MONUMENTALISATION OF RELIGION1 Johan Cilliers Practical Theology and Missiology Stellenbosch University Abstract In this article an introductory look is taken at the phenomenon of the monumentalisation of religion, particularly in view of its imperial expressions. The history and religious meaning of the Voortrekker Monument, situated outside Pretoria in South Africa, is outlined briefly as a case in point, followed by a number of aesthetic-theological perspectives on the notion of the monumentalisation of religion, using the keywords as lenses. The article concludes with a reflection on an art work by Argentinian born artist/architect Tomás Saraceno, entitled: ‘On Space Time Foam’. Key Words: Remembrance; Time; Space; Movement The Monumentalisation of Religion The erecting of sites of remembrance and/or spaces for ritual and religious reflection has been part and parcel of humanity since the dawn of time. Phenomena such as for example the rock paintings of dancing Khoi-San in Southern Africa, or the depiction of people, animals and symbols in the caves at Lascaux, France, clearly indicate that people felt the need to express their religious experiences concretely, and also to leave traces of these experiences for generations to come. The arrangement of the hundreds of portrayals at Lascaux in the unmistakable form of a place of worship at the very least indicates that religion and aesthetic expressions thereof initially