Bryan Macmahon Letters to Jack O'reilly 1949-1980 MS.2003.018
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5/1 Chapter 5 the SOUTH-WEST Counties East, South and North-West CORK -- KERRY -- West LIMERICK East CORK Cobh -- Spike Island T
Chapter 5 THE SOUTH-WEST counties East, south and north-west CORK -- KERRY -- west LIMERICK East CORK Cobh -- Spike Island Throughout the eighteenth and nineteenth century, visitors to Ireland from Britain and the Continent were appalled at the poverty of its people, and wondered at this because so much of the land was fertile. There were many reasons for the destitution, so many that Frank O'Connor neatly sidesteps them -- but he is in little doubt of the main reason: ignorance of the true condition of Ireland, on the part of its distant government, because of the difficulties involved in visiting it [1] : Books about a country usually begin with its history. Books about Ireland which do this tend to remain unread. The misunderstandings are too many... Ultimately, perhaps, all the misunderstandings can be traced to sixty miles of salt water which stretches between Britain and Ireland. O'Connor was writing in the 1940s. Mr & Mrs Hall begin their vast, chatty, obsequious (to the English reader) but well-intentioned three-volume Ireland , a hundred years earlier (1841), with a long description of the purgatory of a pre-steam crossing to Cork. They agree with O'Connor [2] : It was not alone the miserable paucity of accommodation and utter indifference to the comfort of the passengers, that made the voyage an intolerable evil. Though it usually occupied but three or four days, frequently as many weeks were expended in making it. It was once our lot to pass a month between the ports of Bristol and Cork; putting back, every now and then, to the wretched village of Pill, and not daring to leave it even for an hour, lest the wind should change and the packet weigh anchor.. -
The Capuchin Annual and the Irish Capuchin Publications Office
1 Irish Capuchin Archives Descriptive List Papers of The Capuchin Annual and the Irish Capuchin Publications Office Collection Code: IE/CA/CP A collection of records relating to The Capuchin Annual (1930-77) and The Father Mathew Record later Eirigh (1908-73) published by the Irish Capuchin Publications Office Compiled by Dr. Brian Kirby, MA, PhD. Provincial Archivist July 2019 No portion of this descriptive list may be reproduced without the written consent of the Provincial Archivist, Order of Friars Minor Capuchin, Ireland, Capuchin Friary, Church Street, Dublin 7. 2 Table of Contents Identity Statement.......................................................................................................................................... 5 Context................................................................................................................................................................ 5 History ................................................................................................................................................ 5 Archival History ................................................................................................................................. 8 Content and Structure ................................................................................................................................... 8 Scope and content ............................................................................................................................. 8 System of arrangement .................................................................................................................... -
PAPERS of SÉAMUS DE BÚRCA (James Bourke)
Leabharlann Náisiúnta na hÉireann National Library of Ireland Collection List No. 74 PAPERS OF SÉAMUS DE BÚRCA (James Bourke) (MSS 34,396-34,398, 39,122-39,201, 39,203-39,222) (Accession Nos. 4778 and 5862) Papers of the playwright Séamus De Búrca and records of the firm of theatrical costumiers P.J. Bourke Compiled by Peter Kenny, Assistant Keeper, 2003-2004 Contents INTRODUCTION 12 The Papers 12 Séamus De Búrca (1912-2002) 12 Bibliography 12 I Papers of Séamus De Búrca 13 I.i Plays by De Búrca 13 I.i.1 Alfred the Great 13 I.i.2 The Boys and Girls are Gone 13 I.i.3 Discoveries (Revue) 13 I.i.4 The Garden of Eden 13 I.i.5 The End of Mrs. Oblong 13 I.i.6 Family Album 14 I.i.7 Find the Island 14 I.i.8 The Garden of Eden 14 I.i.9 Handy Andy 14 I.i.10 The Intruders 14 I.i.11 Kathleen Mavourneen 15 I.i.12 Kevin Barry 15 I.i.13 Knocknagow 15 I.i.14 Limpid River 15 I.i.15 Making Millions 16 I.i.16 The March of Freedom 16 I.i.17 Mrs. Howard’s Husband 16 I.i.18 New Houses 16 I.i.19 New York Sojourn 16 I.i.20 A Tale of Two Cities 17 I.i.21 Thomas Davis 17 I.i.22 Through the Keyhole 17 I.i.23 [Various] 17 I.i.24 [Untitled] 17 I.i.25 [Juvenalia] 17 I.ii Miscellaneous notebooks 17 I.iii Papers relating to Brendan and Dominic Behan 18 I.iv Papers relating to Peadar Kearney 19 I.v Papers relating to Queen’s Theatre, Dublin 22 I.vi Essays, articles, stories, etc. -
Archives of the Proscenium Press
Special Collections Department Archives of the Proscenium Press 1904 - 1993 (bulk dates 1962 - 1993) Manuscript Collection Number: 313 Accessioned: Purchase, 1975-1993. Extent: 13 linear ft. Content: Letters, photographs, contracts, bank statements, drawings, certificates of copyright, catalogs, calendars, broadsides, posters, programs, galley proofs, page layouts, bills (financial), typescripts, journal, drafts (preliminary versions), clippings, photomechanical reproductions, microfilm, poems, books, playbills, and playscripts. Access: The collection is open for research. Processed: February 1995 by Anita A. Wellner. for reference assistance email Special Collections or contact: Special Collections, University of Delaware Library Newark, Delaware 19717-5267 (302) 831-2229 Table of Contents Historical Note Biographical Note Scope and Contents Note Arrangement Note Series List Contents List History of the Proscenium Press According to a brief notice in the August 5, 1967 issue of Saturday Review, Robert Hogan founded the Proscenium Press in 1965. His intention was to fill an educational and cultural need unrecognized by commercial publishers. Hogan believed that large numbers of excellent playscripts, written by distinguished authors, were unavailable to the public, small theaters, and classrooms, because they were not commercially attractive to large publishing firms. Hogan, whose areas of scholarly expertise include modern drama and Irish literature, also wished to make the work of Irish literary figures available to both students and audiences in the United States. Although Proscenium Press began publishing in 1965, the Press was not incorporated until 1977, when incorporation became a necessary development in seeking tax exempt status as a nonprofit organization. Proscenium Press was incorporated in the State of Delaware, where Hogan had joined the faculty of the University of Delaware in 1970. -
LIMERICK LITERARY FESTIVAL in Honour of Kate O’Brien 2019 Contents
LIMERICK LITERARY FESTIVAL in honour of Kate O’Brien 2019 contents Introduction 4 Poetry Readings with Jo Slade and Ciaran O’Driscoll 6 Adam Wyeth on Limerick poet Desmond O’Grady 7 Official Opening by Lara Marlowe 8 RTE Radio 1 Arena Live presented by Sean Rocks 9 Musical Interlude featuring Irish National Opera 9 Louise O’Neill 10 Lyndall Gordon 11 Emilie Pine 12 Philippe Claudel 13 David Park 14 Martin Dyar 15 Clodagh Beresford Dunne 16 Niall MacMonagle 17 The National Library of Ireland presents The Blank Page 18 The Morning After The Life Before by Ann Blake 19 Mary Coll 20 Paula Shields 21 Kate O’Brien Hour featuring Éilis Ní Dhuibhne 22 Liz Nugent in conversation with Bill Whelan 23 Desert Island Books with Nadia Whiston Battersby & David Park 24 Richard Ford in conversation with Niall MacMonagle 25 Festival Schedule at a Glance 26 Tickets 28 Acknowledgements 31 Map 34 he Festival, formerly known RTE Arena hosted by Sean Rocks. Festival, The National Library of to hear about the books that both as Kate O’Brien Weekend, is Irish National Opera, in a new and Ireland in partnership with Limerick inspire and console. T this year celebrating its 35th exciting partnership with Limerick Literary Festival will present The anniversary. The event continues Literary Festival, will co-present the Blank Page featuring Martin Dyar, The 4th annual Kate O’Brien award to honour the life and works of the opening night musical recital and Clodagh Beresford Dunne, and Niall for a debut novel from an Irish female Limerick author while attracting include works from Kate O’Brien’s MacMonagle who will explore the author will be announced on Sunday, prominent participants from all over novel As Music And Splendour. -
Report on the Arts Matter
An Comhchoiste um Chultúr, Oidhreacht agus Gaeltacht Na hEalaíona – Ní Cuma leo Tuarascáil Bealtaine 2019 __________________________ Joint Committee on Culture, Heritage and the Gaeltacht The Arts Matter Report May 2019 An Comhchoiste um Chultúr, Oidhreacht agus Gaeltacht Na hEalaíona – Ní Cuma leo Tuarascáil Bealtaine 2019 __________________________ Joint Committee on Culture, Heritage and the Gaeltacht The Arts Matter Report May 2019 32JCCHG06 An Comhchoiste um Chultúr, Oidhreacht agus Gaeltacht Joint Committee on Culture, Heritage and the Gaeltacht 1 Table of Contents Chairman’s Foreword/Réamhrá an Chathaoirligh ....................................................5 1. Main Recommendations .....................................................................................7 2. Introduction ......................................................................................................... 12 3. Summary of Submissions and Discussion with Committee Members 13 3.1 Governance in Funding in the Arts .............................................. 13 3.1.1 Arts Council .................................................................................... 13 3.1.2 Department of Culture, Heritage and the Gaeltacht ..... 15 3.2 The Arts in Education ........................................................................ 24 3.2.1 National Council for Curriculum and Assessment ........... 24 3.2.2 National Association of Principals and Deputy Principals 26 3.2.3 Arts in Education Charter Implementation Group .......... 28 3.2.4 Encountering -
Perspectives on Voice and Mask Within the Poetry of Brendan Kennelly
ST PATRICK’S COLLEGE, D.C.U / UNIVERSITE SORBONNE NOUVELLE - PARIS 3 (Ecole Doctorale des Etudes Anglophones) Joint Ph.D. / Thèse de doctorat en co-tutelle Irish Studies / Etudes anglophones Sandrine Michelle BRISSET Bard of Modem Ireland: Perspectives on Voice and Mask within the Poetry of Brendan Kennelly La voix et ses masques: approches de la poésie de Brendan Kennelly dans le cadre de la tradition bardique irlandaise VOLUME II / II sous la direction de Mme Noreen DOODY et de M. Carle BONAFOUS-MURAT / under the supervision of Dr. Noreen DOODY and Prof. Carie BONAFOUS-MURAT Examiners / Jury: Prof. Carie BONAFOUS-MURAT (Université Sorbonne Nouvelle- Paris 3), Dr. Brenna CLARKE (St Patrick’s College, D.C.U.), Prof. Anne GOARZIN (Université de Haute Bretagne-Rennes 2), Prof. Declan KJBERD (University College, Dublin). 12 septembre 2008 MASKS Brendan Kennedy in common with bards of all periods is a performing poet and as such he has constructed himself as a public character. However, a close study of his poems allows the reader to perceive a different version of the poet than his public image suggests. Just like one event can have many versions, the poet with one body can wear many masks that can be conflicting and contradictory. This could be the reason why Brendan Kennelly worked on creating a multifaceted version of Cromwell in his long poem and, to an even greater extent, of Judas in The Book of Judas. If it is not clear how Cromwell could be both a savage murderer and a loving father, it is not clear either how Kennelly, the performing poet and Kennelly the writing poet can be reconciled in his work. -
Copyright by Kathryn Rebecca Van Winkle 2019
Copyright by Kathryn Rebecca Van Winkle 2019 The Dissertation Committee for Kathryn Rebecca Van Winkle Certifies that this is the approved version of the following dissertation: “They shall be speaking forever”: Performing Revolution, Riot, and the Nation in the Centenary Commemorations of Ireland’s 1916 Rising Committee: Charlotte Canning, Supervisor Paul Bonin-Rodriguez Elizabeth Cullingford Rebecca Rossen “They shall be speaking forever”: Performing Revolution, Riot, and the Nation in the Centenary Commemorations of Ireland’s 1916 Rising by Kathryn Rebecca Van Winkle Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2019 Dedication In memory of Mark Hunter. And of Lyra McKee. Acknowledgements Making theatre is usually a collaborative act. To a collaborative artist, writing a dissertation about theatre can feel lonely, unmoored, adrift. But I have had incredible good fortune in researching and writing this work buoyed by my teachers, friends, and family. I am deeply grateful for their support, curiosity, and love. All the scholars who form my committee have provided crucial guidance throughout my coursework and my research. My advisor Charlotte Canning has met my assumptions with challenges, my failings with patience and compassion, and my writing with the insight and rigor of a magnificent scholar, and with the great good humor of a magnificent person. The rest of my committee helped round out the methodological concerns I brought to this project. Paul Bonin-Rodriguez’s perspective on performance practice and the relationships artists have with their governments and communities has been indispensible in my research. -
Bard of Modem Ireland: Perspectives on Voice and Mask Within the Poetry of Brendan Kennelly
ST PATRICK’S COLLEGE, D.C.U / UNIVERSITE SORBONNE NOUVELLE - PARIS 3 (Ecole Doctorale des Etudes Anglophones) Joint Ph.D. / Thèse de doctorat en co-tutelle Irish Studies / Etudes anglophones Sandrine Michelle BRISSET Bard of Modem Ireland: Perspectives on Voice and Mask within the Poetry of Brendan Kennelly La voix et ses masques: approches de la poésie de Brendan Kennedy dans le cadre de la tradition bardique irlandaise VOLUME I / II sous la direction de Mme Noreen DOODY et de M. Carle BONAFOUS-MURAT / under the supervision of Dr. Noreen DOODY and Prof. Carie BONAFOUS-MURAT Examiners / Jury: Prof. Carie BONAFOUS-MURAT (Université Sorbonne Nouvelle- Paris 3), Dr. Brenna CLARKE (St Patrick’s College, D.C.U.), Prof. Anne GOARZIN (Université de Haute Bretagne-Rennes 2), Prof. Declan KIBERD (University College, Dublin). 12 septembre 2008 Declaration I, Sandrine Michelle, hereby certify that this material, which I now submit for assessment on the programme of study leading to the award of Ph.D. is entirely my own work and has not been taken from the work of others save and to the extent that such work has been cited and acknowledged within the text of my work. (Candidate) ID No.: £~3~i O S 'o S ’Q Date: . soOSr Acknowledgements With much gratitude to both my supervisors, Prof. Carle Bonafous-Murat and Dr. Noreen Doody. 1 also wish to acknowledge the help and support of the following people: Terence Brown, Brenna Clarke, Adelaide Cron, Joris Duytschaever, Estelle Feldman, Seamus Hosey, Brendan Kennedy, Catherine Finnegan, Declan Kiberd, Thomas Murtagh, Joseph O’Gorman, Noel O’Grady, Jean-Paul Pittion, Mary Shine Thompson, David Singleton, Julie Ann Stevens, Ian Stecpe, Carl Vogel, Jackie Ward and Barbara Wright. -
Cardinal Ó Fiaich Memorial Library and Archive Preliminary Inventory
CARDINAL Ó FIAICH MEMORIAL LIBRARY AND ARCHIVE PRELIMINARY INVENTORY COMPILED BY RÓISÍN NÍ MHEARA 1998 CONTENTS B 1...................................................................... 1 B 2...................................................................... 1 B 3...................................................................... 5 B 4...................................................................... 5 B 5...................................................................... 7 B 6...................................................................... 7 B 7...................................................................... 10 B 8...................................................................... 11 B 9...................................................................... 12 B 10.................................................................... 12 B 11.................................................................... 14 B 12.................................................................... 15 B 13 A-O............................................................ 16 F C 1.................................................................. 19 F C 2.................................................................. 20 F C 3.................................................................. 24 F C 4.................................................................. 30 N P 1.................................................................. 38 N P 2.................................................................. 39 N P 3................................................................. -
RTÉ Radio Scripts Scripts of Radio Talks and Features in English P260
RTÉ Radio Scripts Scripts of Radio Talks and Features in English P260 Descriptive Catalogue UCD Archives archives @ucd.ie www.ucd.ie/archives T + 353 1 716 7555 F + 353 1 716 1146 © 2013 University College Dublin. All rights reserved ii CONTENTS CONTEXT Administrative History 1. Radió Éireann – Raidió Teilifís Éireann iv 2. Talks/ General Features Office v 3. Scriptwriters’ and Outside Broadcasting Offices v 4. ‘Radio talks’ and ‘radio features’ vi Notes on the writers and on the creation and survival of scripts 1. Writers vii 2. Recording conventions viii 3. Dates and length of broadcasts viii 4. RTÉ document numbers viii 5. Missing scripts viii Archival history ix CONTENT AND STRUCTURE Scope and content ix System of arrangement ix CONDITIONS OF ACCESS AND USE Access xvii Language xvii Finding Aid xvii DESCRIPTION CONTROL Conventions xviii Archivist’s Note xviii ALLIED MATERIALS xviii iii CONTEXT This is a collection of radio talk and feature scripts from Radio Éireann/Raidió Teilifís Éireann (RTÉ), including affiliated materials such as correspondence and research papers. They derive from the Dublin and Cork Studios. In Dublin, the creators were the General Features Office; the Scriptwriters’ Office; Children’s Department; the Music Department. Administrative History 1. Radió Éireann – Raidió Teilifís Éireann On 26 March 1924, a Special Committee on Wireless Broadcasting filed their final report with the government of the Irish Free State, recommending that ‘Broadcasting should be a State service purely’, with its installation and management to be in the hands of the Postal Ministry. ('Wireless Broadcasting Report – final Report of Special Committee', par.6.) The Wireless Telegraphy Act was not passed by the Dáil until November 1926, but in the meantime the ‘Irish Free State Broadcasting Service’ had begun broadcasting on 1 January 1926, as a section of the Department of Posts and Telegraphs. -
Bialiauski AM.Pdf
Белявский, А.М. 3 – три / А.М. Белявский // Крыніцазнаўства і спецыяльныя гістарычныя дысцыпліны: навук. зб. Вып. 9 / рэдкал.: С. М. Ходзін (адк. рэд.) [і інш.]. – Мн.: БДУ, 2014. – с. 212 – 239. А. М. БЕЛЯВСКИЙ 3 — ТРИ В предложении содержится форма его смысла, но не его содержание. Л. Витгенштейн, «Логикофилософский трактат», 3.13 Предлагается интертекстуальный взгляд на некоторые события войны Ирландии за независимость через призму народной традиции и мемуаров участников в контексте эпо са о Кухулине. Автором предпринята попытка исторической репрезентации как главного выразительного средства, что могло бы расширить интерпретационные возможности чи тателя, выйдя за пределы простого чтения. Читателю предлагается отвлечься от обыден ного восприятия исторического нарратива как текста, воспроизводящего реальные собы тия, и увидеть его как цитирующую саму себя традицию фольклорной памяти. The article proposes an intertextual view on some particular events of the Irish War for Independence in folk tradition and the memoirs of its participants in connection with the Cuchulainn epic cycle. The idea is to explore the possibilities of making the form of the historical representation its main expressive remedy which makes it also suitable for contemplating and calculating along with plain reading. The reader is invited to question the common view of historical narrative as the text reconstructing the actual events and to see it rather as a replication of traditional archetypes in folk memory. Ключевые слова: Ирландия, Англия, война за независимость, летучие колонны, «чер нопегие», Солохедбег, Кевин Барри, Долина Ноканьюр, Кухулин, традиция, мучениче ство, эпос, фольклор, память, интертекстуальность, деконструкция. Keywords: Ireland, England, War for Independence, flying columns, Black and Tans, Soloheadbeg, Kevin Barry, the Valley of Knockanure, Cuchulainn, tradition, martyrdom, epic cycle, folk history, memory, intertextuality, deconstrucrtion.