Nicholas Tamagna
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The Music the Music-To-Go Trio Wedding Guide Go Trio Wedding
The MusicMusic----ToToToTo----GoGo Trio Wedding Guide Processionals Trumpet Voluntary.................................................................................Clarke Wedding March.....................................................................................Wagner Jesu, Joy of Man’s Desiring...................................................................... Bach Te Deum Prelude.......................................................................... Charpentier Canon ................................................................................................. Pachelbel Air from Water Music............................................................................. Handel Sleepers Awake.......................................................................................... Bach Sheep May Safely Graze........................................................................... Bach Air on the G String................................................................................... Bach Winter (Largo) from The Four Seasons ..................................................Vivaldi MidMid----CeremonyCeremony Music Meditations, Candle Lightings, Presentations etc. Ave Maria.............................................................................................Schubert Ave Maria...................................................................................Bach-Gounod Arioso......................................................................................................... Bach Meditation from Thaïs ......................................................................Massenet -
Trio Repertoire
String Trio Repertoire We offer a fantastic collection of string trio music. A string trio is ideal for a smaller, more intimate venue and our repertoire ensures you have access to a wide collection of pieces for you and your guests to enjoy and remember. To help you find your favourite music we have placed our pieces into the following order below. Modern Music Classical & Wedding Favourites Opera Handel Italian Concerto Jewish Joplin Celtic Classics Christmas Carols Please also visit our YouTube Channel, The String Quartet Channel. We have over 1015 videos of us performing many of the pieces listed below. Enjoy looking! www.youtube.com/c/TheStringQuartetChannel Modern Music ABBA Slipping Through My Fingers Adele Make You Feel My Love Aerosmith Don't Wanna Miss A Thing Alicia Keys/ Jay Z Empire State Of Mind Aznavour She BBC Planet Earth Theme Hoppipolla Beatles And I love Her Beatles Here Comes The Sun Beatles In My Life Beauty & The Beast Tale As Old As Time Bieber Baby Brian Craig Butterfly Waltz Bruno Mars Marry You Christina Perri A Thousand Years Coldplay Clocks Coldplay Paradise David Gray This Year’s Love Desree Kissing You Ed Sheeran Thinking Out Loud Edward Sharpe & The Magnetic Zeros Home Elbow One Day Like This Etta James At Last Eva Cassidy Fields Of Gold Igiorni Ludovico Einaudi Jason Mraz I'm Yours Jeff Buckley Hallelujah John Legend All Of Me Journey Don’t Stop Believing Kings Of Leon Use Somebody Les Miserables I Dreamed A Dream Love Actually Glasgow Love Theme Mamas & Papas California Dreamin' Nat King Cole When I Fall -
1 Freitag, 18. Dezember 2015 SWR2 Treffpunkt Klassik – Neue Cds
1 Freitag, 18. Dezember 2015 SWR2 Treffpunkt Klassik – Neue CDs: Vorgestellt von Susanne Stähr Die maskierte Violine Antonio Vivaldi: Teatro alla moda Violinkonzerte RV 228, 282, 313, 314a, 316, 322, 323, 372a und 391; Sinfonia „L„Olimpiade”; Ballo primo de “Arsilda Refina di Ponto” Gli Incogniti, Amandine Beyer (Violine und Leitung) HMC 902221 Frau Musicas Himmelschöre Antonio Vivaldi: Geistliche Werke Gloria RV 589; Laetatus sum RV 607; Magnificat RV 610a; Lauda Jerusalem RV 609 Le Concert Spirituel, Hervé Niquet (Leitung) Alpha 222 Du angenehme Nachtigall Birds: Vögel in der Barockmusik Werke von Rameau, Händel, Arne, Vivaldi, Keiser, Couperin u.a. Dorothee Mields (Sopran), Stefan Temmingh (Blockflöte), The Genteman‟s Band, La Folia Barockorchester Deutsche Harmonia Mundi 88875141202 Atemloser Schöngesang Julia Lezhneva: Händel Frühe italienische Werke Julia Lezhneva (Sopran), Il Giardino Armonico, Giovanni Antonini (Leitung) Decca 478 9230 „Gross Wunderding sich bald begab“ A Wondrous Mystery Renaissancemusik zu Weihnachten Werke von Clemens non Papa, Johannes Eccard, Jacobus Gallus, Hans Leo Hassler, Hieronymus Praetorius, Michael Praetorius und Melchior Vulpius Stile Antico HMU 807575 Fürs Gemüt O heilige Nacht Romantische Chormusik zur Weihnachtszeit Werke von Franz Wüllner, Johannes Brahms, August von Othegraven, Gustav Schreck, Carl Loewe, Carl Gottlob Reißiger, Robert Fuchs, Max Bruch, Max Reger und Carl Reinthaler Dresdner Kammerchor, Hans-Christoph Rademann (Leitung) Carus 83.392 Am Mikrophon begrüßt Sie herzlich: Susanne Stähr. Sechsmal werden wir noch wach – doch was gibt es bis dahin nicht noch alles zu erledigen! Festtagseinkäufe, Weihnachtsbäckerei, letzte Geschenke, die besorgt werden wollen … Aber vielleicht können wir Ihnen wenigstens dabei helfen, mit ein paar CD-Empfehlungen nämlich. Sechs neue Platten möchte ich Ihnen gleich vorstellen: passend zur Saison mit viel Barockmusik, mit himmlischen Chören und englischen Stimmen. -
The Return of Handel's Giove in Argo
GEORGE FRIDERIC HANDEL 1685-1759 Giove in Argo Jupiter in Argos Opera in Three Acts Libretto by Antonio Maria Lucchini First performed at the King’s Theatre, London, 1 May 1739 hwv a14 Reconstructed with additional recitatives by John H. Roberts Arete (Giove) Anicio Zorzi Giustiniani tenor Iside Ann Hallenberg mezzo-soprano Erasto (Osiri) Vito Priante bass Diana Theodora Baka mezzo-soprano Calisto Karina Gauvin soprano Licaone Johannes Weisser baritone IL COMPLESSO BAROCCO Alan Curtis direction 2 Ouverture 1 Largo – Allegro (3:30) 1 2 A tempo di Bourrée (1:29) ATTO PRIMO 3 Coro Care selve, date al cor (2:01) 4 Recitativo: Licaone Imbelli Dei! (0:48) 5 Aria: Licaone Affanno tiranno (3:56) 6 Coro Oh quanto bella gloria (3:20) 7 Recitativo: Diana Della gran caccia, o fide (0:45) 8 Aria: Diana Non ingannarmi, cara speranza (7:18) 9 Coro Oh quanto bella gloria (1:12) 10 Aria: Iside Deh! m’aiutate, o Dei (2:34) 11 Recitativo: Iside Fra il silenzio di queste ombrose selve (1:01) 12 Arioso: Iside Vieni, vieni, o de’ viventi (1:08) 13 Recitativo: Arete Iside qui, fra dolce sonno immersa? (0:23) 14 Aria: Arete Deh! v’aprite, o luci belle (3:38) 15 Recitativo: Iside, Arete Olà? Chi mi soccorre? (1:39) 16 Aria: Iside Taci, e spera (3:39) 17 Arioso: Calisto Tutta raccolta ancor (2:03) 18 Recitativo: Calisto, Erasto Abbi, pietoso Cielo (1:52) 19 Aria: Calisto Lascia la spina (2:43) 20 Recitativo: Erasto, Arete Credo che quella bella (1:23) 21 Aria: Arete Semplicetto! a donna credi? (6:11) 22 Recitativo: Erasto Che intesi mai? (0:23) 23 Aria: Erasto -
Bach Vivaldi: Gloria - Caldara: Stabat Mater - Bach: Magnificat Mp3, Flac, Wma
Bach Vivaldi: Gloria - Caldara: Stabat Mater - Bach: Magnificat mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Vivaldi: Gloria - Caldara: Stabat Mater - Bach: Magnificat Country: UK Released: 1992 Style: Classical, Baroque MP3 version RAR size: 1627 mb FLAC version RAR size: 1860 mb WMA version RAR size: 1357 mb Rating: 4.7 Votes: 513 Other Formats: DXD WAV AAC VQF APE WMA MP4 Tracklist Hide Credits Gloria In D Major Rv. 589 Alto Vocals – Alison BrownerComposed By – Antonio VivaldiSoprano Vocals – Lynda Russell 1 Gloria In Excelsis Deo (Chorus) 2:28 2 Et In Terra Pax Hominibus (Chorus) 4:53 3 Laudamus Te (Sopranos I & Ii) 2:12 4 Gratias Agimus Tibi (Chorus) 0:27 5 Propter Magnam Gloriam (Chorus) 0:53 6 Domine Deus (Soprano) 3:31 7 Domine Fili Unigenite (Chorus) 2:10 8 Domine Deus, Agnus Dei (Alto & Chorus) 4:09 9 Qui Tollis Peccata Mundi (Chorus) 1:04 10 Qui Sedes Ad Dexteram (Alto) 2:06 11 Quoniam Tu Solus Sanctus (Chorus) 0:45 12 Cum Sancto Spiritu (Chorus) 2:43 Stabat Mater Alto Vocals – Caroline TrevorComposed By – Antonio Caldara 13 Stabat Mater Dolorosa (Chorus & Soli) 2:35 14 Quis Est Homo, Qui Non Fleret? (Soli) 3:18 15 Sancta Mater (Chorus & Tenor) 2:18 16 Fac Me Tecum Pie Flere (Chorus & Soli) 1:47 17 Virgo Virginum Praeclara (Chorus) 1:28 18 Fac Ut Portem (Alto) 1:17 19 Flammis Ne Urar Succensus (Soprano & Bass) 0:59 20 Christe, Cum Sit Hinc Exire (Chorus) 1:53 21 Fac Ut Animae Donetur (Chorus) 1:29 Magnificat In D Major, BWV 243 Alto Vocals – Alison BrownerSoprano Vocals – Lynda Russell 22 Magnificat Anima Mea (Chorus) 2:52 23 Et Exultavit (Soprano Ii) 2:23 24 Quia Respexit (Soprano I) 2:12 25 Omnes Generationes (Chorus) 1:11 26 Quia Fecit Mihi Magna (Bass) 2:10 27 Et Misericordia (Alto, Tenor) 3:36 28 Fecit Potentiam (Chorus) 1:51 29 Deposuit Potentes (Tenor) 1:59 30 Esurientes (Alto) 2:55 31 Suscepit Israel (Chorus) 2:08 32 Sicut Locutus Est (Chorus) 1:32 33 Gloria (Chorus) 2:20 Companies, etc. -
Teuzzone Vivaldi
TEUZZONE VIVALDI Fitxa / Ficha Vivaldi se’n va a la Xina / 11 41 Vivaldi se va a China Xavier Cester Repartiment / Reparto 12 Teuzzone o les meravelles 57 d’Antonio Vivaldi / Teuzzone o las maravillas Amb el teló abaixat / de Antonio Vivaldi 15 A telón bajado Manuel Forcano 21 Argument / Argumento 68 Cronologia / Cronología 33 English Synopsis 84 Biografies / Biografías x x Temporada 2016/17 Amb el suport del Departament de Cultura de la Generalitat de Catalunyai la Diputació de Barcelona TEUZZONE Òpera en tres actes. Llibret d’Apostolo Zeno. Música d’Antonio Vivaldi Ópera en tres actos. Libreto de Apostolo Zeno. Música de Antonio Vivaldi Estrenes / Estrenos Carnestoltes 1719: Estrena absoluta al Teatro Arciducale de Màntua / Estreno absoluto en el Teatro Arciducale de Mantua Estrena a Espanya / Estreno en España Febrer / Febrero 2017 Torn / Turno Tarifa 24 20.00 h G 8 25 18.00 h F 8 Durada total aproximada 3h 15m Uneix-te a la conversa / Únete a la conversación liceubarcelona.cat #TeuzzoneLiceu facebook.com/liceu @liceu_cat @liceu_opera_barcelona 12 pag. Repartiment / Reparto 13 Teuzzone, fill de l’emperador de Xina Paolo Lopez Teuzzone, hijo del emperador de China Zidiana, jove vídua de Troncone Marta Fumagalli Zidiana, joven viuda de Troncone Zelinda, princesa tàrtara Sonia Prina Zelinda, princesa tártara Sivenio, general del regne Furio Zanasi Sivenio, general del reino Cino, primer ministre Roberta Mameli Cino, primer ministro Egaro, capità de la guàrdia Aurelio Schiavoni Egaro, capitán de la guardia Troncone / Argonte, emperador Carlo Allemano de Xina / príncep tàrtar Troncone / Argonte, emperador de China / príncipe tártaro Direcció musical Jordi Savall Dirección musical Le Concert des Nations Concertino Manfredo Kraemer Sobretítols / Sobretítulos Glòria Nogué, Anabel Alenda 14 pag. -
SANTA FE Santa Fe, New Mexico, Is Unlike Any Place, Anywhere
DISCOVER SANTA FE Santa Fe, New Mexico, is unlike any place, anywhere. Visitors from around the globe fock to Santa Fe for its combination of stunning natural beauty, 300+ days of sunshine, rich cultural and foodie scene, and seemingly endless outdoor activities. But the best LIZ COUGHLAN part of Santa Fe may be the people who live there. ! There’s the well-publicized mix of Native Americans, PHOTO Hispanics, and Anglos, but the city’s professional di- versity is just as broad. Santa Fe is home to artists of many disciplines—scientists, spiritual innovators, athletes, intellectuals . the list goes on and on. Santa Fe attracts people from all over, many of whom have achieved great success and stature in their re- spective and varied felds. And on any given evening at any given restaurant or lecture or musical perform- ance, you’re likely to see a wonderful mix. Gentry Destinations is proud to present this insider’s guide to savoring Santa Fe and its many treasures. BY BRENDA BECK NAGEL PHOTOGRAPHY NAGEL NELSON SIRLIN ! ! San Miguel Mission PHOTO PHOTO GENTRY DESTINATIONS | 57 discover |santa fe ANDRIY BLOKHIN The Cathedral Basilica of St. Francis ! Beautiful autumn colors adorn the of Assisi in downtown Santa Fe. Sangre de Cristo Mountains. PHOTO HEART OF TOWN Founded in 1610, Santa Fe—situated where the Sangre de Cristo Mountains meet the high desert—is part of the fabric of our country’s history, where modern civilization traveling on wagon trails and clanging railways discovered ancient cultures with new ideas and opportunities. It was the final destination of the Santa Fe Trail and the crossroads of the great Camino Real stretching to Mexico City, and as such, Santa Fe became the market capital of the Great American West. -
2017 Season Updates
FOR IMMEDIATE RELEASE 19 JUNE 2017 CONTACT: DANIEL ZILLMANN | DAISY GEOFFREY |[email protected] | 505.986.5908 SANTA FE OPERA ANNOUNCES 2017 SEASON UPDATES DIE FLEDERMAUS JOHANN STRAUSS II NEW PRODUCTION. LAST PERFORMED BY THE COMPANY IN 1992. LUCIA DI LAMMERMOOR GAETANO DONIZETTI NEW PRODUCTION. LAST PERFORMED BY THE COMPANY IN 2001. THE GOLDEN COCKEREL NIKOLAI RIMSKY-KORSAKOV NEW PRODUCTION. CO-PRODUCTION WITH THE DALLAS OPERA. A COMPANY PREMIERE. THE (R)EVOLUTION OF STEVE JOBS MASON BATES, COMPOSER | MARK CAMPBELL, LIBRETTIST A WORLD PREMIERE. COMMISSIONED BY SANTA FE OPERA, SEATTLE OPERA, AND SAN FRANCISCO OPERA WITH SUPPORT FROM CAL PERFORMANCES. CO-PRODUCTION WITH SEATTLE OPERA, SAN FRANCISCO OPERA, AND THE INDIANA UNIVERSITY JACOBS SCHOOL OF MUSIC. ALCINA GEORGE FRIDERIC HANDEL NEW PRODUCTION. A COMPANY PREMIERE. SANTA FE, NM—Santa Fe Opera announces updates to the company’s 61st season. The world premiere production of The (R)evolution of Steve Jobs is now a co-commission with SEATTLE OPERA and SAN FRANCISCO OPERA, with support from CAL PERFORMANCES. It is a co-production with Seattle Opera, San Francisco Opera, and THE INDIANA UNIVERSITY JACOBS SCHOOL OF MUSIC. San Francisco Opera General Director MATTHEW SHILVOCK said, “This is a profoundly moving new opera that I am excited to bring to Northern California audiences. Steve Jobs was an iconic figure in contemporary life whose genius has impacted the very way in which we engage with the world. But he was also a real person and a member of our community. Mason Bates’ new opera is a deeply layered, moving portrayal of a man grappling with the complex priorities of life, family, and work. -
Handel's Silla Triumphs
12 Opera con Brio, LLC June 2015 Opera con Brio Richard B. Beams Handel’s Silla Triumphs Händel-Festspiele Halle, June 2015 If ever there were an opera in Handel’s pantheon of forty-one operas worthy of having its flawed reputation as an inferior and inconsequential work corrected, Lucio Cornelio Silla of 1713 is certainly the one. If ever there were an opera company appropriate to dispel its false reputation, Oper Halle, the resident company in the town of Handel’s birth, is certainly the one. Oper Halle accomplished just that feat with the opening performance of the 2015 Händel-Festspiele Halle on June 5. Oper Halle had presented a concert performance in 1993 (the same year Paris offered the first staged Filippo Mineccia (Silla), Romelia Lichtenstein (Metella) Photo: Anna Kolata production in modern times), and the London Handel Festival had soon followed with a concert performance in A Problematic Early Work 2000 (and the first recording of the opera). However, Oper Halle’s recent compelling production under director In his fine notes to the London Handel Festival Stephen Lawless and the strong and idiomatic musical recording, scholar Anthony Hicks outlines the many ways forces under the direction of Enrico Onofri proved in which Silla is indeed unusual among Handel’s operas. decisively that this opera by Handel is not only These include the absence of information about its surprisingly viable on stage, but also rich with music of composition and performance, the fragmented Handel sheer delight and at times even great emotional depth. autograph and manuscript full scores, and the evident 43 Opera con Brio, LLC June 2015 lack of a complete performance during the period it was A Taut and Compelling Production written (1713-14, between Teseo and Amadigi.) The libretto, he points out, written by Giacomo Rossi, the In Mr. -
The Flute in Handel's Vocal Works
TRAVERSO Volume 14 .:. Num ber 2 Published Quarterly·:· ISSN 1041-7494 .:. Editor: Ardal Powell .:. Publisher: Folkers & Powell, Makers of Historical Flutes from Radamisto, the first opera produced by violin II. The flute has played only six notes The flute in Handel's the new Royal Academy of Music in 1720, in a seven-measure phrase, but its contri vocal works there are direct references to "suffering" and bution to the effect (or even affect) is im "pain:' The flute doubling violin II fills in measurable. [See Example 2 overleaf) David Lasocki rests in the vocal part with two-note figures Another aria ofgriefand despair, the brief suggesting sobbing. In the entire aria the "Morte, vieni, ma in van ti chiamo, oh instrument has only 66 notes, but the effect morte" from Riccardo I (1727), features a ·N HIS VOCAL WORKS-OPERAS, is spellbinding. [See Example 1) In "traversa bassa:' apparently only a flute in C cantatas, oratorios, and other sacred Cleopatra's aria"Pianger6la sorte mia" from rather than the customary D, perhaps em I music-Handel wrote about eighty one of Handel's most critically acclaimed ployed for its special tone color. Lia Levin, arias and other movements that included operas, Giulio Cesare (1724), the flute dou who believes that the instrument was the flute. This treasure trove is largely un bling violin I furnishes a modified echo of pitched in Bb, suggests that it"was employed known to flutists today. I in order to avoid the technical difficulties Handel's opera orchestras LarKO that the tonality of the movement [F mi always included oboists-at :-.:. -
MAST03- Festive Cantatas
the artists programme musical direction & violin soloist Antonio Vivaldi Monica Huggett (1678-1741) oboe trumpet Debra Nagy Kris Kwapis Lætatus Sum rv 607 Concerto for Oboe and Trumpet in D major rv 563 CHORUS ORCHESTRA Debra Nagy oboe soloist soprano violin i Kris Kwapis trumpet soloist Linda Melsted Kathleen Allan 1. Allegro Emily Cheung Christi Meyers Angela Malmberg 2. Grave Arwen Myers 3. Allegro Margaret Obenza violin ii alto Chloe Meyers (principal second) Magnificat rv 610 Danielle Sampson Chloe Kim Jane Long 1. Magnificat Elyssa Lefurgey-Smith 2. Et exultavit Catherine Webster Noémy Gagnon-Lafrenais Quia respexit (Jane Long soprano; Debi Wong alto) tenor viola 3. Et misericordia Liz Hamel Mieka Michaux 4. Fecit potentiam Laura Pudwell Joanna Hood 5. Deposuit potentes Vicki St. Pierre 6. cello Esurientes implevit bass 7. Suscepit Israel Beiliang Zhu Christina Stelmacovich 8. Sicut locutus Marina Hasselberg Laura Beckel Thoreson 9. Gloria Debi Wong violone Natalie Mackie interval chorus master bassoon Vicki St. Pierre Katrina Russell ♭ lute Concerto for Oboe and Violin in B major rv 548 Deborah Fox Debra Nagy oboe soloist violin soloist organ & harpsichord Monica Huggett Christina Hutten 1. Allegro 2. Largo supported by 3. Allegro Bryan & Gail Atkins and 589 Anona Thorne & Takao Tanabe Gloria rv 1. Gloria in excelsis Deo 2. Et in terra pax 3. Laudamus te (Arwen Myers soprano i ; Danielle Sampson soprano ii) 4. Gratias agimus tibi In association with 5. Propter magnam gloriam Chan Endowment Fund at the University of 6. Domine Deus (Arwen Myers soprano) British Columbia 7. Domine, Fili unigenite Pre-concert chat at 6:45 with host Matthew White: 8. -
Emilia: the Music of the Dark Lady at Shakespeare's Globe
Emilia: The Music of the Dark Lady at Shakespeare’s Globe, Remembrance at the Peacock Theatre, 45th Anniversary at Queen Elizabeth Hall and Semele at the Barbican and US tour The English Concert announce 2018-19 season, celebrating th their 45 Anniversary ‘One can’t say enough about the splendors of The English Concert under Bicket’ Broadway World, 2018 The English Concert celebrates its 45th Anniversary year with a star-studded 2018-19 season featuring Brenda Rae, Fflur Wyn, Dorothee Mields, Elizabeth DeShong and Ailish Tynan. Led by Harry Bicket, the season also showcases guest director Kristian Bezuidenhout and the ensemble’s principal musicians. Following critically acclaimed performances of Rinaldo in March 2018, The English Concert and Harry Bicket continue their celebrated annual Handel opera series with Semele, touring throughout the USA, Paris and London next spring. Elsewhere in the season the orchestra explores the cross-pollination of ideas through the music of Mozart and Haydn in a programme entitled ‘The Art of the Arrangement’. Meanwhile in September, they commemorate the 100th anniversary of the end of World War I with the world premiere of Wayne Eagling’s ballet Remembrance set to Handel’s Ode to St Cecilia’s Day. Following their new staging of Messiah, The English Concert continues to pursue powerful new collaborations with cross-artform partners. On 8 July they return to the Sam Wanamaker Playhouse at Shakespeare’s Globe in anticipation of Morgan Lloyd Malcolm’s latest play Emilia. The supposed ‘Dark Lady’ of Shakespeare’s sonnets, Emilia Bassano was Britain’s first published female poet.