DOCSLIB.ORG

Adult Fiction Books

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Adult Fiction Books Adult Fiction Books A Select List of Brown County Library Adult Fiction Books Click on each title below to see the library's catalog record. Then click on the title in the record for details, current availability, or to place a hold. For additional books and items on this theme, ask your librarian or search the library’s online catalog. Contemporary and Historical Fiction: Boyfriend Material by Alexis Hall Boys of Alabama by Genevieve Hudson Call Me By Your Name by Andre Aciman Carol by Patricia Highsmith (originally published as The Price of Salt) The Color Purple by Alice Walker Confessions of the Fox by Jordy Rosenberg Conventionally Yours by Annabeth Albert The End of Eddy by Édouard Louis Freshwater by Akwaeke Emezi Giovanni’s Room by James Baldwin The Hours by Michael Cunningham The Lady’s Guide to Celestial Mechanics by Olivia Waite Less by Andrew Sean Greer Lot by Bryan Washington Maurice by E. M. Forster Maybe the Moon by Armistead Maupin Mostly Dead Things by Kristen Arnett My Lady’s Choosing: An Interactive Romance Novel by Kitty Curran and Larissa Zagerias The Night Listener by Armistead Maupin On Earth We’re Briefly Gorgeous by Ocean Vuong Made by the Brown County Library 7/19 *=First in a series Oranges are Not the Only Fruit by Jeanette Winterson Orlando by Virginia Woolf Patsy by Nicole Dennis-Benn Red at the Bone by Jacqueline Woodson Red, White & Royal Blue by Casey McQuiston Ruby Fruit Jungle by Rita Mae Brown The Seven Husbands of Evelyn Hugo by Taylor Jenkins Reid Something to Talk About by Meryl Wilsner Tack and Jibe by Lilah Suzanne Tales of the City by Armistead Maupin* The Thirty Names of Night by Zeyn Joukhadar This is How It Always Is by Laurie Frankel Tipping the Velvet by Sarah Waters The Well of Loneliness by Radclyffe Hall You Exist Too Much by Zania Arafat Science Fiction/Fantasy/Horror: Autonomous by Annalee Newitz Black Leopard, Red Wolf by Marlon James* The Black Tides of Heaven by JY Neon Yang* The Deep by Rivers Solomon and Daveed Diggs Docile by K. M. Szpara The Empress of Salt and Fortune by Nghi Vo Every Heart a Doorway by Seanan McGuire* Finna by Nino Cipri* Gideon the Ninth by Tamsyn Muir* Her Body and Other Parties by Carmen Maria Machado Her Silhouette Drawn in Water by Vylar Kaftan The House in the Cerulean Sea by T. J. Klune In the Vanishers’ Palace by Aliette de Bodard Karen Memory by Elizabeth Bear Made by the Brown County Library 7/19 *=First in a series The Library of the Unwritten by A. J. Hackwith A Long Way to a Small, Angry Planet by Becky Chambers* A Memory Called Empire by Arkady Martine* Miranda in Milan by Katherine Duckett The Outside by Ada Hoffmann The Perfect Assassin by K. A. Doore* Prey of the Gods by Nicky Drayden Priory of the Orange Tree by Samantha Shannon River of Teeth by Sarah Gailey* The Seep by Chana Porter Silver in the Wood by Emily Tesh* Sisters of the Vast Black by Lina Rather The Song of Achilles by Madeline Miller Sorcerer of the Wildeeps by Kai Ashante Wilson The True Queen by Zen Cho Stealing Thunder by Alina Boyden Swordspoint by Ellen Kushner This is How You Lose the Time War by Amal El-Mohtar and Max Gladstone Transcendent 3: The Year’s Best Transgender Speculative Fiction ed. by Bogi Takács An Unkindness of Ghosts by Rivers Solomon Upright Women Wanted by Sarah Gailey Witchmark by C. J. Polk* Mystery/Thriller/Suspense: The Best Bad Things by Katrina Carrasco Deadline for Murder by Val McDermid Death of Friends by Michael Nava Death Trick by Richard Stevenson* Faint Praise by Ellen Hart* The Last Place You Look by Kristen Lepionka* Magic for Liars by Sarah Gailey (also Fantasy) Made by the Brown County Library 7/19 *=First in a series The Paying Guests by Sarah Waters A Study in Honor by Claire O’Dell (also Science Fiction)* Graphic Novels: Bingo Love by Tee Franklin Bury the Lede by Gaby Dunn Kim and Kim by Magdalene Visaggio Exit Stage Left: the Snagglepuss Chronicles by Mark Russell My Brother’s Husband by Gengoroh Tagame My Favorite Thing is Monsters by Emil Ferris Waves by Ingrid Chabbert What Did You Eat Yesterday? by Fumi Yoshinaga When I Arrived at the Castle by Emily Carroll American Library Association’s GLBT Roundtable’s annual Rainbow Book List: https://glbtrt.ala.org/rainbowbooks/rainbow-books-lists American Library Association’s GLBT Roundtable’s annual Stonewall Award for Youth Books: http://www.ala.org/rt/glbtrt/award/stonewall GLAAD Media Awards: https://www.glaad.org/mediaawards Lambda Literary Awards: https://www.lambdaliterary.org/awards Made by the Brown County Library 7/19 *=First in a series .
Load more

Recommended publications
  • Dining with Anna and Friends
    Dining with Anna and Friends This list of restaurants, bars, delis, and food stores are related in one way or another to The Tales of the City (books and/or films) as well as to The Night Listener. They are grouped by neighborhoods or areas in San Francisco. Some have already been included in existing walking tours. More will be included in future tours. Many establishments – particularly bars and clubs – featured in Armistead Maupin’s books have since closed. The buildings were either vacant or have been converted into other types of businesses altogether (for example, one has been turned into a service for individuals who are homeless) at the time this list was created. For these reasons, those establishments have not been included in this list. As with the rest of the content of the Tours of the Tales website, this list will be periodically updated. If you have updates, please forward them to me. I appreciate your help. NOTE: Please do not consider this list an exhaustive list of eating/drinking establishments in San Francisco. For example, although there are several restaurants listed in “North Beach” below, there are many more excellent places in North Beach in addition to those listed. Also, do not consider this list an endorsement of any place included in the list. The Google map for this list of eating establishments: Dining with Anna and Friends. Aquatic Park/Fisherman’s Wharf/and the Embarcadero The Buena Vista Bar, 2765 Hyde Street (southwest corner of Hyde and Beach; across the street from the Powell-Hyde cable car turntable): Mary Ann Singleton was twenty-five years old when she saw San Francisco for the first time.
    [Show full text]
  • The Queer" Third Species": Tragicomedy in Contemporary
    The Queer “Third Species”: Tragicomedy in Contemporary LGBTQ American Literature and Television A dissertation submitted to the Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department English and Comparative Literature of the College of Arts and Sciences by Lindsey Kurz, B.A., M.A. March 2018 Committee Chair: Dr. Beth Ash Committee Members: Dr. Lisa Hogeland, Dr. Deborah Meem Abstract This dissertation focuses on the recent popularity of the tragicomedy as a genre for representing queer lives in late-twentieth and twenty-first century America. I argue that the tragicomedy allows for a nuanced portrayal of queer identity because it recognizes the systemic and personal “tragedies” faced by LGBTQ people (discrimination, inadequate legal protection, familial exile, the AIDS epidemic, et cetera), but also acknowledges that even in struggle, in real life and in art, there is humor and comedy. I contend that the contemporary tragicomedy works to depart from the dominant late-nineteenth and twentieth-century trope of queer people as either tragic figures (sick, suicidal, self-loathing) or comedic relief characters by showing complex characters that experience both tragedy and comedy and are themselves both serious and humorous. Building off Verna A. Foster’s 2004 book The Name and Nature of Tragicomedy, I argue that contemporary examples of the tragicomedy share generic characteristics with tragicomedies from previous eras (most notably the Renaissance and modern period), but have also evolved in important ways to work for queer authors. The contemporary tragicomedy, as used by queer authors, mixes comedy and tragedy throughout the text but ultimately ends in “comedy” (meaning the characters survive the tragedies in the text and are optimistic for the future).
    [Show full text]
  • Read 2021 Book Lists
    August - Science Fiction & Fantasy - Read 2021 Fiction Fiction Baker.M Borderline Mishell Baker Fiction Cho.Z Sorcerer to the Crown Zen Cho Fiction Ghosh.A The Calcutta Chromosome Amitav Ghosh Fiction Hopki.N The Salt Roads Nalo Hopkinson Fiction Jones.S Mapping the Interior Stephen Graham Jones Fiction Laval.V The Ballad of Black Tom Victor D. LaValle Fiction Moren.S Certain Dark Things Silvia Moreno-Garcia Fiction Moren.S Signal to Noise Silvia Moreno-Garcia Fiction Okri.B The Freedom Artist Ben Okri Fiction Older.D Half-Resurrection Blues Daniel Jose Older Science Fiction Science Fiction Ahmed.S Throne of the Crescent Moon Saladin Ahmed Paperbk Science Fiction Bodar.A Master of the House of Darts Aliette de Bodard Science Fiction Bodar.A The House of Shattered Wings Aliette de Bodard Science Fiction Bodar.A Servant of the Underworld Aliette de Bodard Science Fiction Bodar.A Seven of Infinities Aliette de Bodard Science Fiction Butle.O Kindred Octavia Butler Science Fiction Calle.K Queen of the Conquered Kacen Callender Science Fiction Chakr.S The Kingdom of Copper S.A. Chakraborty Science Fiction Chamb.B The Long Way to a Small, Angry Planet Becky Chambers Science Fiction Cipri.N Finna Nino Cipri Science Fiction Clark.P Ring Shout P. Djeli Clark Science Fiction Danie.A Dreadnought April Daniels Science Fiction Delan.S Babel-17 Samuel R. Delany Science Fiction Edwar.K The Last Sun K.D. Edwards Science Fiction Elmoh.A This is How You Lose the Time War Amal El-Mohtar Science Fiction Gaile.S Magic for Liars Sarah Gailey Science Fiction Gaile.S River of Teeth Sarah Gailey Science Fiction Gratt.T The Queens of Innis Lear Tessa Gratton Science Fiction Hende.A The Year of the Witching Alexis Henderson Science Fiction Hopki.N Midnight Robber Nalo Hopkinson Science Fiction Hossa.S The Gurkha and the Lord of Tuesday Saad Hossain Science Fiction Huang.S Burning Roses S.L.
    [Show full text]
  • Novel to Novel to Film: from Virginia Woolf's Mrs. Dalloway to Michael
    Rogers 1 Archived thesis/research paper/faculty publication from the University of North Carolina at Asheville’s NC DOCKS Institutional Repository: http://libres.uncg.edu/ir/unca/ Novel to Novel to Film: From Virginia Woolf’s Mrs. Dalloway to Michael Cunningham’s and Daldry-Hare’s The Hours Senior Paper Presented in Partial Fulfillment of the Requirements For a Degree Bachelor of Arts with A Major in Literature at The University of North Carolina at Asheville Fall 2015 By Jacob Rogers ____________________ Thesis Director Dr. Kirk Boyle ____________________ Thesis Advisor Dr. Lorena Russell Rogers 2 All the famous novels of the world, with their well known characters, and their famous scenes, only asked, it seemed, to be put on the films. What could be easier and simpler? The cinema fell upon its prey with immense rapacity, and to this moment largely subsists upon the body of its unfortunate victim. But the results are disastrous to both. The alliance is unnatural. Eye and brain are torn asunder ruthlessly as they try vainly to work in couples. (Woolf, “The Movies and Reality”) Although adaptation’s detractors argue that “all the directorial Scheherezades of the world cannot add up to one Dostoevsky, it does seem to be more or less acceptable to adapt Romeo and Juliet into a respected high art form, like an opera or a ballet, but not to make it into a movie. If an adaptation is perceived as ‘lowering’ a story (according to some imagined hierarchy of medium or genre), response is likely to be negative...An adaptation is a derivation that is not derivative—a work that is second without being secondary.
    [Show full text]
  • 'The “I” Inside “Her”': Queer Narration in Sarah Waters's Tipping the Velvet and Wesley Stace's Misfortune
    This article was downloaded by: [Emily Jeremiah] On: 07 August 2012, At: 03:44 Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UK Women: A Cultural Review Publication details, including instructions for authors and subscription information: http://www.tandfonline.com/loi/rwcr20 ‘The “I” inside “her”’: Queer Narration in Sarah Waters's Tipping the Velvet and Wesley Stace's Misfortune Emily Jeremiah Version of record first published: 25 Jun 2008 To cite this article: Emily Jeremiah (2007): ‘The “I” inside “her”’: Queer Narration in Sarah Waters's Tipping the Velvet and Wesley Stace's Misfortune , Women: A Cultural Review, 18:2, 131-144 To link to this article: http://dx.doi.org/10.1080/09574040701400171 PLEASE SCROLL DOWN FOR ARTICLE Full terms and conditions of use: http://www.tandfonline.com/page/terms-and-conditions This article may be used for research, teaching, and private study purposes. Any substantial or systematic reproduction, redistribution, reselling, loan, sub-licensing, systematic supply, or distribution in any form to anyone is expressly forbidden. The publisher does not give any warranty express or implied or make any representation that the contents will be complete or accurate or up to date. The accuracy of any instructions, formulae, and drug doses should be independently verified with primary sources. The publisher shall not be liable for any loss, actions, claims, proceedings, demand, or costs or damages whatsoever or howsoever caused arising directly or indirectly in connection with or arising out of the use of this material.
    [Show full text]
  • Readingblackout Adult Book List Afrofuturism (Science Fiction And
    #ReadingBlackout Adult Book List Afrofuturism (Science Fiction and Fantasy) Lilith’s Brood: Dawn, Adulthood Rites, and Imago by Octavia Butler ● Available through Hoopla and Overdrive. Xenogenesis trilogy. Acacia: The War with the Mein by David Anthony Durham ● Available through Hoopla. First in a trilogy. Brown Girl in the Ring by Nalo Hopkinson The Fifth Season: Every Age Must Come to an End by N.K. Jemisin ● Available on Overdrive. First in a trilogy. Binti by Nnedi Okorafor ● Available on Hoopla and Overdrive. First in a trilogy. Riot Baby by Tochi Onyebuchi The Deep by Rivers Solomon The Sorceror of the Wildeeps by Kai Ashante Wilson ● First in a two book series. Biography and Memoir The Mamba Mentality: How I Play by Kobe Bryant When They Call You a Terrorist by Patrisse Khan-Cullers & Asha Bandele Narrative of the Life of Frederick Douglass by Frederick Douglass Barracoon: The Story of the Last “Black Cargo” by Zora Neale Hurston ● Available through Hoopla. This Will Be My Undoing: Living at the Intersection of Black, Female, and Feminist in (White) America by Morgan Jerkins ● Available through Hoopla My Life, My Love, My Legacy by Coretta Scott King Heavy: A Memoir by Kiese Laymon Unbowed by Wangari Maathai The Other Wes Moore: One Name, Two Fates by Wes Moore ● Available through Overdrive Born a Crime by Trevor Noah A Promised Land by Barack Obama Becoming by Michelle Obama ● Available through Overdrive Notes from a Young Black Chef: A Memoir by Kwame Onwuachi Hidden Figures: The American Dream and the Untold Story of the Black Women Mathematicians Who Helped Win the Space Race by Margot Lee Shetterly Memorial Drive: A Daughter’s Memoir by Natasha D.
    [Show full text]
  • An Exploration of Afro-Southern Speculative Fiction
    University of Mississippi eGrove Electronic Theses and Dissertations Graduate School 1-1-2020 Post-Soul Speculation: An Exploration Of Afro-Southern Speculative Fiction Hilary Word Follow this and additional works at: https://egrove.olemiss.edu/etd Recommended Citation Word, Hilary, "Post-Soul Speculation: An Exploration Of Afro-Southern Speculative Fiction" (2020). Electronic Theses and Dissertations. 1817. https://egrove.olemiss.edu/etd/1817 This Thesis is brought to you for free and open access by the Graduate School at eGrove. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of eGrove. For more information, please contact [email protected]. POST-SOUL SPECULATION: AN EXPLORATION OF AFRO-SOUTHERN SPECULATIVE FICTION A Thesis Presented in partial fulfillment of requirements for the degree of Master of Arts in the Department of Southern Studies The University of Mississippi by HILARY M. WORD May 2020 Copyright © Hilary M. Word 2020 ALL RIGHTS RESERVED. ABSTRACT This thesis is an examination of female authored, post-soul, Afro-Southern speculative fiction. The specific texts being examined are My Soul to Keep by Tananarive Due, Stigmata by Phyllis Alesia Perry, and Sing, Unburied, Sing by Jesmyn Ward. Through exploration of these texts, I posit two large arguments. First, I posit that this thesis as a collective work illustrates how women-authored Afro-Southern speculative fiction based in the post-soul era embodies and champions womanist politics and praxis critical for liberation through speculative elements. Second, I assert that this thesis is demonstrative of how this particular type of fiction showcases the importance of specificity of setting and reflects other, often erased facets of African American identity and realities by centering the experiences of contemporary Black Southerners.
    [Show full text]
  • Creative Writing (Iowa Writers' Workshop) 1
    Creative Writing (Iowa Writers' Workshop) 1 Creative Writing (Iowa Writers' Workshop) Director • Lan Samantha Chang Graduate degree: M.F.A. in English Faculty: https://writersworkshop.uiowa.edu/people Website: https://writersworkshop.uiowa.edu/ The Creative Writing Program (Iowa Writers' Workshop) is a world-renowned graduate program for fiction writers and poets. Founded in 1936, it was the first creative writing program in the United States to offer a degree, and it became a model for many contemporary writing programs. In addition to its Master of Fine Arts program, it also offers writing courses for undergraduates. The Iowa Writers' Workshop has been home to thousands of remarkable writers, including Flannery O'Connor, Raymond Carver, Rita Dove, John Irving, James Alan McPherson, Philip Levine, Jane Smiley, Michael Cunningham, Sandra Cisneros, Denis Johnson, Jorie Graham, Ann Patchett, D.A. Powell, Nathan Englander, Yiyun Li, Eleanor Catton, Angela Flournoy, Garth Greenwell, Yaa Gyasi, and Jamel Brinkley. The program's faculty and alumni include winners of virtually every major literary award, including seventeen winners of the Pulitzer Prize (most recently Paul Harding in 2010), six recent U.S. Poets Laureate, and numerous winners of the National Book Award, MacArthur Foundation Fellowships, and other major honors. In 2003, the Iowa Writers' Workshop received a National Humanities Medal from the National Endowment for the Humanities—the first awarded to a university and only the second given to an institution rather than an individual. The Creative Writing Program offers courses for students from other programs of study; summer courses are open to undergraduate and graduate students. To learn more about the Creative Writing Program's history and faculty, visit the Iowa Writers' Workshop website..
    [Show full text]
  • SARAH WATERS's TIPPING the VELVET* María Isabel Romero Ruiz
    PROSTITUTION, IDENTITY AND THE NEO-VICTORIAN: SARAH WATERS’S TIPPING THE VELVET* María Isabel Romero Ruiz Universidad de Málaga Abstract Sarah Waters’s Neo-Victorian novel Tipping the Velvet (1998) is set in the last decades of the nineteenth century and its two lesbian protagonists are given voice as the marginalised and “the other.” Judith Butler’s notion of gender performance is taken to its extremes in a story where male prostitution is exerted by a lesbian woman who behaves and dresses like a man. Therefore, drawing from Butler’s theories on gender performance and Elisabeth Grosz’s idea about bodily inscriptions, this article will address Victorian and contemporary discourses connected with the notions of identity and agency as the result of sexual violence and gender abuse. Keywords: violence, prostitution, Tipping the Velvet, bodily inscriptions, performance, Judith Butler, Elisabeth Grosz. Resumen La novela neo-victoriana de Sarah Waters Tipping the Velvet (1998) está situada en las últi- mas décadas del siglo xix y sus dos protagonistas lesbianas reciben voz como marginadas y «las otras». La noción de performatividad de género de Judith Butler es llevada hasta los 187 extremos en una historia donde la prostitución masculina es ejercida por una mujer lesbiana que se comporta y se viste como un hombre. Por tanto, utilizando las teorías de Butler sobre la performatividad del género y la idea de Elisabeth Grosz sobre inscripciones corpóreas, este artículo tratará de acercarse a discursos victorianos y contemporáneos relacionados con las nociones de identidad y agencialidad como resultado de la violencia sexual y el abuso de género.
    [Show full text]
  • Addition to Summer Letter
    May 2020 Dear Student, You are enrolled in Advanced Placement English Literature and Composition for the coming school year. Bowling Green High School has offered this course since 1983. I thought that I would tell you a little bit about the course and what will be expected of you. Please share this letter with your parents or guardians. A.P. Literature and Composition is a year-long class that is taught on a college freshman level. This means that we will read college level texts—often from college anthologies—and we will deal with other materials generally taught in college. You should be advised that some of these texts are sophisticated and contain mature themes and/or advanced levels of difficulty. In this class we will concentrate on refining reading, writing, and critical analysis skills, as well as personal reactions to literature. A.P. Literature is not a survey course or a history of literature course so instead of studying English and world literature chronologically, we will be studying a mix of classic and contemporary pieces of fiction from all eras and from diverse cultures. This gives us an opportunity to develop more than a superficial understanding of literary works and their ideas. Writing is at the heart of this A.P. course, so you will write often in journals, in both personal and researched essays, and in creative responses. You will need to revise your writing. I have found that even good students—like you—need to refine, mature, and improve their writing skills. You will have to work diligently at revising major essays.
    [Show full text]
  • The Portrayal of Women in Michael Cunningham's the Hours By
    Citra Dewi Saraswati Being Cunningham’s Women: The Portrayal of Women in Michael Cunningham’s The Hours Being Cunningham’s Women: The Portrayal of Women in Michael Cunningham’s The Hours by: Citra Dewi Saraswati English Language and Literature Universitas Pendidikan Indonesia [email protected] ABSTRACT This present study entitled Being Cunningham’s Women: The Portrayal of Women in Michael Cunningham’s The Hours is aimed to unearth the way in which Michael Cunningham, as a male author, portrays women in the novel The Hours. This study employs qualitative descriptive method coupled with textual analysis approach. It can be seen from the portrayal of women as the ones who are unconfident and exhausted in domestic sphere yet powerful enough to make their own decision to liberate themselves from the exhaustion caused by their life. In other words, Cunningham subverts Gubar’s (1980, cited in Lange, 2008) notion that male authors perceive women as “blank page.” With the benefit of stream of consciousness method, Cunningham has successfully portrayed women’s experience and their situation accurately while, at the same time, diffusing liberal feminism value in his work. Keywords: Feminism, Liberal Feminism, Portrayal, Stream of Consciousness 69 Passage2014,2(2), 69-81 INTRODUCTION conducted by Roger (1996), Miner Most portrayal of life from female (1997), and Ruunaniemi (2001). point of view in literature is written Roger (1996) conducted an analysis by women authors (Lange, 2008, p. of how women are portrayed in Ian 1). However, male authors too have McEwan’s fictions. From her study, written fictions about women and it is concluded that, in some of some of them ‘have attempted to see McEwan’s fictions, women are life from a woman’s perspective’ portrayed in a way that ‘encapsulates (ibid.).
    [Show full text]
  • Short Stories in the Classroom. INSTITUTION National Council of Teachers of English, Urbana, IL
    DOCUMENT RESUME ED 430 231 CS 216 694 AUTHOR Hamilton, Carole L., Ed.; Kratzke, Peter, Ed. TITLE Short Stories in the Classroom. INSTITUTION National Council of Teachers of English, Urbana, IL. ISBN ISBN-0-8141-0399-5 PUB DATE 1999-00-00 NOTE 219p. AVAILABLE FROM National Council of Teachers of English, 1111 W. Kenyon Road, Urbana, IL 61801-1096 (Stock No. 03995-0015: $16.95 members, $22.95 nonmembers). PUB TYPE Books (010) Guides Classroom Teacher (052) EDRS PRICE MF01/PC09 Plus Postage. DESCRIPTORS Class Activities; *English Instruction; Literature Appreciation; *Reader Text Relationship; Secondary Education; *Short Stories IDENTIFIERS *Response to Literature ABSTRACT Examining how teachers help students respond to short fiction, this book presents 25 essays that look closely at "teachable" short stories by a diverse group of classic and contemporary writers. The approaches shared by the contributors move from readers' first personal connections to a story, through a growing facility with the structure of stories and the perception of their varied cultural contexts, to a refined and discriminating sense of taste in short fiction. After a foreword ("What Is a Short Story and How Do We Teach It?"), essays in the book are: (1) "Shared Weight: Tim O'Brien's 'The Things They Carried'" (Susanne Rubenstein); (2) "Being People Together: Toni Cade Bambara's 'Raymond's Run'" (Janet Ellen Kaufman); (3) "Destruct to Instruct: 'Teaching' Graham Greene's 'The Destructors'" (Sara R. Joranko); (4) "Zora Neale Hurston's 'How It Feels to Be Colored Me': A Writing and Self-Discovery Process" (Judy L. Isaksen); (5) "Forcing Readers to Read Carefully: William Carlos Williams's 'The Use of Force'" (Charles E.
    [Show full text]