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El Caso De Albert Speer a Reading of the Interes- Ted Links Between Architecture and Power from the Semiotics: Albert Speer´S Case Carlos Miguel Iglesias Sanz
rita_11 | mayo 2019 ISSN: 2340-9711 e-ISSN 2386-7027 11 | Una lectura de los vínculos interesados entre arquitectura y poder desde la Semiótica: El caso de Albert Speer A reading of the interes- ted links between architecture and power from the Semiotics: Albert Speer´s case_Carlos Miguel Iglesias Sanz De Imhotep a Speer Resumen pág 15 | Bibliografía pág 23 Cuatro hombres contemplan de pie un dibujo sobre un tablero horizontal. Dos de ellos dominan Universidad San Pablo CEU. la escena; uno de ellos habla, al parecer dando explicaciones sobre lo que contemplan, al más Doctor arquitecto por la Universidad Politécnica de Madrid y profesor co- próximo. Los cuatro visten con corrección burguesa trajes elegantes en un ambiente sereno y laborador en la Escuela Politécnica sosegado próximos a un gran ventanal que mira a un jardín. Es el año 1938; nos encontramos Superior, EPS, San Pablo CEU, en el en el estudio berlinés de la persona que está hablando, el joven arquitecto alemán de 33 años, aérea de Proyectos Arquitectónicos y Albert Speer. El hombre que está a su lado es Adolf Hitler, Führer del Tercer Reich Alemán, Proyecto Fin de Carrera, desde el año 1990. Compagina su actividad profe- el hombre más poderoso entonces en el mundo. El dibujo sobre la mesa es el alzado del sional con la investigación (procedi- Volkshalle –Sala del Pueblo–, que podía albergar concentraciones de 150.000 personas y que mientos de creatividad y estrategias de estaría rematado por una cúpula de 240 metros de altura, la coronación colosal del eje Norte- docencia). Miembro principal del Gru- Sur de Welthauptsdat –Germania–, la capital del mundo, que Hitler desea construir para su po de Investigación Rebirth_Inhabit, donde ha desarrollado la Patente sobre régimen milenario nazi. -
Speer: an Artist Or a Monster?
Constructing the Past Volume 7 Issue 1 Article 14 2006 Speer: An Artist or a Monster? Emily K. Ergang Illinois Wesleyan University Follow this and additional works at: https://digitalcommons.iwu.edu/constructing Recommended Citation Ergang, Emily K. (2006) "Speer: An Artist or a Monster?," Constructing the Past: Vol. 7 : Iss. 1 , Article 14. Available at: https://digitalcommons.iwu.edu/constructing/vol7/iss1/14 This Article is protected by copyright and/or related rights. It has been brought to you by Digital Commons @ IWU with permission from the rights-holder(s). You are free to use this material in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This material has been accepted for inclusion by editorial board of the Undergraduate Economic Review and the Economics Department at Illinois Wesleyan University. For more information, please contact [email protected]. ©Copyright is owned by the author of this document. Speer: An Artist or a Monster? Abstract This article discusses the life of Albert Speer, who was hired as an architect by Hitler. It describes him as being someone who worked for a career and ignored the political implications of who he was working for. This article is available in Constructing the Past: https://digitalcommons.iwu.edu/constructing/vol7/iss1/14 Constructing the Past Speer: An Artist or a Monster? Emily Kay Ergang The regime of Adolf Hitler and his Nazi party produced a number of complex and controversial. -
Hitler's Germania: Propaganda Writ in Stone
Bard College Bard Digital Commons Senior Projects Spring 2017 Bard Undergraduate Senior Projects Spring 2017 Hitler's Germania: Propaganda Writ in Stone Aaron Mumford Boehlert Bard College, [email protected] Follow this and additional works at: https://digitalcommons.bard.edu/senproj_s2017 Part of the Architectural History and Criticism Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Boehlert, Aaron Mumford, "Hitler's Germania: Propaganda Writ in Stone" (2017). Senior Projects Spring 2017. 136. https://digitalcommons.bard.edu/senproj_s2017/136 This Open Access work is protected by copyright and/or related rights. It has been provided to you by Bard College's Stevenson Library with permission from the rights-holder(s). You are free to use this work in any way that is permitted by the copyright and related rights. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. Hitler’s Germania: Propaganda Writ in Stone Senior Project submitted to the Division of Arts of Bard College By Aaron Boehlert Annandale-on-Hudson, NY 2017 A. Boehlert 2 Acknowledgments This project would not have been possible without the infinite patience, support, and guidance of my advisor, Olga Touloumi, truly a force to be reckoned with in the best possible way. We’ve had laughs, fights, and some of the most incredible moments of collaboration, and I can’t imagine having spent this year working with anyone else. -
American Intelligence and the Question of Hitler's Death
American Intelligence and the Question of Hitler’s Death Undergraduate Research Thesis Presented in partial fulfillment of the requirements for graduation with honors research distinction in History in the Undergraduate colleges of The Ohio State University by Kelsey Mullen The Ohio State University November 2014 Project Advisor: Professor Alice Conklin, Department of History Project Mentor: Doctoral Candidate Sarah K. Douglas, Department of History American Intelligence and the Question of Hitler’s Death 2 Introduction The fall of Berlin marked the end of the European theatre of the Second World War. The Red Army ravaged the city and laid much of it to waste in the early days of May 1945. A large portion of Hitler’s inner circle, including the Führer himself, had been holed up in the Führerbunker underneath the old Reich Chancellery garden since January of 1945. Many top Nazi Party officials fled or attempted to flee the city ruins in the final moments before their destruction at the Russians’ hands. When the dust settled, the German army’s capitulation was complete. There were many unanswered questions for the Allies of World War II following the Nazi surrender. Invading Russian troops, despite recovering Hitler’s body, failed to disclose this fact to their Allies when the battle ended. In September of 1945, Dick White, the head of counter intelligence in the British zone of occupation, assigned a young scholar named Hugh Trevor- Roper to conduct an investigation into Hitler’s last days in order to refute the idea the Russians promoted and perpetuated that the Führer had escaped.1 Major Trevor-Roper began his investigation on September 18, 1945 and presented his conclusions to the international press on November 1, 1945. -
Hans Kammler, Hitler's Last Hope, in American Hands
WORKING PAPER 91 Hans Kammler, Hitler’s Last Hope, in American Hands By Frank Döbert and Rainer Karlsch, August 2019 THE COLD WAR INTERNATIONAL HISTORY PROJECT WORKING PAPER SERIES Christian F. Ostermann and Charles Kraus, Series Editors This paper is one of a series of Working Papers published by the Cold War International History Project of the Woodrow Wilson International Center for Scholars in Washington, D.C. Established in 1991 by a grant from the John D. and Catherine T. MacArthur Foundation, the Cold War International History Project (CWIHP) disseminates new information and perspectives on the history of the Cold War as it emerges from previously inaccessible sources from all sides of the post-World War II superpower rivalry. Among the activities undertaken by the Project to promote this aim are the Wilson Center's Digital Archive; a periodic Bulletin and other publications to disseminate new findings, views, and activities pertaining to Cold War history; a fellowship program for historians to conduct archival research and study Cold War history in the United States; and international scholarly meetings, conferences, and seminars. The CWIHP Working Paper series provides a speedy publication outlet for researchers who have gained access to newly-available archives and sources related to Cold War history and would like to share their results and analysis with a broad audience of academics, journalists, policymakers, and students. CWIHP especially welcomes submissions which use archival sources from outside of the United States; offer novel interpretations of well-known episodes in Cold War history; explore understudied events, issues, and personalities important to the Cold War; or improve understanding of the Cold War’s legacies and political relevance in the present day. -
Jürgen Habermas and the Third Reich Max Schiller Claremont Mckenna College
Claremont Colleges Scholarship @ Claremont CMC Senior Theses CMC Student Scholarship 2012 Jürgen Habermas and the Third Reich Max Schiller Claremont McKenna College Recommended Citation Schiller, Max, "Jürgen Habermas and the Third Reich" (2012). CMC Senior Theses. Paper 358. http://scholarship.claremont.edu/cmc_theses/358 This Open Access Senior Thesis is brought to you by Scholarship@Claremont. It has been accepted for inclusion in this collection by an authorized administrator. For more information, please contact [email protected]. Introduction The formation and subsequent actions of the Nazi government left a devastating and indelible impact on Europe and the world. In the midst of general technological and social progress that has occurred in Europe since the Enlightenment, the Nazis represent one of the greatest social regressions that has occurred in the modern world. Despite the development of a generally more humanitarian and socially progressive conditions in the western world over the past several hundred years, the Nazis instigated one of the most diabolic and genocidal programs known to man. And they did so using modern technologies in an expression of what historian Jeffrey Herf calls “reactionary modernism.” The idea, according to Herf is that, “Before and after the Nazi seizure of power, an important current within conservative and subsequently Nazi ideology was a reconciliation between the antimodernist, romantic, and irrantionalist ideas present in German nationalism and the most obvious manifestation of means ...modern technology.” 1 Nazi crimes were so extreme and barbaric precisely because they incorporated modern technologies into a process that violated modern ethical standards. Nazi crimes in the context of contemporary notions of ethics are almost inconceivable. -
Albert Speer
Albert Speer Eine deutsche Karriere Bearbeitet von Von: Magnus Brechtken 1. Auflage 2018. Buch. 912 S. Softcover ISBN 978 3 570 55380 0 Format (B x L): 13.6 x 21.3 cm Gewicht: 834 g Weitere Fachgebiete > Geschichte > Geschichtswissenschaft Allgemein > Biographien & Autobiographien: Historisch, Politisch, Militärisch schnell und portofrei erhältlich bei Die Online-Fachbuchhandlung beck-shop.de ist spezialisiert auf Fachbücher, insbesondere Recht, Steuern und Wirtschaft. Im Sortiment finden Sie alle Medien (Bücher, Zeitschriften, CDs, eBooks, etc.) aller Verlage. Ergänzt wird das Programm durch Services wie Neuerscheinungsdienst oder Zusammenstellungen von Büchern zu Sonderpreisen. Der Shop führt mehr als 8 Millionen Produkte. 333232 555380_Brechtken5380_Brechtken Albert_Speer_Titelei_CS4.inddAlbert_Speer_Titelei_CS4.indd 1 330.08.180.08.18 16:3016:30 333232 555380_Brechtken5380_Brechtken Albert_Speer_Titelei_CS4.inddAlbert_Speer_Titelei_CS4.indd 2 330.08.180.08.18 16:3016:30 MAGNUS BRECHTKEN ALBERT SPEER EINE DEUTSCHE KARRIERE Pantheon 333232 555380_Brechtken5380_Brechtken Albert_Speer_Titelei_CS4.inddAlbert_Speer_Titelei_CS4.indd 3 330.08.180.08.18 16:3016:30 Sollte diese Publikation Links auf Webseiten Dritter enthalten, so übernehmen wir für deren Inhalte keine Haft ung, da wir uns diese nicht zu eigen machen, sondern lediglich auf deren Stand zum Zeitpunkt der Erstveröff entlichung verweisen. Verlagsgruppe Random House FSC® N001967 Erste Aufl age Pantheon-Ausgabe Oktober 2018 © 2017 by Siedler Verlag, München, in der Verlagsgruppe Random House GmbH, Neumarkter Straße 28, 81673 München Umschlaggestaltung: Büro Jorge Schmidt, München, unter Verwendung eines Entwurfs von Rothfos & Gabler, Hamburg Umschlagmotiv: Süddeutsche Zeitung Photo Lektorat und Satz: Uhl + Massopust, Aalen Druck und Bindung: CPI books GmbH, Leck Printed in Germany ISBN 978-3-570-55380-0 www.pantheon-verlag.de Dieses Buch ist auch als E-Book erhältlich. -
Collective, Militaria and Toys Auction, 4/09/2019 10:00 AM
Collective, Militaria and Toys Auction, 4/09/2019 10:00 AM 1 A collection of pictures to include a metal plaque 18 Rebecca Elliott, 'Infant with Jars', signed, mixed of R M S Queen Mary, three watercolours by media, 9.5 x 7cm, together with an etching titled John Bellis, a watercolour by G Butterworth, a 'Tidal' by D. Mace, a monotype by J. Scott, an print on stainless steel of Lichfield Cathedral abstract by Julian Ruddock and other assorted and a pastoral scene and a watercolour by W E works by different hands £70-100 Dean. 19 Roy Amiss, 'Surreal Forms', watercolour over 2 G W Birks, Satanic Mills, limited edition print, 14 pen and ink, signed and dated 1991, 16 x 25cm x 46cm (SH) 20 Contiental schhol, 20th century, Italinate 3 British school, 20th century, RAMC officer, landscape, indistinctly signed, oil on canvas, 64 dated '08, watercolour x 78cm £120-180 4 Manner of James Stark, Farm labourers beside 21 British school, 20th century, Still life of dead a fire, oil on panel, 38 x 31cm £600-800 game and a hare, oil on board, 92 x 153cm 5 E.B. Gresley, signed lower right, 1899, Dead 22 Ellen Eadie (early 20th century), Still life with Game, oil on canvas, 57.5 x 44.5cm apples and grapes, signed lower right, oil on 6 S L Bagley (British school, 19th century), Study canvas, 29 x 50cm of dead game, signed lower right, dated 1871, 23 Continental school, early 20th century, Winter oil on canvas, 76.5 x 62cm landscape, indistinctly signed, oil on canvas, 48 7 After Renoir, British 20th century, Nude, x 58cm Lithograph, inscribed on reverse "L' Album des 24 British school, 19th century, Dead Game, oil on Douze Lithographies Originales de Pierre canvas, 60 x 44cm Auguste Renoir 1919". -
Cr^Ltxj
THE NAZI BLOOD PURGE OF 1934 APPRCWBD": \r H M^jor Professor 7 lOLi Minor Professor •n p-Kairman of the DeparCTieflat. of History / cr^LtxJ~<2^ Dean oiTKe Graduate School IV Burkholder, Vaughn, The Nazi Blood Purge of 1934. Master of Arts, History, August, 1972, 147 pp., appendix, bibliography, 160 titles. This thesis deals with the problem of determining the reasons behind the purge conducted by various high officials in the Nazi regime on June 30-July 2, 1934. Adolf Hitler, Hermann Goring, SS leader Heinrich Himmler, and others used the purge to eliminate a sizable and influential segment of the SA leadership, under the pretext that this group was planning a coup against the Hitler regime. Also eliminated during the purge were sundry political opponents and personal rivals. Therefore, to explain Hitler's actions, one must determine whether or not there was a planned putsch against him at that time. Although party and official government documents relating to the purge were ordered destroyed by Hermann GcTring, certain materials in this category were used. Especially helpful were the Nuremberg trial records; Documents on British Foreign Policy, 1919-1939; Documents on German Foreign Policy, 1918-1945; and Foreign Relations of the United States, Diplomatic Papers, 1934. Also, first-hand accounts, contem- porary reports and essays, and analytical reports of a /1J-14 secondary nature were used in researching this topic. Many memoirs, written by people in a position to observe these events, were used as well as the reports of the American, British, and French ambassadors in the German capital. -
Sie Kamen Aus Dem „Stahlhelm“ Frühe Kampfgenossen Hitlers, Die Früh in Den Widerstand Gingen
Sie kamen aus dem „Stahlhelm“ Frühe Kampfgenossen Hitlers, die früh in den Widerstand gingen Ekkehard Klausa Kürzlich beschloss die Stadt Neuss, eine Straße nach ihrem ehemaligen Landrat Fer- dinand von Lüninck zu benennen, der 1944 als Widerstandskämpfer in Berlin- Plötzensee hingerichtet wurde. Die Fraktion „Die Linke“ im Stadtrat protestierte: Lüninck habe in der Weimarer Republik gegen die parlamentarische Demokratie, gegen das gleiche Wahlrecht sowie gegen Juden und Liberale gehetzt. Als vom NS- Regime eingesetzter Oberpräsident von Westfalen habe er sich an der Unterdrückung Andersdenkender beteiligt. Das ist wohl wahr. Lüninck war ein prominentes Mitglied des rechtsextremen „Stahlhelm, Bund der Frontsoldaten“. Vier Jahre lang war er Landesführer in Westfa- len und Mitglied des Bundesvorstandes. Er war nicht der einzige Stahlhelmer, der am Ende Widerstand gegen die Gewaltherrschaft leistete und sein Leben verlor. Die so gegensätzliche Verbindung Stahlhelm und Widerstand ist weder Zufall noch Einzel- fall, sondern der nationalkonservative Widerstand stammte weitgehend aus dem mili- taristischen, radikal antidemokratischen, antiliberalen, antimarxistischen sowieso und auch antisemitischen Milieu. Der kompromisslose Kampf gegen das Weimarer „Sys- tem“ der „Novemberverbrecher“ war das Panier, und in diesem Kampf waren die späteren Widerständler aus dem Stahlhelm sehr viel erfolgreicher als im Widerstand. Wir wollen uns mit der Frage beschäftigen, wann sich ihre Wege von denen des NS-Regimes trennten, wann sie das Unheil erkannten und welche Konsequenzen sie daraus gezogen haben. Das Interesse an dieser Frage ist ein doppeltes: Zum einen hat jeder Widerstandskämpfer als Individuum ein gedenkendes Interesse verdient. Zum anderen mag ein Vergleich der Lebenswege der Stahlhelmer im Widerstand typische mentale Strukturen des nationalkonservativen Widerstands sichtbar machen, sozusa- gen eine ideologische Krankheitsgeschichte und ihre Therapiechancen. -
Retallick (Page 1)
1 Architecture about Architecture/ The wisdom to know the difference? Peter Retallick Key Words: Ethics, Psychology, Philosophy, Third Reich Abstract of the paper In this paper I examine whether “design wisdom” is a prerequisite for self-fulfillment or self-actualization. I refer to various philosophers and I look at the life of Albert Speer. He was an architect in the Third Reich and had a close relationship with Hitler. A combination of flawed personalities made these two a team. Speer brought his design skills to work for National Socialism and in so doing gave them a sort of imprimatur or cachet. There is a brief description of Speer’s journey into the centre of power and the result for him was a twenty-year jail sentence. My thesis is that Speer’s involvement in this is archetypal and lessons can be learned from his experience. He was not a thug, mediocre or incompetent. Submission Part 1 Wisdom is sometimes defined as a wise outlook, plan or course of action, common sense and good judgement. It follows that design wisdom has some functional component connected with the act of designing. In all of these things responsibility is an implicit component. For design practice it could include such a wide range of issues and permutations that a personal design manifesto is endless. The designer is constantly coming into contact with new situations and people, and he or she needs to find a path that satisfies creative desires as well as providing a degree of accountability. Peter Singer offers a definition that I believe is helpful because it brings a plethora of ideas down to something concrete. -
Krebs, Tschacher, Speer Und Er
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Open Repository and Bibliography - Luxembourg THIS IS A POST-PRINT VERSION OF THE ARTICLE WHICH HAS NOW BEEN PUBLISHED CITATION: Krebs, S. & Tschacher, W. (2007). Speer und Er. Und Wir? Deutsche Geschichte in gebrochener Erinnerung. Geschichte in Wissenschaft und Unterricht 58, 3, 163–173. Stefan Krebs/Werner Tschacher Speer und Er. Und Wir? Deutsche Geschichte in gebrochener Erinnerung Am 6. Oktober 1943 fand im Goldenen Saal des Posener Schlosses eine vom Sekretär des Führers und Leiter der Parteikanzlei Martin Bormann einberufene Tagung der Reichs- und Gauleiter statt. Bei der Zusammenkunft wurden diese von Führungspersönlichkeiten aus Militär und Wirtschaft, darunter der Oberbefehlshaber der Kriegsmarine Karl Dönitz, der Generalinspekteur der Luftwaffe Erhard Milch und der Reichsminister für Bewaffnung und Munition Albert Speer sowie sein enger Mitarbeiter, der Stahlindustrielle Walter Rohland, über die ernste militärische und wirtschaftliche Lage des „Dritten Reiches“ im fünften Kriegsjahr unterrichtet. 1 Am späten Nachmittag hielt dann auch Reichsführer-SS Heinrich Himmler eine eineinhalbstündige Rede. In dieser setzte Himmler die Tagungsteilnehmer in brutaler Offenheit vom Völkermord an den europäischen Juden in Kenntnis. So führte er u.a. aus: „Der Satz »Die Juden müssen ausgerottet werden« mit seinen wenigen Worten, meine Herren, ist leicht ausgesprochen. Für den, der durchführen muß, was er fordert, ist es das Allerhärteste und Schwerste, was es gibt.“ Weiter teilte er mit: „Es trat an uns die Frage heran: Wie ist es mit den Frauen und Kindern? – Ich habe mich entschlossen, auch hier eine ganz klare Lösung zu finden.