Kenny Burrell Free Download

Total Page:16

File Type:pdf, Size:1020Kb

Kenny Burrell Free Download KENNY BURRELL FREE DOWNLOAD Wolf Marshall | 122 pages | 04 Jan 2010 | Hal Leonard Corporation | 9780634074431 | English | Milwaukee, United States 159 fotos e imágenes de Kenny Burrell Then, in Kenny Burrell, Burrell and Flanagan moved to New York City and immediately became two of the most sought-after sidemen in town, performing on gigs with such luminaries as singers Tony Bennett and Lena Kenny Burrell, playing in Broadway pit orchestras, as well as recording with an array of Kenny Burrell musicians including Coltrane, trumpeter Kenny Dorham, organist Jimmy Smith, vocalist Billie Holiday, and many others. Steven Loza. News View Kenny Burrell. Shana Redmond. Charley Harrison Continuing Lecturer. Ethnomusicology The study of global musical traditions through performance training, research, and field work. Jimmy SmithStanley Turrentine. Kenny Burrell Album 25 versiones. Generation - Kenny Burrell. Detroit, MI: Gale Research, Musicology The scholarly study of the histories, cultures, and critical interpretations of music and music-making. With Jimmy Smith. Download as PDF Printable version. Wolf Marshall Lecturer. Tamir Hendelman. Shana Redmond Professor. Conducting Graduate study and training in choral, orchestral, or wind conducting. Terence Blanchard Professor. Related Artists. The piece, commissioned by Kenny Burrell Ralph J. Related Press. Within months, Burrell had recorded his first album as leader for Blue Note and both he and Flanagan were sought-after as sidemen and studio musicians, performing with singers Tony Bennett and Lena Horne and recording with Billie HolidayJimmy SmithGene Ammonsand Kenny Dorhamamong others. Related Members. First ed. Jimmy Smith. Barbara Morrison Adjunct Assoc. Burrell in Buffalo, New York, Introducing Kenny Burrell - Kenny Burrell. American jazz guitarist. Namespaces Article Talk. Blue Note. Togethering - Kenny Burrell. Favorite Artists por louthiros. Hitomi Oba. Surrounded by the vibrant jazz and blues scene of Detroit, Kenny Burrell began to play gigs around town and counted among his friends and bandmates pianist Tommy Flanagan, saxophonists Pepper Adams and Yusef Lateef, drummer Elvin Jones, and others. Although his talent ranked among the best of the professional jazz players at the time, Burrell continued to study privately with renowned classical guitarist Joe Fava and enrolled in the music program at Wayne State University. And despite its structural simplicity, even veterans find the blues an endless challenge — perhaps because to communicate successfully in the blues, the musician has to put aside BOP top Bop por d-of. Argo 6. Roberto Miranda. He celebrated turning 75 years old in by recording a live date, released a year later as 75th Birthday Bash Kenny Burrell New Jazz. Kenny Burrell is one of the most respected jazz artists in the world. Eddie S. Kenny Burrell Records. Burrell, recipient of many Kenny Burrell, was named a Jazz Master by the National Endowment for the Arts NEAa title awarded annually to a handful of living figures in recognition of their exceptional Kenny Burrell to the field of jazz. Thank you for registering! Verlas todas Kenny Burrell. His friends had questions". Wikimedia Commons. James Ford III. Sooner or later, every jazz musician arrives at a moment of reckoning with the blues. Kenny Burrell Wikipedia, the free encyclopedia. Riverside Records. He is a recognized authority on the music of Duke Ellington and in developed the first regular college course on Ellington ever taught in the United States, at UCLA. Mercado online Los Angeles Kenny Burrell. Burrell made his recorded debut as a leader on the Blue Note session Kenny Burrell Kenny Burrell — technically his second session for the Kenny Burrell, but the first to see release. Kenny Burrell the link to confirm your email address. Both his Kenny Burrell played instruments, [7] and he began playing guitar at the age of 12 after listening to Charlie Christian 's recordings. We have detected Kenny Burrell as your language preference. Album 23 versiones. Meadows Adjunct Professor. Justo Almario. Weaver Of Dreams Album 10 versiones. Luciana Souza. Midnight Blue - Kenny Burrell. https://uploads.strikinglycdn.com/files/71fa0038-5fdd-417f-a8aa-9a812b5a044d/shallow-graves-60.pdf https://uploads.strikinglycdn.com/files/f04834af-9b85-4b45-9d7d-33e0e24835ef/last-of-the-summer-wine-from-the-directors-chair-22.pdf https://cdn.shopify.com/s/files/1/0502/0037/9564/files/math-for-real-life-for-dummies-68.pdf https://uploads.strikinglycdn.com/files/fbb15348-9702-478d-b99d-e470c78fdc3d/coming-of-the-storm-book-one-of-contact-the-battle-for- america-78.pdf https://cdn.shopify.com/s/files/1/0501/7305/1060/files/jennifer-and-josephine-71.pdf https://cdn.shopify.com/s/files/1/0502/6647/2642/files/bridget-and-joans-diary-a-parody-mad-about-the-toy-boy-93.pdf.
Recommended publications
  • Impex Records and Audio International Announce the Resurrection of an American Classic
    Impex Records and Audio International Announce the Resurrection of an American Classic “When Johnny Cash comes on the radio, no one changes the station. It’s a voice, a name with a soul that cuts across all boundaries and it’s a voice we all believe. Yours is a voice that speaks for the saints and the sinners – it’s like branch water for the soul. Long may you sing out. Loud.” – Tom Waits audio int‘l p. o. box 560 229 60407 frankfurt/m. germany www.audio-intl.com Catalog: IMP 6008 Format: 180-gram LP tel: 49-69-503570 mobile: 49-170-8565465 Available Spring 2011 fax: 49-69-504733 To order/preorder, please contact your favorite audiophile dealer. Jennifer Warnes, Famous Blue Raincoat. Shout-Cisco (three 200g 45rpm LPs). Joan Baez, In Concert. Vanguard-Cisco (180g LP). The 20th Anniversary reissue of Warnes’ stunning Now-iconic performances, recorded live at college renditions from the songbook of Leonard Cohen. concerts throughout 1961-62. The Cisco 45 rpm LPs define the state of the art in vinyl playback. Holly Cole, Temptation. Classic Records (LP). The distinctive Canadian songstress and her loyal Jennifer Warnes, The Hunter. combo in smoky, jazz-fired takes on the songs of Private-Cisco (200g LP). Tom Waits. Warnes’ post-Famous Blue Raincoat release that also showcases her own vivid songwriting talents in an Crosby, Stills, Nash & Young, Déjá Vu. exquisite performance and recording. Atlantic-Classic (200g LP). A classic: Great songs, great performances, Doc Watson, Home Again. Vanguard-Cisco great sound. The best country guitar-picker of his day plays folk ballads, bluegrass, and gospel classics.
    [Show full text]
  • Days and Nights Waiting Keith Jarrett on the Trail Ferde Grofe/Oscar
    Days and Nights Waiting Keith Jarrett On The Trail Ferde Grofe/Oscar Peterson Good Morning Heartache Fisher/Higgenbotham/Drake Bebop Dizzy Gillespie They Say It's Wonderful Irving Berlin Desafinado Antonio Carlos Jobim Ornithology Charlie Parker Matrix Chick Corea Long Ago and Far Away Jerome Kern Yours is My Heart Alone Franz Lehar Remember Irving Berlin You Must Believe in Spring Michel Legrand (Bill Evans) On a Clear Day (You Can See Forever) Lane & Lerner Melancholy Baby Ernie Burnett Out of Nowhere Johnny Green & Edward Heyman Sweet Georgia Brown Bernie, Finkard & Casey Daahoud Clifford Brown Mayreh Horace Silver The Song is You Jerome Kern & Oscar Hammerstein Autumn in New York Vernon Duke Nemesis Aaron Parks Satin Doll Duke Ellington & Billy Strayhorn End of a Love Affair Edward Redding Senor Blues Horace Silver Memories of Tomorrow Keith Jarrett My Ship Kurt Weill Mack the Knife Kurt Weill Almost Like Being in Love Lerner & Loewe What's New Robert Sherwood Haggart Night Train Duke Ellington Come Rain or Come Shine Harold Arlen/Johnny Mercer I Can't Give you Anything but Love Jimmy McHugh/Dorothy Fields Pfrancing (No Blues) Miles Davis Dance of the Infidels Bud Powell Laura David Raksin Manteca Dizzy Gillespie If I Didn't Care Jack Lawrence Blue in Green Bill Evans/Miles Davis Some Day my Prince will Come Frank Churchill One for my Baby (And One More for the Road) Harold Arlen Coral Keith Jarrett Solar Miles Davis Tangerine Victor Schertzinger/Johnny Mercer Sidewinder Lee Morgan Dexterity Charlie Parker Cantaloupe Island Herbie
    [Show full text]
  • Ed Dix Collection Finding Aid (PDF)
    University of Missouri-Kansas City Dr. Kenneth J. LaBudde Department of Special Collections NOT TO BE USED FOR PUBLICATION TABLE OF CONTENTS Biographical Sketch …………………………………………………………………… 2 Scope and Content …………………………………………………………………… 2 Series Notes …………………………………………………………………………… 3 Container List …………………………………………………………………… 5 Series I: Scrapbooks …………………………………………………………… 5 Series II: Awards & Honors …………………………………………………… 8 Series III: Interviews …………………………………………………………… 8 Series IV: Reviews & Articles …………………………………………… 8 Series V: Photographs …………………………………………………… 13 Series VI: Brookmeyer Memorial …………………………………………… 13 Series VII: Educational Materials …………………………………………… 14 Series VIII: Correspondence …………………………………………………… 14 Series IX: Miscellaneous …………………………………………………… 22 Series X: Brookmeyer Compositions/Arrangements …………………………… 23 Addendum I …………………………………………………………………………… 28 Series I: General Business …………………………………………………… 28 Series II: Publications …………………………………………………… 32 Series III: Correspondence …………………………………………………… 33 Series IV: Miscellaneous …………………………………………………… 48 Series V: Additional Photographs …………………………………………… 50 Series VI: Media …………………………………………………………… 50 Series VII: Oversize Material …………………………………………… 51 MS275 – Ed Dix Collection 1 University of Missouri-Kansas City Dr. Kenneth J. LaBudde Department of Special Collections NOT TO BE USED FOR PUBLICATION BIOGRAPHICAL SKETCH Tenor saxophonist, bandleader, and financial planner, Ed Dix was born in Kansas City in 1930. He began playing clarinet at age five, but switched to tenor sax at fourteen. While in high school, he toured the U.S. in bands styled after Glenn Miller’s. He was, himself, influenced by the playing of Lester Young, the tenor saxophonist in Count Basie’s band. For the first years of his adult life, Dix continued to tour in bands. It was Mary Ann (Dix’s wife, married 1950) who got him an audition for the Ralph Flanagan Band, with which he toured throughout the country – even playing at the Palladium. Dix also led a band of his own: The Eddie Dix Orchestra (“Music That Clicks with Dix”).
    [Show full text]
  • Guitar Virtuosity for the Everyday Man for Use with Guitar Freak Workstation
    Guitar Virtuosity for the Everyday Man For use with Guitar Freak Workstation Sean Clancy 2nd Edition ©2009 Sean Clancy Enterprises Guitar Virtuosity for the Everyday Man Contents: Welcome to Guitar Freak Workstation with SightReader Master Extreme! 3 Lesson 1 -for beginners -the very basics 4 Lesson 2 -the guitar 6 Lesson 3 -Naturalization -the concept 10 Foundation course 12 Lesson 1 -Timing 13 Lesson 2 -strumming 19 Lesson 3 -strumming continued 21 Lesson 4 - Alternate Picking made easy 24 Lesson 5 - The major scale -playing it in timing subdivisions 27 Lesson 6 -Basic Chords 29 Lesson 7 -Learning a basic song 32 Lesson 8 -How chords and scales work (also a little on GFW Quick chords) 34 Chord Families -Introducing the Major, Minor and Dominant Families 38 Rhythm – chords level 1 (learning rock level chords, top 40 level, pop, country, blues) 40 Lesson 1 -Barre chords 41 Lesson 2 -Learning the notes on the E and A Strings (using GFW SightReader) 45 Lesson 3 -Learning songs by Ear 48 Lesson 4 -Finger Picking 53 Lesson 5 -Writing songs -song forms 56 Lesson 6 -Blues Structures and Rhythms 59 Lesson 7 -Working out chords for songs we may have heard but are in demand at an Impromptu jam 63 Lesson 8 -A list of popular songs to learn and steal forms from 67 Lead – level 1, (getting to learn lead playing, playing over songs, sounding great 69 Lesson 1 -Finger agility! 70 Lesson 2 -Laying chord shapes for your soloing 73 Lesson 3 -The Pentatonic Scale -part A - 77 Lesson 4 -Part B - 80 Lesson 5 -Breaking out of the box shapes - 83 Lesson 6 - Modes? I don’t need any stinking modes? 87 Lesson 7 -Rules for Soloing 90 1 Guitar Virtuosity for the Everyday Man Advanced Rhythm- 93 Lesson 1 -Stylistic Rhythms 94 Lesson 2 -Jazz Chords 99 Lesson 3 -The Metronome “Practice Chords, Scales and Licks 101 Lesson 4 -Know where the 3, 5, 7 and root are.
    [Show full text]
  • Bulletin of the Center for Children's Books
    I LLINI S UNIVERSITY OF ILLINOIS AT URBANA-CHAMPAIGN PRODUCTION NOTE University of Illinois at Urbana-Champaign Library Large-scale Digitization Project, 2007. I - THE UNIVERSITY OF CHICAGO GRADUATE LIBRARY SCHOOL I I ~ Bulletin of the Center for Children's Books THE UNIVERSITY OF CHICAGO * GRADUATE LIBRARY SCHOOL Volume 20 July-August, 1967 Number 11 New Titles for Children and Young People Almedingen, E. M. Katia; illus. by Victor Ambrus. Farrar, 1967. 207p. $3.50. A translation and adaptation of autobiographical material first pub- R lished in Russia in 1874, the Katia of the title being the great-aunt of E. 6-9 M. Almedingen. The story of a Russian childhood begins with the death of Katia's mother, when the five-year-old child was taken from her home in the city to become the ward of a spinster aunt in the Ukraine. Katia lived in the cheerful atmosphere of a big family of cousins for six years, then went back to her father's home and the welcoming arms of a loving -and soon loved-stepmother. The illustrations reflect the appeal of the period setting, but not the additional one of locale; the story has the ap- peal of universality in characterizations and relationships. Arnold, Pauline. How We Named Our States; by Pauline Arnold and Percival White. Criterion Books, 1966. 192p. $3.95. A book that gives a great deal of information, some of it ancillary but R interesting and some basic to the topic as it is indicated in the title. The 5-9 material is grouped regionally, more or less, under such divisions as "The Spanish Cavaliers," "The French Explorers," "Moving Westward," and "The Oregon Trail." Occasionally a statement about a name is based on conjecture rather than fact, but the distinction is usually made clear.
    [Show full text]
  • How to Use This Songfinder
    as of 3.14.2016 How To Use This Songfinder: We’ve indexed all the songs from 26 volumes of Real Books. Simply find the song title you’d like to play, then cross-reference the numbers in parentheses with the Key. For instance, the song “Ac-cent-tchu-ate the Positive” can be found in both The Real Book Volume III and The Real Vocal Book Volume II. KEY Unless otherwise marked, books are for C instruments. For more product details, please visit www.halleonard.com/realbook. 01. The Real Book – Volume I 10. The Charlie Parker Real Book (The Bird Book)/00240358 C Instruments/00240221 11. The Duke Ellington Real Book/00240235 B Instruments/00240224 Eb Instruments/00240225 12. The Bud Powell Real Book/00240331 BCb Instruments/00240226 13. The Real Christmas Book – 2nd Edition Mini C Instruments/00240292 C Instruments/00240306 Mini B Instruments/00240339 B Instruments/00240345 CD-ROMb C Instruments/00451087 Eb Instruments/00240346 C Instruments with Play-Along Tracks BCb Instruments/00240347 Flash Drive/00110604 14. The Real Rock Book/00240313 02. The Real Book – Volume II 15. The Real Rock Book – Volume II/00240323 C Instruments/00240222 B Instruments/00240227 16. The Real Tab Book – Volume I/00240359 Eb Instruments/00240228 17. The Real Bluegrass Book/00310910 BCb Instruments/00240229 18. The Real Dixieland Book/00240355 Mini C Instruments/00240293 CD-ROM C Instruments/00451088 19. The Real Latin Book/00240348 03. The Real Book – Volume III 20. The Real Worship Book/00240317 C Instruments/00240233 21. The Real Blues Book/00240264 B Instruments/00240284 22.
    [Show full text]
  • Juliana Riccardi Music Group Professional Artists and Performers for Hire
    JULIANA RICCARDI MUSIC GROUP PROFESSIONAL ARTISTS AND PERFORMERS FOR HIRE. ALL WEDDINGS, CORPORATE AND PRIVATE EVENTS www.julianariccardimusicgroup.com 1 [email protected] ©JULIANA RICCARDI MUSIC GROUP Attracting clients who are creative minded and innovative in their planning, here lies the alternative to mainstream cover bands. Juliana Riccardi's Music Group, also known as JRMG, is an honest, dedicated group of New York City music artist professionals bringing style, class, and creativity to live music entertainment. Ran by singer, songwriter and performer, Juliana Riccardi, this group focuses on building eclectic sets of music reproduced in an original way that best lends itself to a natural 'live' sound rather than a Top 4O cover band emulating studio pop music. Versatility has helped Juliana Riccardi Music Group cater to both intimate and elaborate events of all styles. Not like many working bands, JRMG's members work with original artists full time and are tightly knit and consistent, making the quality of the music strong and their personality warm. Often enhancing the most intimate of moments is the core acoustic duo that drives the uniquely organic sound of JRMG. Their classic duo features the female voice of Juliana and acoustic guitar or piano and is the starting point for clients building trios, quartets and full bands to meet their personal tastes. Another atypical characteristic offered is modern style cello. With the acoustic based ensembles, cello is played on pop, rock and other popular genres of music adding to JRMG'S signature sound. Using a cleverly eclectic set list, including the artist’s originals, each song performed is refreshingly new yet recognizable.
    [Show full text]
  • Thesis-1937-St44a.Pdf (6.417Mb)
    dKL.rno~r A lGJUWLTUHE &;1:0).l~ ICAL COJ.LE!.i! LIBRA RY OCT 261937 AW APPRECIATIVE STUDY O.F THE VERSE 07 lDNll HARRIS OLIVER B7 lULIA LEX STEPBEITS " Bachelor ot Arts Central State Teachers• College Edmond• Oklahoma 1927 SUbmi tt.ed to the Department ot English Oklahoma .Agricultural wn )(eohan1eal College In. Partial :Fulfillment of the Requirements For the Degree or MASTER OF ARTS : : ... 1937 .. ::- ; .., :: :. ...... '. •:: .... .) . ~ · ~ ... ··. ·.. ·. : '.,. .. ~-. -~ -.· .. .. .. .. .. .. ... : . : : .. • : : • ,.•, • • •, r ~ • , • . ... ORU TI O'H 1 \II" ... ,,·1 11•1 "llLf'l:'0.ii' 11 !6HlCULTTil:E l\. di',; 1' ..\ ll,L, tJ ,l';,rr, .LI ii R A R Y OCT 26 1937 .APPROVED: PREPACE One is prone to overlook the l>eautitul things that are a part or his every-day surroundings. In a like manner he 1s apt to ignore the worthwhile things that a.re produce.4 in his own community. As one who loves her state and is proud ot Oklahoma's record, I decided to make a study of an s.uthor who never tails to catch the changing moods other beloved state, Oklahoma. Jennie Harris Oliver, who lives among us, has endeared herself to hv.ndreds by her charming manner and her verse depicting the beauties ot Oklahoma. The study of the verse of Jennie Harris Oliver has been delighttul. A• I read her poems, I appreciate anew big, breezy, democratic Oklahoma. I wish to aoknowle(lge Mrs. Oliver's kindness in asupply- 1:ng me with information useful in the interpretation of her works. I am also indebted for helptul suggest iona a.Del cr1t1C1Sl1 given to me by Kr.
    [Show full text]
  • Backyard Poem #10
    “PEREGRINATION” ISSUE 3 HERMENEUTIC CHAOS LITERARY JOURNAL Hermeneutic Chaos is a non-profit literary journal founded in 2014 publishing the best contemporary poetry and prose. All rights reserved. The authors retain the ownership of their respective works published in this edition. Cover art: © André Kertész No part of this publication may be used or reproduced in any manner whatsoever without the prior written permission of its author(s) Contents Editorial Note POESY Three Poems Heather Fowler I Am Sorry I Love You Rachel J. Fenton Two Poems Simon Perchik Five poems Sheila Murphy Three poems Alessandra Bava Two poems Scherezade Siobhan cavestorm Aaron Wiegert Something is different Jon Simmons Sailor of the metolious Rhiannon Thorne Three poems Jennifer MacBain- Stephens Installation Vik Shirley Dialogue w/ an insomniac Jack Peachum Two Poems Mandy Pannett Contents PROSE Two Fictions Sally Stevens Liriope’s daughter Sara Cleto Two Fictions Jen Knox Two plays Rachel Bublitz Blue eyes Heather Bell Adams Sugar Amarie Fox Hangnails Alex Vigue Bullocks Alison Lock Two Fictions Melinda Giordano A Good night for Maali Elizabeth Brown Editorial Note We welcome you to the July 2014 edition of Hermeneutic Chaos, featuring some of the outstanding poetry and prose by writers both upcoming and established. We are confident that you will enjoy this new collection of literary artifacts, as much as their respective authors enjoyed composing them. The last few months have been tragic for the literary community. We lost Gabriel Garcia Marquez, Mary Angelou, Walter Dean Myers, Frank Robinson, and many other writers who taught the world how to appreciate the value of art, how to make the stone faced words discover their malleability while interacting with human emotions, and how to employ it to create an impact on the dominant culture, and perhaps even teach it a thing or two.
    [Show full text]
  • Earts and Dollars
    T /-> W.rZ New York (4 .4 S; «. dogs; 6:15, Blurs solo, “K ff H th* high schools In this part of the state (b) “Rip-Saw Soprano 1 onhcatiu. 7 Wall Street Journal. Mil, On heat ra. (Lout#* ........ will be held here and u AM»m Mo* Christensen Sioux Citv-Center Chadron Citizen Tells at Wayne, NYIT Air college. 9. Brunsw k. 9 ID. pl- “Only a Weaver of Dreams'* 0 Nebraska News an Is!.' and orchestra. Violin »e’M "Fan netta" <1 ns i.adta.' quartet April 3, Instead of at Wakefield #. Experiences WJY. New Yoik 7; Roses" .. t'aprlet Ftnily J'a (405.2); ID. quartet; (a) "Plucking announced at first. 7 no < « Ills! ; 8:15. Radio Om rtet—Select -*d. Emerson, Pender, dinner; 9:45. "llinky. Dinky. Parley-Voo." Qua <' Nubbins Franks. »irrhestm. Aik* Ms* (hr*t#»i*en Mr* N on Hubbard will contest at W » Assured ^ith Jim Baneroft.and WOK. Newark (405 2): 8. Craig Ken- Soprano solo. “.I uat Someone." t#n*en, Georg# Saltegtver. Highway Expedition Brid^er v-- Emerson and contestants from nedy; S:M>, ('flickering artists, 9.30. sere- Josephine Vavrick. H Graham. naders, 10. danee. Stll.t Peterson, Mr*. Grea*ra. n, soompunlrt to* n piano. Beatrice—At the annal meeting Wayne, Wakefield, Wlnsble and Car- KtJO, Oakland (3ftl); 6. concert; 10, "Let Me fall You Sweetheart.” number* Kefeina Franklin, acton ("hadron. March 21.—('hadron has s mid seekers In trio i>’iiial >•1 I or Voc 11 rum her* i\rw Road W gold the party.
    [Show full text]
  • Methods for Fighting the Epidemic of Tune Illiteracy Woodshed
    110-118_SHED.qxd 3/17/10 4:18 PM Page 114 MASTER CLASS Woodshed by J.B. Dyas, Ph.D Methods For Fighting The Epidemic Of Tune Illiteracy For the past 20-plus years, I’ve 8-bar bridge and 8-bar last A) had the honor of teaching in a • “Moment’s Notice”: ABAB'V (8-bar first A, 8-bar first B, wide variety of didactic situa- 8-bar second A, 6-bar second B, 8-bar vamp with tions, from jazz camps and per- B-flat pedal) forming arts high schools to • “Peace”: 10-bar tune universities and prestigious jazz • “Stablemates”: ABA (14-bar first A, 8-bar bridge, institutes. If you were to 14-bar last A) approach each of the incredible • “Yes Or No”: AABA (14-bar A sections with a jazz masters and pedagogues 16-bar bridge) I’ve taught alongside and ask 3) Memorize the root movement; play roots with definitive or play-along them, “What’s the best way to recording. learn how to play jazz?” you’re 4) Memorize the chord qualities; play chords (arpeggios in quarter notes) sure to get many, many differ- with play-along recording as follows: ent answers: go to school, don’t • 1–3–5–7–9 for chords lasting two bars (have the 9th sustain go to school, go to New York, for the second bar) go to New Orleans, transcrip- • 1–3–5–7 for chords lasting one bar tion books are a great tool, • 1–3 for chords lasting two beats using transcription books is • For II–V–I progressions in major, play: cheating, look at your band- mates, close your eyes, and the contradictions go on and on.
    [Show full text]
  • Print Version (Pdf)
    Special Collections and University Archives UMass Amherst Libraries Eric Bascom Collection of Jazz Recordings 1921-1978 14 boxes (10 linear feet) Call no.: MS 882 About SCUA SCUA home Credo digital Scope Inventory Phonographs Piano rolls Admin info Download xml version print version (pdf) Read collection overview When he was fifteen or sixteen, Eric Bascom’s life changed forever when he saw renowned jazz guitarist Wes Montgomery perform. Though Bascom had been playing guitar himself since he was young, seeing Montgomery opened his eyes to a completely new way of playing guitar and a completely new approach to music. Since that time, Bascom has been an avid listener, collector, and practitioner of jazz. He is currently performing as the Eric Bascom Trio with Ed Brainerd and Genevieve Rose. The Eric Bascom Collection of Jazz Recordings consists of hundreds of jazz 78 rpm records from the 1940s and 1950s, including a number of 78 books with beautifully illustrated covers. In addition to the records are player piano rolls, several of which were punched by Fats Waller, and a portable Walters Conley Phonola 78 record player. See similar SCUA collections: Jazz Performing arts Background on Eric Bascom When he was fifteen or sixteen, Eric Bascom’s life changed forever when he saw renowned jazz guitarist Wes Montgomery perform. Though Bascom had been playing guitar himself since he was young, seeing Montgomery opened his eyes to a completely new way of playing guitar and a completely new approach to music. Since that time, Bascom has been an avid listener, collector, and practitioner of jazz.
    [Show full text]