Α Τ Λ Ι Δ Ο Χολ.Εσο 2013-2014 Μαθημα: Ερετνησικη Εργαια - P R O J E C T Σαξη : Α’ Λτκειοτ - Σμημα : Α 1
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VISUAL HUMOR: FEMALE PHOTOGRAPHERS AND MODERN AMERICAN WOMANHOOD, 1860- 1915 A Dissertation presented to the Faculty of the Graduate School at the University of Missouri-Columbia In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy by Meghan McClellan Dr. Kristin Schwain, Dissertation Advisor DECEMBER 2017 © Copyright by Meghan McClellan 2017 All Rights Reserved The undersigned, appointed by the dean of the Graduate School, have examined the dissertation entitled Visual Humor: Female Photographers and the Making of Modern American Womanhood, 1860-1915 presented by Meghan McClellan, a candidate for the degree of doctor of philosophy, and hereby certify that, in their opinion, it is worthy of acceptance. Dr. Kristin Schwain Dr. James Van Dyke Dr. Michael Yonan Dr. Alex Barker To Marsha Thompson and Maddox Thornton ACKNOWLEDGMENTS The difficulty of writing a dissertation was never far from anyone’s lips in graduate school. We all talked about the blood, sweat, and tears that went into each of our projects. What we also knew was the unrelenting support our loved ones showed us day in and day out. These acknowledgments are for those who made this work possible. This dissertation is a testament to perseverance and dedication. Yet, neither of those were possible without a few truly remarkable individuals. First, thank you to all my committee members: Dr. Alex Barker, Dr. Michael Yonan, and Dr. James Van Dyke. Your input and overall conversations about my project excited and pushed me to the end. Thank you Mary Bixby for giving me the “tough love” I needed to make sure I met my deadlines. -
STIEGLITZ, Alfred (Editor). Camera Work 1904-1905: Issues 5-12
87 Newtown Lane, East Hampton, New York 11937 T: 631-324-1131 F: 31-324-1191 E: [email protected] W: www.harpersbooks.com STIEGLITZ, Alfred (editor). Camera Work 1904-1905: Issues 5-12. New York: Camera Work, 1904-1905. Deluxe Editions. Large quartos. The publisher’s bound volumes of two years of Camera Work, 1904-1905, issues 5-12, two books in total; Eduard Steichen’s copies. One of a small number of such deluxe bound editions; very few have been offered in commerce. Historical association copies of the highest caliber: both books INSCRIBED by Alfred Stieglitz to Eduard Steichen. The 1904 volume reads: “To one true friend / from another true friend, / Eduard J. Steichen / from / Alfred Stieglitz / Feb. 17 1905 - / Third Anniversary / of the Photo-Secession’s Birth / after the surprise of 291 Fifth Avenue.” The 1905 volume reads: “To one who does - achieves - / and thereby helps us all - / Eduard J. Steichen / from his friend / Alfred Stieglitz / Christmas, 1905.” Light scuffing, hint of peeling; near fine copies in the publisher’s velour boards, with the Camera Work insignia blindstamped on the front covers, titles blindstamped on the spine. The binding has preserved the fragile contents, which are in remarkable condition; the wrappers are crisp, pages clean and bright, gravures uniformly immaculate. One of the greatest photobook associations of all-time, articulating nothing less than the origin of modern photography and art in America. $160,000.00 Contents of the issues are as follows: Number 5 includes six photogravures by Robert Demachy, one photogravure by Prescott Adamson, one photogravure by Frank Eugene, an essay by Joseph Keiley on Robert Demachy, an essay by Sadakichi Hartmann on criticism, quotations by James McNeill Whistler, and miscellaneous texts by F.H. -
Autour De Frances Benjamin Johnston, Gertrude Käsebier Et Catharine Weed Barnes Ward
Artl@s Bulletin Volume 8 Issue 1 Women Artists Shows.Salons.Societies Article 1 (1870s-1970s) Autour de Frances Benjamin Johnston, Gertrude Käsebier et Catharine Weed Barnes Ward: stratégies séparatistes dans l’exposition des femmes photographes américaines au tournant des XIXe et XXe siècles Thomas Galifot musée d'Orsay, Paris, [email protected] Follow this and additional works at: https://docs.lib.purdue.edu/artlas Part of the American Art and Architecture Commons, Other American Studies Commons, Other Feminist, Gender, and Sexuality Studies Commons, Photography Commons, Women's History Commons, and the Women's Studies Commons Recommended Citation Galifot, Thomas. "Autour de Frances Benjamin Johnston, Gertrude Käsebier et Catharine Weed Barnes Ward: stratégies séparatistes dans l’exposition des femmes photographes américaines au tournant des XIXe et XXe siècles." Artl@s Bulletin 8, no. 1 (2019): Article 1. This document has been made available through Purdue e-Pubs, a service of the Purdue University Libraries. Please contact [email protected] for additional information. This is an Open Access journal. This means that it uses a funding model that does not charge readers or their institutions for access. Readers may freely read, download, copy, distribute, print, search, or link to the full texts of articles. This journal is covered under the CC BY-NC-ND license. Autour de Frances Benjamin Johnston, Gertrude Käsebier et Catharine Weed Barnes Ward: stratégies séparatistes dans l’exposition des femmes photographes américaines au tournant des XIXe et XXe siècles Cover Page Footnote Ce texte est dédié à la mémoire du professeur François Brunet (1960-2018). -
XRP Box List for PDF ER and DC Edits
The V&A box list of paper-based photography in the Royal Photographic Society Collection The Word and Image Department May 2018 Overview The list of paper-based photography is organised as follows: XRP 1 to XRP 644 are organised alphabetically by photographer’s surname or organisation XRP 645 to XRP 687 are outsized prints organised alphabetically by photographer’s surname or organisation XRP 688 to XRP 878 are photographic albums XRP 879 to XRP 904 contain the journal Camera Work XRP 921 to XRP 932 are portraits, mainly of RPS fellows XRP 933 to XRP 978 are the work of Joan Wakelin XRP 979 to XRP 1010 are the work of John Hinde Ltd XRP 1011 to XRP 1027 are the Du Mont book collection XRP 1028 to XRP 1047 are works from the National Photographic Record XRP 1134 to XRP 1150 contain the Tyng collection of photographic prints XRP 1151 to XRP 1516 are miscellaneous photographic prints and other material including large outsized prints, framed prints, exhibition work and RPS archival material. XRP 1 Photographic prints by Vincent B. Abbott, Yarnall C. Abbott, Gordon C. Abbott, A. N. Acraman, Ansel Adams, Gilbert Adams, J.A.R. Adams, Marcus Adams and Richard Almond. AVAILABLE TO ISSUE XRP 2 Photographic prints by Marcus Adams, Joan H. Alexander and Aero Films LTD, including an aerial photographic negative of Boston. AVAILABLE TO ISSUE 1 XRP 3 Photographic prints by John. H. Ahern, Rao Sahib Aiyar, G.S. Akaksu, W.A. Alcock, R.F. Alderton, L.E. Aldous, Edward Alenius, B. Alfieri (snr), B. -
„Piktorializm” Estetyczny Moment
Kwartalnik Internetowy CKfoto.pl ISSN 2080-6353 Nr CK 23/2015 (I-III 2015 ) [email protected] „Piktorializm” estetyczny moment Anna Benicewicz-Miazga Historia wy dokument. Debaty te osiągnęły swój szczyt pod koniec XIX i na początku XX Piktorializm jest nurtem w fotografii arty- wieku, a ich kulminacją było stworzenia stycznej, który zapoczątkowano około ruchu – piktorializmu – stylu, który wyra- roku 1890 w Anglii i Austrii. W Anglii po- ża osobiste odczucia i podkreśla umiejęt- wstało Towarzystwo Fotograficzne „Lin- ności fotograficzne, gdyż są one niezbęd- ked Ring”, które działało na rzecz uznania ne aby stworzyć wizualne piękno. Po la- fotografii jako dziedziny sztuki. W Wied- tach uznano też, że piktorializm jest niu powstała analogiczna grupa „Camera czymś więcej niż tylko stylem wizualnym. Club”. Nurt ten zdobył uznanie także Przekształcał się w zależności od zmian „Jezioro w świetle księżyca” Edwarda Steichena 1904 (inspirowana Tonalizmem) sprzedana za 2,928,000 w Stanach Zjednoczonych. Głównym pro- historycznych i kulturowych, odnosił się motorem tego zjawiska był Alfred Stie- nie tylko do stylu i estetyki, ale też do filo- glitz, założyciel „galerii 291” (1905 r.) oraz zofii oraz wpłynał na późniejsze nurty Alvin Langdon Coburn, Edward Steichen, powszechne, pojawiły się także odniesie- wydawca pisma poświęconego fotografii w sztuce. Podczas gdy fotografowie oraz czy Oscar Gustave. nia do stylu malarstwa znanego jako To- piktorialnej „Camera Work”. Twórcy po- inni twórcy zastanawiali się, czy fotografia nalizm, który miał znaczący wpływ póź- szukiwali nowych technik wyrazu, dzięki może być sztuką, pojawienie się fotografii Po roku 1880 debaty nad sztuką i fotogra- niej na rozwój piktorializmu. Malarze to- zastosowaniu nowych procesów che- bezpośrednio wpłynęło na pracę malarzy. -
July2011 Adapter.Pdf
Film Pack Camera Club Columbia Council of Photographic Society of Camera Clubs Adapter America http://columbiacameraclubs.org/ http://psa-photo.org/ Editor: Jon Fishback July 2011 Meetings will be the 1st, and 3rd Tuesdays of each month September through May at the Marshall Center 1009 E. McLoughlin Blvd, Vancouver WA 7:00pm—9:00pm News from another photography world. Faculty Images Rhode Island School of Design (RISD) Goodies list and Schedule September 2011 October 2011 November 2011 6th Images .......................................R. Fishback 4th Images................................. D. Funderburg 1st Images.............................. A. Hendrick 20th Program Night...................P. Fossa 18th Program night .................J. Harrision 15th Program Night............M. Johnson 27th Board Meeting .........................D. Fischer 25th Board Meeting .....................D. Fischer 22nd Board Meeting .................D. Fischer The above folks are responsible for bringing snacks and juice to the meeting. If you cannot bring goodies please call Sharon Deming 360-896-9476 and arrange a swap. 2 FILM PACK CAMERA CLUB ~ SCHEDULE FOR 2011 July 14/ 15 FIELD TRIP NORTHWEST TREK, EATONVILLE WA. Aug. 14 FIELD TRIP DUFFER ORE> STEAM ENGINES AND GRAIN HARVEST Aug. 30 POT LUCK NEW SEASON STARTS All this is proposed and subject to change. Will depend on club interest and participation. Ideas and suggestions welcome.Those interested in a trip need to work together on times, etc. Visitors are always welcome to meetings and field trips! For those of you participating in the outings, please forward images and text regarding the experience, to the newsletter at [email protected]. PRACTICE AND HONE YOUR SKILLS BY SHOOTING THE REQUEST FROM PARKS AND REC DEPARTMENT.