RANDI DRISCOLL a Note from Randi PROGRAM When I first Heard the Tragic Story of Matthew Shepard’S Death, I Music That Matters

Total Page:16

File Type:pdf, Size:1020Kb

RANDI DRISCOLL a Note from Randi PROGRAM When I first Heard the Tragic Story of Matthew Shepard’S Death, I Music That Matters RANDI DRISCOLL A Note From Randi PROGRAM When I first heard the tragic story of Matthew Shepard’s death, I Music That Matters was saddened and outraged. I wanted to kick my television set, scream and In “Music That Matters” cry. you get an intimate session with a singer and songwriter Instead, I went to my piano to who has dedicated herself to find solace in my music. What transpired the issues surrounding human was the song “What Matters.” dignity. Randi has opened for well-known artists with the The song is not about Matthew’s death as much as it is about same commitment to human his life, his family and the unconditional issues, including Jason Mraz, love they represent. My intention was Bonnie Raitt, Bruce Hornsby, only to send this song to the Shepards and Jackson Browne. as a form of condolences. With the community’s help we were able to One of Randis greatest record and release the song as a accomplishments has been benefit single. All of the proceeds are donated to The Matthew Shepard “What Matters,” a song she Foundation and other anti-hate crime wrote in memory of Matthew charities. Shepard, the young gay University of Wyoming student who was murdered in a hate crime. The Matthew Shepard Foundation I have spent the last several has adopted the song and Randi is a frequent guest of Judy years touring to promote the single Shepard at national media events. and doing benefit concerts around the country. This work and this song are the most important things I have ever In her campus program, Randi shares this song done in my life. and others inspired by human events. Each original song is beautiful and inspires compassion and hope. Her goal is to use I am continuously inspired by songwriting to create a positive and inspirational message. the angels around us that do so much to see that the type of intolerance and Randi turns a concert into an educational program by ignorance that took Matthew’s life – mixing storytelling with her music. She has chosen to take her and the lives of so many others – is stopped forever. message to young adults across the nation in hopes of inspiring them to take a positive role in their communities. Randi is a I sincerely hope that if you popular choice of campus entertainment boards, for coffeehouse consider bringing me to your campus, programs, or for any campus program mixing entertainment you will reach out to groups on your with social justice or diversity awareness programming. campus and in your community that work to promote appreciation for all people. By bringing everyone together to share music and inspiration, we can discover the courage we need to Please visit www.randidriscoll.com for more fight the injustices that cause so much needless suffering. information on Randi Driscoll and “Music That Matters”. - Randi Driscoll RANDI DRISCOLL BIOGRAPHY Randi Driscoll is a singer and songwriter whose original music, voice and passionate stage performances have earned her many accolades including Campus Activities Magazine’s, “Female Performer of the Year 2004” and “Best Small Venue Performer 2004”. Her performance credits include opening slots for Bob Weir’s Ratdog, Bonnie Raitt, Bruce Hornsby, Dar Williams, Jonatha Brooke, Pat Benatar, Linda Ronstadt, “A brilliant example of how the Jackson Browne and many others. Randi has performed at Lincoln Center power of music can be used as a in the “Bang on a Can Festival”, the 2001 HRC dinner in Washington, tool for good, Driscoll has fervently D.C., with keynote speaker, Hillary Clinton, and the New York City Hall and consistently placed herself Pride Awards honoring Whoopi Goldberg and Olympia Dukakis. Randi’s in the middle of revolutions and music has been featured in documentaries, commercials, and the WB battles. She had long been a visible hit series, “Dawson’s Creek”. Without any major label behind her, Randi advocate against domestic violence has been able to sell over 20,000 CDs and successfully tour the country, building a devoted following. and a supporter of AIDS awareness and relief programs. In response to Randi’s greatest personal accomplishment is her song, “What the torturous murder of Matthew Matters”, written in 1998 in response to the death of Matthew Shepard, Shepard, Driscoll wrote a haunting, a young man killed in a brutal hate crime. The song was written to endearing piece of work that reflects honor his life, his family and the unconditional love they represent. on the needless nurture of hate, the “What Matters” has become the official benefit single for the Matthew insignificance of superficial Shepard Foundation, a charity started by Matthew’s parents whose goal is to replace hate with understanding, compassion and acceptance. To differences, and the unlimited date, the benefit single has raised over $40,000 for the foundation and potency of unconditional love.” has been featured in several documentaries as well as a commercial directed by Spike Lee that aired during the 1999 Academy Awards. “What Matters” was also featured in the NBC film, “The Matthew Shepard Story”, starring Sam Waterston and Stockard Channing. - Irene Yadao Assistant Arts Editor, Proceeds from the sheet music also benefit the foundation San Diego Reader exclusively and the choral version of “What Matters”, arranged by Kevin Robison, has been performed all over the world, including concerts at New York’s Carnegie Hall, Place des Artes in Montreal and the Disney Hall in Los Angeles. A documentary based on the making of Randi’s song, “What Matters”, has won several film awards, including the 2006 Summit International Silver Award Winner in Creative Excellence and the Spring 2006 DV Award Winner. Randi has performed the song over 1,000 times and the film documents Randi’s journey with this song, her travels performing it nationwide, and the creation of the music video. Randi is an independent artist who tours and performs year round at colleges, clubs, festivals and benefit concerts. www.campuspeak.com “Randi is one break away from being a household name, and every 14001 E Iliff Avenue, Suite 402 college in America should book her while they can. Her poise, ver- Aurora, CO 80014 satility, and captivating stage presence, combined with her power- (303) 745-5545 ful voice and moving lyrics, make her one of the top musical acts I [email protected] have ever seen showcase- ever.” -David Coleman, Coleman Productions.
Recommended publications
  • Personality and Dvds
    personality FOLIOS and DVDs 6 PERSONALITY FOLIOS & DVDS Alfred’s Classic Album Editions Songbooks of the legendary recordings that defined and shaped rock and roll! Alfred’s Classic Album Editions Alfred’s Eagles Desperado Led Zeppelin I Titles: Bitter Creek • Certain Kind of Fool • Chug All Night • Desperado • Desperado Part II Titles: Good Times Bad Times • Babe I’m Gonna Leave You • You Shook Me • Dazed and • Doolin-Dalton • Doolin-Dalton Part II • Earlybird • Most of Us Are Sad • Nightingale • Out of Confused • Your Time Is Gonna Come • Black Mountain Side • Communication Breakdown Control • Outlaw Man • Peaceful Easy Feeling • Saturday Night • Take It Easy • Take the Devil • I Can’t Quit You Baby • How Many More Times. • Tequila Sunrise • Train Leaves Here This Mornin’ • Tryin’ Twenty One • Witchy Woman. Authentic Guitar TAB..............$22.95 00-GF0417A____ Piano/Vocal/Chords ...............$16.95 00-25945____ UPC: 038081305882 ISBN-13: 978-0-7390-4697-5 UPC: 038081281810 ISBN-13: 978-0-7390-4258-8 Authentic Bass TAB.................$16.95 00-28266____ UPC: 038081308333 ISBN-13: 978-0-7390-4818-4 Hotel California Titles: Hotel California • New Kid in Town • Life in the Fast Lane • Wasted Time • Wasted Time Led Zeppelin II (Reprise) • Victim of Love • Pretty Maids All in a Row • Try and Love Again • Last Resort. Titles: Whole Lotta Love • What Is and What Should Never Be • The Lemon Song • Thank Authentic Guitar TAB..............$19.95 00-24550____ You • Heartbreaker • Living Loving Maid (She’s Just a Woman) • Ramble On • Moby Dick UPC: 038081270067 ISBN-13: 978-0-7390-3919-9 • Bring It on Home.
    [Show full text]
  • Jerry Garcia from Wikipedia, the Free Encyclopedia
    Jerry Garcia From Wikipedia, the free encyclopedia Background information Birth name Jerome John Garcia Born August 1, 1942, San Francisco, California, United States Died August 9, 1995 (aged 53), Forest Knolls, California, United States Genres Folk rock, bluegrass, progressive rock Occupation(s) Musician, songwriter Instruments Guitar, vocals, pedal steel guitar, banjo Years active 1960–1995 Labels Rhino, Arista, Warner Bros., Acoustic Disc, Grateful Dead Associated acts Grateful Dead, Legion of Mary, Reconstruction, Jerry Garcia Band, Old and in the Way, Jerry Garcia Acoustic Band, New Riders of the Purple Sage͵ Garcia Grisman Band Notable instruments Fender Stratocaster "Alligator" Doug Irwin-modified Alembic "Wolf" Gibson SGs Guild Starfire 1957 Gibson Les Paul Gold-top Les Paul with P-90 Doug Irwin Custom "Tiger" Doug Irwin Custom "Rosebud" Stephen Cripe Custom "Lightning Bolt," Martin D-28, Takamine acoustic-electric guitars Travis Bean TB1000S, TB500[1] Jerome John "Jerry" Garcia (August 1, 1942 – August 9, 1995) was an American musician best known for his lead guitar work, singing and songwriting with the band the Grateful Dead, which came to prominence during the counterculture era. Though he disavowed the role, Garcia was viewed by many as the leader or "spokesman" of the group. One of its founders, Garcia performed with the Grateful Dead for their entire thirty-year career (1965–1995). Garcia also founded and participated in a variety of side projects, including the Saunders-Garcia Band (with longtime friend Merl Saunders), the Jerry Garcia Band, Old and in the Way, the Garcia/Grisman acoustic duo, Legion of Mary, and the New Riders of the Purple Sage (which Garcia co-founded with John Dawson and David Nelson).
    [Show full text]
  • Jerry Garcia's Long, Strange Trip
    Jerry Garcia's long, strange trip... Jerry Garcia's long, strange trip rolls on 15 years after his death, Grateful Dead leader’s influence ingrained in culture By Tony Sclafani, TODAYshow.com contributor, MSNBC, 8/6, 4:28 p.m. ET Forget vanilla. Fifteen years after Jerry Garcia died on August 9, 1995, his namesake ice cream, Cherry Garcia, continues to be the best-selling flavor for the Ben & Jerry’s brand, according to spokesperson Liz Stewart. This tidbit of information might seem trivial, but it underscores a larger point: the influence of the Grateful Dead’s guiding force continues to be felt in popular culture in ways few people would have imagined when he was a cult figure back in the 1960s and ’70s. Over the decades, Garcia’s reputation grew as he became a symbol of both the counterculture and a do-your-own-thing aesthetic he exemplified with his music. As chief songwriter and lead guitarist with the Grateful Dead, he expanded the boundaries of rock by incorporating a myriad of influences into his songs and bringing jazz-inspired guitar improvisations to the rock concert stage. “Anybody who was not afraid to have a song last for 20 minutes early on was influenced by his music,” said Bruce Hornsby, who scored a chart topping hit in the 1980s before becoming an unofficial Grateful Dead member in the 1990s. “(He) spawned Phish, the Dave Matthews Band, Widespread Panic and I think also the Allman Brothers.” But if you count Garcia only as being the granddaddy of the jam band scene, 1 / 5 Jerry Garcia's long, strange trip..
    [Show full text]
  • The Other Ones the Strange Remain (Arista)
    The Other Ones The Strange Remain (Arista) The recipe for a successful jam-band reunion reads something like this: three parts Grateful Dead, two parts Bruce Hornsby and the Range, a splash of sax, garnish with a couple of guitarists, serve chilled. As the Other Ones' performance at last year's Furthur Festival proved, you can't keep a good band down. Three years after the death of Jerry Garcia, founding members of the Grateful Dead–Phil Lesh, Bob Weir and Mickey Hart–put the act back on the road. Bruce Hornsby, who joined the band temporarily in 1990, played keyboards and brought along longtime drummer John Molo from the Range (and, recently, Hart's Planet Drum). John Ellis of Weir's Ratdog added some brass. Steve Kimock (who played with former Dead members Keith and Donna Godchaux) and Mark Karan filled in on guitars. This project is hardly a Dead rehash; the two-CD set collects recordings made at the Furthur Festival, spotlighting the new, the old and the different. Weir struts his stuff on "Jack Straw," and on the unreleased "Corrina." Hornsby's "White-Wheeled Limousine" and "Rainbow's Cadillac" get the full-out Dead jam treatment. "Only the Strange Remain," an eerie trip, is originally from Mickey Hart's Mystery Box. The bluesy "Banyan Tree," penned by Weir, Hart and Dead lyricist Robert Hunter, debuted just last year. Lesh shines vocally on "Mountains of the Moon," where fans insist his voice sounds better than it has in decades. Jerry is obviously not on this album, and on tunes such as "Friend of the Devil," "St.
    [Show full text]
  • Canandaigua Concert History
    Canandaigua Concert History FLPAC CMAC 1983 Season……………..page 1 2006 Season……………..page 21 1984 Season……………..pages 1-2 2007 Season……………..pages 21-22 1985 Season……………..pages 2-4 2008 Season……………..page 22 1986 Season……………..pages 4-5 2009 Season……………..page 23 1987 Season……………..pages 5-6 2010 Season……………..pages 23-24 1988 Season……………..pages 7-8 2011 Season……………..page 24 1989 Season……………..pages 8-9 2012 Season……………..page 25 1990 Season……………..pages 9-10 2013 Season……………..pages 25-26 1991 Season……………..pages 10-11 2014 Season……………..pages 26-27 1992 Season……………..page 12 2015 Season……………..pages 27-28 1993 Season……………..pages 12-13 2016 Season……………..page 28 1994 Season……………..pages 13-14 2017 Season……………..page 29 1995 Season……………..pages 14-15 2018 Season……………..page 29-30 1996 Season……………..page 15 2019 Season……………..page 30-31 1997 Season……………..pages 15-16 2020 Season…………….Covid-19 Virus 1998 Season……………..pages 16-17 1999 Season……………..pages 17-18 2000 Season……………..page 18 2001 Season……………..pages 18-19 2002 Season……………..page 19 2003 Season……………..pages 19-20 2004 Season……………..page 20 2005 Season……………..pages 20-21 Canandaigua Concert History 1 1983 Season July 16 – RPO: All Beethoven Opening Night Gala July 17 – RPO: Pop-Overs! July 18 – Joni Mitchell July 21 – Preservation Hall Jazz Band July 23 – RPO: Russian Romantics July 24 – RPO: Sousa Spectacular! July 30 – RPO: 1812 Classical July 31 – RPO: 1812 Pops! August 6 – RPO: Three Great Romantics August 7 – RPO: Dixieland Night August 9 – Al Jarreau August 13 – RPO: Vive La France! August 14 – RPO: From the Classics to Broadway August 19 – Diana Ross August 20 – RPO: Viennese Classics August 21 – RPO: E.T.
    [Show full text]
  • Matt Perault 0:00 This Is TBD Technology by Design. If You Liked
    Matt Perault 0:00 This is TBD technology by design. If you liked this episode, please take a minute to follow us on Twitter, rate the podcast on Apple podcasts and share the episode with your friends. Brad cook produces music. He works with bands like bunny bear Waxahachie, Hiss Golden Messenger, Bruce Hornsby, the Indigo Girls and Kevin Garrett. And he's not just a producer, he played in the bands Megafaun and DeYarmond Edison as well. But he's not what you typically think of when you think of someone in the music industry. He's an introvert and I feel dominated by extroverts. He's chosen to do his work outside the glamorous music spotlights of LA, New York and Nashville, and he's instead lay down his creative roots in a studio in the backyard of his house in Durham. And he's not aiming for quick hits. He seeks a deep creative partnership with the musicians he works with. He produced the most recent pony bear album. In an interview about it, lead singer Justin Vernon said he produced me as a person Just as much as a musician the last few years. But what does that mean to produce someone as a person? We talked with Brad about that question and about how we use this technology to make music we love and about the creative community of musicians, chefs and artists that he's cultivated for himself in Durham. But before we get started, we've actually got two conversations for you today.
    [Show full text]
  • 20 Th Season 2015-2016
    Bruce Hornsby Robert W. Cross Virginia Perry Artistic Director International Tattoo Yo-Yo Ma, cello Hot Sardines Emanuel Ax, piano ORDER NOW FOR BEST SEATS! VAFEST.ORG WELCOME SERIES Welcome Dance Series SPRING 2016 ALVIN AILEY® AMERICAN DANCE THEATER With its fabled first performance in 1958, Alvin Ailey® American Dance Theater changed the face of dance forever — and has since performed for audiences in 48 states and 71 countries on six continents. Don’t miss this ©Thirty-Three Photography vibrant company as it performs a spectacular program YUJA WANG VIRGINIA INTERNATIONAL TATTOO TEXAS TENORS including Alvin Ailey’s masterwork, Revelations. 20 years have flown by! I am thrilled to unveil an amazing season as we celebrate 20 years of showcasing world class GUIDE TO artists from around the globe. PROGRAM : Friday, February 26 & Saturday, February 27 PERFORMANCES & EVENTS We continue our celebration early in the new year with renowned dance group Alvin Ailey® American Dance Theater ODETTA Dance Series .........................................3-7 in February, and a St. Patrick’s Day Celebration with The Chieftains in March. OPEN DOOR Classical Music .................................... 8-9 This year’s Festival season will include a world premiere by Dance Theatre of Harlem; a hilarious performance REVELATIONS Organ Music ............................................10 by beloved Les Ballets Trockadero de Monte Carlo; the return of the majestic Virginia International Tattoo; Sunday, February 28 Chamber Music ................................. 10-11 unparalleled cellist Yo-Yo Ma with long time collaborator Emanuel Ax; and a chilling performance of The Strange Coffee Concerts ...............................12-13 TOCCATA Undoing of Prudencia Hart as part of the first VAF Fringe Festival in Norfolk’s Arts District! AFTER THE RAIN PAS DE DEUX Virginia International Tattoo ......
    [Show full text]
  • News of the Short North, Surrounding Neighborhoods, and the Columbus Art Community
    January/February 2013 News of the Short North, Surrounding Neighborhoods, and the Columbus Art Community A Reflection on Taste - and Tasi Rigsby see page 8 Leon Bass, The Entertainment Lawyer see page 16 The Entertainment Lawyer by Jory Farr “I love working with those who create hen he was young, growing up in music and festivals, create art and photog - Cincinnati, Leon Bass often raphy, write books, and those that do all Wargued with his parents, teachers and any - other things creative and entrepreneurial. It one else who had an opposing position on a allows me to be part of it. I am a creative matter of importance. It was, for the most person and I need to be surrounded by cre - part, a constructive kind of disagreement, ativity. [My clients] are inspiring.” as opposed to yelling and screaming. Bass says he also enjoys working with “I would prepare to present my case and the people that run the business side of do so by stating why I disagreed with that entertainment – from promoters, producers person’s decision and present facts and rea - and talent buyers to record labels, publish - soned arguments,” Bass recalls, sounding ers, managers and agents. deliberative. “With my parents, they always “They all play a key role in the creative respectfully listened – or perhaps humored process,” he says. “You can’t get the art out me – and considered my arguments before to the people without them.” issuing a final decision. While I didn’t Those who work with Bass have high always win, sometimes I did convince them praise.
    [Show full text]
  • BRUCE HORNSBY in Stone.’ for This Restless Keyboard Innovator, the Only Constant Is Change Are You More a Writer Or Player? I’M Equally Interested in Both
    MAY 2011 ISSUE MMUSICMAG.COM MAY 2011 ISSUE MMUSICMAG.COM MUSICIAN What was your concept for the album? “Giant Steps,” for instance, and instantly TOOLS OF THE TRADE I wanted to document how our band play it. But in the pop or rock world it’s much sounds today. Our approach is very loose, more diatonic, and involves more of the white improvisatory and spontaneous. We’re keys. I just wanted to play the music on these Hornsby originally played Baldwin pianos, constantly trying to make the music new. records I was hearing. but when the company encountered Consequently, if you hear a version of a fi nancial diffi culties in the 2000s he turned particular song in 2003 and then hear Were you surprised “The Way It Is” to Steinways. “They’re fantastic instruments,” it again in 2009, the two versions are was a hit? he says. “I have a Hamburg Steinway in my likely quite different. It was a wonderful accident. Everyone felt studio. I bought it in Switzerland. I played a it was a B-side song. I don’t think anything TV show in Zurich where I played 45 minutes Why not include any hits? on my fi rst album sounded like typical radio of solo piano on live Swiss TV. By the end This is the second live album with the music. We were using fi ddles and mandolins of the show I had become great friends with Noisemakers. We did one 11 years ago that and hammered dulcimers, along with acoustic that piano. They shipped it over to me and had four or fi ve of those hits, so we’ve done pianos.
    [Show full text]
  • PRESS RELEASE July 17, 2014 Contact: Camille Cintrón, Manager, Public Relations 703.255.4096 Or [email protected]
    PRESS RELEASE July 17, 2014 Contact: Camille Cintrón, Manager, Public Relations 703.255.4096 or [email protected] High-resolution images of the artists listed are available on Wolf Trap’s website: wolftrap.org/Media_and_Newsroom/Photos_for_Publication.aspx Wolf Trap Presents Pat Metheny Unity Group and Bruce Hornsby, Classic Albums Live: Pink Floyd—Dark Side of the Moon, Jim Gaffigan, Gavin DeGraw and Matt Nathanson with Andrew McMahon All Shows at the Filene Center at Wolf Trap National Park for the Performing Arts, 1551 Trap Road, Vienna, Virginia 22182 Pat Metheny Unity Group Bruce Hornsby With Sonny Emory Campfire Tour 2014 Wednesday, August 6, 2014 at 7:30 pm The Grammy-winning Pat Metheny Unity Group will headline alongside fellow jazz legend Bruce Hornsby for the collaborative Campfire Tour 2014. The show will also feature multiplatinum studio drummer Sonny Emory. In 2012 composer Pat Metheny brought together elite musicians to form the Unity Group, or what he calls a “Technicolor, IMAX version” of a jazz band. Metheny plays the guitar and guitar synthesizer for the group, while Ben Williams handles bass guitar, Chris Potter works the saxophone, Antonio Sanchez provides drums, and Giulio Carmassi is a triple threat on keyboard, trumpet, and vocals. The quintet’s eponymous debut album won the 2013 Grammy Award for Best Jazz Instrumental Album, bringing Metheny’s Grammy count to 20. The group’s 2014 release, Kin (←→), hit No. 1 on the Billboard Jazz chart and No. 50 on the Billboard 200. AllMusic.com particularly praises Metheny’s musicality on this release, saying it gives the album “an almost hummable sense of melodic euphoria.” Video: Pat Metheny Unity Group – Kin (←→) Preview Virginia native pianist Bruce Hornsby returns to his roots to serenade audiences with a folk and jazz- infused set.
    [Show full text]
  • The Grateful Dead, Environmental Activism, and Sustainable Concerts
    ONE MAN GATHERS WHAT ANOTHER MAN SPILLS: THE GRATEFUL DEAD, ENVIRONMENTAL ACTIVISM, AND SUSTAINABLE CONCERTS by Allison Gatyas A Thesis Submitted to the Faculty of The Wilkes Honors College in Partial Fulfillment of the Requirements for the Degree of Bachelor of Science in Liberal Arts and Sciences with a Concentration in Environmental Science Wilkes Honors College of Florida Atlantic University Jupiter, Florida May 2018 ONE MAN GATHERS WHAT ANOTHER MAN SPILLS: THE GRATEFUL DEAD, ENVIRONMENTAL ACTIVISM, AND SUSTAINABLE CONCERTS by Allison Gatyas This thesis was prepared under the direction of the candidate’s thesis advisor, Dr. William O’Brien, and has been approved by members of her supervisory committee. It was submitted to the faculty of The Honors College and was accepted in partial fulfillment of the requirements for the degree of Bachelor of Arts in Liberal Arts and Sciences. SUPERVISORY COMMITTEE: ___________________________ Dr. William O’Brien ___________________________ Dr. Christopher Strain ___________________________ Dean Ellen Goldey, Wilkes Honors College ___________ Date ii Acknowledgements: I would like to thank my mom for always pushing me to challenge myself in all things academic and in life, and my dad for shaping my most cherished possession: taste in music. I’d also like to thank my boyfriend Josh, for always truckin’ with me to every single concert and sharing a love for the Grateful Dead, and still loving me when this project stressed me out. When I had no wings to fly, you flew to me. A big thank you to Bob, Mickey, Bill, Jeff, John, and Oteil for keeping the Dead alive long enough for me to experience a part of the Grateful Dead I thought I would only get from recordings and videos.
    [Show full text]
  • BRUCE HORNSBY's
    Wednesday , April 5, 2015, 8pm Zellerbach Hall An Evening with Bruce Hornsby Bruce Hornsby’s new live album, Solo Concerts , will be included with the purchase of each ticket. The CD can be picked up in the lobby. Tonight’s program will be announced from the stage. Cal Performances’ " !#–" !$ season is sponsored by Wells Fargo. PLAYBILL ABOUT THE ARTIST RUCE HORNSBY ’s work displays a creative piano performance where one hand doesn’t Biconoclasm that has been a constant in the just accompany a melody played by the other artist’s two-and-a-half decade recording career. but rather, as in boogie-woogie, simultane - His commercial stock soared early on, when ously achieves a parallel compositional and “The Way It Is”—the title track of his 1986 musical life and vitality of its own. début album—became one of the most popu - “It’s this situation where you’re playing that lar songs on American radio. Despite his early pattern but you’ve developed your brain- mainstream successes, Mr. Hornsby has pur - splitting expertise to the point where you can sued a more personal, idiosyncratic musical play very free rhythmically. I’d always admired path, focusing on projects that sparked his Keith Jarrett’s hand independence on the early creative interest, including collaborations with records he made. He had the independence of the Grateful Dead, Spike Lee, Ricky Skaggs, a drummer. ‘Oh, my God,’ I’d think, ‘how can Don Henley, Ornette Coleman, Bob Dylan, I do that?’ Before, I’d never wanted to deal Bela Fleck, Bonnie Raitt, Pat Metheny, and with that area of piano; it was always a door I Robbie Robertson.
    [Show full text]