The Inventory of the James Mason Collection #1066

Total Page:16

File Type:pdf, Size:1020Kb

The Inventory of the James Mason Collection #1066 The Inventory of the James Mason Collection #1066 Howard Gotlieb Archival Research Center ' I I l\ l . \ ' '(i ,' I 1 MASON, JAMES #1066 Oct.-Nov. 1991 Box 1 I. Correspondence A. Professional Correspondence 1. James Mason, 1963- 67. Includes contractual material. [f.1] 2. Christopher Miller TLS. & US income tax material. 1963- 73; [f.2] 3. Business letters to J.M. & responses. TLS. 1963- 75; [f.3] 4. Bancroft/ Avery- business TLS 4/64; 8/64; [f.4] 5. McCaffuey/ Konner TLS; 1964, 1966, 1973, 1977- 81; [f.5] 6. Business correspondence. Health care & financial statements: 1964- 66; 1970- 71; 1980- 81; 1964- 81; [f.6] 7. Acting: fees & legal material. TLS, ALS. 1964- 65; [f.7] 8. Francisco Lizarza- TLS, ALS. 1965- 71; [f.8] 9. Homer, TLS. 6/66; [f.9] 10. "Jane Eyre" project. TLS w/ photos, notes on script. 1966- 73; [f.10] 11. Businessandprofessionalletters. TLS 1967-71; [f.11] 12. Business TLS. 1967- 68; [f.12] 13. Business- acting TLS. 1967- 73; [f.13] 14. Acting material re: "Bishop's Mill" French Film Projects; Columbia Pictures TLS. 1967- 73; [f.14] 15. "Age of Consent" TLS and printed material. 1967- 68; [f.15] 16. "Age of Consent" TLS inc. director Michael Powell. 1967- 69; [f.16] 17. "Age of Consent" TLS re: movie inc. Michael Powell. 1968; [f.17] Box 2 18. Movie info, treatments and TLS. "Die Boss" 1970, "Prison Breakers" 1967, "Yin and Yang" 1971, "London Nobody Knows" 1974, "Spring and Port Wine" 1974; [f.1] 19. BusinessletterstoandfromJ.M. TLS. 9-12/68 [f.2] 20. Business TLS w/ financial statements, canceled checks. 1968- 73; [f.3] 21. Acting projects-TLS & ALS w/ agent, w/ German magazine. 1968- 80; [f.4] 22. Business letters to and from J.M. TLS. 1969; [f.5] 23. Business letters to and from J.M. TLS. 1970; [f.6] 24. Business letters to and from J.M. TLS. 1971; [f.7] 25. Business letters. TLS 1972- 73; [f.8] 26. Frank Hardy: TLS & ALS. 30p. Short story "Daily Double" & newspaper. 1972- 73; [f.9] 27. Business- TLS. 1972- 73; J.M.'s 1974 US 1040 Form. [f.10] 28. Acting business letters. TLS. 1972- 76; [f.11] 29. Business letters re: payments & movie residuals. 1972- 74; letters and 2 receipts; statement on President Carter's foreign policy: TLS 1972- 77 [£12] 30. Business letters & financial statements. TLS w/ printed matter. 1972- 77 [£13] 31. "The Tempest" TLS & ALS re: production, cast, crew. Production discussion. 1973; [£14] 32. Various business TLS & ALS to and from J.M. inc. Spike Milligan TLS. 1973- 75; [£ 15] Box 3 33. Business- acting. TLS. 1973- 80; [£1) 34. Business- acting. TLS to and from agent. 1974; [f.2] 35. Acting- TLS & ALS. 1974- 75; [£3] 36. Business- acting: TLS. 1974- 76; [£4] 37. Letters & financial statements. 1974- 78; [f.5] 38. Health and welfare related letters. TLS. 1974- 78; [f.6] 39. Animal Vigilantes Animal Rights Group. TLS. 1974- 84; [f.7] 40. Business letters and financial statements. TLS and printed matter. 1975- 76; [f.8] 41. Business: Several items to J.M. & rest about possible acting jobs. TLS. 1975- 81; [£9] 42. Clubs: TLS and booklets concerning memberships to clubs. 1975- 82; [f.10] 43. Acting offers. TLS. 1976; [f.11] 44. Business letters & financial records- Touche Ross & Co. TLS. 1976- 79; [f.12] 45. Business letters &responses. TLS. 1976- 79; [£13] 46. Business letters & financial statements. TLS. 1977- 78; [f.14] 47. Business letters & financial statements. TLS. 1977- 79; [£15] Box 4 48. Acting correspondence: mostly re: "Heaven Can Wait" w/ contract. TLS. 1978- 79; 1982-83; [£1] 49. Acting business letters & financial papers. TLS & song lyrics. 1978- 81; [£2] 50. Book: TLS relating to autobiography. TLS. 1978- 82; [f.3] S1. Business & personal letters to/from Robin Dalton. TLS & ALS. 1/18/79- 10/15/80; [£4] 52. "My Brilliant Career" related TLS and publicity. 1979- 80; [f.5] 53. Business. TLS & telegrams. 1979- 80; [£6] 54. Financial statements. TLS. 1979- 81; [£7] 55. Miscellaneous business corr. TLS & ALS. 1979- 83; [f.8] 56. Charities: TLS & brochures to and from various charitable organizations. Inc. TLS from Vice President George Bush. 1983. 1979- 84; [f.9] 57. Acting and related financial letters & checks. TLS. 1981- 84; [f.10] 58. Miscellaneous professional TLS & ALS. 1981- 84; [f.11] [f.14] 59. Sphere Books Ltd. 3 TLS. 2-6/82; [£12] 3 60. Acting related corr. 1982- 83; movie production lists, travel information, miscellaneous material. [f.13] Box 5. B. Personal Correspondence 1. J.M.'s childhood letters .. ALS, TLS. 1919- 27; [f.1 & f.2] 2. ALS from J.M. to parents and 2nd wife Clarissa. 1922- 70; [f.3] 3. Family letters. ALS, TLS. 1963- 70; [f.4] 4. Frank Essien. ALS, TLS. Much financial information. 1965- 73; [f.5] 5. Miscellaneous personal letters. TLS, ALS. 1967- 68; 1982; [f.6] 6. Various TLS to and from J.M. Inc. Stephen Sondheim. Elsa Lanchester, Peter Brook (many), Henry Hathaway, Jack Cardiff: John Gielgud, Mickey Rooney, VanessaRedgrave. 1969; 73; 80; [f.7] 7. Mason letters. TLS, ALS. 1960's - 71; [f.8] 8. To J.M. from 2nd wife Clarissa. ALS. 1970; [f.9] 9. Various TLS & ALS to and from J.M. Inc. 2 Stephen Sondheim, Peter Brook, Nunnally Johnson. 1970- 73; [f.10] 10. Family letters. TLS, ALS. 1970- 75; [f.11] 11. Nancy Nash to J.M. & Clarissa. W/ 1 color photo. 1972- 73; [£ 12] 12. From friends: mostly to Clarissa. ALS, TLS, Cards. 1972- 78; [f. 13 J 13. FromJ.M.'s daughter and other friends. ALS, TLS, Cards. Some 1972; 79; 1981- 82; [f.14] Box 6 14. Medical correspondence and bill from doctors. To J.M. & C.M. 1972- 82; [f.1] 15. Greeting cards, letters, telegrams. ALS, TLS. 1973- 77; [f.2] 16. Letters from friends. Inc. Anthony (Tony) Quinn. TLS, ALS. 1973- 79; [f.3] 17. Family letters. TLS, ALS, Cards. 1973- 84; [f.4] 18. Clarissa Mason Letters from Phyllis Lander 11/9/73- 9/14/77; & Cal Loew 1974- 77; ALS, TLS, Cards. [f.5] 19. Personal letters, Mostly to Clarissa. ALS, TLS. 1975- 78; [f.6] [f.9-10] 20. LegaV financial material- correspondence, contracts for J.M. & C.M. 1975- 83; [f.7] 21. Private correspondence. TLS, ALS. Fan Club material, other Letters. 1976; [f.8] 22. Various letters to and from J.M. ALS Louise Fletcher & many Peter Brook. 1977- 79; [f.11] 23. Letters from friends. Inc. Roddy McDowall. ALS, TLS, Cards. 1978; [f.12] Box 7 24. Greeting cards & some news clippings. 1978; [f.1] 25. Letters from friends. ALS, TLS, cards. 12/78- 6/79; [f.2] 26. Letters to Clarissa (mostly) ALS, TLS, cards. 1978- 80; [f.3] 27. Letters to Clarissa from friends. ALS, TLS. Orders for books & financial material. 1979; [f.4] 4 28. Fan letters to J.M. TLS, ALS. 1979- 80; [£5] 29. Letters to Clarissa from friends & family. TLS, ALS. 1979- 87; [f.6] 30. Various letters from the early 1980's. ALS. [£7] 31. Dr. Soong TLS to J.M. re: Taiwan Golden Horse Film Festival. Inc. TLS from David Niven, Ernest Borgnine, Katharine Hepburn, Gregory Peck, Olivia deHavilland. 1980- 81; [f.8] 32. Letters to Clarissa from friends. Info on C.M. 's health and allergies. ALS, TLS. 1980- 81; [£9] 33. Letters to Clarissa from friends. ALS, cards. 1980- 82; [f. 10] 34. Various letters to and from J.M. TLS, ALS. Inc. card from Roddy McDowall, TLS Frank Capra, ALS Peter Brook. 1980- 82; [f.11] 35. Letters from friends. ALS, TLS, cards. Inc. Ethel Merman TLS and b/w photo. 2/27/80- 9/19/80; 1/21/81- 7/21/83; 5/11/82-1/12/83; [f.12] 36. ALS to Clarissa. 1980- 91; Some sketches by J.M. on cards. [f. 13] 37. Letters from friends to C.M. & J.M. ALS, cards. 1981- 82; [f.14] Box 8 38. Various letters. TLS, ALS. Inc. Paul Newman, Roddy McDowall, Richard Zanuck. 1982- 84; [£ 1] 39. Letters to Clarissa. 1982- 87; [f.2] 40. Various ALS, TLS, from friends to Clarissa and J.M. Inc. program signed by Barbara Bush. 1983- 84; [f.3] 41. Pending: corr. re: magazines & letters. TLS. 1984; [f.4] 42. Greeting cards. ca. 1984; [f.5] 43. To Be Answered: Private letters to J.M. ALS, TLS. 1984; [f.6] 44. Margaret Thatcher, British Prime Minister. TLS re: The Falklands. 6/28/82; invitations, notes, some clippings. 1982; [f. 7] 45. Sympathy letters to Clarissa following J.M. 's death. TLS, ALS, telegrams. 1984; [f.8- f.13] Box 9 46. Sympathy letters to Clarissa following J.M. 's death. TLS, ALS. 1984; [£1] 47. Letters to Clarissa from friends. ALS, Cards. 19985- 87; [£2] 48. Greeting cards & unused postcards. [f.3] Boxl0 IT. Manuscripts A. Film, Theater, and Television Scripts 1. "Le Francais de La France- Methode de Conversation" by Adrien Gonvers Copy ofFrench tutorial. 283p. 1956. [£1] 2. "Jane Eyre" a. By John Byrne, 148p. Temp. script 4/2/56 [£2] b. By John Byrne, 140p. Carbon estimating script. 2/5/57 [£3] c. By David Cohen. 152p. 1st draft. 5/6/69 [f.4] d. Carbon script notes by J.M. & Hugh Leonard. 5/30/67; 5 6p. carbon pages re: script 1963- 64; [f.5] e. By David Cohen. DC III. Carbon w/ corrections. l 95p. Final draft [f.6] f. By D. Cohen. Corrections & Cohen TLS; J.M. typed letters & 28p. Typed script notes.
Recommended publications
  • Durham E-Theses
    Durham E-Theses Pulling focus: New perspectives on the work of Gabriel Figueroa Higgins, Ceridwen Rhiannon How to cite: Higgins, Ceridwen Rhiannon (2007) Pulling focus: New perspectives on the work of Gabriel Figueroa, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/2579/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk Pulling Focus: New Perspectives on the Work of Gabriel Figueroa by Ceridwen Rhiannon Higgins University of Durham 2007 Submitted for Examination for Degree of PhD 1 1 JUN 2007 Abstract This thesis examines the work of Mexican cinematographer Gabriel Figueroa (1907 -1997) and suggests new critical perspectives on his films and the contexts within which they were made. Despite intense debate over a number of years, auteurist notions in film studies persist and critical attention continues to centre on the director as the sole giver of meaning to a film.
    [Show full text]
  • Pilot Season
    Portland State University PDXScholar University Honors Theses University Honors College Spring 2014 Pilot Season Kelly Cousineau Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/honorstheses Let us know how access to this document benefits ou.y Recommended Citation Cousineau, Kelly, "Pilot Season" (2014). University Honors Theses. Paper 43. https://doi.org/10.15760/honors.77 This Thesis is brought to you for free and open access. It has been accepted for inclusion in University Honors Theses by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. Pilot Season by Kelly Cousineau An undergraduate honorsrequirements thesis submitted for the degree in partial of fulfillment of the Bachelor of Arts in University Honors and Film Thesis Adviser William Tate Portland State University 2014 Abstract In the 1930s, two historical figures pioneered the cinematic movement into color technology and theory: Technicolor CEO Herbert Kalmus and Color Director Natalie Kalmus. Through strict licensing policies and creative branding, the husband-and-wife duo led Technicolor in the aesthetic revolution of colorizing Hollywood. However, Technicolor's enormous success, beginning in 1938 with The Wizard of Oz, followed decades of duress on the company. Studios had been reluctant to adopt color due to its high costs and Natalie's commanding presence on set represented a threat to those within the industry who demanded creative license. The discrimination that Natalie faced, while undoubtedly linked to her gender, was more systemically linked to her symbolic representation of Technicolor itself and its transformation of the industry from one based on black-and-white photography to a highly sanctioned world of color photography.
    [Show full text]
  • Michael Powell and Emeric Pressburger, a MATTER of LIFE and DEATH/ STAIRWAY to HEAVEN (1946, 104 Min)
    December 8 (XXXI:15) Michael Powell and Emeric Pressburger, A MATTER OF LIFE AND DEATH/ STAIRWAY TO HEAVEN (1946, 104 min) (The version of this handout on the website has color images and hot urls.) Written, Produced and Directed by Michael Powell & Emeric Pressburger Music by Allan Gray Cinematography by Jack Cardiff Film Edited by Reginald Mills Camera Operator...Geoffrey Unsworth David Niven…Peter Carter Kim Hunter…June Robert Coote…Bob Kathleen Byron…An Angel Richard Attenborough…An English Pilot Bonar Colleano…An American Pilot Joan Maude…Chief Recorder Marius Goring…Conductor 71 Roger Livesey…Doctor Reeves Robert Atkins…The Vicar Bob Roberts…Dr. Gaertler Hour of Glory (1949), The Red Shoes (1948), Black Narcissus Edwin Max…Dr. Mc.Ewen (1947), A Matter of Life and Death (1946), 'I Know Where I'm Betty Potter…Mrs. Tucker Going!' (1945), A Canterbury Tale (1944), The Life and Death of Abraham Sofaer…The Judge Colonel Blimp (1943), One of Our Aircraft Is Missing (1942), 49th Raymond Massey…Abraham Farlan Parallel (1941), The Thief of Bagdad (1940), Blackout (1940), The Robert Arden…GI Playing Bottom Lion Has Wings (1939), The Edge of the World (1937), Someday Robert Beatty…US Crewman (1935), Something Always Happens (1934), C.O.D. (1932), Hotel Tommy Duggan…Patrick Aloyusius Mahoney Splendide (1932) and My Friend the King (1932). Erik…Spaniel John Longden…Narrator of introduction Emeric Pressburger (b. December 5, 1902 in Miskolc, Austria- Hungary [now Hungary] —d. February 5, 1988, age 85, in Michael Powell (b. September 30, 1905 in Kent, England—d. Saxstead, Suffolk, England) won the 1943 Oscar for Best Writing, February 19, 1990, age 84, in Gloucestershire, England) was Original Story for 49th Parallel (1941) and was nominated the nominated with Emeric Pressburger for an Oscar in 1943 for Best same year for the Best Screenplay for One of Our Aircraft Is Writing, Original Screenplay for One of Our Aircraft Is Missing Missing (1942) which he shared with Michael Powell and 49th (1942).
    [Show full text]
  • Summer Classic Film Series, Now in Its 43Rd Year
    Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre.
    [Show full text]
  • The Representation of Reality and Fantasy in the Films of Powell and Pressburger: 1939-1946
    The Representation of Reality and Fantasy In the Films of Powell and Pressburger 1939-1946 Valerie Wilson University College London PhD May 2001 ProQuest Number: U642581 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest U642581 Published by ProQuest LLC(2015). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 The Representation of Reality and Fantasy In the Films of Powell and Pressburger: 1939-1946 This thesis will examine the films planned or made by Powell and Pressburger in this period, with these aims: to demonstrate the way the contemporary realities of wartime Britain (political, social, cultural, economic) are represented in these films, and how the realities of British history (together with information supplied by the Ministry of Information and other government ministries) form the basis of much of their propaganda. to chart the changes in the stylistic combination of realism, naturalism, expressionism and surrealism, to show that all of these films are neither purely realist nor seamless products of artifice but carefully constructed narratives which use fantasy genres (spy stories, rural myths, futuristic utopias, dreams and hallucinations) to convey their message.
    [Show full text]
  • South Africa's Official Selection for the Foreign Film Oscars 2006
    Production Notes The UK Film & TV Production Company plc The Industrial Development Corporation of South Africa The National Film & Video Foundation of South Africa in association with Moviworld present A UK/South African Co-production TSOTSI Starring Presley Chweneyagae, Terry Pheto, Kenneth Nkosi, Mothusi Magano, Zenzo Ngqobe and ZOLA Written and Directed by Gavin Hood Based on the novel by Athol Fugard Co-produced by Paul Raleigh Produced by Peter Fudakowski WINNER – EDINBURGH FILM FESTIVAL 2005 THE STANDARD LIFE AUDIENCE AWARD THE MICHAEL POWELL AWARD FOR BEST BRITISH FILM South Africa’s official selection for the Foreign Film Oscars 2006 For all press inquiries please contact: Donna Daniels Public Relations 1375 Broadway, Suite 403, New York, NY 10018 Ph: 212-869-7233 Email: [email protected] and [email protected] IN TORONTO: contact Melissa or Donna c/o The Sutton Place Hotel, Hospitality Suite 606, 955 Bay Street, Toronto, on M5S 2A2 main #: 416.924.9221 fax: 416.324.5617 FOR ALL PRESS MATERIALS/INFO : www.tsotsi.com A message from the playwright and author of the novel TSOTSI ATHOL FUGARD 2 CONTENTS: LETTER FROM AUTHOR OF 'TSOTSI' THE NOVEL 2 UK AND TRADE PRESS QUOTE BANK 4 SHORT SYNOPSIS 6 LONGER SYNOPSIS 6 MAKING “TSOTSI” - BACKGROUND NOTES and QUOTES 8 THE TERM “TSOTSI” - ORIGINS AND MEANINGS 13 KWAITO MUSIC - ORIGINS 15 BIOGRAPHIES: ATHOL FUGARD - AUTHOR OF THE NOVEL “TSOTSI” 17 GAVIN HOOD - SCREENWRITER / DIRECTOR 18 PETER FUDAKOWSKI - PRODUCER 19 PAUL RALEIGH - CO-PRODUCER 20 PRESLEY CHWENEYAGAE - TSOTSI 21 ZOLA – FELA 21 TERRY PHETO - MIRIAM 21 KENNETH NKOSI - AAP 21 MOTHUSI MAGANO - BOSTON 22 ZENZO NGQOBE - BUTCHER 22 CAST, CREW AND MUSIC CREDITS 23-31 CONTACT INFO 32 3 TSOTSI “Tsotsi” literally means “thug” or “gangster” in the street language of South Africa’s townships and ghettos.
    [Show full text]
  • Widescreen Weekend 2008 Brochure (PDF)
    A5 Booklet_08:Layout 1 28/1/08 15:56 Page 41 THIS IS CINERAMA Friday 7 March Dirs. Merian C. Cooper, Michael Todd, Fred Rickey USA 1952 120 mins (U) The first 3-strip film made. This is the original Cinerama feature The Widescreen Weekend continues to welcome all which launched the widescreen those fans of large format and widescreen films – era, and is about as fun a piece of CinemaScope, VistaVision, 70mm, Cinerama and IMAX – Americana as you are ever likely and presents an array of past classics from the vaults of to see. More than a technological curio, it's a document of its era. the National Media Museum. A weekend to wallow in the nostalgic best of cinema. HAMLET (70mm) Sunday 9 March Widescreen Passes £70 / £45 Dir. Kenneth Branagh GB/USA 1996 242 mins (PG) Available from the box office 0870 70 10 200 Kenneth Branagh, Julie Christie, Derek Jacobi, Kate Winslet, Judi Patrons should note that tickets for 2001: A Space Odyssey are priced Dench, Charlton Heston at £10 or £7.50 concessions Anyone who has seen this Hamlet in 70mm knows there is no better-looking version in colour. The greatest of Kenneth Branagh’s many achievements so 61 far, he boldly presents the full text of Hamlet with an amazing cast of actors. STAR! (70mm) Saturday 8 March Dir. Robert Wise USA 1968 174 mins (U) Julie Andrews, Daniel Massey, Richard Crenna, Jenny Agutter Robert Wise followed his box office hits West Side Story and The Sound of Music with Star! Julie 62 63 Andrews returned to the screen as Gertrude Lawrence and the film charts her rise from the music hall to Broadway stardom.
    [Show full text]
  • Modus Operandi Films and High Point Media Group Present
    Modus Operandi Films and High Point Media Group Present A film by Craig McCall Worldwide Sales: High Point Media Group Contact in Cannes: Residences du Grand Hotel, Cormoran II, 3 rd Floor: Tel: +33 (0) 4 93 38 05 87 London Contact: Tel: +44 20 7424 6870. Fax +44 20 7435 3281 [email protected] CAMERAMAN: The Life & Work of Jack Cardiff page 1 of 27 © Modus Operandi Films 2010 HP PRESS KIT CAMERAMAN: The Life and Work of Jack Cardiff www.jackcardiff.com Contents: - Film Synopsis p 3 - 10 Facts About Jack p 4 - Jack Cardiff Filmography p 5 - Quotes about Jack p 6 - Director’s Notes p 7 - Interviewee’s p 8 - Bio’s of Key Crew p10 - Director's Q&A p14 - Credits p 19 CAMERAMAN: The Life & Work of Jack Cardiff page 2 of 27 © Modus Operandi Films 2010 HP PRESS KIT CAMERAMAN : The Life and Work of Jack Cardiff A Documentary Feature Film Logline: Celebrating the remarkable nine decade career of legendary cinematographer, Jack Cardiff, who provided the canvas for classics like The Red Shoes and The African Queen . Short Synopsis: Jack Cardiff’s career spanned an incredible nine of moving picture’s first ten decades and his work behind the camera altered the look of films forever through his use of Technicolor photography. Craig McCall’s passionate film about the legendary cinematographer reveals a unique figure in British and international cinema. Long Synopsis: Cameraman illuminates a unique figure in British and international cinema, Jack Cardiff, a man whose life and career are inextricably interwoven with the history of cinema spanning nine decades of moving pictures' ten.
    [Show full text]
  • Wakana Yoshihara Hair and Make up Designer
    WAKANA YOSHIHARA HAIR AND MAKE UP DESIGNER FILM & TELEVISION THE MARVELS Director: Nia DaCosta Production Company: Marvel Cast: Brie Larson, Zawe Ashton, Teyonah Parris, Iman Vellani SPENCER Director: Pablo Larraín Production Company: Fabula Films, Komplizen Film, Shoebox Films Cast: Kristen Stewart, Sally Hawkins, Timothy Spall, Sean Harris Official Selection, Venice Film Festival (2021) BELFAST Director: Kenneth Branagh Production Company: Focus Features Cast: Caitriona Balfe, Judi Dench, Jamie Dornan, Ciaran Hinds, Jude Hill Official Selection, Toronto Film Festival (2021) DEATH ON THE NILE Director: Kenneth Branagh Production Company: Twentieth Century Fox Film Cast: Annette Bening, Gal Gadot, Armie Hammer, Letitia Wright, Tom Bateman EARTHQUAKE BIRD Director: Wash Westmoreland Production Company: Netflix & Scott Free Productions Cast: Alicia Vikander, Riley Keough, Jack Huston Official Selection, London Film Festival (2019) ARTEMIS FOWL Director: Kenneth Branagh Production Company: Walt Disney Pictures Cast: Judi Dench LUX ARTISTS | 1 FARMING Director: Adewale Akinnuoye-Agbaje Production Company: Groundswell Productions Cast: Kate Beckinsale, Gugu Mbatha-Raw, Adewale Akinnuoye-Agbaje Winner, Michael Powell Award for Best British Feature Film, Edinburgh Film Festival (2019) Official Selection, Toronto Film Festival (2018) MURDER ON THE ORIENT EXPRESS (Head of Hair & Make-up) Director: Kenneth Branagh Production Company: Twentieth Century Fox Film Cast: Johnny Depp, Daisy Ridley, Judi Dench BLACK MIRROR: PLAYTEST Director: Dan Trachtenberg
    [Show full text]
  • (2020). Pinewood Studios, the Independent Frame, and Innovation
    Street, S. (2020). Pinewood Studios, the Independent Frame, and Innovation. In B. R. Jacobson (Ed.), In the Studio: Visual Creation and Its Material Environments (1 ed., pp. 103-121). University of California Press. Peer reviewed version Link to publication record in Explore Bristol Research PDF-document This is the author accepted manuscript (AAM). The final published version (version of record) is available via University of California Press at https://www.ucpress.edu/book/9780520297609/in-the-studio . Please refer to any applicable terms of use of the publisher. University of Bristol - Explore Bristol Research General rights This document is made available in accordance with publisher policies. Please cite only the published version using the reference above. Full terms of use are available: http://www.bristol.ac.uk/red/research-policy/pure/user-guides/ebr-terms/ Pinewood Studios, the Independent Frame, and Innovation Sarah Street, University of Bristol British director Darrel Catling reported to the British trade press in February 1948 on the Independent Frame (IF), a new system of film production that had been launched at Pinewood Studios. Catling had recently used it to make Under the Frozen Falls, a short children’s film that had benefited from the IF’s aim to “rationalize that which is largely irrational in film making.”1 He described how his film had been very carefully pre-planned in terms of script, storyboards, and technical plans. Several scenes were pre-staged and filmed without the main cast who were later incorporated into scenes by means of rear projection. Special effects were of paramount importance in reducing the number of sets that needed to be built.
    [Show full text]
  • Master Class with Douglas Trumbull: Selected Filmography 1 the Higher Learning Staff Curate Digital Resource Packages to Complem
    Master Class with Douglas Trumbull: Selected Filmography The Higher Learning staff curate digital resource packages to complement and offer further context to the topics and themes discussed during the various Higher Learning events held at TIFF Bell Lightbox. These filmographies, bibliographies, and additional resources include works directly related to guest speakers’ work and careers, and provide additional inspirations and topics to consider; these materials are meant to serve as a jumping-off point for further research. Please refer to the event video to see how topics and themes relate to the Higher Learning event. * mentioned or discussed during the master class ^ special effects by Douglas Trumbull Early Special Effects Films (Pre-1968) The Execution of Mary, Queen of Scots. Dir. Alfred Clark, 1895, U.S.A. 1 min. Production Co.: Edison Manufacturing Company. The Vanishing Lady (Escamotage d’une dame au théâtre Robert Houdin). Dir. Georges Méliès, 1896, France. 1 min. Production Co.: Théâtre Robert-Houdin. A Railway Collision. Dir. Walter R. Booth, 1900, U.K. 1 mins. Production Co.: Robert W. Paul. A Trip to the Moon (Le voyage dans la lune). Dir. Georges Méliès, 1902, France. 14 mins. Production Co.: Star-Film. A Trip to Mars. Dir. Ashley Miller, 1910, U.S.A. 5 mins. Production Co.: Edison Manufacturing Company. The Conquest of the Pole (À la conquête de pôle). Dir. Georges Méliès, 1912, France. 33 mins. Production Co.: Star-Film. *Intolerance: Love’s Struggle Throughout the Ages. Dir. D.W. Griffith, 1916, U.S.A. 197 mins. Production Co.: Triangle Film Corporation / Wark Producing. The Ten Commandments.
    [Show full text]
  • An Analysis of the Perennial Big-Screen Representations of the Famed Detective, Sherlock Holmes Brody Challinor College of Dupage
    ESSAI Volume 11 Article 12 Spring 2013 An Analysis of the Perennial Big-Screen Representations of the Famed Detective, Sherlock Holmes Brody Challinor College of DuPage Follow this and additional works at: http://dc.cod.edu/essai Recommended Citation Challinor, Brody (2013) "An Analysis of the Perennial Big-Screen Representations of the Famed Detective, Sherlock Holmes," ESSAI: Vol. 11, Article 12. Available at: http://dc.cod.edu/essai/vol11/iss1/12 This Selection is brought to you for free and open access by the College Publications at DigitalCommons@COD. It has been accepted for inclusion in ESSAI by an authorized administrator of DigitalCommons@COD. For more information, please contact [email protected]. Challinor: An Analysis of the Perennial Big-Screen Representations of An Analysis of the Perennial Big-Screen Representations of the Famed Detective, Sherlock Holmes by Brody Challinor (English 1154) n the 1939 movie, The Adventures of Sherlock Holmes, Conan Doyle‘s famous detective [Basil Rathbone] finds himself up against his greatest nemesis, Professor Moriarty, [George Zucco] I whom he must fight on two different fronts; protecting a young lady and her brother from the deadly implications of a series of cryptic notes, while simultaneously protecting the Crown Jewels. This portrayal of the character was released to a backdrop of a world in tension, hitting theaters on the first official day of World War II, once Nazi Germany invaded Poland. In sharp contrast to its predecessor, however, the 1979 Murder by Decree pitted Holmes [Christopher Plummer] against what some might call the ‗phantom‘ menace of a fictionalized Jack the Ripper, following hot on the heels of both the Watergate scandal as well as the American feminist movement.
    [Show full text]