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The Friends of the Nationalmuseum
The Friends of the Nationalmuseum Eva Qviberg Chair, The Friends of the Nationalmuseum Art Bulletin of Nationalmuseum Stockholm Volume 21 Art Bulletin of Nationalmuseum, Stockholm, Photo Credits Every effort has been made by the publisher to is published with generous support from © Palazzo d’Arco, Mantua, inv. 4494/Photo: credit organizations and individuals with regard the Friends of the Nationalmuseum. Nationalmuseum Image Archives, from Domenico to the supply of photographs. Please notify the Fetti 1588/89–1623, Eduard Safarik (ed.), Milan, publisher regarding corrections. Nationalmuseum collaborates with 1996, p. 280, fig. 82 (Figs. 2 and 9A, pp. 13 and Svenska Dagbladet and Grand Hôtel Stockholm. 19) Graphic Design We would also like to thank FCB Fältman & © Pushkin State Museum of Fine Arts, Moscow BIGG Malmén. (Fig. 3, p. 13) © bpk/Staatliche Kunstsammlungen Dresden/ Layout Cover Illustrations Elke Estel/Hans-Peter Klut (Figs. 4, 5B, 6B and Agneta Bervokk Domenico Fetti (1588/89–1623), David with the 7B, pp. 14–17) Head of Goliath, c. 1617/20. Oil on canvas, © Digital image courtesy of the Getty’s Open Translation and Language Editing 161 x 99.5 cm. Purchase: The Wiros Fund. Content Program (Figs. 8 and 10B, pp. 18 and Gabriella Berggren, Martin Naylor and Kristin Nationalmuseum, NM 7280. 20) Belkin. © CATS-SMK (Fig. 10A, p. 20) Publisher © Dag Fosse/KODE (p. 25) Publishing Berndt Arell, Director General © Nasjonalmuseet for kunst, arkitektur og design/ Ingrid Lindell (Publications Manager) and The National Museum of Art, Architecture and Janna Herder (Editor). Editor Design, Oslo (p. 28) Janna Herder © SMK Photo (p. 31) Art Bulletin of Nationalmuseum is published © From the article ”La Tour and Lundberg’s annually and contains articles on the history and Editorial Committee portraits of la princesse de Rohan”, by Neil Jeffares, theory of art relating to the collections of the Mikael Ahlund, Magdalena Gram, Janna Herder, http://www.pastellists.com/Essays/LaTour_ Nationalmuseum. -
Facts About Stockholm's Tourism Industry 2018
Facts About Stockholm’s Tourism Industry Statistics for 2018 Right click on the background and choose Format Background to fill with picture or change color Content 1. Where Visitors Come From 2. How Visitors Travel to Stockholm 3. Where Visitors Stay 4. Why People Visit Stockholm 5. International Meetings and Conventions 6. Major Attractions in Stockholm Cover photo: Jeppe Wikström Photographer: Henrik Trygg Right click on the background and choose Format Background to fill with picture or change color 1. Where Visitors Come From In 2018, there were about 14.6 million overnight stays in commercial lodging establishments located within Stockholm County. Over 30 percent of all foreign bednights in Sweden are located in Stockholm County. Photographer: Visit Stockholm Right click on the background and choose Format Background to fill with picture or change color Steady Growth for Swedish and Foreign Visitors Six out of every ten overnight stays in Stockholm area hotels or similar Overnight stays by Swedish and foreign travelers at hotels, accommodations are booked by domestic travelers. Bookings by hostels, or other accommodations in Stockholm County international travelers, however, have had faster growth in the last five 2003-2018 (Index 100=2003) years. This was especially evident over the past year, as overnight stays by foreign visitors increased by 8 percent while domestic visitors’ Swedish visitors Foreign visitors Total overnight stays increased by just 2 percent. 230 Most foreign visitors come from European countries. 220 210 Overnight -
Nordiska Museet and Skansen: Displays of Floating Nationalities Magdalena Hillström
Great Narratives of the Past. Traditions and Revisions in National Museums Conference proceedings from EuNaMus, European National Museums: Identity Politics, the Uses of the Past and the European Citizen, Paris 29 June – 1 July & 25-26 November 2011. Dominique Poulot, Felicity Bodenstein & José María Lanzarote Guiral (eds) EuNaMus Report No 4. Published by Linköping University Electronic Press: http://www.ep.liu.se/ecp_home/index.en.aspx?issue=078 © The Author. Nordiska museet and Skansen: Displays of Floating Nationalities Magdalena Hillström Department of Culture Studies, Linköping University Abstract This article explores how national narratives were performed and displayed at Nordiska museet and Skansen from late 19th century until the end of the 20th century. It shows how the museum’s national narratives were negotiated and transformed in the wake of new political orientations, from the utopia of “folkhemmet” to contemporary visions of the multi-cultural society. Nordiska museet and Skansen have strongly been associated with successful nation- making. This notion however tends to suppress a prevailing tension between the museum’s Nordicness and its Swedishness. From very early on Artur Hazelius collected objects from an indecisive Nordic area, including Russia and Germany. After his death in 1901 efforts were made to nationalize Nordiska museet and Skansen. From time to time the museum’s Nordic identity has been mobilized, a story that run parallel with tendencies to reject the museum’s Scandinavianist legacy, a legacy dating back to a period when the contemporary Nordic nation- states were yet not politically or culturally defined. 33 Sweden in Miniature In 1890 Artur Hazelius, the founder of Nordiska museet in Stockholm, received as a gift some houses and a garden named Framnäs at Djurgården, close to the building site of the present Nordiska museet. -
Skansen Djurgårdsslätten 49–51
44 Skansen Djurgårdsslätten 49–51 Djurgården Tram 7 44 www.skansen.se Founded in 1891, Skansen is the oldest open-air museum in the world with approximately 150 buildings brought from all over Sweden, dating back to the 18th and 19th centuries. Most of the buildings are open and there are guides dressed in traditional costumes doing old-fashioned crafts such as weaving, butter-making, spinning, etc. There are open-air concerts regularly on summer evenings and fabulous views of the city. There is also a zoo and lots of ABBA- related things to see. Towards the rear of Skansen you can find Kronbergs ateljé (Kronberg’s studio) featuring the artwork of painter Julius Kronberg (1850–1921.) He was a professor at the Royal Swedish Academy of Arts. His works feature at Kungliga Slottet (see p. 52), the Hallwyl Palace and Dramaten. After his death, his studio was donated to Nordiska Museet but later moved to Skansen. Kronberg’s painting of Eros is on the cover of ABBA’s album The Visitors. Everything is still almost as it was in 1981 in the studio. Look out for the book that Agnetha is flicking through and the wooden bench that Benny sits on. Unfortunately you won’t be allowed to sit on it as it has been roped off for some time. The red armchair that Frida sits on can be found in the room away from the painting. Keep looking and you’ll find it. You’ll notice that there is a large water stain on it that Frida obscures by sitting in front of it for the album cover! The chair that Björn is leaning against is also in the room. -
Once Upon a Time in Scandinavia … a Literary Tour of Sweden, Denmark
Once upon a time in Scandinavia: A Literary Tour of Sweden, Denmark and Norway 2023 19 JUL – 10 AUG 2023 Code: 22324 Tour Leaders Susannah Fullerton, OAM, FRSN, Russell Casey Physical Ratings Scandinavia is rich in literary heritage. This tour explores the lands & legacy of Ibsen, HC Andersen, Pippi Longstocking, Scandic-noir thrillers, Roald Dahl, Nobel Prize winners and more. Overview Lectures and site visits by Susannah Fullerton, President of the Jane Austen Society of Australia, with the assistance of Russell Casey. Evening performance of Peer Gynt at Lake Gålåvatnet. Henrik Ibsen wrote the verse play in 1867, inspired by stories from the Gudbrand valley in Norway. The accompanying music is inspired by Edvard Grieg’s original theatre music. A guided walk around Bergen in Norway with award-winning crime writer Gunnar Staalesen, following in the footsteps of his detective character Varg Veum. Dinner at The Den Gyldene Freden, the place where every Thursday the Academy (who nominate the winner of the Nobel Prize for Literature) convene. Knut Hamsun was awarded the Nobel Prize for literature for his novel Growth of the Soil in 1920. In Grimstad we enjoy a 6-course banquet, a replica of the meal served at Nobel Prize award ceremonies. Wonderful Astrid Lindgren visits, as we get to know more about the creator of Pippi Longstocking, seeing the towns where she set her books, and taking a look at the Lindgren archive with a renowned archivist guiding our visit. A Girl with the Dragon Tattoo walking tour of Stockholm. A Henning Mankell guided walk in Ystad, with a visit to the film museum to learn about the film versions of Mankell’s Kurt Wallander novels. -
Vasa's New Climate-Control System
Maintaining a Stable Environment: Vasa’s New Climate-Control System EMMA HOCKER An extensive upgrade to the air- Introduction ship is not open to the general public, museum staff regularly go onboard for conditioning system of the Vasa The Vasa Museum in Stockholm, research or maintenance purposes. Museum in Stockholm is playing an Sweden, houses the seventeenth-century Although the largely anoxic (oxygen- warship Vasa, the largest and best pre- instrumental role in preserving the deficient) burial conditions in the Stock- served wooden ship ever salvaged from seventeenth-century Swedish holm harbor had generally favored the seabed and conserved. The warship, wood preservation, there was sufficient warship Vasa. adorned with hundreds of painted oxygen available in the murky waters of sculptures, was commissioned by King the harbor immediately after the sinking Gustav II Adolf, who had ambitions to to allow micro-organism degradation of dominate the Baltic region. It was thus the outer 3/4 in. (2 cm) of wood. In order a huge embarrassment when the ship to prevent shrinkage and collapse of sank unceremoniously in Stockholm these weakened wood cells once the ship harbor on its maiden voyage in 1628. was raised, a material that would diffuse Salvaged in 1961, the ship underwent a into the wood and take the place of the pioneering conservation program for 26 water in the cells was needed. The mate- years.1 In late 1988 the conserved ship rial chosen was a water-soluble wax, was floated on its pontoon into a dry polyethylene glycol (PEG), which was dock through the open wall of the pur- sprayed over the hull in increasing con- pose-built Vasa Museum, which has centrations over a 17-year period, fol- since become the most visited maritime lowed by a 9-year period of slow air museum in the world. -
Fulltekst (Pdf)
DEGREE PROJECT IN ARCHITECTURE, SECOND CYCLE, 30 CREDITS STOCKHOLM, SWEDEN 2021 OPENNESS AND CITY A public square and its surroundings as a tool to break the consumerist approach of the city LAMPROS PACHOULAS KTH ROYAL INSTITUTE OF TECHNOLOGY SCHOOL OF ARCHITECTURE AND THE BUILT ENVIRONMENT A public square and its surroundings as a tool to break the consumerist approach of the city. LAMPROS PACHOULAS SUPERVISORS: PATRICK VERHOEVEN & FRANCESCA SAVIO KTH ROYAL INSTITUTE OF TECHNOLOGY SCHOOL OF ARCHITECTURE AND THE BUILT ENVIRONMENT DEGREE PROJECT IN URBAN PLANNING AND DESIGN SUSTAINABLE URBAN PLANNING AND DESIGN PROGRAM BOOKLET CONTENTS CHALLENGE PROJECT METHODS AREA DESIGN CRITICAL REFLECTION REFERENCE LITERATURE TIMELINE CHALLENGE The evolution of Stockholm can be dated back to the thirteenth century. It was then when Stockholm became an exacting issue to be transformed from the Swedish capital to a leading metropolis. A crucial point in the planning history of Stockholm was the Lindhagen’s plan in 1866 which more or less set the guidelines on how the city would reshaped towards a more healthy, beautiful and functionable space. Open and public spaces were addressed as an important social resource and an essential apparatus to ameliorate health conditions. The dramatic reconstruction of the city centre started in the 1950s and 1960s with the regularization of the city’s core. Lower Norrmalm the core of Stockholm’s business district faced a near total renewal over the period that expand from 1950s to the early 1980s. It’s been characterized by the demolition of hundreds of buildings, construction of the underground hub, a tunnel for cars and approximately over 1.5 million square meters of new but non-residential floor space. -
Silja's Stockholm Tips!
Imagebank.sweden.se Silja’s Stockholm tips! Club One benefits in Stockholm VASA MUSEUM THE MUSEUM OF SPIRITS One of the most popular places to visit in Stockholm, the Imbibe the atmosphere and learn about Swedish drinking Vasa Museum was extended and renovated in spring 2013. culture at the Museum of Spirits. You can see, feel, taste The Vasa is the only surviving 17th century ship in the world and smell various drinks and ingredients at the Museum of and is visited by almost one million visitors each year. Spirits. www.vasamuseet.se www.spritmuseum.se Club One discount: Club One discount: 30 SEK/ticket, max. 2 tickets per Club One card 10 %/ticket JUNIBACKEN MILLESGÅRDEN The fairytale world of Junibacken charms visitors of all ages. The home of artist couple Carl and Olga Milles, Millesgården Take a ride on a fairytale train with Emil of Lönneberga and on the island of Lidingö offers a variety of things for art lo- Pippi Longstocking and other favourite characters, and don’t vers to see. It presents works of art in a sculpture park, the miss the funny theatre performances! couple’s home and in Anne’s house. www.junibacken.se www.millesgarden.se Club One discount: Club One discount: 10 SEK/ticket, max. 5 tickets per Club One card 20 SEK/ticket, max. 5 tickets per Club One card SKANSEN Are you in the mood for moose, bears, seals or petting some bunny rabbits? How about some rural or urban Swedish cul- ture? If these are your thing, take your family to Skansen. -
Här Gäller Kulturarvskortet!
Här gäller Kulturarvskortet! Stockholm Årsta Slottsmuseum, 50% Närke Hälsingland & Medelpad Almgrens Sidenväveri & Museum, Östasiatiska museet, e10% Bergööska huset, 50% Gränsfors bruk, e10 % Skåne Blekinge Sollidens Slott, Borgholm, 50%, Lödöse Museum, e15% 50% Karlslunds herrgård, Örebro, 50% Hälsinglands museum, Hudiksvall, Skoindustrimuseet, Kumla, 50% e10% Axel Ebbes Konsthall, Trelleborg, Blekinge Museum, Karlskrona, e10% Nääs slott, Floda, 50% Armémuseum, e10% Uppland Stjernsunds slott, Askersund, 50% Ljusdalsbygdens museum, e10% 50% e10%, visn. 50% VIDA Museum, Halltorp 50% Rydals museum, Mark, 50%, e10% Bergianska Trädgården, 50% Botaniska Trädgården, Uppsala Tekniska kvarnen, Örebro, 50% Sundsvalls museum, 50% på Bosjökloster Slott & Trädgårdar, Karlshamns museum, 100%, e20% Ölands Museum Himmelsberga, Rörstrands museum, Lidköping, Birka, Björkö, 50% (ej på turtrafik), 50% Wadköping, Örebro, e10 % i stadsvandringar Höör, 50% Marinmuseum, Karlskrona, 50% på 50% e10% ä10%, e10% Bror Hjorths Hus, Uppsala, e10% Botaniska Trädgården, Lund, 20% utställningar Slöjd- & Byggnadsvård, Nääs, Carl Eldhs Ateljémuseum, 50% e utvalda butiker Gotland Enköpings museum, 10% Ångermanland på Botaniskans egna skrifter Skottsbergska Gården, Karlshamn, e10% Cosmonova, 50% Örebro läns museum, Örebro, Bungemuseet, 50% Evolutionsmuseet, Uppsala, 50% Mannaminne, Nordingrå, 50% Bärnstensmuseet, Kämpinge, 50%, 100% Stola Herrgård, Lidköping, 50% Dansmuseet, 50% e10% Gotlands Fornsal, Visby, 50% Gamla Uppsala Museum, 50% Västernorrlands museum, e10% e10% -
Comparing Two Key Modernist Public Squares Among Athens & Stockholm
DEGREE PROJECT IN THE BUILT ENVIRONMENT, SECOND CYCLE, 15 CREDITS STOCKHOLM, SWEDEN 2017 Comparing two key modernist public squares among Athens & Stockholm From similar morphological patterns to common urban experience IOLI APOSTOLOPOULOU KTH ROYAL INSTITUTE OF TECHNOLOGY SCHOOL OF ARCHITECTURE AND THE BUILT ENVIRONMENT TRITA SoM EX 2017-26 www.kth.se Fig.1, Sergels Torg, by Gunnar Smoliansky in 1978 Acknowledgement I would like to sincerely thank Prof. Tigran Haas for his support and guidance throughout the master program, as well as Ax:son Johnson Foun- dation and Royal Institute of Technology for funding the program. I would like to express my gratitude to Ryan Locke for his contribution as a supervisor and for encouraging me to explore the wide variety of topics related to Urbanism. In addition, I would like to thank Jaimes Montes for his initial contribu- tion to my research. Finally I would like to thank my family and especially my brother Nikolaos for supporting me during my studies. Ioli Apostolopoulou 3 CONTENTS Abstract...............................................................................................................................................6 Introduction........................................................................................................................7 Preface................................................................................................................................................7 Research Purpose and Question......................................................................................................7 -
Årsredovisning 2017
Årsredovisning 2017 Innehållsförteckning ÖVERINTENDENTENS FÖRORD 1 1. RESULTATREDOVISNING 2 2. INLEDNING 3 2.1 Myndigheten 3 2.2 Personal och kompetensförsörjning 4 2.3 Sammanfattning verksamhet och resultat 6 3. RENOVERING OCH NYA NATIONALMUSEUM 8 4. SAMLINGARNA 10 4.1 Förvärv 10 4.2 Vård och förvaring 12 4.3 Forskning och kunskapsförmedling 15 5. TILLGÄNGLIGHET 18 5.1 Utställningar och lån 18 5.2 Digitalisering 22 5.3 Sociala medier 24 6. PUBLIK OCH PEDAGOGIK 25 6.1 Besökare 25 6.2 Pedagogisk verksamhet 26 6.3 Barn och unga 28 6.4 Specialpedagogik 31 7. SAMVERKAN 32 7.1 Regional närvaro 32 7.2 Internationellt och interkulturellt utbyte 33 7.3 Samarbete för kultur till fler 34 7.4 Moderna Museet 34 8. PRINS EUGENS WALDEMARSUDDE 35 9. AVGIFTSBELAGD VERKSAMHET 40 10. KOSTNADER 41 10.1 Medverkans- och utställningsersättning 41 10.2 Lokalkostnader 42 11. FINANSIELL REDOVISNING 43 11.1 Resultaträkning 43 11.2 Balansräkning 44 11.3 Anslagsredovisning 46 11.4 Tilläggsuppgifter och noter 47 11.5 Sammanställning över väsentliga uppgifter 54 UNDERTECKNANDE 55 Förord Kära publik, skattebetalare, samarbetspartners och uppdragsgivare, Jag vill rikta ett särskilt tack till er. Utan er skulle Nationalmuseum inte kunna finnas. Det är ni som gör vår verksamhet möjlig. Tack vare er kan vi också lägga ett framgångsrikt 2017 bakom oss. Ett år då vi har mött en helt ny publik genom att vi befunnit oss på flygplatser och tågstationer runt om i landet. Vi har också intensifierat våra internationella samarbeten i utställningsprojekt, allt för att säkra inlån av högsta klass då vi öppnar våra dörrar till Europas modernaste museibyggnad insprängd i ett drygt 150 år gammalt skal. -
Museums in Stockholm
Museums in Stockholm PHOTO: OLA ERICSON FOR THE LATEST UPDATES ON STOCKHOLM, VISIT THE OFFICIAL WEBSITE VISITSTOCKHOLM.COM Museums in Stockholm BERGIANSKA TRÄDGÅRDEN BERGIUS BOTANIC GARDEN Discover Stockholm´s museums with their world-class collections, pioneering exhibitions and extraordinary historical objects. Botanical garden beautifully situated at Lake Brunnsviken. A paradise for plant enthusiasts with thousands of trees, shrubs and herbs from around the world. Exotic, heat-loving plants thrive in the Victoria House and Edvard Anderson Conservatory. AQUARIA VATTENMUSEUM Café, shop and restaurant. AQUARIA WATER MUSEUM Opening hours: The Park daily. Edvard Anderson Conservatory: Oct-Mar Mon- Fri 11am- 4pm, Sat- Sun Falkenbergsgatan 2. Djurgården 11am-5pm Apr-Sep daily 11am- 5pm. www.aquaria.se The Victoria House: May-Sep Mon- Fri 11am- 4pm, Sat-Sun 11am-5pm. ARKITEKTURMUSEUM Metro station: Universitetet, Bus:40 MUSEUM OF ARCHITECTURE Bergianska trädgården All you need to know about Swedish architecture and construction from +46 (0) 8 545 91 700 the 19th century until today. Exhibitions featuring drawings, models, design www.bergianska.se and examples of sustainable urban development. Take a tour and participate in creative activities for children on Sundays. Library, BIOLOGISKA MUSEET collections, book store and café. BIOLOGICAL MUSEUM Opening hours: Tues 10am- 8pm, Wed-Sun Lejonslätten, Djurgården 10am-6pm. www.biologiskamuseet.com Metro station: Kungsträdgården Bus: 2, 55, 62, 65, 76 Skeppsholmen BONNIERS KONSTHALL +46 (0) 8 587 270 00 BONNIERS CONTEMPORARY ART www.arkitekturmuseet.se Torsgatan 19. Norrmalm ARMÉMUSEUM www.bonnierskonsthall.se ARMY MUSEUM CARL ELDHS ATELJÉMUSEUM Riddargatan 13. Östermalm CARL ELDH’S STUDIO MUSEUM www.armemuseum.se Lögebodavägen 10.