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Mayodan High School Yearbook, "The Anchor"
» :-.i.jV Digitized by the Internet Archive in 2013 http://archive.org/details/anchor1958mayo ^he eAncko ,,: ^ . 1958 CHARLOTTE GANN - Editor-in-Chief SHIRLEY EASTER Assistant Editor MILDRED WHITE Sales Manager BETTY S. WILKINS Advertising MONTSIE ALLRED Class Editor FRANKIE CARLTON Picture Editor ROGER TAYLOR Art Editor UDELL WESTON Sports Editor JIMMY GROGAN Feature Editor foreword The Senior Class of '58 presents this ANCHOR as a token of our appreciation to all who have helped us progress through the past years, especially our parents, teach- ers, fellow students, and Mr. Duncan. success, It is our sincere hope that your lives may be filled with happiness and and that you will continue to manifest a spirit of loyalty to Mayodan High School. SHIRLEY EASTER CHARLOTTE GANN ^Dedication To our parents, who, in the process of rearing us, have picked us up when we have fallen, pushed us when we needed pushing, and have tried to understand o u r problems when on one else would listen to us! Because of their faithfulness, understanding, and undying love, for which we feel so deeply grateful, we dedicate to them our annual, the ANCHOR of 1958. The Seniors ^iicfk Oc/tocl faculty Not Pictured HATTIE RUTH HYDER ELLIOTT F. DUNCAN VIOLET B. SULEY B. S., A. S. T. C. A. B., U. N. C. A. B., Wisconsin University Home Economics Principal Biology Not Pictured OTIS J. STULTZ IRMA S. CREWS HENRY C. M. WHITAKER B. A., Elon College B. A., Winthrop College A. B., High Point College Business Administration A. B., High Point College Spanish, Social Studies, Band Mathematics, English MAUD G. -
The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters
04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBORAH F. RUTTER , President CONCERT HALL Monday Evening, April 4, 2016, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters GARY BURTON WENDY OXENHORN PHAROAH SANDERS ARCHIE SHEPP Jason Moran is the Kennedy Center’s Artistic Director for Jazz. WPFW 89.3 FM is a media partner of Kennedy Center Jazz. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 2 2016 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, pianist and Kennedy Center artistic director for jazz With remarks from JANE CHU, chairman of the NEA DEBORAH F. RUTTER, president of the Kennedy Center THE 2016 NEA JAZZ MASTERS Performances by NEA JAZZ MASTERS: CHICK COREA, piano JIMMY HEATH, saxophone RANDY WESTON, piano SPECIAL GUESTS AMBROSE AKINMUSIRE, trumpeter LAKECIA BENJAMIN, saxophonist BILLY HARPER, saxophonist STEFON HARRIS, vibraphonist JUSTIN KAUFLIN, pianist RUDRESH MAHANTHAPPA, saxophonist PEDRITO MARTINEZ, percussionist JASON MORAN, pianist DAVID MURRAY, saxophonist LINDA OH, bassist KARRIEM RIGGINS, drummer and DJ ROSWELL RUDD, trombonist CATHERINE RUSSELL, vocalist 04-04 NEA Jazz Master Tribute_WPAS -
Media Contact: Casey Blake 480-644-6620 [email protected] Ali Jackson Trio Performing Live at Mesa Arts Center
Media Contact: Casey Blake 480-644-6620 [email protected] Ali Jackson Trio Performing Live at Mesa Arts Center Saturday, Oct. 18 For immediate release: Sept. 17, 2014 Mesa, AZ – World renowned jazz drummer and member of the Jazz at Lincoln Center Orchestra, Ali Jackson, and two other talented jazz musicians, forming the Ali Jackson Trio, will be performing at Mesa Arts Center’s Piper Repertory Theater on Oct. 18 at 7:30 p.m. Tickets are available at mesaartscenter.com or by calling 480-644-6500. Ali Jackson is a world renowned modernist jazz drummer. He takes the principle of drumming and creates an irresistible beat. Jackson’s skill and concentration is unmatched, creating distinct rhythms and using abstract methods in a classic style. Currently, he is the principle drummer in the Jazz at Lincoln Center Orchestra with Wynton Marsalis and is in his 7th season. Growing up in New York City and Detroit in an open music environment, Jackson took in all that he could from music. By the age of 8, he was playing on the streets of Detroit with his father, famed bassist Ali Jackson Sr. and getting insight on his talents from Donald Byrd, Betty Carter and Aretha Franklin. As a strong advocate for arts education, he has given numerous lectures at schools, such as New York University, Stanford University, Eastman College of Music, Columbia University, and West Virginia University, just to name a few. Jackson’s passion for musical outreach is incredible, touring continents and teaching others about the power of music. Jackson is currently touring with Jazz at Lincoln Center Orchestra in Western Europe. -
Juilliard Jazz Orchestra Wynton Marsalis , Conductor
Tuesday Evening, April 3, 2018, at 7:30 The Juilliard School presents Juilliard Jazz Orchestra Wynton Marsalis , Conductor A Tribute to Blue Note Records JACKIE MCLEAN , arr. Wynton Marsalis Appointment in Ghana MCCOY TYNER , arr. Chris Crenshaw Search for Peace WOODY SHAW , arr. Victor Goines The Moontrane HORACE SILVER , arr. Carlos Henriquez Señor Blues Intermission JOE HENDERSON , arr. Ted Nash Inner Urge HORACE SILVER , arr. David Berger Peace WAYNE SHORTER , arr. Ted Nash Fee-Fi-Fo-Fum DEXTER GORDON , arr. Sherman Irby Ernie’s Tune WAYNER SHORTER , arr. Wynton Marsalis Free for All Performance time: approximately 1 hour and 30 minutes, including one intermission Juilliard gratefully acknowledges the Talented Students in the Arts Initiative, a collaboration for the Doris Duke Charitable Foundation and the Surdna Foundation, for their generous support of Juilliard Jazz. The taking of photographs and the use of recording equipment are not permitted in this auditorium. Information regarding gifts to the school may be obtained from the Juilliard School Development Office, 60 Lincoln Center Plaza, New York, NY 10023-6588; (212) 799-5000, ext. 278 (juilliard.edu/giving). Alice Tully Hall Please make certain that all electronic devices are turned off during the performance. Meet the Artist more than 25 of America’s top academic institutions including Columbia, Harvard, Howard, Princeton, and Yale. His creativity has been celebrated the world over. In 1997 he became the first jazz artist to be awarded the Pulitzer Prize in Music for his Z E N I oratorio Blood on the Fields . In 2001 he T R A was appointed Messenger of Peace by M E O Kofi Annan, secretary-general of the J Wynton Marsalis United Nations, and in 2005 Mr. -
EASTMAN NOTES JUNE 2004 Draft: Final Date: 6/15/2004 INSIDE
NOTES JUNE 2004 A MAGAZINE FOR ALUMNI OF THE EASTMAN SCHOOL OF MUSIC FROM THE EDITOR The right “stu≠” Dear Eastman Alumni: We like Notes’ new look, and it seems you do too. Response has been unani- mously favorable; perhaps we should consider a Steve Boerner–David Cowles NOTES presidential ticket for 2008. I’d vote for them; these two artists made “Notes Volume 22, Number 2 nouveau” a pleasure, and I’m glad the pleasure was conveyed in the magazine June 2004 itself. I write the stuff, but they (and our photographers) make it look good! We also had a tremendous response to our “Eastman Alumni on CD” feature; Editor see pages 33¬34. And enough of you commented on different editorial aspects of David Raymond Notes (not always favorably) that we have a “Letters to the Editor” section, which Assistant editor may be a first for us. Christina Casey This issue of Notes is admittedly filled with history, but Susan Conkling’s re- Contributing writers minder of the great women who shaped both American music and Eastman, and Martial Bednar Amy Blum Paul Burgett’s reminder of four black composers who Christine Corrado played an important part in Eastman history, are stories Contributing photographers worth telling. As is the story of the success of Howard Kurt Brownell Hanson’s Merry Mount at the Met in 1934—a remarkable Gelfand-Piper Photography event, when you think about it. I should add a special Bob Klein Photography word of thanks here to David Peter Coppen, the Sibley Carlos Ortiz Don Ver Ploeg/VP Communications Library Archivist, who is always helpful with providing Amy Vetter historical photographs and other materials for Notes, but Photography coordinator outdid himself for these three articles. -
Take 2 Dance Band Current Song List
TAKE 2 DANCE BAND CURRENT PLAYLIST 24K MAGIC BRUNO MARS 25 OR 6 TO 4 CHICAGO AFRICA TOTO AIN’T IT FUN PARAMORE AIN’T NO MOUNTAIN HIGH ENOUGH GAYE & TERRELL AIN’T NO OTHER MAN CHRISTINA AGUILERA AIN’T NOBODY CHAKA KHAN AIN’T THAT A KICK IN THE HEAD DEAN MARTIN AMERICAN GIRL TOM PETTY ANOTHER ONE BITES THE DUST QUEEN ANY WAY YOU WANT IT JOURNEY ARE YOU GONNA BE MY GIRL JET AT LAST ETTA JAMES ATTENTION CHARLIE PLUTH BABY ONE MORE TIME BRITNEY SPEARS BACK IN LOVE AGAIN L.T.D. BEAT IT MICHAEL JACKSON BEST OF MY LOVE THE EMOTIONS BILLIE JEAN MICHAEL JACKSON BLACK CAT JANET JACKSON BLURRED LINES ROBIN THICKE BOOGIE OOGIE OOGIE TASTE OF HONEY BORDERLINE MADONNA BORN TO BE WILD STEPPENWOLF BROKENHEARTED KARMIN CAKE BY THE OCEAN DNCE CALIFORNIA GIRLS KATY PERRY CALIFORNIA LOVE 2PAC CALL ME MAYBE CARLY RAE JEPSEN CALLING BATON ROUGE GARTH BROOKS CAN’T STOP THIS FEELING JUSTIN TIMBERLAKE CAR WASH ROLLS ROYCE CELEBRITY SKIN HOLE CLOSER CHAINSMOKERS COME OUT & PLAY OFFSPRING CRAZY IN LOVE BEYONCE DA YA THINK I’M SEXY STEWART & DNCE DANCE TO THE MUSIC SLY/FAMILY STONE DER KOMMISSAR AFTER THE FIRE DIE YOUNG KE$HA DON’T PHUNK WITH MY HEART BLACKEYED PEAS DON’T STOP BELIEVING JOURNEY DREAMS FLEETWOOD MAC ESCAPADE JANET JACKSON EVERYBODY BACKSTREET BOYS EVERYBODY WANTS YOU BILLY SQUIRE FAITHFULLY FAME DAVID BOWIE FEEL FOR YOU CHAKA KHAN FEELS CALVIN HARRIS FINALLY CECE PENISTON FINESSE BRUNO MARS FORGET YOU CEE LO GREEN GAME OF LOVE SANTANA GENIE IN A BOTTLE CHRISTINA AUGILERA GET DOWN ON IT KOOL & THE GANG GET INTO THE GROOVE MADONNA GET LUCKY DAFT PUNK GIRLS JUST WANNA HAVE FUN CINDI LAUPER GOOD VIBRATIONS MARKY MARK GOT TO BE REAL CHERYL LYNN GROOVE LINE HEATWAVE H.O.L.Y. -
This Is Carmen Lundy, Jazz and the New Songbook: Live at the Madrid, Come Home, Solamente, Changes, and Soul to Soul, Among Others
Finding Aid to The HistoryMakers ® Video Oral History with Carmen Lundy Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: Lundy, Carmen Title: The HistoryMakers® Video Oral History Interview with Carmen Lundy, Dates: November 12, 2014 Bulk Dates: 2014 Physical 9 uncompressed MOV digital video files (4:33:00). Description: Abstract: Jazz singer Carmen Lundy (1954 - ) has recorded fourteen albums and published over 100 songs. She has also acted on stage and is an exhibited painter and co-founder of Afrasia Productions. Lundy was interviewed by The HistoryMakers® on November 12, 2014, in Woodland Hills, California. This collection is comprised of the original video footage of the interview. Identification: A2014_256 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Jazz singer, arranger and composer Carmen Lundy was born on November 1, 1954 in Miami, Florida. Her mother, Oveida, was the lead singer in a gospel group; her younger brother, Curtis Lundy, is a jazz bassist. Inspired by those around her, Lundy began playing the piano at age six, and started singing in her church choir at age twelve. She went on to attend the University of Miami, where she received her B.M. degree in studio music and jazz. At the age of sixteen, Lundy began her professional career in Miami, then moved to New York City in 1978 where she worked with numerous Jazz veterans. The following year, she made her first appearance on an album with a group called Jasmine; and, in 1980, formed her own group, performing with pianists John Hicks and Onaje Gumbs. -
“Come On, Charlie. It's Closing Time,” Jack Said. “Those
Chapter 4, 1983 “Come on, Charlie. It’s closing time,” Jack said. “Those beers at O’Neil’s aren’t going to drink themselves. I have a sixteen16 ounce tip-cup filled with quarters. There must be $30 in here. Let’s go.” “OkOkay, Jack. Be cool. We going. I don’t understand you anyway, boy. What you doin’ drinking with a bunch of old black men every night, anyway? You should be out chasing high school girls, boy. Should be hanging out with kids your own age. Not that I mind you comin with us.” “It’s kind of hard to chase high school girls when you don’t know any of them and smell like a car wash. Besides, Charlie, did you ever notice that I don’t go to high school?” Commented [HS1]: Mississippi passed a compulsory education law in 1982 that said all children under 16 must th attend school. Now, his foster family could ignore this, but “Oh man! Jack, I’m from Biloxi, Mississippi. I don’t go past ninth 9 grade. Don’t stop me. Your I just thought I should make note of it. age? Oh boy! Shit! I think I had two kids, by your age. Look man! I know why I go drinking every night. What about you?” “What about me? Why do you go drinking every night?” “Do you know where I live, Jack? I live in the Cabrini–Green project. I gotta be drunk to deal with all that shit. Damn police won’t even go in on a dare. -
Normanwhitfieldblog.Pdf
2 He was a brilliant composer and record producer, one of the best to come out of Motown. He was born on May12th 1940 in Harlem, New York, and passed away on September 16th 2008 in Los Angeles, at the age of 68. He founded Whitfield Records in Los Angeles after his departure from Motown Records. He was known as the father of the “Psychedelic Funk” sound. Longer songs, a heavy bass line, distorted guitars, multi-tracked drums and inventive vocal arrangements became the trademarks of Norman’s production output, mainly with The Temptations. According to Dave Laing (Journalist for the Guardian Newspaper; Thursday 18th September 2008) stated that Norman Whitfield’s first actual job at Motown Records was as a member of staff for which he got paid $15 a week to lend a critical ear to new recordings by Motown staff, a job he said "consisted of being totally honest about what records you were listening to". He graded the tracks for Gordy's monthly staff meeting, where decisions were made on which should be released. Soon dissatisfied with quality control, Whitfield fought to be allowed to create records himself. This involved competing with such established figures as Smokey Robinson, but he got his first 3 opportunities in 1964 with lesser Motown The Temptations’ songs, during the first ten groups, co-writing and producing “Needle years of the label’s operation. Such songs as in a Haystack” by the Velvelettes and “Too “Just My Imagination (Running Away with Many Fish in the Sea” by the Marvelettes. Me)”, “Ball Confusion”, “Papa Was a Rollin’ These records brought him the chance to Stone” and “I Can’t Get Next To You” all work with the Temptations, already one of achieved platinum certification in America for Motown's elite groups. -
Arbor Express Car Wash Initial Study Mitigated Negative Declaration
Arbor Express Car Wash Initial Study Mitigated Negative Declaration Lead Agency: City of Rancho Cucamonga Planning Department 10500 Civic Center Drive Rancho Cucamonga, California 91730 Prepared for: Southwest Design Group, LLC 12223 Highland Avenue, Suite #106-201 Rancho Cucamonga, California 91739 Prepared by: MIG, Inc. 1500 Iowa Avenue, Suite 110 Riverside, California 92507 June 15, 2020 - This document is designed for double-sided printing - Table of Contents 1 Introduction .............................................................................................................................................................................1 1.1 – Purpose of CEQA ..............................................................................................................................................1 1.2 – Public Comments ...............................................................................................................................................2 2 Project Description ..................................................................................................................................................................3 2.1 – Project Title ........................................................................................................................................................3 2.2 – Lead Agency Name and Address ......................................................................................................................3 2.3 – Contact Person and Phone Number ..................................................................................................................3 -
JELLYBEAN JAM Songlist Medleys
JELLYBEAN JAM songlist Medleys (Please note Medleys cannot be broken down in form) 80s- Born To Be Alive, Shake Your Groove Thing, Don’t Leave me This way, Jessie’s Girl, Video Killed The Radio Star, Its Raining Men, You Spin me Round, Love Shack, We Built This City, My Sharona 80s2- Girls Just Wanna Have Fun, Venus, Just Can’t Get Enough, Xanadu, Hungry Like The Wolf , Funky Town. Chicks- Holiday, Step Back in Time, Lets Hear It for the Boy, Express Yourself, Finally, Better the Devil You Know Disco 1 - Blame it on the Boogie, Disco Inferno, Car Wash, Celebration, We are Family, Le Freak. Disco 2 - Jungle Boogie, Upside Down, Can’t Stand the Rain, Get down on it, Funky Music, Everyone's a Winner, Can’t Get Enough of Your Love, Tragedy, Lady Marmalade, Love Is in the Air, Kung Fu Fighting Disco 3 – Give It Up, Long Train Running, That’s the Way I like It, If I Can’t Have You, Don’t Stop Till You Get Enough, Can You Feel It Disco 4 - I will survive, You should be dancing, Got To be real, Young Hearts Run Free, Do Ya think I'm Sexy, September, Hot Stuff, Boogie Wonderland. Jacko- Thriller, Shake Your Body, Billie Jean, Rock with You, Black or White, Wanna Be Starting Something, Bad Abba- Dancing Queen, SOS, Money Money Money, Ring Ring, Mamma Mia Latin – I Go To Rio, Conga, Hot Hot Hot, Copacabana, The Love Boat Mambo- Tequila, Yeh Yeh, Mambo no 5 Motown - Uptight, can’t help myself, same ole song, dancing in the street, aint too proud to beg, joy to the world, get ready , stop, its my party, never can say good bye Movie- Flashdance, fame, -
MUSIC WEEK AUGUST 27, 1977 C Q D L\ N New Hawk LP from The
MUSIC WEEK AUGUST 27, 1977 D C Q l\ n Dubliners LP on Ram New Hawk Devotion. Recommended retail price RAM RECORDS launched two new is £4.22. LP from f albums at a reception at the Songs of Sondhcim (Ram RMLP Shclbourne Hotel, Dublin. 1026) Includes 13 songs by Stephen The Dubliners 15 Years On (Ram Sondhcim sung by Tony Kenny, the Indians y RMLP 1025) is a double album with Gemma Craven, Lorcto O'Connor HAWK RECORDS released Dance 24 tracks consisting of roughly half and Gay Byrne in Side By Side By On With The Indians, the band's in half of the best known Dubliners' Sondhcim. which is currently sixth album in six years. songs and new material. Among the running at the Shclbourne Hotel. The Indians, a leading attraction T songs are The Wild Rover, Black The album was recorded at the on the Irish ballroom circuit, dress Velvet Band, Seven Drunken Nights. Gaiety Theatre and was produced to suit the name and arc known as Wei la Weila Waile, Four Green and edited by Jim Doherty. The Spotted Tail (Dcrry), Silting Bull Jr. Fields, Carrickfcrgus, Spancil Hill, recommended retail price is £2.90. (Eamon). Crazy Horse (Brian), Dull McAlpine's Fusiliers, O'Carolan's Knife (John), Big Chief Flaming A Star (Noel), Little Thunder (Chris), A Medicine Crow (Shay). Cotton Mill The new album includes three EDITED originals by Irish writers — Big GERALDINE'S NEW single will be promoted in Ireland by CBS. It's called by Chief Flaming Star by Peter Eadcs Romano (CBS 5534) and it was released simultaneously in Germany, France, Boys stay KEN of the Miami Showband, The Belgium, Holland, Luxembourg and Italy.