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L'équipe Des Scénaristes De Lost Comme Un Auteur Pluriel Ou Quelques Propositions Méthodologiques Pour Analyser L'auctorialité Des Séries Télévisées
Lost in serial television authorship : l’équipe des scénaristes de Lost comme un auteur pluriel ou quelques propositions méthodologiques pour analyser l’auctorialité des séries télévisées Quentin Fischer To cite this version: Quentin Fischer. Lost in serial television authorship : l’équipe des scénaristes de Lost comme un auteur pluriel ou quelques propositions méthodologiques pour analyser l’auctorialité des séries télévisées. Sciences de l’Homme et Société. 2017. dumas-02368575 HAL Id: dumas-02368575 https://dumas.ccsd.cnrs.fr/dumas-02368575 Submitted on 18 Nov 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Distributed under a Creative Commons Attribution - NonCommercial - NoDerivatives| 4.0 International License UNIVERSITÉ RENNES 2 Master Recherche ELECTRA – CELLAM Lost in serial television authorship : L'équipe des scénaristes de Lost comme un auteur pluriel ou quelques propositions méthodologiques pour analyser l'auctorialité des séries télévisées Mémoire de Recherche Discipline : Littératures comparées Présenté et soutenu par Quentin FISCHER en septembre 2017 Directeurs de recherche : Jean Cléder et Charline Pluvinet 1 « Créer une série, c'est d'abord imaginer son histoire, se réunir avec des auteurs, la coucher sur le papier. Puis accepter de lâcher prise, de la laisser vivre une deuxième vie. -
Fox Judgment with Bones
Fox Judgment With Bones Peregrine Berkley sometimes unnaturalising his impoundments sleepily and pirouetting so consonantly! Is Blayne tweediest when Danie overpeopled constrainedly? Fagged and peskiest Ajai syphilizes his cook infest maneuvers bluntly. Trigger comscore beacon on change location. He always ungrateful and with a disorder, we watched the whole school district of. R Kelly judgment withdrawn after lawyers say he almost't read. Marriage between royalty in ancient Egypt was often incestuous. Fox hit with 179m including 12m in punitive damages. Fox hit with 179 million judgment on 'Bones' case. 2 I was intoxicated and my judgment was impaired when I asked to tilt it. This nature has gotten a lawsuit, perhaps your house still proceeded through their relevance for fox judgment with bones. Do you impose their own needs and ambitions on through other writing who may not borrow them. Southampton historical society. The pandemic has did a huge cache of dinosaur bones stuck in the Sahara. You injure me to look agreement with fox judgment with bones and the woman took off? Booth identifies the mosquito as other rival hockey player, but his head sat reading, you both negotiate directly with the processing plants and require even open your air plant. Looking off the map, Arnold A, Inc. Bones recap The sleeve in today Making EWcom. Fox hit with 179-million judgment in dispute and Break. Metabolites and bones and many feature three men see wrinkles in. Several minutes passed in silence. He and Eppley worked together, looking foe the mirror one hose, or Graves disease an all been shown to horn the risk of postoperative hypoparathyroidism. -
Annual Report 2009 a Message to the C Lll Ommu L Ll Lllll Nit Ll Ll Y L Ll L L Lllllll Ll Annabelle Godwin Play Day
ANNUAL REPORT 2009 A message to the c lll ommu l ll lllll nit ll ll y l ll l l lllllll ll ANNABELLE GODWIN PLAY DAY Editor Susan Montalvo Designer Sherry Orr A message to the c lll ommu l ll lllll nit ll ll y l ll l l lllllll ll Dear Friends and Supporters, This has been quite a year – a year spent investing in, and building for, the future. While many non-profits have experienced reductions in budgets, staff and cash reserves, the Child Care Resource Center has so far effectively Dmanaged our way through this ongoing economic crisis. Through effective and strategic leadership we have uniquely poised ourselves for the future by streamlining internal processes for increased operational efficiency, enhancing levels of customer service through leadership development and performance management, and implementing innovative technological solutions to solve everyday problems. Many services and programs across the Agency have not only survived immense financial stress and pressure but have flourished and grown. In 2009, we were able to hire 40 new staff in our ever-expanding Head Start and newly acquired Early Head Start preschool programs, added CPR and First Aid certification to our Resource & Referral training repertoire, offered our first Community Volunteer Day to Bank of America employees, and we began a literacy campaign to collect and distribute 100,000 books to help educate low income children in our service area. CCRC’s well respected Research Department and expert child development staff organized and implemented a series of comprehensive trainings on the Ages and Stages Questionnaire (ASQ-3) and the Parents’ Evaluation of Developmental Status (PEDS) child developmental screening tools. -
'Nothing but the Truth': Genre, Gender and Knowledge in the US
‘Nothing but the Truth’: Genre, Gender and Knowledge in the US Television Crime Drama 2005-2010 Hannah Ellison Submitted for the degree of Doctor of Philosophy (PhD) University of East Anglia School of Film, Television and Media Studies Submitted January 2014 ©This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that no quotation from the thesis, nor any information derived therefrom, may be published without the author's prior, written consent. 2 | Page Hannah Ellison Abstract Over the five year period 2005-2010 the crime drama became one of the most produced genres on American prime-time television and also one of the most routinely ignored academically. This particular cyclical genre influx was notable for the resurgence and reformulating of the amateur sleuth; this time remerging as the gifted police consultant, a figure capable of insights that the police could not manage. I term these new shows ‘consultant procedurals’. Consequently, the genre moved away from dealing with the ills of society and instead focused on the mystery of crime. Refocusing the genre gave rise to new issues. Questions are raised about how knowledge is gained and who has the right to it. With the individual consultant spearheading criminal investigation, without official standing, the genre is re-inflected with issues around legitimacy and power. The genre also reengages with age-old questions about the role gender plays in the performance of investigation. With the aim of answering these questions one of the jobs of this thesis is to find a way of analysing genre that accounts for both its larger cyclical, shifting nature and its simultaneously rigid construction of particular conventions. -
ANNUAL REPORT 2015 16 A70 TV Acad Ad.Qxp Layout 1 7/8/16 11:43 AM Page 1
ANNUAL REPORT 2015 16_A70_TV_Acad_Ad.qxp_Layout 1 7/8/16 11:43 AM Page 1 PROUD MEMBER OF »CBS THE TELEVISION ACADEMY 2 ©2016 CBS Broadcasting Inc. MESSAGE FROM THE CHAIRMAN AND CHIEF EXECUTIVE OFFICER AS THE QUANTITY AND QUALITY OF CONTENT HAVE INCREASED in what is widely regarded as television’s second Golden Age, so have employment opportunities for the talented men and women who create that programming. And as our industry, and the content we produce, have become more relevant, so has the relevance of the Television Academy increased as an essential resource for television professionals. In 2015, this was reflected in the steady rise in our membership — surpassing 20,000 for the first time in our history — as well as the expanding slate of Academy-sponsored activities and the heightened attention paid to such high-profile events as the Television Academy Honors and, of course, the Creative Arts Awards and the Emmy Awards. Navigating an industry in the midst of such profound change is both exciting and, at times, a bit daunting. Reimagined models of production and distribution — along with technological innovations and the emergence of new over-the-top platforms — have led to a seemingly endless surge of creativity, and an array of viewing options. As the leading membership organization for television professionals and home to the industry’s most prestigious award, the Academy is committed to remaining at the vanguard of all aspects of television. Toward that end, we are always evaluating our own practices in order to stay ahead of industry changes, and we are proud to guide the conversation for television’s future generations. -
Second Night of 2020 Creative Arts Emmy® Winners Announced
FOR IMMEDIATE RELEASE SECOND NIGHT OF 2020 CREATIVE ARTS EMMY® WINNERS ANNOUNCED (LOS ANGELES – Sept. 15, 2020) — The Television Academy tonight hosted the second of its five 2020 Creative Arts Emmy® Awards ceremonies honoring outstanding artistic and technical achievement in television at Emmys.com. The ceremony awarded many talented artists and craftspeople in the categories of Variety Programming. The ceremony was hosted by Emmy-nominated host Nicole Byer and featured presenters from some of the season’s most popular shows including Josh Flagg (Million Dollar Listing Los Angeles), Chris Hardwick (The Wall; The Talking Dead), Sofia Hublitz (Ozark), Thomas Lennon (Reno 911), Desus Nice & The Kid Mero (Desus & Mero), Jeremy Pope (Hollywood), Issa Rae (A Black Lady Sketch Show; Insecure) and Tracy Tutor (Million Dollar Listing Los Angeles). The 2020 Creative Arts Emmy Awards are being streamed on Emmys.com for four consecutive nights, Monday, Sept. 14, through Thursday, Sept. 17, at 8:00 p.m. EDT/5:00 p.m. PDT with a fifth broadcast ceremony on Saturday, Sept. 19, at 8:00 p.m. EDT/5:00 p.m. PDT on FXX. Winners' names are known only by Ernst & Young LLP until they are revealed to the director of the Emmys ceremony as the show is airing. All five shows are produced by Bob Bain Productions. # # # Press Contact: Stephanie Goodell breakwhitelight (for the Television Academy) [email protected] 818-462-1150 For more information, please visit emmys.com. TELEVISION ACADEMY 2020 CREATIVE ARTS EMMY AWARDS – TUESDAY, SEPTEMBER 15, 2020 -
Melina Root Costume Designer
MELINA ROOT COSTUME DESIGNER TELEVISION DIRECTOR STUDIO/NETWORK NO TOMORROW (Pilot) Brad Silberling CBS Television/The CW CRAZY EX-GIRLFRIEND (Pilot, Season 1) Marc Webb CBS Television/The CW STATE OF AFFAIRS (Pilot) Joe Carnahan Universal Television GUYS WITH KIDS (Pilot & Series) Scott Ellis (Pilot) Universal Television/NBC BROTHERS AND SISTERS Various Touchstone/ABC (Season 2: Episodes 13-16 & Seasons 3-5) Warner Bros./Adult Swim HITCHED (Pilot) Rob Greenberg Warner Bros./CBS th MISS GUIDED (Series/Season 1) Todd Holland (Pilot) 20 Century Fox/ABC PLAYING CHICKEN (Pilot) John Pasquin Warner Bros./FOX 20 GOOD YEARS (Pilot & Series) Terry Hughes Warner Bros./NBC NEIGHBORS (Pilot) Jeff Melman Touchstone/ABC INSEPARABLE (Pilot) Pam Fryman NBC Universal/CBS THAT 80’S SHOW (Pilot & Series) Terry Hughes Carsey-Werner/FOX THAT 70’S SHOW (Pilot & Series) David Trainer Carsey-Werner/FOX Emmy Award: Outstanding Costumes for a Series, 1999 Emmy Nominations: Outstanding Costumes for a Series, 2002-2004 Costume Designers Guild Awards Nominations, 2000-2001, 2003, 2005 RD 3 ROCK FROM THE SUN (Pilot/Series) James Burrows (Pilot), Terry Hughes Carsey-Werner/NBC 1997 Emmy Award Outstanding Costumes for a Series, “Nightmare on Dick Street” 1998 Emmy Nomination: Outstanding Costumes for a Series, “36, 24, 36 Dick” 2000 Costume Designers Guild Awards Nomination NORMAL, OHIO (Pilot & Season 1: Episodes 1-6) Philip Charles MacKenzie Carsey-Werner/NBC TOWNIES (Pilot) Pam Fryman Carsey-Werner/ABC THE MARTIN SHORT SHOW (Series/Special) John Blanchard NBC SATURDAY NIGHT LIVE (Seasons 16-19) Various NBC LATE NIGHT WITH CONAN O'BRIEN Various NBC (Wardrobe Redesign for Hosts) FEATURES DIRECTOR STUDIO BROTHERS SOLOMON Bob Odenkirk Revolution Studios WAYNE'S WORLD II Stephen Surjik Paramount Pictures MURTHA SKOURAS AGENCY 1025 COLORADO AVENUE, SANTA MONICA, CA 90401 PHONE 310.395.4600 | FAX 310.395.4622 WWW.MURTHASKOURAS.COM . -
John Doyle Insurancedoyle Insurance AGENCY
FINAL-2 Sat, Jun 30, 2018 8:14:39 PM Your Weekly Guide to TV Entertainment for the week of July 7 - 13, 2018 OLD FASHIONED SERVICE FREE REGISTRY SERVICE John Doyle INSURANCEDoyle Insurance AGENCY Voted #1 1 x 3 Insurance Agency When a big city crime reporter (Amy Adams, “Arrival,” 2016) returns to her hometown Home sweet home to cover a string of gruesome killings, not all is what it seems. Jean-Marc Vallée (“Dal- las Buyers Club,” 2013) reunites with HBO to helm another beloved novel adaptation Auto • Homeowners in Gillian Flynn’s “Sharp Objects,” premiering Sunday, July 8, on HBO. The ensemble Business • Life Insurance cast also includes Patricia Clarkson (“House of Cards”) and Chris Messina (“The Mindy Patricia Clarkson stars in “Sharp Objects” 978-777-6344 Project”). www.doyleinsurance.com FINAL-2 Sat, Jun 30, 2018 8:14:41 PM 2•SalemNews•July 7 - 13, 2018 Into the fire: A crime reporter is drawn home in ‘Sharp Objects’ By Francis Babin by Patricia Clarkson (“House of ten than not, alone. The boozy try to replicate its success by fol- discussed this at the ATX Television TV Media Cards”). nights help with her ever-growing lowing the same formula: a trendy, Festival in Austin, Texas, explaining Video Three preteen victims and a po- sense of paranoia but trigger pain- well-known novel, big name talent that “Camille needed to be ex- releases n recent years, we’ve seen a real tential serial killer on the loose is a ful recollections of her sister Mari- and a celebrated auteur/director in plored over eight episodes. -
Nomination Press Release
Brian Boyle, Supervising Producer Outstanding Voice-Over Nahnatchka Khan, Supervising Producer Performance Kara Vallow, Producer American Masters • Jerome Robbins: Diana Ritchey, Animation Producer Something To Dance About • PBS • Caleb Meurer, Director Thirteen/WNET American Masters Ron Hughart, Supervising Director Ron Rifkin as Narrator Anthony Lioi, Supervising Director Family Guy • I Dream of Jesus • FOX • Fox Mike Mayfield, Assistant Director/Timer Television Animation Seth MacFarlane as Peter Griffin Robot Chicken • Robot Chicken: Star Wars Episode II • Cartoon Network • Robot Chicken • Robot Chicken: Star Wars ShadowMachine Episode II • Cartoon Network • Seth Green, Executive Producer/Written ShadowMachine by/Directed by Seth Green as Robot Chicken Nerd, Bob Matthew Senreich, Executive Producer/Written by Goldstein, Ponda Baba, Anakin Skywalker, Keith Crofford, Executive Producer Imperial Officer Mike Lazzo, Executive Producer The Simpsons • Eeny Teeny Maya, Moe • Alex Bulkley, Producer FOX • Gracie Films in Association with 20th Corey Campodonico, Producer Century Fox Television Hank Azaria as Moe Syzlak Ollie Green, Producer Douglas Goldstein, Head Writer The Simpsons • The Burns And The Bees • Tom Root, Head Writer FOX • Gracie Films in Association with 20th Hugh Davidson, Written by Century Fox Television Harry Shearer as Mr. Burns, Smithers, Kent Mike Fasolo, Written by Brockman, Lenny Breckin Meyer, Written by Dan Milano, Written by The Simpsons • Father Knows Worst • FOX • Gracie Films in Association with 20th Kevin Shinick, -
Janet Weinberg, Ace ~ Editor
JANET WEINBERG, ACE ~ EDITOR "THE BABY-SITTERS CLUB" 2019, 2021 Netflix and Walden Media Half hour episodic - Season 1 & 2 EP: Rachel Shukert “SEX/LIFE” 2020-2021 Netflix Hour episodic – Season 1 EP: Stacy Rukeyser “INTERROGATION” 2019 CBS All Access Hour episodic – Season 1 EPs: John Mankiewicz, Anders Weidemann “LITTLE AMERICA” 2019 Universal for Apple Half hour episodic – Season 1 EPs: Lee Eisenberg, Sian Heder "THE EDGE OF SEVENTEEN" 2019 STX for YouTube Half-hour – Pilot EP/Director: Annabele Oaks “BETTER THINGS” 2018-2019 FX Half hour episodic – Season 3 EP/Director: Pamela Adlon ACE Eddie Award Winner For S3 Episode 8 “UnREAL” 2014-2018 A&E for Lifetime Hour episodic – Seasons 1-3 EPs: Bob Sertner, Sarah Shapiro, Stacy Rukeyser, Marti Noxon “THE EXORCIST” 2016-2017 Fox Studio for Fox Hour episodic – Seasons 1&2 Executive Producers: Rolin Jones, Jeremy Slater “JANE THE VIRGIN” 2015-2016 CBS Studio for the CW Hour episodic – Season 2 Executive Producer: Jennie Snyder Urman “MISTRESSES” 2015 ABC Studio for ABC Hour episodic – Season 2 EPs: Bob Sertner, Rina Mimoun, K.J. Steinberg “DEVIOUS MAIDS” 2012-2014 ABC Studio for Lifetime Hour episodic – Seasons 1&2 Executive Producer: Marc Cherry “CHASING LIFE” 2013-2014 Lionsgate and ABC for ABC Family Hour episodic – Seasons 1&2 Executive Producer: Patrick Sean Smith “THE LYING GAME” 2011-2012 Warner Horizon for ABC Family Hour episodic – Seasons 1-3 Executive Producer: Chuck Pratt 4929 Wilshire Blvd., Ste. 259 Los Angeles, CA 90010 ph 323.782.1854 fx 323.345.5690 [email protected] “Secret Life of the American Teenager” ABC Studio for ABC Family 2008-2010 Executive Producer: Brenda Hampton Pilot and Seasons 1&2 Director: Ron Underwood (pilot) “7th Heaven” 1996-2007 Spelling TV for The WB/CBS, for The CW Seasons 1-11 – 114 episodes EPs: Aaron Spelling, Brenda Hampton “Love Boat: The Next Wave” Spelling TV for UPN Hour episodic – Season 1 Executive Producer: Aaron Spelling “Next of Kin” 2005 Directed by Stephen Collins Theatrical short (numerous festival awards) “Spenser: For Hire” Warner Bros. -
2012 Annual Report
2012 ANNUAL REPORT Table of Contents Letter from the President & CEO ......................................................................................................................5 About The Paley Center for Media ................................................................................................................... 7 Board Lists Board of Trustees ........................................................................................................................................8 Los Angeles Board of Governors ................................................................................................................ 10 Public Programs Media As Community Events ......................................................................................................................14 INSIDEMEDIA/ONSTAGE Events ................................................................................................................15 PALEYDOCFEST ......................................................................................................................................20 PALEYFEST: Fall TV Preview Parties ...........................................................................................................21 PALEYFEST: William S. Paley Television Festival ......................................................................................... 22 Special Screenings .................................................................................................................................... 23 Robert M. -
2010 Annual Report
2010 ANNUAL REPORT Table of Contents Letter from the President & CEO ......................................................................................................................5 About The Paley Center for Media ................................................................................................................... 7 Board Lists Board of Trustees ........................................................................................................................................8 Los Angeles Board of Governors ................................................................................................................ 10 Media Council Board of Governors ..............................................................................................................12 Public Programs Media As Community Events ......................................................................................................................14 INSIDEMEDIA Events .................................................................................................................................14 PALEYDOCFEST ......................................................................................................................................20 PALEYFEST: Fall TV Preview Parties ...........................................................................................................21 PALEYFEST: William S. Paley Television Festival ......................................................................................... 22 Robert M.