Monthly Meetings 2009
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Bluegrass Outlet Banjo Tab List Sale
ORDER FORM BANJO TAB LIST BLUEGRASS OUTLET Order Song Title Artist Notes Recorded Source Price Dixieland For Me Aaron McDaris 1st Break Larry Stephenson "Clinch Mountain Mystery" $2 I've Lived A Lot In My Time Aaron McDaris Break Larry Stephenson "Life Stories" $2 Looking For The Light Aaron McDaris Break Aaron McDaris "First Time Around" $2 My Home Is Across The Blueridge Mtns Aaron McDaris 1st Break Mashville Brigade $2 My Home Is Across The Blueridge Mtns Aaron McDaris 2nd Break Mashville Brigade $2 Over Yonder In The Graveyard Aaron McDaris 1st Break Aaron McDaris "First Time Around" $2 Over Yonder In The Graveyard Aaron McDaris 2nd Break Aaron McDaris "First Time Around" $2 Philadelphia Lawyer Aaron McDaris 1st Break Aaron McDaris "First Time Around" $2 When My Blue Moon Turns To Gold Again Aaron McDaris Intro & B/U 1st verse Aaron McDaris "First Time Around" $2 Leaving Adam Poindexter 1st Break James King Band "You Tube" $2 Chatanoga Dog Alan Munde Break C-tuning Jimmy Martin "I'd Like To Be 16 Again" $2 Old Timey Risin' Damp Alan O'Bryant Break Nashville Bluegrass Band "Idle Time" $4 Will You Be Leaving Alison Brown 1st Break Alison Kraus "I've Got That Old Feeling" $2 In The Gravel Yard Barry Abernathy Break Doyle Lawson & Quicksilver "Never Walk Away" $2 Cold On The Shoulder Bela Fleck Break Tony Rice "Cold On The Shoulder" $2 Pain In My Heart Bela Fleck 1st Break Live Show Rockygrass Colorado 2012 $2 Pain In My Heart Bela Fleck 2nd Break Live Show Rockygrass Colorado 2012 $2 The Likes Of Me Bela Fleck Break Tony Rice "Cold On -
Songwriter Mike O'reilly
Interviews with: Melissa Sherman Lynn Russwurm Mike O’Reilly, Are You A Bluegrass Songwriter? Volume 8 Issue 3 July 2014 www.bluegrasscanada.ca TABLE OF CONTENTS BMAC EXECUTIVE President’s Message 1 President Denis 705-776-7754 Chadbourn Editor’s Message 2 Vice Dave Porter 613-721-0535 Canadian Songwriters/US Bands 3 President Interview with Lynn Russworm 13 Secretary Leann Music on the East Coast by Jerry Murphy 16 Chadbourn Ode To Bill Monroe 17 Treasurer Rolly Aucoin 905-635-1818 Open Mike 18 Interview with Mike O’Reilly 19 Interview with Melissa Sherman 21 Songwriting Rant 24 Music “Biz” by Gary Hubbard 25 DIRECTORS Political Correctness Rant - Bob Cherry 26 R.I.P. John Renne 27 Elaine Bouchard (MOBS) Organizational Member Listing 29 Gord Devries 519-668-0418 Advertising Rates 30 Murray Hale 705-472-2217 Mike Kirley 519-613-4975 Sue Malcom 604-215-276 Wilson Moore 902-667-9629 Jerry Murphy 902-883-7189 Advertising Manager: BMAC has an immediate requirement for a volunteer to help us to contact and present advertising op- portunities to potential clients. The job would entail approximately 5 hours per month and would consist of compiling a list of potential clients from among the bluegrass community, such as event-producers, bluegrass businesses, music stores, radio stations, bluegrass bands, music manufacturers and other interested parties. You would then set up a systematic and organized methodology for making contact and presenting the BMAC program. Please contact Mike Kirley or Gord Devries if you are interested in becoming part of the team. PRESIDENT’S MESSAGE Call us or visit our website Martha white brand is due to the www.bluegrassmusic.ca. -
Off the Beaten Track
Off the Beaten Track To have your recording considered for review in Sing Out!, please submit two copies (one for one of our reviewers and one for in- house editorial work, song selection for the magazine and eventual inclusion in the Sing Out! Resource Center). All recordings received are included in “Publication Noted” (which follows “Off the Beaten Track”). Send two copies of your recording, and the appropriate background material, to Sing Out!, P.O. Box 5460 (for shipping: 512 E. Fourth St.), Bethlehem, PA 18015, Attention “Off The Beaten Track.” Sincere thanks to this issue’s panel of musical experts: Richard Dorsett, Tom Druckenmiller, Mark Greenberg, Victor K. Heyman, Stephanie P. Ledgin, John Lupton, Angela Page, Mike Regenstreif, Seth Rogovoy, Ken Roseman, Peter Spencer, Michael Tearson, Theodoros Toskos, Rich Warren, Matt Watroba, Rob Weir and Sule Greg Wilson. that led to a career traveling across coun- the two keyboard instruments. How I try as “The Singing Troubadour.” He per- would have loved to hear some of the more formed in a variety of settings with a rep- unusual groupings of instruments as pic- ertoire that ranged from opera to traditional tured in the notes. The sound of saxo- songs. He also began an investigation of phones, trumpets, violins and cellos must the music of various utopian societies in have been glorious! The singing is strong America. and sincere with nary a hint of sophistica- With his investigation of the music of tion, as of course it should be, as the Shak- VARIOUS the Shakers he found a sect which both ers were hardly ostentatious. -
BNL Column March 07 I Just Turned 61 at the End of February
BNL column March 07 I just turned 61 at the end of February, and find myself reflecting on getting older and “taking stock”. I count myself lucky to have a career in music. The chance both to perform, in many places, with many fine musicians, and to teach people how to play music keeps my life interesting and fulfilling. Some of the best advice I ever give is a direction I took myself when I suggested to Tim OʼBrien that we start a band. The advice I give to any up-and-coming banjo player is: “Get with the best lead singer you possibly can, and learn to work together.” This month, Tim turns 53. At that time, he was 23 and I was 31. Iʼd say it worked out well for both of us. The “get with the best lead singer you can” principle came clear when I realized that almost all the banjo players Iʼd heard of had come to my attention as part of a bluegrass band: Flatt & Scruggs, Reno & Smiley, the Stanley Bros., the Osborne Bros., the Country Gentlemen, Jimmy Martin, Jim & Jesse, etc. In each case, the lead singer in the band was a big part of the reason the banjo player could have a career and be heard. The banjo player might contribute original material, help arrange the bandʼs music, be part of the harmony singing, and often as not, also be part of the “business machine” that helped the band stay in business. This is exactly what I undertook in starting Hot Rize, 30 years ago this year. -
282 Newsletter
NEWSLETTER #282 COUNTY SALES P.O. Box 191 November-December 2006 Floyd,VA 24091 www.countysales.com PHONE ORDERS: (540) 745-2001 FAX ORDERS: (540) 745-2008 WELCOME TO OUR COMBINED CHRISTMAS CATALOG & NEWSLETTER #282 Once again this holiday season we are combining our last Newsletter of the year with our Christmas catalog of gift sugges- tions. There are many wonderful items in the realm of BOOKs, VIDEOS and BOXED SETS that will make wonderful gifts for family members & friends who love this music. Gift suggestions start on page 10—there are some Christmas CDs and many recent DVDs that are new to our catalog this year. JOSH GRAVES We are saddened to report the death of the great dobro player, Burkett Graves (also known as “Buck” ROU-0575 RHONDA VINCENT “Beautiful Graves and even more as “Uncle Josh”) who passed away Star—A Christmas Collection” This is the year’s on Sept. 30. Though he played for other groups like Wilma only new Bluegrass Christmas album that we are Lee & Stoney Cooper and Mac Wiseman, Graves was best aware of—but it’s a beauty that should please most known for his work with Lester Flatt & Earl Scruggs, add- Bluegrass fans and all ing his dobro to their already exceptional sound at the height Rhonda Vincent fans. of their popularity. The first to really make the dobro a solo Rhonda has picked out a instrument, Graves had a profound influence on Mike typical program of mostly standards (JINGLE Auldridge and Jerry Douglas and the legions of others who BELLS, AWAY IN A have since made the instrument a staple of many Bluegrass MANGER, LET IT bands everywhere. -
Charley Waller Country Songs, Old and New Mp3, Flac, Wma
Charley Waller Country Songs, Old And New mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: Country Songs, Old And New Country: US Released: 1960 Style: Bluegrass MP3 version RAR size: 1599 mb FLAC version RAR size: 1606 mb WMA version RAR size: 1978 mb Rating: 4.9 Votes: 724 Other Formats: WMA MP1 FLAC MIDI ASF APE DTS Tracklist Hide Credits A1 Roving Gambler 3:07 A2 The Little Sparrow 3:31 A3 Drifting Too Far 3:27 A4 Weeping Willow 2:01 A5 Tomorrow's My Wedding Day 2:09 A6 The Story Of Charlie Lawson 3:03 Turkey Knob A7 2:18 Written-By – Eddie Adcock A8 Paul And Silas 2:26 B1 Ellen Smith 2:13 The Long Black Veil B2 3:35 Written-By – Dill*, Wilkin* Honky Tonk Rag B3 2:26 Written-By – John Duffey B4 Jesse James 2:35 B5 Have Thine Own Way 2:51 A Good Woman's Love B6 3:25 Written-By – Cy Cobin* B7 The Double Eagle 2:54 B8 Darling Alalee 2:04 Credits Arranged By – Charlie Waller (tracks: 15), John Duffey (tracks: 1 to 5, 8, 12, 13, 16) Banjo, Vocals – Eddie Adcock Bass, Vocals – Jim Cox Guitar, Vocals – Charley Waller* Mandolin, Vocals – John Duffey Notes Includes insert from Folkways Records that has bios on the band and its members as well as lyrics. The vinyl label is the original Folkways Blue w/ Silver print. Other versions Category Artist Title (Format) Label Category Country Year Charley Waller*, John Charley Waller*, Duffey, Eddie Adcock John Duffey, And The Country Folkways FA 2409 Eddie Adcock And FA 2409 US 1960 Gentlemen - Country Records The Country Songs, Old And New Gentlemen (LP, Album) Charley -
The Crooked Road's 4TH Annual Mountains of Music Homecoming
FOR IMMEDIATE RELEASE: April 18, 2018 Contact: Jack Hinshelwood, Executive Director The Crooked Road & Mountains of Music Homecoming (276) 492-2402 O, (540) 239-2110 M [email protected] Karen Tessier, Public Relations Mountains of Music Homecoming (828) 398-5250 O, (828) 231-6268 M [email protected] The Crooked Road’s 4TH Annual Mountains of Music Homecoming Abingdon, VA: Organizers throughout Southwest Virginia are gearing up for the 4th Annual Mountains of Music Homecoming, an extraordinary nine-day celebration of traditional music and culture taking place June 8 - 16, 2018, in over forty communities throughout the Crooked Road region of Southwest Virginia. The Crooked Road, Virginia’s Heritage Music Trail, connects nine major music venues and over 50 affiliated venues and festivals presenting traditional music 365 days a year. Residents and visitors can expect an extraordinary menu of Appalachian food, authentic culture, local arts and crafts, history, outdoor adventure, and a remarkable schedule of bluegrass, old time, blues, gospel, folk and traditional music concerts performed all along the more than 300 miles of The Crooked Road. The 2018 Homecoming will feature Doyle Lawson & Quicksilver, Lonesome River Band, Del McCoury Band, blues legends Jimmy Duck Holmes and Phil Wiggins, a unique Stanley Brothers All-Star Band, a showcase of the Best All Around Performers from the Galax Old Doyle Lawson & Quicksilver Fiddler’s Convention and dozens more. “You can hear music from The Crooked Road region worldwide, but experiencing it in the place it comes from is a totally different thing,” said Crooked Road executive director Jack Hinshelwood. “It’s like the difference between someone describing ice cream to you and actually tasting it yourself. -
Criffel Creek 07.07.2013 33 Songs, 1.8 Hours, 214.6 MB
Page 1 of 2 Criffel Creek 07.07.2013 33 songs, 1.8 hours, 214.6 MB Name Time Album Artist 1 Angels Rock Me To Sleep 1:57 Bill Monroe and the Bluegrass Boys live recordings… Bill Monroe & His Blue Grass Boys 2 When You And I Were Young, Maggie 2:44 Yonder Jerry Douglas & Peter Rowan 3 Praise The Lord 2:56 Carry Me Across The Mountain Dan Tyminski 4 Out on the western plain 4:01 The Border Sessions Lands End 5 Stepping On The Clouds 2:53 Tell Someone Kenny & Amanda Smith Band 6 Sarah In The Summer 3:18 Acoustic The Nitty Gritty Dirt Band 7 Your Long Journey 3:55 Raising Sand Robert Plant & Alison Krauss 8 Red Cal 3:00 Feet All Over the Floor The Stairwell Sisters 9 Jeff Sturgeon / Indian Squaw 3:02 Full Circle Tony Furtado 10 Hey Little Darlin 3:34 Someone's Got To Pay The Wilders 11 Danger In The Air 3:43 Drive South Andy Owens And 1-800-Bluegrass 12 For Gold 4:50 The Gathering Crows Máiri Orr 13 Sweet One 2:46 The Gathering Crows Máiri Orr 14 The Gathering Crows 4:34 The Gathering Crows Máiri Orr 15 Will You 2:56 The Gathering Crows Máiri Orr 16 Two Different States of Mind 3:14 The Gathering Crows Máiri Orr 17 No Plans 3:26 Feel The Hot Seats 18 Thank God For The Radio 3:20 Who I Am Alan Jackson 19 Meet Me By The Icehouse, Lizzie 3:06 Country, Bluegrass & Mountain Music [Disc 2] The Original Hoosier Hotshots 20 Crazy 5:11 Fireball Roger Williams 21 Loves Me Like A Rock 3:05 I Know Who Holds Tomorrow Alison Krauss & The Cox Family 22 The Diamond Mountain 3:03 Live In Galway Sharon Shannon & The Woodchoppers Criffel Creek 07.07.2013 Page -
A Biography of Doc Watson by Dan Miller Edited by Steve Carr
A Biography of Doc Watson by Dan Miller Edited by Steve Carr Introduction Over the past fifty years the guitar has had a very powerful influence on American music. Predominantly a rhythm instrument at the turn of the century, the guitar began to step out of the rhythm section in the 1930’s and 40’s and has maintained a dominant presence in every form of music from rock, to folk, to country, bluegrass, blues, and old- time. While Elvis, the Beatles, Bob Dylan, and other pop icons of the 50’s and 60’s certainly played a large role in bolstering the guitar’s popularity, the man who has had the deepest, most enduring, and most profound influence on the way the acoustic flat top guitar is played as a lead instrument in folk, old-time, and bluegrass music today is Arthel "Doc" Watson. To those of us who have spent hundreds of hours slowing down Doc Watson records in order to learn the tastefully selected notes that he plays and emulate the clear, crisp tone he pulls out of his instrument, Doc is a legend. However, Doc’s influence extends far beyond the small niche of guitar players who try to faithfully reproduce his guitar breaks because Doc Watson is not just a guitar player and singer - he is an American hero. To be recognized as a "national treasure" by President Jimmy Carter, honored with the National Medal of the Arts by President Bill Clinton, and given an honorary doctorate degree from the University of North Carolina calls for being more than a fine musician and entertainer. -
FBR Playlist 1-23-17
Southern Flavor Monroe,BIll Country Music Hall of Fame Rainin on the Mountain Delmore Brothers Browns Ferry Blues Windy Mountain Lonesome Pine Fiddlers Windy Mountain Sunny Side of the Mountain Jimmy Martin King of Bluegrass It's Raining Here This Morning Stanley Brothers Early King and Starday Years Windy City Osborne Brothers Osborne Brothers 1968-74 Lonesome Wind Blues Osborne Brothers Detroit to Wheeling Lonesome Wind Blues Rhonda Vincent O Sister Lonesome Wind Del McCoury High Lonesome & Blue Cold Hearted Wind Claire Lynch North by South Midnight on the Stormy Deep Tony Rice Unit Manzanita Keep on the Sunny Side Flatt & Scruggs Flatt & Scruggs 1959-63 Bitter Wind Spinney Brothers Living the Dream Cold Wind a Blowin Country Gentlemen Early Rebel Recordings On the South Dakota Wind Becky Buller Little Bird Four Books In the Bible Stanley Brothers Early King and Starday Years Listen to The Word of God Lonesome River Band Carrying the Tradition Tennessee Moon Ray Cardwell Tennessee Moon There Is a Time Dillards There Is a Time 1963-70 Whole World Round Ray Cardwell Tennessee Moon New Jerusalem Ray Cardwell Tennessee Moon It Rains Everywhere I Go Lynn Morris band o Sister Voice On the Wind Hot Rize So Long of a Journey Foggy Mountain Top Kristin Scott Benson Stringworks Before the Sun Goes Down Rob Ickes & Trey Hensley Before the Sun Goes Down Ten Degrees JD Crowe & New South JD Crowe & New South Silver Dew on the Bluegrass Tonight Asleep at the Wheel f/ Del McCoury Still the King Gonna be Rainin When I Die Osborne Brothers Nashville Big -
Of a New Motown Sound Mary Chain Set Help from Hot 97 by J.R
£3.95 (U.K.) $4.95 (U.S.), $5.95 (CAN.), IN U.K. NEWS *BXNCCVR * *** * * ** 3 -DIGIT 908 Ready For tGEE4EM740M099074* 002 0659 000 BI MAR 2396 1 03 MONTY GREENLY The Globe? 3740 ELM AVE APT A LONG BEACH, CA 90807 -3402 London Suede ¡¡ % ._i...i' ...;. Starts Over IJI ) 11 it/'' 1).. Again Nal PAGE 1 1 SEPTEMBER 17, 1994 THE INTERNATIONAL NEWSWEEKLY OF MUSIC, VIDEO AND HOME ENTERTAINMENT ADVERTISEMENTS Hip -Hop Takes Boyz II Men: The Triumph Acoustic Jesus & Manhattan, With Of A New Motown Sound Mary Chain Set Help From Hot 97 BY J.R. REYNOLDS Of Life" in 1976 (See Chart Beat, Hit and CRAIG ROSEN page 112). An American BY ERIC BOEHLERT Not only does the out -of- the -box LOS ANGELES -The "End Of The success of "II" represent a triumph BY CARRIE BORZILLO NEW YORK- "Have you checked out Road" was only the beginning for for Boyz II Men and Motown, it also LOS ANGELES Jesus & Hot 97 ?" Snoopy Doggy Dogg asks in his Boyz II Men, as the group's new al- suggests that the popularity of R &B -The may reap the fruits of Southern California drawl during a be- bum, "II," debuts vocal groups is Mary Chain tween -song pro- at No. 1 on The showing no signs mo on the New Billboard 200 this of fading. Blitzz/ York station of week, while the Atlantic act All -4- the same name. single "I'll Make One had an 11- HEAT "It's represent- Love To You" week run on top of SEEKERS -_____ ing hip -hop to holds the top posi- the Hot 100 with their atlantic debut featuring the fi d est." tion on the Hot 100 BOYZ II MEN "I Swear," while !MPAÇ `stranger than fictimn" THE JESUS & on Arbitron and AccuRat- for a fourth week. -
Ricky Skaggs’ Career Is Easily Among the Most Significant in Recent Country Music History
RRiicckkyy SSkkaaggggss Fourteen-time GRAMMY® Award-winner Ricky Skaggs’ career is easily among the most significant in recent country music history. If Skaggs’ burgeoning trophy case full of awards wasn’t already enough evidence of that fact, consider that legendary guitarist Chet Atkins once credited Skaggs with “single-handedly saving country music.” His life’s path has taken him to various musical genres, from where it all began in bluegrass music, to striking out on new musical journeys, while still leaving his musical roots intact. Born July 18, 1954 in Cordell, Kentucky, Skaggs showed signs of future stardom at an early age, playing mandolin on stage with bluegrass pioneer Bill Monroe at 6 and appearing on TV with Lester Flatt & Earl Scruggs at 7. He emerged as a professional bluegrass musician in 1971, when he and his friend Keith Whitley were invited to join the legendary Ralph Stanley’s band the Clinch Mountain Boys. Skaggs then went on to record and perform with progressive bluegrass acts like the Country Gentlemen and J.D. Crowe & the New South, whose self-titled 1975 Rounder Records debut album was instantly recognized as a landmark bluegrass achievement. He then led Boone Creek, which also featured Dobro ace and fellow New South alumnus Jerry Douglas. But Skaggs turned to the more mainstream country music genre in the late ‘70s when he joined Emmylou Harris’s Hot Band, replacing Rodney Crowell. He became a recording artist in his own right in 1981 when his Epic label debut album Waitin’ for the Sun to Shine topped the country charts and yielded a pair of #1 hits.